Dream Evil ($5 Special)

SKU: R225612
Label:
Warner Bros
Category:
Power Metal
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"Dream Evil is by no means a departure from the Dio formula that was so successful for his first three solo albums. All of the elements that made them so successful are yet again retained here. However, what makes things different this time around is that Dio has more of a melodious side to him, which he puts use here rather than relying on the riffs and delivery he learned at the school of Sabbath. He even touches on the power ballad (a sure sign that the style had fully infiltrated metal) with "All the Fool Sailed Away." The title track and "Sunset Superman" also proved to be two of Dio's most well-known, and most loved songs in his massive catalog. Not an essential release, but one that diehard fans will be sure to want in their collection." - All Music Guide

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  • Limited edition digipak comes with a bonus track - a cover of The Tea Party's "Temptation".First studio album in five years from this revered band. Like a fine wine, Nevermore keeps getting better with age, improving their game along the way. For my personal taste they are the best of the US power metal bands going and probably the heaviest. This album was produced by Peter Wichers and Andy Sneap mixed.
    $5.00
  • "And straight out of left field…One thing you really don’t expect to hear these days is proper gothic/symphonic metal in the classic late 90’s-mid 00’s tradition.While a few bands have recently begun making overtures towards a return to form if not revitalization of a genre that’s been effectively moribund since 2008, many of them are veterans going back to the sound that made them famous in the first place.  Leaves Eyes come immediately to mind, as does a recent surprising move to the operatic frontlines from longstanding (if previously somewhat boring) second stringers Xandria, who proved that sometimes losing a few founding members can be the best thing that ever happened to a band*.*for another glaring example of this principle, see also Theatres des Vampires, who only became a truly notable venture under the ostensible leadership of the lovely Sonya Scarlet…But what happens when we’re not talking classic acts undergoing some measure of renewal?  Moreover, when we’re not only talking a brand spanking new outfit, but one that (get this) doesn’t even hail from European climes.  Say what the hell?But here you go, a self-released gem right out of that busy musical hotspot of Minnesota (of all places…and we’re not even talking a Prince related project here!).  While not as bombastic as, say, Phantom Agony/Consign to Oblivion era Epica, Leaves Eyes or Mother Earth/Silent Force era Within Temptation, keyboardist/guitarist Damien Villarreal and vocalist Chelsea Knaack have come together to make what may be the first actual gothic/symphonic metal offering to come out of the United States.Sure, we’ve had a gothic/death metal crossover act (Echoes of Eternity, though they’re at least part Canadian) and a few lower rung gothic cum pop radio acts (remember that lone album where anyone cared about Evanescence?  Good move breaking up with Ben Moody, there, Amy…), but actual symphonic metal with operatic vocals?  This is total bizarro world stuff over here, in a nation still (sadly) dominated by aggro acts, hip hop and tuneless, emotionless math metal and prog wannabes.So once you manage to get over the shock factor engendered by their domestic origin, how does the music rate?  Well, for one thing, Knaack taps into similar vocal range and dynamics to earlier Simone Simons, albeit with a bit more stiffness that calls Carmen Schaeffer of Coronatus to mind (though I’m betting she was aiming more for earlier Floor Janssen if not Tarja Turunen stylistically).The guitars are somewhere in the middle, managing to keep Villarreal’s fingers a whole hell of a lot busier than the standard chunka-chunka single note stutter rhythms that tend to be a genre standby.  This is a good thing, as is his ability to hold down a reasonably melodic solo or harmony lead fill on occasion; these certainly enhance the sound to an unusual degree and keep the listener more on their toes than fans of the genre are accustomed to.But is he a virtuoso guitar hero on any level?  Not in the least.  Consider him a rather competent, melodically oriented craftsman with light prog leanings (you can pick out the Fates Warning by way of Dream Theater aspirations in a few of the rhythmic choices and modulations, not to mention the mostly inobtrusive but omnipresent keyboards which he also provides).Rounding out the trio is drummer Jordan Ames, who offers equally competent drumming, which appropriately for the style is never very flashy or notable, but filled with enough stuttering polyrhythms, cymbal work and a dash of double bass-inflected kit runs to show the guy to be quietly accomplished (much like what I’m trying to get across about Villarreal).  Coming from the Shrapnel school back in the day, I prefer a lot more flash in my players, but there’s nobody here who’s less than superlative in their musical competencies.The one major failing, and one I find with far too many acts these days, irrespective of genre, age or nation of origin is a noticeable lack of soul.  Like comparing Jimmy Page to Carlos Santana or the guys in Queensryche to Randy Rhoads, while in the right general ballpark, there’s something central and essential that just isn’t there.While more effusive and warm than several likeminded European acts (as befits a trio of blustery, heart on the sleeve wearing Americans), there’s a certain unexpected coldness to the sound and lack of bombast that baffles somewhat.  More of a note of constructive criticism, much akin to chiding a favored student for the mistakes that kept him from getting an A+ instead of a B, but worth noting nonetheless.All told, if you’re a fan of gothic symphonic metal in the days before that scene became overcrowded with no-talents and pop radio leanings and have some measure of respect for progressive leanings in your metal (think Ray Alder-era Fates Warning far more than Jason McMaster-era Watchtower and you’ll get a clearer picture), you really don’t want to miss out on this one.The first US overture into the gothic symphonic revival delivers a very credible and respectable showing, and gets themselves some high marks in the bargain.  Good stuff." - Third Eye Cinema
