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Surprisingly credible album is in many ways more musically consistent than many of Yes's efforts from 1990 on. In that time, the band released nothing to match their 70's classics, but instead a series of albums of variable worth (Union, Talk, Open Your Eyes, Keys to Ascension, The Ladder, Magnification), all of which feature a few great tunes sandwiched among filler. The new album fits the pattern. The 6-part title suite is the clear high-point, expanding well upon the unreleased 1980 Drama outtake. The remaining tracks range from decent proggers (Life on a Film Set, Into the storm) to bland throwaways (Hour of Need, The Man You Want Me To Be). Intriguingly, the best tracks all have Horn/Downes writing credits, demonstrating the Drama prodigals were a lot more invested in this project than the core trio of Howe/Squire/White. Benoit David acquits himself nicely, mainly by not trying to be Jon.
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