Rainbow ($5 SPECIAL)

SKU: 3145473602
Label:
Polydor
Category:
Metal/Hard Rock
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Remastered edition of the iconic first album from Ritchie Blackmore's Rainbow. At the time frontman Ronnie James Dio was an unknown singer from an upstate New York band called Elf. This released turned the hard rock world upside down. "Man On The Silver Mountain", "Catch The Rainbow", "Still I'm Sad"....it didn't get better than this...ever!

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  • "Renaissance was the band formed by Jim McCarthy and Keith Relf following the split of the Yardbirds in 1968. The band recorded their first album the self titled Renaissance album in 1969. Following the album's release the band embarked on a series of live dates in Europe and America. In 1970 they also began recording their second album Illusion which received a limited release in Europe in early 1971. By the time the album was released the band had become so fragmented that none of the original members were left in the band! Renaissance would however continue with various line ups until stabilising in the early seventies with the line up that would go on to massive critical and commercial success led by vocalist Annie Haslam.This DVD features two different line ups of Renaissance. The first two clips come from German TV and feature the original line up performing the tracks Kings And Queens and Island. These are the only known performances captured on film of the original line up performing live albeit in a TV studio. The second piece of footage is even rarer in that it was originally thought that this footage was lost. The footage provides the link between the original line up of Renaissance and the later more successful line up of the mid to late seventies and comes from a line up that lasted a mere three months..This time the band now feature no original members but two members that would go onto bigger fame in the seventies. John Tout is featured on keyboards and guitarist Mike Dunford play alongside vocalists Terry Crowe and Binky Cullom, bassist Neil Korner and drummer Terry Slade. The band perform Kings and Queens from the first Renaissance album and also tracks from the second Renaissance album Illusion (Golden Threads, Mr Pine and Face of Yesterday) there is also a song never officially recorded by Renaissance Widdicombe fair making this release a real find for the large and dedicated Renaissance fan base."
    $15.00
  • "Strongly inspired by the likes of Quicksilver Messenger Service, Jefferson Airplane, Grateful Dead, etc., the Berlin band Walpurgis hit blues rock and West Coast American styles against space music reasonably successfully. On their sole album QUEEN OF SABA, they opened with the aptly titled "Disappointment". But, from thereon, despite a cranky vocalist, it gets better and better, and the guest appearance of J├╝rgen Dollase (of Wallenstein) fills the sound out nicely, later taking the music on to Ash Ra Tempel and Agitation Free realms." - The Crack In The Cosmic Egg
    $15.00
  • Third album from this fine Swedish band finds them on a new home - Cuneiform Records. Along with this shift in label there is a slight shift in sound. The folk influences of the first two discs are more or less gone. The music still has a melancholy vibe but there are some undercurrents of anger. Ripping guitar leads have a psychedelic cum Crimson feel and there is more than a slight nod in the zeuhl direction. Keys figure quite often with electric piano, Mellotron, and synths given plenty of space in the mix. A stone cold killer.
    $15.00
  • Mutum is a phenomenal gothic metal band from Monterrey, Mexico.  Fronted by Myrthala Bray, the band creates an epic, symphonic metal sound very much from the same mold as Epica, After Forever, and Delain. Ms. Bray has a great voice (and looks to match) for this style of music.  The music has a bit of speed to it and there are some nice orchestrations that gives the music a larger than life feel.  Apparently 60 musicians were involved in the recording and it sounds it!  In an oversaturated female fronted metal scene, Mutum has immediately rises above the pack with their debut.  Highly recommended.
    $13.00
  • Yet another one to file away under the "I never thought I'd see this in my lifetime" category. NTSC Region 0 DVD of the live appearance by these Polish symphonic rock legends at Rockin' Jamboree '80. The DVD also contains videoclips of various appearances on Polish television as well as a video clip by Madmax - a band put together by four of the members after Exodus broke up. As a bonus there are some audio tracks taken from The Most Beautiful Day and Supernova. Make sure you don't mistake this for the thrash band from California or you will be in for a real surprise.