    $12.00
  • "Brothers and Sisters, the Allman Brothers Band's first new studio album in two years, shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, "Ramblin' Man" and "Jessica," helped drive it to the top of the charts for a month and a half and to platinum record sales. This was the first album to feature the group's new lineup, with Chuck Leavell on keyboards and Lamar Williams on bass, as well as Dickey Betts' emergence as a singer alongside Gregg Allman. The tracks appear on the album in the order in which they were recorded, and the first three, up through "Ramblin' Man," feature Berry Oakley -- their sound is rock-hard and crisp. The subsequent songs with Williams have the bass buried in the mix, and an overall muddier sound. The interplay between Leavell and Betts is beautiful on some songs, and Betts' slide on "Pony Boy" is a dazzling showcase that surprised everybody. Despite its sales, Brothers and Sisters is not quite a classic album (although it was their best for the next 17 years), especially in the wake of the four that had appeared previously, but it served as a template for some killer stage performances, and it proved that the band could survive the deaths of two key members." - Allmusic Guide
    $5.00
  • Smoking hot live album recorded on the Electric Rendezvous tour. Jan Hammer and Philippe Saisse on keyboards? It's ill...
    $11.00
  • Third album from this Tunisian metal band is their best. It marks the second album with Zaher Zorgatti on vocals. In my opinion Desert Call was a bit of a misstep. Zorgatti is a phenomenal singer but the band tried to mix Middle Eastern vocal stylings in with their power metal sound...and it was quite odd to these Western ears. Zorgatti is on vocals again and this time he sings in a bit more of a traditional sound. Tales Of The Sands reminds a bit more of Hope. The older Symphony X sound is here in spades but the Middle Eastern sounds blend in perfectly. In other words - on Desert Call the band took things a bit too far in the Tunisian direction where this sits just right. Mix a great vocalist with a familiar sound and add that special exotic twist and you come up with something unique and really involving. Pray these guys don't mess with the formula they have finally perfected. Highly recommended.
    $12.00
  • THEY'RE BAAACCCCKKKK! German band led by Kai Hansen that is virtually synonomous with the phrase "speed metal".
    $12.00
  • Digipak deluxe edition with 5 bonus tracks and a DVD with a documentary and live footage."Fans of musical subtlety and cerebral introspection may struggle with DragonForce's remorselessly preposterous, high-velocity take on traditional heavy metal. In fact, plenty of metal fans – let alone anyone predisposed to disliking something that sounds like Eurovision: the crystal meth years – struggle with their sound. To embrace the band's startling blend of ultra-cheesy melody, fret-melting technical lunacy and quasi-futuristic, videogame bleeps requires an insatiable appetite for self-indulgent, bombastic silliness.Six albums into their career, DragonForce should really be running out of steam. Yet Maximum Overload is as wickedly infectious as their high point from 2006, Inhuman Rampage, and more exciting and substantial than their two subsequent albums. There are more than enough anthemic choruses, startling detours and flashes of ingenuity lurking within the adrenalised bluster of The Game, Tomorrow's Kings and Symphony of the Night to counter the notion that the London-based crew are a one-trick power-metal pony, and an endearingly ludicrous, hyperspeed cover of Johnny Cash's Ring of Fire brings the whole demented enterprise to an explosive close" - The Guardian
    $17.00
  • The third album from Haken once again demonstrates why they are at the forefront of the progressive metal scene.  The first two albums Aquarius and Visions are quite different.  Aquarius is a much quirkier album - lots of twists and turns that kept you off balance through out.  It had more of a prog rock feel and some real oddball approaches that resulted in some reviewers referring to it as circus meteal.  Visions was quite different.  It was much more linear and clearly defined in terms of content.  It was a prog metal album and wonderful one at that.The Mountain is the first release for the band's new home at Inside Out.  The direction of the band takes a bit of a u-turn.  The music falls somewhere in between the first two.  There is a quirky, prog rock vibe but you get the heaviness and complexity of prog metal.  One particular track I keep going back to is "Cockroach King" which essentially pays homage to Gentle Giant's counterpoint vocals.  Regardless of which direction you preferred, The Mountain has enough diversity to go please everyone.If you want to keep track of where progressive metal is headed then climb the mountain - this is where its at.  Highly recommended.US jewel box edition with the same two bonus tracks included on the import digipak.
