2112 ($5 Special)

SKU: 314534626
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Progressive Rock
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The progressive elements are in full force and many of the band's signature pieces appear here. Highly recommended.  Remastered edition.

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  • Remastered edition of the debut from this excellent Australian progressive metal band. This has been out of print for some time but it arrives with a bonus track and two video clips.
    $8.00
  • I lost track of this band's work after their first release some years ago. This is actually their sixth album! Magnesis are a French symphonic rock band dedicated to creating progressive music in the classic dramatic style of bands like Ange and Atoll. L'Immortel Opera is a conceptual work that features dynamic compositions emphasizing the vocal talents of Eric Tillerot. At times the music is a bit precious reminding me of Japanese bands like Pagaent and Outer Limits but overall it is true to the spirit of 70s French prog.
    $15.00
  • Alphataurus was one of the great one and done Italian prog bands of the 70s. Who can forget that amazing triple fold out cover with the dove dropping bombs?This is a live reunion gig recorded at Bloom in Mazzago Italy during the ProgVention Festval on November 6, 2010. This live recording finds the band in astonishingly superb form. The CD edition is the band's complete performance. In addition to the entire self-titled album the band runs through some unreleased material from back in the day. Sound quality of the recording is completely professional. If you are fan of Alphataurus or Rock Progressivo Italiano in general this is a must own. If you are planning on seeing the band at Farfest it's a great way to become familiar with their material.
    $16.00
  • Live set recorded at Rosfest and Calprog in 2009. Touchstone are getting a lot of hype in the British press at the moment but that shouldn't deter you. The band's music is from the more melodic side of the prog spectrum. Fronted by Kim Seviour, she complements the band well. If you like your prog a bit light you should enjoy this band - they went over a ton at both festivals.
    $4.00
  • Beautiful sounding symphonic prog from Italy. The music has a very laid back refined quality that touches on folk elements at times. Female vocals (in Italian), flute, keys, electric guitar, bass and drums fill the soundspace in a way that lets the compositions develop and breath. The 31 minute epic "Morgana" features long languid instrumental passages in which the flute weaves around the keyboards and guitar to mesmerizing effect. The music never gets too heavy but there is an ever present ebb and flow that is appealing. Very impressive - these guys need to find a real label.
    $16.00
  • One of the best Quebecois prog albums.  Originally released in 1972 by Columbia its become a serious rarity - one of the top in the Canadian prog genre.  All the reviews will tell you the same basic story.  Dervieux was dying of cancer.  He assembled a group of musicians that would ultimately carry on after his death as Contraction.  The album is very keyboard intensive having a bit of a classical feel - kind of ELP-ish in spots.  Quite a beautiful album and essential."Franck Dervieux manned the keyboards on some of Jean-Pierre Ferland's earlier works, but by 1972 the gifted pianist had decided to strike out on his own. For Dimension M, Dervieux assembled some of the cream of the early Quebec prog scene, including bassist Yves Laferriere, Michel Robidoux on acoustic guitar, drummer Christian St. Roch and on several tracks singer Christiane Robichaud, all of whom would go on to form the sought-after prog band Contraction. Dervieux was suffering from late-stage cancer at the time and dedicated the record to his team of doctors in Sherbrooke, who he claims "preserved" him for the making of this record.What makes Dimension M such a joy is the way it straddles - remember this is just 1972 - the worlds of psychedelia and prog. Dervieux delivers plenty of classically-themed piano and virtuosic organ solos a la ELP, but elsewhere, on the blithe intro to side-one closer 'Hyperboree' (an adaptation of a work by obscure French composer Gabriel Govrez) he fuses some bluesy organ with Robichaud's fetching aria. Even better is the haunting build-up of drums, keyboard and voice on his own 'Concerto Pour Les Mondes Perdus' or the spacy workout 'Present Du Futur' over on side two. Fans of Soft Machine, Kingdom Come or Van der Graaf Generator should find plenty to salivate over on these tracks.Alas, though the Lord may giveth, he also taketh away, and one of the true originators of Quebecois progressive rock died not long after the release of Dimension M. The original vinyl came in a gatefold sleeve with a four-page insert, but it can be devilishly hard to find despite coming out on Columbia Canada. For those of us who want more immediate gratification, the dedicated folks over at ProgQuebec recently issued Dimension M on CD, carefully mastered from a vinyl source, with photos and bilingual liner notes to boot." - Canukistan Music 
    $18.00
  • To commemorate their 10th anniversary, Riverside has recorded a new 3 song “mini-album”. This 33 minute work consists of three long tracks that segue into one cohesive whole. Stylistically it’s a return to the spacier melancholy sound of their debut “Out Of Myself”. Memories In My Head is a musical rollercoaster ride of deep emotional power. This new release also marks the band's return to the Laser’s Edge, the label that they began their incredible journey with. Recommended to fans of Porcupine Tree, Pink Floyd, and Anathema.
