2112 ($5 Special)

SKU: 314534626
Category:
Progressive Rock
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The progressive elements are in full force and many of the band's signature pieces appear here. Highly recommended.  Remastered edition.

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  • "France's Darktribe makes their return to the power metal arena with their second effort, The Modern Age, now signed to Italy's Scarlet Records. It's basically a return to form for the band, generally a melodic metal foundation bumped up by power metal speed with some prog nuances thrown in.In this sense, there's nothing new under the sun for Darktribe. Yet there's some subtleties worth mentioning. Whether by the mixture of riffs, some keyboards tossed in, or the vocal arrangements, the songs sound really busy, like there's too much going on. Maybe it's the swell of layers. Possibly it's an artificial sense of business, even technicality. My Last Odyssey, No Train To Earth, and Anthem For A Planet are just a few songs that give me this feeling. If anything, in this mixture, guitarist Loïc Manuello riffs and leads seem to be predominant element within the band in each song. The riffage is large and sharp throughout, which probably twists the "artificial business" towards the more natural wall of sound.There's also a significant keyboard development within this album, mostly underneath and by accent. It seems larger than the previous album, but was three years ago and memory and my ears my be misleading me. You'll notice some of this at the beginning of My Last Odyssey or the middle of The Modern Age in a symphonic texture. But the latter could be merely guitar synths. Additionally, there's nice vocal harmonies, larger in arrangement, in some songs, like No Train To Earth (nice groove as well) and A Last Will, especially in the final moments.In the end, The Modern Age left me with a conundrum: it's more of the same from Darktribe, yet seems to be an advancement for the band as well. Alternatively, though interesting enough for several spins to review, I'm not so sure it's remarkable enough to listen again in the future. You may feel differently." - Dangerdog.com
    $15.00
  • Tony Bank's first solo album, originally released in 1979, is given a fresh breath of life with a new stereo mix courtesy of Nick Davis. This was done at the same time that Rutherford and Collins recorded solo albums as well - between the time of And Then There Were Three and Duke. Musically it pretty much fits into that gap as well. Its a concept album that sounds a bit like the lighter side of Genesis. One cool piece is the opener - "From The Undertow". It opens the album and was composed as the intro the the Genesis tune "Undertow". I remember seeing the British film "The Shout". Weird flick but that track was featured in the soundtrack and it was moody and creepy and un-nerved the hell out of me."Esoteric Recordings are proud to announce the release of 30th Anniversary editions of the album “A Curious Feeling” by Genesis founder member and keyboard player Tony Banks on Monday October 19th 2009. This classic album, inspired by the novel “Flowers for Algernon” by Daniel Keyes, was first released in October 1979 by Charisma Records. Recorded at Polar Studios in Stockholm, whilst Genesis were on a brief hiatus following the “And Then There Were Three” tour, this majestic work featured contributions from drummer Chester Thompson (a member of GENESIS for concert appearances) and vocalist Kim Beacon.Stylistically the album is equal to anything Banks composed for Genesis and includes the evocative instrumental “The Waters of Lethe” and the song “For a While” (released as a single in 1979 and issued as a Download single via iTunes on October 19th) among its highlights. Significantly, this new edition of “A Curious Feeling” has been remixed from the original master tapes by Nick Davis (who also remixed the entire Genesis catalogue in 2007) and Tony Banks, resulting in a more dynamic sounding album."