    $18.00
  • "Charismatic duo Se Delan is the newest act to be signed to Kscope, a revered label known for its “post-progressive sounds” and incredible line-up, which includes genre stars like Anathema, Gazpacho, Amplifier, Steven Wilson, and The Pineapple Thief. Considering its peers, then, it's surprising to note how laidback and relatively simple the music on the group’s debut LP, The Fall, is. Rather than aim for lengthy songs, virtuosic arrangements, and grandiose ideas, the pair constructs warm yet solemn atmospheres and subtle yet alluring melodies.It’s an enticing and moody introduction to a band that definitely earns its place amongst so many dazzling siblings.Comprised of multi-instrumentalist Justin Greaves (Crippled Black Phoenix) and Swedish vocalist Belinda Kordic (whose wispy voice is both seductive and haunting), the record is an interesting blend of folk, shoegaze, rock, and pop, like a wonderful blend of Alcest, Of Monsters and Men, and Lady & Bird. As you might’ve guessed, Greaves crafted the music while Kordic wrote the melodies. Although it’s arguably a bit too cyclical in arrangement and melody, The Fall is a chilling and beautiful examination of life." - Rebel Noise 
    $16.00
  • Subsignal is the new progressive rock band put together by former Sieges Even singer Arno Menses and guitarist Markus Steffen. The rest of the band has a great prog pedigree - Ralf Schwager and David Bertok from Dreamscape as well as Roel Van Helden from Sun Caged. It doesn't have the overall heaviness or rhythmic pyrotechnics of Sieges Even but fans of Art Of Navigating The Stars and Paramount should dig this immensely. When needed Steffen coughs up the goods - lots of great guitarwork through out. Oh yeah - I really enjoyed Bertok's keyboard work. Its tasteful and is spotlighted when necessary.
    $15.00
  • No need to go into a lengthy discussion of this seminal Canterbury band. This is the right way to do a reissue. Universal saw fit to use 24 bit mastering and filled up each disc in the series with extensive bonus material as well as copious liner notes. "If I Could Do It All Over Again" features 4 previously unreleased tracks. Essential.
    $10.00
  • New limited edition (2000 copies) comes with bonus audio CD. 155 minute NTSC region free DVD. Features the band live in concert from Poland in January 2004. Comes with a load of bonus videos and audio tracks. Now you can be depressed in 5.1 surround!!
    $18.00
  • "I’ve been waiting for the release of “Endgame” for some time now, this is honestly the first time I have been excited about a Megadeth album in years and this is due partially to the hiring of the incredible Chris Broderick, but mainly due to Dave Mustaine’s change of attitude toward the writing process with the album. Dave has been quite open during the recording process regularly updating his fans on the Megadeth forums and his latest venture TheLiveLine where he has been posting audio messages. I’m not sure if this was a conscious effort to restore some respect but it seems to have worked, there has been a lot of praise for Mustaine and the new Megadeth lineup over the last few months and has helped elevate not only Megadeth’s public profile but apparently Dave Mustaine’s songwriting abilities back to a level we haven’t experienced for some time. Before I go any further I want to point out that I have managed to avoid reading any reviews of this album as I wanted to approach Endgame without any kind of outside influence before writing about it.Dave Mustaine has always made good choices when it comes to hiring new talent and although he is probably sick of hearing it the appointment of Chris Broderick was the most exciting news since Marty Friedman joined the band. Don’t get me wrong though, Chris certainly won’t be taking all the glory, Dave’s brutal rhythm playing is as crisp and perfectly timed as ever. There is a lot of texture on this album such as the excellent “44 Minutes” with its machine gun verse riffs and layered guitar melodies over the chorus and trademark Megadeth solo trading. The outro on this track has some jaw droppingly terrifying playing from Chris Broderick.The first track on Endgame is an instrumental which I was surprised about but it is almost like Dave is saying, check out how awesome my band are! It is a great double-bass pedal thumping track with solos galore, a nice way to introduce Chris as the new Mega-Shredder™.“1,320” is another classic sounding Megadeth song, the lyrics are a bit cheesy (is it about drag racing?) but the riffs are brutal, the solos are harmonised, Dave sounds angry and the ending is double-time, always a winner!Other highlights including the chugging rhythms of “Bodies“, the fierce audio assualt that is “Head Crusher” which was released as a teaser track a while back. This was a great marketing idea to get people interested because it is probably the most “Thrash” sounding track on the album with “Holy Wars…” kind of punch you in the face riff except with much bigger and better sounding production.The production on this album is up there with United Abominations (which takes some beating) for quality. Everything has a lot more space compared to United Abominations, although I did like the in-your-face dry guitar sounds on that album, the reverb on Endgame does push the solos into the background a little more.The only part of this album that I don’t like is the ballad “The hardest part of letting go – sealed with a kiss“… ballads on a Megadeth album? Dave singing a love song really sounds wrong to me, especially the whispered “goodbye” toward the end of the track. The only thing that saves this song is that after 1:40 the acoustic love song turns into a galloping metal riff for 1 1/2 minutes where the song is much more Megadeth and less Def Leppard, then it returns back to the power ballad. A small blemish on an otherwise brilliant album.If you are an old school Megadeth fan you are going to love this album, I actually finished listening to it the first time wanting more tracks. If you are new to Megadeth you couldn’t have discovered them at a better time, Dave Mustaine has firmly taken hold of the reigns in order to re-establish Megadeth as one of the greatest Metal bands in history with an album that will be talked about for years to come." - Guitar Noize
