Next ($5 Blowout Price!)

SKU: CK34311
Label:
Columbia
Category:
Hard Rock
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"Next is the third album by Journey and was released in 1977.

Journey continued the formula from 1976's Look into the Future but this album also retains some of Journey's progressive rock style from the first album."

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  • Finally - an official pro-shot DVD of the band's performance in Sao Paolo, Brazil from 2006. You also get a documentary filmed on the band's Rocket Ride world tour and 4 video clips.
    $17.00
  • "Album art can certainly set the tone and expectations around an album.  A quick look at the cover for Enlighten by Sleeping Romance instantly sends my mind to a gothic, dark medieval setting and that is the right place to go with this release.  Recently signed to Ulterium Records, Sleeping Romance from Modena, Italy has released an epic symphonic metal album that is very impressive for a debut.Being from Italy, my first thought was that this may be an album similar to that from Mourn In Silence, which I really liked as it is a blend of gothic, symphonic, power and black metal, but that is not quite where the sound of Sleeping Romance is.  Those familiar with female-fronted symphonic metal bands like HB, Within Temptation, Delain and others know what to expect from this genre and it is all here.  This is symphonic metal that borders on hard rock and power metal at times.  At times, the songs do seem a bit too formulaic for my tastes as most start with an orchestral intro with beautiful clean vocals and then the “metal” parts of the song kick in with much of the verses consisting of just drums and bass with the vocals at the forefront.  There is nothing wrong with this formula especially when done as well as it is here, but this does introduce a bit of predictability to the album.Any review of this album simply has to have some lines devoted to the vocals of Federica Lanna.  Throughout the entire album, her vocals are one of the standout qualities of the album.  At times, quiet, at other times soaring, but always fully in control with a great range and tone, these are the vocals designed for this genre.  Now, given the implied darkness and gothicness depicted in the album cover, I was expecting a bit of a darker tone from the vocals but they are somewhat surprisingly bright, complementing the music very well.   Quite a few other bands choose to employ some unrestrained, strained screaming female vocals or employ some deep guttural male vocals to provide a contrast to the clean vocals, but Sleeping Romance have chosen to highlight Federica’s vocals.  I would have liked to hear the vocals move a bit more toward the edge of being out of control, but that’s just my personal preference.  With the lush orchestral arrangements often being in the forefront and dominating the sound, having the vocals remain restrained works well with the overall sound.In terms of overall sound on the album, the production quality is very high and the emphasis is definitely toward the symphonic and away from the metal.  In fact, I found myself thinking some was definitely more power metal influences at times as well.  Some of the songs instantly reminded me of Evanescence with the use of certain keyboard effects and those would be hard to miss for anyone familiar with that band.  Despite some similarities, the overall sound of Sleeping Romance is a bit brighter than Evanescence and others in the genre, not just the vocals as mentioned earlier, but also the instrumentation both the metal and symphonic.  More of a light of dawn feel than a darkness of sunset feel, if that makes any sense.  There were moments that surprised me a bit as well. For instance the song “The Promise Inside” starts out with some of the Evanescence sound and feel and then morphs into almost a power ballad in the chorus that sounds strikingly like that from the song “Alone” by Heart in terms of tone and phrasing.  Thankfully, the song has much more to it than that including a string section in the middle and later in this song I found myself liking how the drums by Francesco Zanarelli carried parts.  “Devils Cave” certainly starts out as the darkest and heaviest track on the album, and carries that feel through much of the song with a hammer-like  driving guitar, bass, and drum beat through the verses, which picks up to a gallop in later parts of the song.  Vocal tone is a bit darker here through the verses as well and is more along the lines of what I was expecting after seeing the cover.  All in all, this song is a good example of an epic symphonic metal song due to the seemless combination of orchestral and metal elements, seemless transition between them, and the back and forth shifts between styles.  For example,  midway through the song there is a symphonic interlude with some spoken word from Federica that shifts into some beautiful clean singing and the return of the metal elements and one of the few guitar solos on the album before returning to a true symphonic metal section.Despite some of the songs leaning toward the formulaic, Enlighten is a great debut album of symphonic metal that highlights both the phenomenal vocals of Federica Lanna but also the intricate symphonic/orchestral arrangements of Federico Truzzi and makes a great addition to the genre." - The Metal Resource