    $18.00
  • Special edition arrives with a bonus DVD of the band performing material from Concrete Gardens filmed at EMGTV."Sound: Tony MacAlpine was one of the Shrapnel label guitarists of the '80s, and also played keyboards for the debut releases of Vinnie Moore and other Shrapnel artists. Tony's debut solo album, "Edge of Insanity," came iout in 1986 - the same year as his first side project, M.A.R.S., with release of the album "Project: Driver." Since that time Tony MacAlpine has released numerous solo albums, participated in collaborations, made live guest appearances, and even acted as part of Steve Vai's backing band. "Concrete Gardens" is Tony's twelfth solo studio album, and is entirely instrumental like the vast majority of Tony's solo work. The album has been in the works since 2013, but took a while to release due to Tony's numerous collaborations and other projects. Jeff Loomis provides a guest guitar solo on the album on the track, "Square Circles." The album contains 12 tracks with a total runtime of just under sixty minutes. The album differs from Tony's previous work by having more of a progressive metal flavor to it, while I think of most of his previous releases as just being straight instrumental rock.The album opens up with the track "Exhibitionist Blvd," with some seriously flanged guitar and a major key melody that builds into something a little different as the track goes on. There is a specific passage that shows the influence that Vai has had on MacAlpine, though I would rank them close to equal in the virtuoso racket. "The King's Rhapsody" opens up with a keyboard intro, played by Tony, of course. Heavy guitars come in and takes the song to a few unexpected places, and actually gets my foot tapping, too - which is an accomplishment for instrumental rock! "Man in a Metal Cage" has some interesting note choices, with some mildly middle-eastern sounds for a few brief moments in the track mixed in with some obligatory sweep tapping. Otherwise, there are several passages working to create several moments of extreme tension. There are a few arpeggiated parts that are reminiscent of some other song that I can't quite place. "Poison Cookies" has a weird jazz-fusion funk feeling going on with it that I definitely appreciated - if for nothing else it changed gears long enough to shake off any monotony I thought the album might be working towards."Epic" was both a more laid back song, but also was very cerebral - the keyboard and guitar parts built on each other in a weird/cool way. "Napoleon's Puppet" very briefly reminded me of some material written by Brendan Small for his album, "Galaktikon," but it had that rhythm part to it that definitely separated it by giving it some incredibly strong groove. "Sierra Morena" is played on piano/keyboard in the intro but guitar, bass and drums come in pretty quickly. The song is named after a mountain range in Spain with the same name. I can't quite connect the music as being descriptive of a mountain range unless they're being written about the context of flying over them. "Square Circles" has some moments in the track that remind me a little bit of King Crimson, though the sense of melody is still a tad more traditional. Jeff Loomis guests on this track for a guitar solo, and it is a fairly outstanding solo in the context of the song, having a good balance of being emotive and twisted."Red Giant" is a pretty intense track, with some more middle-eastern vibes going on, and one of the most engaging and vocal-like melodies from the album, to my ears. "Confessions of a Medieval Monument" definitely grabs a certain type of vibe from the opening, with a cool (but fairly simple) bassline running behind it. This is definitely one of those songs that creates a fertile atmosphere for a little mind movie to play along to it. The way the dynamics are used on this song, as well as the recurring melodic theme, make this easily one of the strongest tracks on the album. The title track, "Concrete Gardens," is interesting with a heavy rhythm guitar and a (initially) much cleaner lead part. Something about this track reminds me of Frank Zappa, which is absolutely a good thing. The album closes out with a song called "Maiden's Wish," which is played on keyboard/piano as a solo piece. It is a fairly light-hearted song to end the album with, and I enjoyed it. If you just listen for the crazy guitar, then you can stop short of "Maiden's Wish." // 8Lyrics: There are none. // 8Overall Impression: I have always been extremely impressed with Tony MacAlpine, and this album just reinforces my opinion. While he may not be quite at the technical/speed level of some other virtuoso guitarists, especially the whole Shrapnel bunch, he makes up for it in a strong sense of feel and musicality. I especially enjoy the melodies he uses as recurring themes in many of his songs. I highly recommend this album to anyone who's a fan of instrumental rock or metal. // 8" - Ultimate-Guitar.com
    $15.00
  • Second album from this eclectic US prog band featuring the helium laced vocals of David Surkamp.
    $10.00
  • I'm not familar with what is currently going on in the Venezuelan progressive rock scene but if this is any indication I want to hear more... Mojo Pojo's music is an amalgam of melodic prog rock and fusion with a smattering of metal tossed in for good measure. The music grooves and is extremely catchy. A good chunk of the album is instrumental and these guys stretch out and shred Morglbl style on some tracks and just straight up prog rock on others. Vocals are fine - a mix of English and Spanish. Oh yeah - James Murphy heavies it up with a guest guitar solo on one tune but if you are metal averse I wouldn't sweat it, you'll enjoy the tune as well. Overall the music has a real upbeat feel good vibe. Nice packaging courtesy of Hugh Syme (how the hell can they afford them? Life must be good in Venezuela!). Mojo Pojo offers much for all progressive rock interests and can be easily recommended.