    $10.00
  • "Forming in 2008, the floodgates appear to be wide open creatively for releasing full length product for this UK progressive metal act. Two albums within two years, as well as a prime support slot for the Devin Townsend Project across 12 countries in Europe during 2011 leads us to the third record Enigma. Filling out as a quintet with new keyboardist Shaz, the nine songs on this effort illustrate the ability to siphon the old, complex template with a modern, semi-staccato meets djent guitar style in shorter, compact arrangements.Aeon Zen isn’t afraid to add a light, jazzy horn break during the tranquil section of the somber “Seven Hills,” which contrasts the conventional Dream Theater-like musical montage that opens the record instrumentally entitled “Enter the Enigma.” Drummer Steve Burton is adept at death metal blasts just as he is twisting tempos at will- check out the Opeth-esque “Divinity” for his double bass maneuvers, lightning fast fills and impeccable sense of timing.Alongside the professional skills of vocalist Andi Kravljaca (Silent Call), three other vocalists appear to add their own texture to the band’s cause. Atle Pettersen (Above Symmetry), Jonny Tatum (Eumeria) and Nate Loosemore (Lost in Thought) give Enigma a deeper emotional platform, as the clean and extreme deliveries match the mood of each arrangement.It’s a younger generation who seem willing and able to push parameters and use technology to deliver a wider scope of feelings, emotions, and contrasts. Much like the peanut butter and chocolate argument of whether each is better separate or together, Aeon Zen has no qualms about loving Symphony X, Threshold, and Megadeth as much as Periphery or Between The Buried And Me- and making it work within their output.Melodic, modern progressive metal that should grab a wide scope in audience enthusiasm - Enigma could be a sleeper hit if these gentlemen land the right touring situations. " - Blistering.com
    $8.00
  • "After their phenomenal debut piece, The Phoenix, Mastercastle returns with their sophomore effort Last Desire Directed by guitar whiz Pier Gonella (Labyrinth, Necrodeath, Odyssea), the band also returns with its principals which includes, of course, the brilliant Giorgia Gueglio on lead vocals (who also writes all the lyrics). Ms Gueglio is a pure hard rock/heavy metal singer which, with song compositions, makes Mastercastle a true melodic hard rock and heavy metal band as opposed to another symphonic/goth metal ban in the Dutch or Scandinavian tradition. This in itself is a welcome relief. Similarities to the previous album remain: Gueglio intelligent lyrics and stirring vocals, and Mr. Gonella's brisk and virtuoso guitar work. Yet, the bombastic neo-classical power metal compositions give way to a more straight forward melodic hard rock and heavy metal sound. Songs like Event Horizon, Wild Spell, and Last Desire emphasize both the skills of Gueglio and Gonella, but are more rocking affairs. I would even say Away is deliberate melodic metal with hard rock hooks. On the other hand, while Misr explores many of these new areas, it also easily sounds like progressive metal in parts. As previously, Gonella is given opportunity to spread his wings and impress with his virtuoso style on the instrumentals Space Trip and Las Serenissima. The latter is a cover of the Italian ensemble piece Rondo Veneziano rearranged for rock guitar, and picks up on the debut album's neo-classical style. As for Ms. Gueglio, she is impressive throughout, with Jade Star and Great Heaven's Climb representative of the amazing depth of her talent. Mastercastle's Last Desire is an impressive follow-up to their debut, and shows a band neither resting on the laurels of their previous accomplishments nor standing still in their progression to new ideas. Strongly recommended." - dangerdog.com
    $14.00
  • The Japanese East Wind label was active in the 70s and into the early 80s.  This was a jazz label that focused on Japanese artists but also covered many popular US players.  While not as overtly audiophile as Three Blind Mice, the East Wind label was always noted for immaculate reference quality production.Universal Japan has released 72 titles from the East Wind catalog in extremely limited editions.  We've cherry picked those titles that we think are of interest to our customer base.This monumental modal jazz set from 1975 features Masabumi Kikuchi (piano), Terumasa Hino (trumpet), Kohsuke Mine (tenor sax), Juni Booth (bass), and Eric Gravatt (drums).  The album consists of two side long pieces that showed the world that Japanese jazz was not merely aping US musicians.  This is as soulful and spiritual as you can get.  A dynamo performance enhanced with superior production.  After this Kikuchi started to explore fusion realms leading up to Kochi.  Highly recommended.