    $12.00
  • Interesting story behind this disc. This is a German band from the early 90s led by guitarist Henning Pauly. The album was started in 1994 and never finshed. In the interim Pauly moved to the US and studied at Berklee. He drafted American born singer Matt Cash and finally finished the album in 2002."Reconstruct" is a conceptual work dealing with evolution. The music is a blending of progressive rock and progressive metal. There is a futuristic cyber-metal feel that reminds me of Anguish and also lighter bands like Andeavor. The instrumentals that link the songs are a bit spacey and add to the effect. Definitely fans of Dream Theater and Rush would have a fun time chipping away at this one. Recommended.
    $3.00
  • "Impetus is the debut offering from Austrian melodic metal band Ecliptica. The band plays a fairly straightforward melodic metal that incorporates elements of both progressive and power metal. Imagine Axel Rudi Pell with traces of Edguy, Sonata Arctica, and perhaps Ayreon (lyrics weren't provided, but this feels like a rock opera or at least a concept album at times) and you'll get a basic idea of Ecliptica's sound.It's a little surprising to find an album like this on the Frontiers label. Frontiers is no stranger to melodic metal, of course, but their releases tend to be of much higher profile and much higher quality. The musicianship on Impetus is high caliber, approaching progressive metal technicality at times, and there are some great melodies, but the songwriting is a bit uneven. When the band is doing a full-on rocker, it's easy to get into the music and melodies; likewise with their more melodic, sing-along power metal tracks (see "Carry On" and "Land of Silence"). The rock opera type songs ("Turn Away" in particular) just seem a bit too melodramatic, and are marred by some less than stellar vocal performances.Making use of both male and female vocalists is a shrewd move, and one that would pay off if the vocalists in question further develop their talents. Elisabeth Fangmeyer and Thomas Tiebur have decent enough voices, but they both have a definite accent and seem to lack the kind of power that could really draw listeners into the music. It sounds like the vocals are buried in the mix as well. This would be a drawback for any release, but on an album like Impetus where Fangmeyer and Tiebur often appear to be playing characters in a rock opera, their weakness is a major distraction from the otherwise impressive music.Impetus is a perfectly solid but not particularly remarkable offering from a band that definitely shows potential. Future releases from Ecliptica bear watching, but Impetus is unlikely to satisfy most fans of Frontiers' melodic metal roster." - Hardrock Haven
    $5.00
  • "Unwritten Pages’ Noah is an album born out of a passion for progressive, driving music, concept albums and 80’s science-fiction film. It combines the broad musical taste of its creator Frederic Epe and the stylistic and unique musical backgrounds of each project member, reaching from rock and metal to Latin influences and more classical/score-oriented arrangements.The album features soaring guitars, fat organs and bone-breaking drums, as well as a healthy dose of retro. But most of all, it never loses its focus on unique and melody-driven song-writing. And it comes in the form of an ambitious story, told through the eyes of the vocalists and musicians.Noah tells the story of a boy born in the ruins of the futuristic Utopia City, and Maria, the daughter of a ruthless politician who has – literally – split Utopia City in half and driven the poor to a district known as LS01X. As the political climate escalates, a few hundred people from both sides of the city are forced to leave their home world and start a new life on Mars. Here, both Maria and the boy grow up in the middle of a rising conflict between two factions that are unwilling to ignore their grudge-ridden past. Noah features the talents of Damian Wilson (Threshold, Ayreon, Les Misérables), Karl Groom (Threshold, Shadowland), Davy Mickers (Stream of Passion, Ayreon), Alejandro Millán (Hello Madness, Stream of Passion) and many others."