    $14.00
  • "Stagnation, formula, expectations – these words have long been banned from the lexicon of LONG DISTANCE CALLING. It is this irreverent attitude that has fueled them to record three albums, play several tours throughout Europe, garner slots on renowned festivals such as Rock am Ring, Summer Breeze, Wave-Gotik-Treffen or Roadburn and even secured them an impressive #36 in the German Media Control Charts. But if you thought these successes would convince LONG DISTANCE CALLING to settle into form with their fourth album, “The Flood Inside”, the band instead attempted an even bolder metamorphosis.Flashback: In early April 2012, LONG DISTANCE CALLING amicably parted ways with founding member and electronic wizard, Reimut von Bonn. Von Bonn’s departure however opened up new possibilities for the remaining members. The band had previously worked with guest-singers such as John Bush (Armored Saint, Anthrax) or Jonas Renkse (Katatonia) and they felt the new material was shaping up differently and gravitating away from purely instrumental rock. “We just noticed that adding a voice simply made sense. Stagnation and special formulas are not our thing, so making the step was easy.” Since all members in LONG DISTANCE CALLING have diverse tastes in music it was easy for them to decide what they were NOT looking for: no screamers or a whiny shoegazers. Instead, a timeless rocking voice in the vein of Faith No More or Soundgarden: a role perfectly suited for Martin “Marsen” Fischer (Pigeon Toe, ex-Fear My Thoughts). “We met Marsen on tours we did together. Hence, we knew each other on a personal level and we were certain that we would match perfectly when it comes to the music. The fact that he is playing keyboards is a nice add-on, as he is also in charge of them live.”Despite the changes, “The Flood Inside” remains intrinsically LONG DISTANCE CALLING. “We questioned a lot and did a whole lot of fine tuning this time. A part is as long as it needs to be, but we took our time to discuss and revise every single one of them. Many ideas make many parts, but a good song always needs a certain flow. That was the overall aim.” The plan came together and resulted in countless parts that should cause the Serotonin to flow. The band further explains: “What really characterizes our sound is the combination of cool and heavy riffs with melodies that come without any kitsch.” The band had guest vocalists before, however this time you don’t just get one track with vocals, but three with the same vocalist.“It is always exciting to see what other people can do with your songs. We as artists as well as our music can only gain from the input. It is all about adding talent and an extra level. The genre is secondary. The range of the album should speak for itself.” Indeed, “The Flood Inside” features collaborations will names as varied as Vincent Cavanagh (Anathema), blues talent Henrik Freischlader and Jahcoozi-mastermind Robot Koch (known from his work with Casper, Max Mutzke or Marteria). Additionally, there is the Norwegian singer/songwriter Petter Carlsen, Tuneverse co-founder Alex Komlew and Mario Cullmann (formerly known as DJ Coolman for Fünf Sterne Deluxe). “We have never bowed down to any rules for what you may or may not do as an instrumental band. It is only us making the rules.”In art, rules exist to be broken. Atmosphere and diversity don’t always conform to the parameters of the 3:30 song structure. Yet “The Flood Inside” [produced by Martin Meinschäfer at Megaphon Tonstudios in Arnsberg, Germany] is a lot more focused and compact than any of its predecessors. “The past 12 months were emotionally draining: charts, splitting with a member, new album and new singer… The Flood Inside is a summary of everything and all the emotions around and within us. That is the not so simple idea behind the title. It shows the entire spectrum of life: joy, grief, euphoria, anger and everything in between. How to deal with emotions is a huge part of everyday life. Nevertheless a lot of things are happening in the grey areas – and we are trying to show those in our music.” "
    $12.00
  • "First time ever CD release in Europe of "Canterbury" - Diamond Head's third album . Recorded and released in 1983, reached Number 32 on the UK Album Chart. Diamond Head are a British heavy metal band formed in 1976 in Stourbridge, England. Re-release includes bonus tracks: extended version of "Makin' Music", 1 live track plus an interview. New digipak edition, limited to numerated 2000 copies."
    $15.00
  • Interesting new concept from this visionary prog band from NY. 3 revisits and reinterprets some of their oldest material - some of which only appeared on bootlegs.