    $16.00
  • "Failing to make any waves with their first album, this Norwegian group got themselves together and started to make this monster of an album. Unfortunately, due to reasons beyond my knowing, the band was dropped by their label and soon disbanded. This album was never finished, but was released as a free download on the internet for all to enjoy. Confusing to this fact is the production value of the album. It doesn't sound raw at all... really, it sounds like the band put tons of polish on the album... quite confusing for an album that would never hit shelves. More evidence to support the fact that this album is unfinished is the fact that the album doesn't even sport any cover art. Not that that takes away from the album at all. In fact, the only time that it shows that the album is unfinished is that the final song when... well, I'll let that be a surprise.It's a real shame that this band never really got the feet under it to go anywhere, because the music here is fantastic!As previous reviewers have stated, it's likely better to ignore the tech/extreme label on the band here. The music here really sounds like X-over or even heavy prog. Any fans of those genres will likely be blown away by this album. Strong bass lines (always a selling point for me) and some wonderful organ parts (reminiscent of classic Deep Purple) are what highlight this album so much along with some excellent melodies and hooks that demand repeated listening.Opening with the quirky STARCHASER this album never lets down. The keys and guitars kick in right away as do the killer bass lines. Rapidly changing pace the song makes its way with some truly excellent moments. The floating keys in the background give the song an airy feel among all that pounding rhythm section until the song finally comes to an end. To quote the song Enjoy the ride!. DESERT MACHINE continues with the strong bass lines and drives across this heavy song with a bang. ACCORDION WOMAN is the song that brings forth the most notable Deep Purple influences, its notable riff and organ making for a nice combination as the catchy chorus blends in for a very notable track. Getting heavier and more into the guitar work is TERMINAL, similar to its predecessor in terms of organ/guitar work, this song is actually probably the simplest song out the of the mix so far. Still good none the less, and a good song to rock out to. A slow bridge/chorus also make for an interesting mixture.Then we get to the really good stuff.BLOOD IS BLOOD is the biggest standout on the album. Being the longest track this song also manages to capture everything already mentioned about the album that's great. Half of the song being an instrumental overture, the band really gets to strut their stuff here. The killer bass lines are back with a vengeance and so are the keys. The guitar drifts a bit more towards the background here but still provides a nice section. Really picking up around the 2 minute mark everything just keeps getting faster and better until everything simply dies off and the vocals bring out the song with some much more subdued work from the other members. Fantastico!Coming into the second half of the album the band still manages to keep interest.Starting off the mix is the quick instrumental WE WILL CRIMSON YOU. A clearly Fripp inspired song that's quite good (if not quite Crimson caliber), and the guitar actually coming to the foreground to take the helm from the keys and bass for a bit, even if they still are there. Almost bordering on Black Sabbath (mixed with the KC) sounding, this song is a nice change in pace. U is a quirky track that's yet another change in pace. Heavy and clunky, this track shows off the more metal side of the band. UNDEAD is a fairly lo-key track that feels necessary to start to tail off the album with. Good but not great, this song actually feels like a bit of filler. However, all is forgiven with the next (and final) track. NOTHING NEW is an unfortunately accurate and slightly foreboding title (it's their last song, so nothing new after this!). The song, however, is marvelous! slower than it's brothers yet still wonderful ear candy, this song is another one of those songs that epitomizes what the band does best. More great bass lines and keys coupled with some more to the front guitar work and blissful melodies makes one want this song to last forever. Coming to the end with some Wakeman like boards and a guitar that really picks up the song...the song... the song..!!! ... cuts off. It just ends. Likely meant to be the album's epic and never finished the song really just leaves you wanting more, which is both good and bad. Good because that's how an album should always end (with you wanting more) but bad because they're never going to follow up on this album and their debut will likely be tough to find. Oh well.Wonderful music from a terribly misfated band that is recommended to all. (As mentioned before) Fans of heavy prog and X-over should give this album a shot, because it's a wonderfully hidden gem. Anyone who wants to check them out can search them up on the internet and download the album for free (and legally, too). 4 stars, it's not a masterpiece... but it sure is a great listen." - ProgArchives
    $15.00