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Revolution

SKU: 3047-2
Label:
Nuclear Blast
Category:
Power Metal
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"Hammerfall has returned!

There are few bands out there in the heavy metal world as easily recognizable as Swedish power metal pioneers Hammerfall. The band was formed in 1993 but has had periods of being active and stagnant over the years. Their overall sound and lyrical themes of fantasy-rich battles have hardly changed throughout their career, up until their most recent album Infected in 2011. One of the best things about Hammerfall is the ability to get lost within the epic lyrics, vocal layering, and straight forward heavy metal gallop throughout every track. Infected didn’t meet the band’s standards set in albums like Renegade (2000) or Glory to the Brave (1997). While a band should never be punished for doing something different, the fans didn’t exactly react well to this new sound. However, it is clear with this fall’s release of (r)Evolution, the band paid attention to their fans and returned with a similar sound as their earlier days (though successfully refreshed and revamped).

The album kicks off with “Hector’s Hymn” which couldn’t get more stereotypically classic Hammerfall if they tried. With the iconic voice of Joacim Cans soaring above the band, the song features epic lyrics, fantastic vocal layering, and guitar leads that are equally as inspiring. This is a perfect track to begin an album about revolution, as it speaks to both the classic Hammerfall we all know and love, and the promising future the band has in front of them. Speaking of the band’s evolution, the title track “(r)Evolution” immediately follows giving the album a very strong start. This song features creative musical references, and catchy vocal arrangements encouraging the listener to chant along with the chorus. Overall, the music is pretty simple and straight forward which assists in making this song one of the catchiest on the record.
“Live Life Loud” is the most anthem-like track, although it has a relatively slow tempo to start, it quickly builds to yet another Hammerfall classic. The drum and bass work provide great rhythm beneath the chanting ‘live life loud!’ chorus, though I do feel as if the guitar work is somewhat lacking and left a layer of the song missing throughout the verses. The guitar solo, in true Hammerfall fashion, is spot on and perfect, but I feel as if the rest of the song is missing something.

Hammerfall 2014A shining moment on the album is the slow, ballad-like “Winter is Coming” and if the Game of Thrones fan in you is smiling right now, it should be. This has become a somewhat tag-line for the series, and Hammerfall took full advantage of that fact. This is a very serious, somber song, and with the slow tempo and Cans’ voice soaring above it all, it truly is chilling at times. Immediately following, for those of you that fell asleep, “Origins” wakes you up with a faster tempo, great guitar leads, and prominent drumming. This is easily one of my favorite tracks on the album, as it has a large and epic chorus, but it is not over the top or cheesy. The guitar melody featured in the beginning repeats throughout the song, but the shining moments are definitely in the guitar solos. The true strength comes from Norgren and Dronjak’s great harmonizing ability and the galloping bass lines beneath it all. Overall, this song feels like a very natural Hammerfall song, and isn’t forced or rushed in any way.

The album comes to an end with “Wildfire” which is another favorite track of mine. It is so upbeat and high energy, and features an epic chorus style hardly ever heard from the band previously. The guitar work is 100% speed metal, but the song also features a great bass solo harmony into an irresistibly groovy bridge. This is one of those songs that has to be played on repeat over and over to hear all of the elements mixed in, and although it closes the album, it still manages to bring it up to a whole new level.

(r)Evolution definitely starts and ends on very strong notes, though the middle is somewhat hit or miss with filler tracks. That being said, the album is a powerful one, and is definitely a step up from Infected that fans of classic Hammerfall will love. This isn’t a sequel to 2005’s Chapter V, but I can definitely hear a lot of that album’s influence in play (they even reference the record, and you’ll catch it easily). If that album was a favorite of yours with its fun, larger than life lyrics and riffs galore, you’ll love (r)Evolution just as much. I definitely do!" - Metalholic

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  • Virtuoso keyboardist Vivien Lalu has created a new progressive metal epic featuring an all star cast:Band [A-Z]---Martin LeMar (Mekong Delta) - VocalsMike LePond (SymphonyX) - BassSimone Mularoni (DGM) - GuitarsVirgil Donati (PlanetX)- DrumsVivien Lalu (Shadrane) - KeyboardsGuests [A-Z]---Jens Johansson (Stratovarius)Joop Wolters (Shadrane)Jordan Rudess (Dream Theater)Marco Sfogli (James LaBrie)Mike Andersson (Cloudscape, Fullforce)Peter Wildoer (Darkane, James LaBrie)Born of Noelle and Michel Lalu, musicians from the ‘70s French progressive act Polene, Vivien Lalu has released a surplus of recordings through an array of different bands and projects since 1997, as the keyboard player for underground black/doom band Time For A Change. At the turn of the millennium Lalu played keys for two underground progressive metal bands from Paris, Sad Warden and then Mind’s Orchard, and in 2002 was hired by Hubi Meisel (ex-Dreamscape vocalist) to compose and record the keys for his solo album EmOcean, the following year doing the same for Meisel’s sophomore album Kailash, both of which were released by Lion Music.It was at this time Vivien Lalu begins recruiting his own associates from major prog and metal bands — some of which he shares time composing music alongside in progressive metal act Shadrane — and forms his own solo project, LALU. The first full-length Oniric Metal was released on Lion Music in 2005 and began an entirely new chapter for this composer and his insatiable need to create mind-expanding, cinematic music.These accomplishments helped Lalu to begin securing score and soundtrack work for film and television; over the last few years he’s written many cues for the orchestral soundtrack for the Warner Bros movie Seuls Two, for the show Science X made in association with Lucasfilm Ltd. Additionally he joined the production team behind Laszlo Jones in order to assist the recordings and production of Banana Nation (Universal Music Group). He’s composed many soundtracks for French television, music and sound effects for Neko Entertainment, worked as a sound designer for Ubisoft Entertainment and much more.After collaborating with Shadow Gallery for a song on their Digital Ghosts album, and working with Canadian drummer Chris Nalbandian for his Paralysis of Analysis solo album — recording all keys and sharing solos with Derek Sherinian and Alex Argento — Vivien finally settled in and began work on the second LALU opus. Handling all composition and songwriting duties, as well as all keyboards on the massive production, Vivien weaved the cloth of the new album with vocalist Martin LeMar (Mekong Delta), bassist Mike LePond (SymphonyX), guitarist Simone Mularoni (DGM), drummer Virgil Donati (PlanetX), the album’s parts recorded in several countries including the United States (Los Angeles and New York), Germany and Italy, produced by Lalu in his own studio, and mixed at Boumbox Studio in Paris by Yan Memmi (Dio’s Lock Up The Wolves, Marcus Miller’s The Sun Don’t Lie, etc.). Additional contributions from Jens Johansson (Stratovarius), Joop Wolters (Shadrane), Jordan Rudess (Dream Theater), Marco Sfogli (James LaBrie), Mike Andersson (Cloudscape) and Peter Wildoer (James LaBrie) were also carefully built into the album, the final product boasting over fifty minutes of exceptional, massive  cinematic, atmospheric metal Lalu has dubbed, Atomic Ark. 
    $5.00
  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00