    $3.00
  • Stunning 180 gram double LP vinyl set taken from the original analogue master tapes. Pressed by Music On Vinyl exclusively for the Missing Vinyl label of Greece.Third and final album from this Greek band led by Vangelis and Demi Roussos is one of the great prog masterpieces of all time. 666 is one of the most controversial albums in prog rock history. Originally conceived as a much larger work (rumored to be 4LPs worth), the band worked on it for 2 years with it ultimately seeing light of day as a double album release in 1972. By this point in time the band had already broken up. The album was composed by Vangelis, with the text written by Costas Ferris. The album deals with the Book Of Revelations and it's one that thematically will chill you to the bone. The music features the extraordinary psychedelic guitar work of Silver Kolouris and of course Vangelis' great keyboard work. Irene Papas' guest appearance on vocals will give you shivers. Plenty of Greek ethnic vibes abound. This is one of those albums you write about on and on - it has to be heard to be believed. A masterpiece that should be firmly imbedded in any prog collection. File under: AMAZING!FOREIGN CUSTOMERS PLEASE NOTE THAT DUE TO THE HEAVIER WEIGHT OF VINYL YOU WILL BE SUBJECT TO EXTRA SHIPPING CHARGES.
    $43.00
  • "For his first solo release since 2009s House of Insanity, Trans Siberian Orchestra/Savatage guitarist/vocalist/songwriter Chris Caffery has enlisted the help of virtuoso drummer Brian Tichy (Whitesnake, Billy Idol, Ozzy Osbourne) and keyboard player/composer Lonnie Park to create Your Heaven is Real, a 13 song collection of blistering heavy metal that not only continues to display his stellar guitar chops but also his continued confident & improving vocal ability and strong songwriting skills. Your Heaven Is Real was recorded, mixed and produced by Caffery at Face The Music Studios in New York with additional recording done by Lonnie Park at Ultimate Sound in Groton, NY and Brian Tichy's Big Timers Studio in Canyon Country, CA. Instantly memorable and catchy, Your Heaven is Real is immediately more appealing and accessible than its predecessor, filled with some of his heaviest as well as most commercial sounding material to date.The opening title track, a tale of a very true frightening situation experienced by the guitarist, kicks in with sledgehammer riffs and snarling vocals, a true headbanger's delight and easily one of the must hear songs on the album. "Arm And a Leg" is another dark, menacing slice of heavy metal, complete with Caffery's venomous 'Jon Oliva-meets-Alice Cooper-meets-Sebastian Bach' vocal delivery, which is then followed up by the instantly catchy, hook laden metal anthem "Just Fine", one of the most upbeat, fun songs he's ever recorded, complete with a killer chorus and great guitar solo. Things take a turn for the poignant & melancholy on the Savatage sounding "Why", a fabulous song with a great lyrical message and emotional vocals (some of Chris' best ever) to go along with many guitar and keyboard textures. Without a doubt it's another highlight of Your Heaven is Real, and pushes past the 7-minute length as the one of the albums two epics. "Damned If You Do, Dead If You Don't" is an upbeat schizoid heavy metal gem, complete with complex riffs and some futuristic, almost prog-rock styled synths, while the blazing instrumental "Hot Wheelz" (dedicated to a special someone perhaps?) is chock full of manic drumming from Tichy and plenty of Caffery's blazing guitar licks. "I Never Knew" is more of an atmospheric rocker thick with keyboards and layers of lush guitar work, providing the framework for Caffery to inject some heartfelt, hook laden vocal passages. It's a nice change of pace, and I'd love to hear more in this style from him.The back end of the CD is equally as strong, kicking off with the energetic riff monger "Sick and Tired", and continuing on with the mid paced, grinding "Death By Design", a doom laden piece that will instantly appeal to fans of vintage Savatage as well as Black Sabbath. After the brief but lovely guitar instrumental "2-26-15", Caffery unleashes "Too Soon To Be Too Late", a rampaging, addicting example of metal guitar firepower packed with catchy vocal hooks and irresistible melodies. This is one of those songs that if it existed in 1987 would have been a huge hit with teenage hard rock & heavy metal fans. The second of Your Heaven is Real's lengthy songs is "Over and Over", an emotional ballad that slowly builds to a powerful climax, again showcasing Caffery's confident vocals and featuring a sizzling guitar solo. This leads to the gorgeous "Come Home", a short keyboard/guitar/vocal piece that takes the album out on a tranquil note, again displaying the huge amount of variety that Caffery has included on this fine new release.I've been saying for years that Chris Caffery has yet to top his best solo release, which was his first in Faces, but I think, now a decade later, he's finally done it with Your Heaven is Real. Well rounded and showing off much of what makes Chris Caffery 'click', Your Heaven is Real permeates with positive energy, power, and majesty, obviously a very personal album for the artist but ultimately his most revealing. Well done." - Sea Of Tranquility
    $15.00
  • MMP 24 bit gold disc remaster of the long out of print album from this German avant garde/progressive death metal trio. Comes with three rare bonus tracks.
    $16.00