    $12.00
  • Latest album from this British neo band. Actually neo is probably an inappropriate tag for them. Mostly Autumn revolves around the vocals of Heather Findlay and Bryan Josh. The music isn't overly complex but Josh's vocals (and guitarwork) sound a bit like David Gilmour so I think that is why the band is often compared to Pink Floyd. Not even sure why they are categorized as folk other than the fact that they use a bit of acoustic instruments. Definitely more of a rock than folk vibe going on here.
    $14.00
  • For some reason this live set originally released as a double album in 1975 only came out in Japan. It features the Headhunters lineup and they blow through incendiary version of material from Thrust, Maiden Voyage, Man-Child, and Headhunters. Expensive but worth it.
    $34.00
  • "Italy's Odd Dimension burst on the progressive metal in 2011 with their surprising and entertaining debut album Symmetrical. Most of the intrigue came from both from their creativity and accessible complexity of their prog, generated from prior experimentation with various metal and rock genres.Their sophomore release, The Last Embrace to Humanity continues to reflect some of that experimentation. The album might even be a tale of two discs. The previous release, generally, was more heavier prog metal and so is this one, notably at the start. The Unknown King, Under My Creed, and Dissolving into the World are a rush of ambitious and blistering prog. You find this at the end as well in Far from Desires.But what's in between is a bit different. Not everything here is always heavy; it's more subtle and nuanced when it comes. It's So Late, which features Michele Luppi (Vision Divine, Secret Sphere), nears more melodic, though heavier, progressive rock. Another Time and Fortune and Pain, which follow, seems to want to invoke heavy metal but in the end turns on a stirring metal-rock fusion. The latter third of Fortune and Pain, notable in the guitar, sounds like metal-jazz fusion. The New Line of Times takes all these things, abandons the aggressive metal, and develops an epic song of pure melodic prog metal.Not dismissing the other songs, but these four songs are strength and surprise of The Last Embrace to Humanity. They also show once more the impressive talent and creativity of Odd Dimension. But we knew that already, didn't we. Easily recommended." - Danger Dog
    $14.00
  • "The road to Altzi is paved with good intentions…. When Masterplan announced the new lineup in November of last year, Jorn apologists flooded the comment strings of various metal news outlets with comments like “another band is spoiled by a vocalist change” and “no Jorn…no Masterplan.” While I might agree that there was reason for outcry when a well-known/respected singer leaves a band, it’s not as if Masterplan has never had another vocalist and is not a band with more past members than present. The object is to listen and make judgments later. The announcement of Rick Altzi was particularly intriguing and any fan of At Vance and Thunderstone can attest – there was much reason for hope.The news that main man/guitarist Roland Grapow’s (Ex-Helloween) revealed that there was going to be a return to “faster” and “more metal” material made this more appealing. Add further still…the addition of Ex-Stratovarius bassist Jari Kainulainen and the naysayers should have stood back and waited to react. Why? As it turned out, Rick Altzi proves a more than compatible replacement for Jorn…and *GASP* dare I say – a wee bit better in spots? Blasphemy? Try it…prove me wrong.Musically, the album ranks as one of the band’s finest, recalling the best heard from the self-titled debut, 2005’s “Aeronautics,” and the appropriately titled 2010 “Time to Be King,” but with a heavier edge. Altzi is so compatible that only the most attentive Jorn fans can see the difference, most notably that low power that shifts with a slab of grit while on the way up to the high range. This is not besmirching Altzi at all, as his range is proven and perfect. His first appearance is at 0:47 on the album’s second track “The Game,” an admirable driving melodic metal song with noticeably well-crafted double bass from new drummer Marthus Skaroupka (Cradle of Filth) and copious amounts of heaviness intertwined with trademark melody. Grapow proves again what amazing solos he can play.The album’s first music video was for “Keep Your Dream Alive” – a mid-paced winner expertly chosen, as it’s the song where Altzi shines brightest, showing the breadth of his range – and for many moments I said “Jorn who?” The finest track on the album is “Betrayal,” which will prove to be one