    $10.00
  • "Listening to Cardiacs, I get the mental image of a deranged gerbil in a hole somewhere composing music. Although at one point he may have been content to write jingles and fine- tuned pop ditties in exchange for sunflower seeds, Cardiacs represents everything past the point where the gerbil loses his grasp on reality and becomes wrapped up in creative fervor. Now unabated by mundane rodent things, the gerbil and his music fall deeper into madness. Although this may not do well to describe Cardiacs’ manic mix of punk rock and avant-prog, it should give a good indicator of the feeling “Sing to God” gives me as a listener. It’s catchy, experimental, and about as close to the peppy end of a manic depressive episode as I imagine music could aptly depict. Really, it’s pop music beyond words or sense, and I can’t seem to get enough of it.Among other things, punk music arose as an opposition to the bombast and overcomplexity of progressive rock. In lieu of this, it’s quite the irony to see Cardiacs not only fusing the two styles together, but doing so as if prog and punk were made for each other. “Sing to God” runs the gamut in terms of styles: a sense of symphonic bombast comparable to Yes is mixed with Beatles-esque baroque pop sensibilities and injected with the venom of pub- dwelling punk rock. These sounds- which would often conflict with each other in the ‘real’ world- are all fused with a viciously tongue-in-cheek attitude pleasantly reminiscent of Frank Zappa. I could also compare the band’s overdubbed vocal harmonies to Queen, or the general ‘what-the-hell-am-I-listening-to’ atmosphere to Mr. Bungle, but Cardiacs ultimately stand on a ground of their own. Did I forget to mention that the band manage to make this experimental chaos as catchy as the plague?Many of the songs on “Sing to God” rest on a tightrope between order and chaos. Many of the songs enjoy a level of comfort in catchy instrumental hooks and quaint vocal melodies. With the exception of a few tracks (most notably the cinematic-worthy “Dirty Boy”, the unsettling soundscape “Quiet as a Mouse” and some of the shorter musical sketches), the majority of “Sing to God” boasts a foundation in good old fashioned songwriting. Vocalist and mastermind Tim Smith has a zany and wildly charismatic voice that would have even fit comfortably into British alternative rock canon, were it not for the extent Cardiacs take their basic elements and contort them. Although some elements are best kept as a surprise for fresh listeners, be sure to expect everything from ‘chipmunk vocals’ to film score flourishes, classically-influenced pianos, circus music, hyperpunk rhythmic energy and everything in between. Of particular note are the extra-wacky tunes “Dog-Like Sparky”, “A Horse’s Tale” and “Dirty Boy”, a longer piece that gets remarkably profound and damned near celestial by the end of it. Tim Smith’s lyrics are a world of their own, and though there’s not often the sense that there’s an explicit meaning behind the absurdity, they’re absolutely fascinating within the context of such a chaotic album. Although- at an hour and a half- the album may be a little long for one comfortable sitting, there is no filler to speak of, although the first half is decidedly better than the latter.In spite of the zany effects, absurdly surreal lyrics, wall-of-sound production and mile-per- second flow of ideas, Cardiacs remain- at their core- a pop band, and “Sing to God” remains a pop album. In the end, it’s the interplay between the hyper-weird and catchy elements therein that makes the album so bloody fascinating. Depending on where your mental state may be at the time of listening, it will either be a trip through the most euphoric hyperparadise dreams could forge, or a reality-distrupting soundtrack to nightmares. Whatever way it may strike, “Sing to God” is pretty unforgettable, and it just may be the greatest experimental rock record I have ever had the strained pleasure of listening to." - Prog-Sphere
    $34.00
  • Maybe I have a soft spot for this album because it was the first Camel album I got turned on to. This great remastered edition features 3 bonus tracks. "Lunar Sea" is just as intense for me now as it was hearing it for the first time 26 years ago.Special digipak edition comes with a bonus CD recorded live at the Hammersmith Odeon in London on 4/14/76.
