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Live

Live

BY Live

(Customer Reviews)
$18.00
SKU: CD124
Label:
Garden of Delights
Category:
Progressive Rock
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"Live from Gevelsberg (Sauerland) played art-rock with flute; without the nerve-wracking breaks often heard in this genre, but rather harmonious. In 1974, they released a 7" single and recorded an LP which, however, didn’t come out at that time. Only in 1995, with the group long being history, it was finally released in an edition of 500 LPs that have been sold out long since. The LP also includes the two single tracks. Now, all of this is available on CD, plus the bonus track “Jazz”, live from the Recklinghausen Vestlandhalle in 1971. This 15-minute track is not jazz, however, but slightly jazzy instrumental progressive rock. Meanwhile, another Live LP called “Gevelsberg” has been released by the band, containing mostly as yet unknown recordings from 1975, live and studio, among them their track “Sea fever” from the rare sampler LP “Rock offers”."

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  • Perhaps a bit of a rehash (or a further extension) of Leftoverture, it sold like mad back in 1977. Has the played-to-death-even-hear-it-in-elevators hit "Dust In The Wind". This remastered set also has two unreleased bonus tracks.
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  • "Summer of 1976. The young German left found itself in a state of shock: Ulrike Meinhof, co-founder of the Baader-Meinhof Gang, had hanged herself in her cell at Stuttgart-Stammheim Prison on 9 May. A temporary low-point in a political drama which ruled Germany in the 1970s and also left its mark on culture and rock music. Guru Guru, founded in August 1968, originally saw themselves as part of the student movement, needling the moral concepts of the conservative middle class with public manifestations of philosophies such as "A spliff a  day keeps the doctor away" and enjoyed a dubious reputation as marihuana smokers. Or, as guitarist Roland Schaeffer unambiguously put it during a Rockpalast performance on 6 June 1976: "A bit of weed is all you need."Guru Guru, introduced by band leader Mani Neumeier as "Germany's most practical rock group" at the beginning of the show at Cologne's Studio L, was the first German act to be invited by the TV channel, WDR, to play a Rockpalast show. "I want people to throw their shoes and underpants into the air out of sheer fun, to completely lose their inhibitions," Neumeier explained on the occasion of the release of the Guru Guru's studio album Tango Fango in an interview with Sounds magazine, adding:  "It would be ideal if people really went bananas. I used to want to be a revolutionary or whatever, now my only aim is to be a good entertainer."Tango Fango was the first Guru Guru album which saw Mani Neumeier no longer rely on his previous trio concept. As early as the end of 1974, he self-critically admitted that Guru Guru had - probably out of habit - stuck too long with their three-piece line-up. Following the release of Dance Of The Flames and internal differences, he disbanded the trio in 1974, bringing out initially with a number of musical buddies the solo recording Mani und seine Freunde and putting together a new Guru Guru line-up in May 1975 with former Brainstorm multi-instrumentalist Roland Schaeffer, guitarist Sepp Jandrisits and erstwhile Kollektiv bassist Jogi Karpenkiel. Neumeier's vision: "The one-sidedness of the trio is a thing of the past; our range now includes anything from calypso to yodelling." As a result, the Rockpalast recording consists of a colourful mix of rock, jazz and slapstick featuring diverse rhythms such as bossa nova, tango and more.Almost thirty years later, on 21 December 2004, Guru Guru were invited to play another Rockpalast concert at the Harmonie in Bonn. In the meantime, Guru Guru had witnessed some dramatic historical events, none of which changed the band's wonderfully anarchistic and colourful working ethos. Neumeier and guitarist Roland Schaeffer are still part of the team, and bassist Peter Kühmstedt and guitarist Luigi Archetti have also been long-standing Guru Guru members. It was a night which combined nostalgia and contemporary sounds - a typical Guru Guru night!"WDR-Studio L, Cologne, Germany, June, 4th 197601.Einmarsch 00:56 02.Salto Mortadella 03:30 03.Banana Flip 05:24 04.L. Torro 05:48 05.Rattenfänger 04:45 06.Ooga Booga Spezial 14:08 07.Bossa Nova 06:50 08.Night Bear 08:49 09.Tomorrow 06:13 10.Medley - Elektrolurch-Mutation/Tango Fango 15:13 11.Medley - Woman Drum/All You Want 04:28 Harmonie, Bonn, Germany, Dezember, 21st 200401.Read Air 03:13 02.Il Maestroso 03:33 03.Living In The Woods 06:12 04.Izmiz 07:55 05.Tribes & Vibes 03:01 06.Kleines Pyjama 04:38 07.Moshi Moshi 03:39 08.Incarnation Stomp 05:10 09.Elektrolurch-Mutation 06:55  
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  • "The Strawbs were on the BBC often in their early career, and this 69-minute CD collects 19 tracks from seven separate radio sessions between late 1968 and early 1973. While this doesn't offer the most radical reinterpretations or definitive arrangements of these songs, there's a lot to be said in this set's favor that makes it of greater value than the average BBC compilation. Aside from the generous length and excellent sound quality, the span of the material is both impressive and more diverse than the typical Strawbs' album. Highlighting selections from their late-'60s and early-'70s LP, it has two versions of just one song ("New World," heard twice), and offers a couple of lesser-known tunes in "We'll Meet Again Sometime" (not placed on a Strawbs LP in the '70s, though Dave Cousins put it on his 1972 solo album) and the non-LP single "Here It Comes." The settings sometimes have a lighter touch than the official studio versions, Cousins being the only constant in an ever-shifting lineup that at various points included Tony Visconti (who plays recorder on the three tracks from a December 1968 session) and Rick Wakeman (who's on four of the later cuts). Some of the most popular songs in The Strawbs catalog are here, like "The Battle," "Witchwood," "Benedictus," and "Part of the Union." In its own way, it's about as good an overview of the band's evolution during this period as a studio compilation would be, the near-folk music of the early tracks turning into progressive rock over the years, with its fair share of classical touches. Complete with liner notes from Dave Cousins, it's recommended for any fans interested enough in The Strawbs to collect more than one or two of their albums." - Allmusic Guide
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  • A Liquid Landscape from The Netherlands is a bit of a departure for The Laser's Edge. Their slice of post-progressive music has a contemporary edge that finds them sitting alongside bands like Dredg, Anathema, and Porcupine Tree. The band has been a live act for several years and shared the stage with bands like Karnivool (AUS), Anathema (UK),Thrice (US) and Riverside (Poland).During the past year the band also was a finalist at the prestigious annual Dutch Grand Prize contest and on top of that they had 3 sold out Noorderzon gigs, featuring a stunning visual show.With all the material they had written, the band reached out to Forrester Savell (Karnivool, Helmet). Forrester liked the material a lot and he agreed on mixing the album and doing some production work as well.‘Nightingale Express’ is a concept album. This inspired moviemaker Lex Vesseur to make a short movie with music from the album. He also made the artwork and the visuals for the live show. So both the music and the film return in an interactive rock show with a live VJ.Washed up, tired and staggering across a beach in the early hours of the morning. Somewhere in the twilight between desperation and surrender, there is still a glimmer of hope. That sense that everything will be alright, no matter what the odds are. This is what A Liquid Landscape sounds like. 
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  • 1976's sophomore album finds the band continuing to explore the ethnic music of different regions from around the world.  The music predominantly has an ethnic jazz sound but when guitarist Hasse Walli lets it rip watch out.
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