    $11.00
  • Slipcase 5CD set containing all five Be Bop Deluxe studio albums:Axe VictimFuturamaSunburst FinishModern MusicDrastic Plastic
    $21.00
  • " Once audiences got a chance to hear Primus' instantly recognizable sound, driven by Les Claypool's bizarrely virtuosic bass riffs, their audience grew by leaps and bounds. It was enough to make their second major-label album, Pork Soda, one of the strangest records ever to debut in the Top Ten. Stylistically, it isn't much different from Sailing the Seas of Cheese, though the band does stretch out and jam more often. This can result in some overly repetitive sections, since Claypool's riffs are the basis for most of the compositions, but it also showcases the band's ever-increasing level of musicianship. Their ensemble interplay continues to grow in complexity and musicality, and that's really what fans want from a Primus record anyway. The material isn't quite as consistent as Seas of Cheese, though there are numerous high points; among them are "My Name Is Mud," on which Claypool plays his instrument like percussion, and "Mr. Krinkle," where he switches to a bowed upright bass. There are hints of lyrical darkness stripped of the band's usual goofiness (especially in the suicide lament "Bob"), but for the most part, the humor is again split between eccentric character sketches, cheery paranoia, and annoying novelties (with a slightly higher percentage of the latter than before). Still, despite occasional flaws, what makes Pork Soda a success is that the band keeps finding novel variations on their signature sound, even if they never step out of it." - All Music Guide
    $5.00
  • New remastered edition of the second album from Arthur Brown's seminal space rock ensemble. Given the typical deluxe Esoteric treatment, it features five bonus tracks.
    $18.00
  • "Axel Rudi Pell played a 25 years anniversary show lat year as part of the Bang Your Head festival in Balingen, Germany. The guitar wizard invited many friends for this special night. The result was an impressive setlist, containing hits from ARP and classic hardrock tunes from bands like Deep Purple and Rainbow.My highlight was that also some Steeler songs have been played. Steeler released two great records in the 80's that contain real metal pearls. Great to hear those anthems again.The gig was recorded and it will be released end of April this year as Digipak 3 CD, Digipak 3 DVD (NTSC, code free), Blu-ray and download. Great metal stuff is coming...." - Markus' Heavy Music BlogCall der princess - SteelerNight after night - SteelerRockin' the city - SteelerUndercover animal - SteelerNasty reputation - Rob Rock, Joerg MichaelWarrior - Jeff Scott Soto, Joerg MichaelFool fool - Jeff Scott Soto, Joerg Michael(Current ARP Band):Burning chainsStrong as a rockLong way to goHey hey my myMysticaInto the stormToo late / Eternal prisoner / Too lateThe masquerade ball / CasbahRock the nation​Drum battle - Vinnie Appice, Bobby RondinelliBlack night - Ronnie AtkinsSympathy - John LawtonTush - John LawtonMistreated - Doogie White, Tony Carey, Johnny GioeliSince you've been gone - Graham Bonnet, Michael Voss, Doogie WhiteLong live rock'n'roll – Doogie White, Graham Bonnet, Tony CareySmoke on the water – all guests
    $21.00
  • European only 2CD greatest hits set. The 2 CDs features remastered versions of classic tracks plus you get 3 unreleased acoustic tracks recorded in 2000 by Jon Oliva.
    $14.00
  • New album featuring Mike Mangini replacing the thought-to-be-irreplaceable Mike Portnoy on drums. No changes in direction - still the prog metal leaders that other bands follow. This is the special edition that comes with a bonus DVD featuring the 60 minute documentary encapsulating the band's hunt for a new drummer - with videos of the try-out sessions.
    $18.00
  • 180 gram double LP vinyl set of this debut release from this great Norwegian prog band.  This features a new analog mix for vinyl as well as some new modified artwork.Airbag is a new young prog band from Norway. Their music has a dreamy quality that will have you floating in the clouds. If you are fan of Riverside's lighter moments you will spooge over this. Definite references to Radiohead and Porcupine Tree will spring to mind as you listen. The music never explodes - it takes the slow fire approach creating constant tension. Lots of beautiful melodies wafting through your skull from the first listen. Highly recommended. These guys could potentially break big.
    $23.00
  • Ian Parry's first new solo album in 10 years arrives with a bevy of solid players behind him. The lineup reads a bit more like a Consortium Project album. Kamelot's Casey Grillo and Vanden Plas' Andreas Lill handle the drums while Vanden Plas guitarist Stephan Lill is all over this as well.
    $3.00