    $27.00
  • Ian Parry's first new solo album in 10 years arrives with a bevy of solid players behind him. The lineup reads a bit more like a Consortium Project album. Kamelot's Casey Grillo and Vanden Plas' Andreas Lill handle the drums while Vanden Plas guitarist Stephan Lill is all over this as well.
    $3.00
  • "As history has demonstrated, a female singer is a good way to change the landscape, or at least get more eyeballs pointed in the desired direction. And since there a few landscapes as dry as power metal, it manages to work for Polish-based power metallers Crystal Viper. On Legends, the band does manage to use every power cliché known to man (or woman), but the added element of singer Marta Gabriel gives it the apropos nudge in the right direction. Gabriel is hardly spectacular, but neither was Doro, so when she’s belting out the choruses to the valiant “Blood of the Heroes” or “Goddess of Death,” it’s easy to drop her into a band like Hammerfall, who are probably the closest cousins in terms of comparison. Gabriel also gets high marks on “Sydonia Bork,” a tender ballad that shows the Pole can do more than rasp her away through an album. Flashy Crystal Viper is not, so they’re often left to rely on the previously-done melodies and song constructs, namely the very Stratovarious-esque “A Man of Stone.” Elsewhere, the surging “The Ghost Ship,” and “Night of the Sin” are traditionally-styled PM romps, complete with rousing choruses and ample amounts of gang vocals which are the stuff that Doro made her uh, “legend” out of. Indicative of just how willing some power metal bands are in terms of playing it close to the vest, Legends won’t blow the doors off anyone, yet it’s the tried-and-true formula of simple songs, bombastic choruses, and a vamping female singer that gets the job done. Amazing what a touch of a woman will do, eh? " - blistering.com
    $14.00
  • Alive & Well Recorded In Paris has been out of print for many years. Esoteric Recordings uncovered the original multitrack tapes and presented an expanded edition.The original sessions were recorded in Paris in 1977. This lineup featured John Etheridge on guitar and Ric Sanders on violin as lead instruments. It was a vastly different sounding version of Soft Machine - at this point there were well into their fusion phase. The bonus disc features 45 minutes of unreleased material from these live recordings as well as 2 tracks from a single they released on Harvest. Of course you get an expanded booklet with nice liner notes. Typical great Esoteric job. Highly recommended.
    $20.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • "Borboletta is the sixth studio album by Santana. It is one of his jazz-funk-fusion oriented albums, along with Caravanserai, Welcome, Love Devotion Surrender with John McLaughlin, and Illuminations with Alice Coltrane, Jack DeJohnette and Jules Broussard. The guitarist leaves a lot of room to percussion, saxophone and keyboards to set moods ("Spring Manifestations"), as well as lengthy solos by himself ("Promise of a Fisherman") and vocals ("Give and Take", a funky guitar-led song). The record was released in a shiny blue sleeve displaying a butterfly, an allusion to the album Butterfly Dreams by Brazilian musician Flora Purim and her husband Airto Moreira, whose contributions deeply influenced the sound of Borboletta."
    $5.00