of the best of the year when all is said and done, if not for its Middle Eastern charm that falls into the heaviest riff on the album drawn out like slamming shudders by Axel Mackenrott’s keyboards. Other notables are the appealing riff in “Earth Going Down” (which is a tad swallowed by the keyboards as the song progresses), the Strato-feel of “Black Night of Magic,” the speedier “Return to Avalon” and the never dull 11 minute title track (especially 6:13 to 7:15) and vocal duet of Altzi and Grapow. Highly recommended is the digipak version with bonus tracks “1492” and “Fear the Silence.”My only complaint is not necessarily with the band’s play or its flawless execution, its more the melodic metal style in general. At the same time it represents a favorite style – in Masterplan’s case best defined as “what Whitesnake would sound like if they tipped a bit into power metal” – listening to entire album presents a challenge, if only for that mid-paced repetition. I find the album plays a bit better when I listen to a few songs at a time, mixing it in with other bands and styles.This may be “a new beginning” for Masterplan in member changes, however the creation of high quality melodic metal perseveres. Grapow assembled a new team of musicians that prove just as compatible, especially Altzi’s performance. With the proof in the product, fans of the band should have little to complain about with “Novum Initium,” though I suspect some Jorn lamenters will never take the road less traveled….the one where its “time for” Rick “to be king.”" - Metal Underground
    $14.00
  • "With 'Home', for the first time since their critically acclaimed 'Posthumous Silence' of 2006, Sylvan have taken the chance to create another full-on concept album. Even though the Hamburg natives attach great importance to creating contextually comprehensive pieces of art with any of their albums, this time around Sylvan have upped their ambition another notch and taken on the mammoth task of building an overall concept around the never ending quest of the human condition for 'home' - that very special place that can provide a feeling of complete safety."
    $14.00
  • Swedish masters of melancholy KATATONIA have announced a new concert film, "Sanctitude", to be released in North America on March 31 via Kscope."Sanctitude" will be released in four formats:* Blu-ray/DVD in 5.1 Surround Sound plus "Beyond The Chapel" documentary, including brand new interviews with Anders Nyström and Jonas Renkse.* CD/DVD package - audio / visual set including "Beyond The Chapel" documentary.* Double LP (incl. download code)* Digital download (audio)"Sanctitude" was filmed and recorded in the stunning, candle-lit setting of London's Union Chapel during KATATONIA's May 2014 "Unplugged & Reworked" tour — an intimate acoustic evening performing tracks from the "Dethroned & Uncrowned" album alongside atmospheric classics from the band's entire career, stripped and reworked. The 80-minute set features 17 songs across the albums "The Great Cold Distance", "Viva Emptiness", "Brave Murder Day", "Last Fair Deal Gone Down", "Dead End Kings" and "Dethroned & Uncrowned", including fan favorite "Teargas". The show closes with the sublime "The One You Are Looking For Is Not Here" and a special guest appearance by Norwegian vocalist Silje Wergeland of Dutch rockers THE GATHERING. The band was also joined on guitar and vocals by THE PINEAPPLE THIEF frontman and songwriter Bruce Soord."As a band we set out on uncharted waters, but while apprehensive about the journey ahead, our intentions couldn't have been more genuine to undertake this beautiful experience," commented guitarist Anders Nyström. "Sailing this project into harbor turned out to be bliss and has ultimately enriched all the members of KATATONIA."All audio on "Sanctitude" has been mixed and mastered by Bruce Soord, with artwork once more supplied by longtime visual collaborator Travis Smith.Disc 1:01. In The White02. Ambitions03. Teargas04. Gone05. A Darkness Coming06. One Year From Now07. The Racing Heart08. Tonight's Music09. Sleeper10. Undo You11. Lethean12. Day13. Idle Blood14. Unfurl15. Omerta16. Evidence17. The One You Are Looking For Is Not HereDisc 2:* Concert Film (80 minutes)* Documentary "Beyond The Chapel" (66 minutes)
    $16.00
  • "A Sunday Night Above the Rain is a two-disc live set recorded by modern pro giants Marillion last year in March at Center Parcs in Port Zelande, the Netherlands.Disc 1 opens with “Gaza” from the album of the same name. It’s typical Marillion high drama informed by a good chunky beat, spiky middle eastern-sounding synth lines and lilting choruses. Right from the beginning, the crowd comprised of thousands come from over 44 countries this night, is clapping along hot and heavy before Steve Rothery’s wailing guitar solo (one of the most underrated guitar players in rock and roll) and singing along as Steve Hogarth (lead vocalist) will welcome from them often here on the balled “Waiting To Happen,” where, sorry to say, not much really does happen.We get lots of Mark Kelly’s beautiful piano on “This Strange Engine,” though I’m not thrilled by Hogarth’s swallowing words in an over-affected vocal. The tune rocks in its last minutes though as the band and Hogarth rise to an anthem-like ending!The highlight of this first disc though is “Neverland” where Kelly, bassist Peter Trewavas and Hogarth are especially inspired, but again what Steve Rothery slips in are truly spine-chilling moments. What he seemingly just throws away in flips during the vocal are full feasts, his leads perfect from wailing moments to sweet and clean ones, not mere seconds from one another. Not since David Gilmour have I felt a guitarist say so much doing so little.Lots of Disc 2 are from the Gaza album. “Montreal,” with its mid-song Floydian moments, is more a Mark Kelly song really, with especially effective tom work from drummer Ian Mosley behind him and Peter Trewavas poppin’ on the “Power” (good lyric here especially). Mosely and Trewavas are kicking on the opening of what becomes a plinky “The King of Sunset Town,” a tune that showcases a solid Hogarth vocal. A truly beautiful once again piano-led tune, “The Sky Above the Rain” like “Neverland” on the first is the linchpin of this second disc. Hogarth is very good here as are the subtleties of the drum and bass duo once again.The band does give one quick nod to its past (when they were fronted by lead singer/enigmatic frontman Fish) ending with “Garden Party.” Hogarth doesn’t especially sell this tune, but he doesn’t have to as pretty much the audience sings the song for him.If you want to know what modern-day Marillion are all about, grab it." - Short And Sweet NYC
    $15.00
  • "Live In Tokyo is a live performance from November 14, 2012 at Zepp Tokyo for supergroup PSMS, which features drummer Mike Portnoy (Dream Theater, The Winery Dogs, Transatlantic), bassist Billy Sheehan (Talas, Mr. Big, David Lee Roth), guitarist Tony MacAlpine & keyboardist Derek Sherinian (Black Country Communion, Dream Theater, Billy Idol). This 95 minute concert showcases a wide range of instrumental performances from each of the members careers & collaborations. Included in the set are Shy Boy from Sheehan's band Talas, MacAlpine's The Stranger, Sherinian's Apocalypse 1470 B.C. and Dream Theater's A Change Of Seasons: The Crimson Sunrise."
    $14.00
  • "In October of 2012, Motorpsycho entered Brygga Studio in Trondheim for the first time in many, many moons -- this being the studio where they recorded a few of their first albums some 20 years ago -- the vibes were good, and the music happened like it was supposed to. As this was the first time in quite a while that the band recorded stand-alone songs -- as opposed to pieces connected by a concept or a narrative -- it felt quite odd working in this way again, but it was also a refreshing approach that highlighted other aspects of their work that perhaps had been ignored over the last few years. In the end, it still very much felt like Motorpsycho music, albeit with a twist: for three days of the two-week session, the core trio was augmented by guitarist Reine Fiske. Best-known for his work in Swedish psych-combos Dungen and The Amazing, Reine is an old acquaintance of the band, and his recent exploits with Ståle Storløkken's Elephant9 made the pairing seem like a potentially interesting one for Motorpsycho as well. It's always good to have a wild card and someone from the outside to mirror your work, and the fruits of Reine's involvement, as presented on this album, speak for themselves: his finger-picking dexterity on the acoustic guitar provides both "Barleycorn" and the old Love chestnut "August" with a solid organic bed for the musical escapades of the other three, and on "The Afterglow," his tasteful guitar shadings and mellotron work adds immensely to the mood of the song. But it's on "Ratcatcher" that his talents shine the best: he slips right in there, and proceeds to glue Snah's lead guitar and Bent's "lead bass" together in a different way than heard before, adding light and shade and splashes of color to the musical repartee, but never getting in the way or hogging center stage in an unwelcome fashion. It's the work of a musician with huge ears and an uncanny musical insight."
    $18.00