Seven Steps To Heaven ($5 SPECIAL)

""In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this CD, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic "Seven Steps to Heaven," "Joshua," and slow passionate versions of "Basin Street Blues" and "Baby Won't You Please Come Home." The 20-bit remastered version issued by Sony's Legacy imprint in 2005 includes two rather startling bonus tracks from the original sessions that were not included on the LP or previous CD releases; they are the beautiful "So Near, So Far," and "Summer Night."" - All Music Guide" - All Music Guide

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  • 2CD limited edition of the latest and most likely last album from this long running French prog ensemble.Nemo is led by guitarist JP Louveton.  While his guitar is the musical focal point of the band there is more than enough keyboard work to attract the attention of any fan of symphonic rock.  Louveton's fretwork adds lots of flash and heaviness but it never crosses over into metal territory.  Sadly the band has announced that they are going on hiatus after this album and it may well be their ending statement.We are offering the 2CD digipak.  In addition to the core album, which itself features all long form compositions, you get a nice bonus disc.  It features covers of Deep Purple and Led Zeppelin as well as a song trilogy based on Dante's Divine Comedy.  Highly recommended.
    $16.00
  • "Boston's many fans were upset that it took the band two years to follow up its monster debut. When it arrived, the sophomore effort DON'T LOOK BACK was a virtual rewrite of BOSTON. This didn't stop the masses from snapping up the album, which ultimately racked up sales in the multi-platinum range.Boston sounds inspired on the anthemic title track. Other standout tracks include "It's Easy" and "Man I'll Never Be." The hard-rocking "Don't Be Afraid" closes the album. And two years would prove to be nothing in light of the eight-year hiatus between DON'T LOOK BACK and Boston's next release, 1986's THIRD STAGE." - Allmusic
    $5.00
  • This is the second album in the live series documenting the band's residency in Tokyo in April 2014.  This is a complete performance of Per Un Amico.  More in the series to come...
    $19.00
  • Iowa based power trio discovered by Dan Auerbach of The Black Keys. Radio Moscow guitarist Parker Griggs is more than a little influenced by Jimi Hendrix. Lots of wah wah brain tripping solos with a bit of the blues thrown in for good measure. Fans of old Trower and Cream tighten your seatbelt - this one is a bumpy ride! Highly recommended for those that like to kick out the jamz.
    $16.00
  • New 24 bit remastered edition of the second album from this essential Canterbury band. Gilgamesh was the sister band to Hatfield & The North that walked the same ground minus the humor (or vocals). The late Alan Gowen was a brilliant keyboardist and is matched here by Hugh Hopper, Trevor Tompkins and Phil Lee.
    $17.00
  • When Worlds Collide is the latest release from Portuguese prog metal band Forgotten Suns.  When the band first burst onto the scene they were very much in the neoprog camp.  Their sound evolved over time with guitarist/founder Ricardo Falcao taking the band into more metallic territory.  With his chops from hell its no wonder.  This is squarely prog metal in the Dream Theater style.  Vocalist Nio Nunes doesn't go for the stratosphere.  He sticks to the midrange and there even some growls in spots.  Apparently keyboardist Ernesto Rodrigues collaborated on the writing.  The results seems to be the band's heaviest work.  While the keyboard work is more than fine the defining sound of the band is guitarist Falcao.  He's the focal point and really delivers the goods.  Forgotten Suns amps up the tried and true prog metal formula and comes up with something quite memorable.  The album runs 79 minutes and is packed with epic length tracks through out.  By the time the album is over you will be exhausted!  Highly recommended.
    $13.00
  • Great disc with Richard Sinclair and Mel Collins in the lineup. "Echoes" is an all time classic.
    $9.00
  • Tripped out album from South American guitarist Alfonso Lovo. Recorded in 1976, this only existed as an unreleased acetate.  With Santana percussionist Jose "Chepito" Areas on board, you can hear the obvious influences but there is a definite psychedelic vibe - this isn't straight up latin rock.  Synthesisers waft through the air with a lysergic randomness that reminds of some stoned out Jamaican session.  Snakey wah-wah'ed out guitar leads add to the fun and the horns and percussion treat the whole thing like some weird out take from Abraxas.  Highly recommended.
    $15.00
  • Kingfisher Sky is a new Dutch ensemble put together by former Within Temptation drummer Ivar De Graaf along with classically trained vocalist Judith Rijnveld. Ivar left Within Temptation to pursue other musical interests. His collaboration with Judith produced a brilliant debut that encompasses progressive rock, gothic metal and mystical Celtic themes. At times the music bears some similarities to the more mainstream direction that Within Temptation went with their latest release, but the music has more of a prog rock feel. There is a heaviness that permeates the album due to the background of the rhythm section (bassist Eric Hoogendoorn was in Orphanage) but despite the crunch of the guitars it never quite crosses over into metal. Judith's vocals are simply amazing - she sings with incredible control and range - somewhere between Sharon Den Adel and Christina Booth. This is not hyper-complex prog. It relies on moods created by the vocals and writing. The moodiness of the ballads evokes Kate Bush, Tori Amos, Peter Gabriel which the more agressive tunes suggest Porcupine Tree, Within Temptation and even Pink Floyd. For my particular taste this is a different kind of album that pushes the right buttons. If it was a bit heavier we'd probably be referring to it as a metal album but it's not (I do love that crunch though). The band's label is trying hard to not ride the Within Temptation connection too heavily, hoping that the band's music will stand on its own - it does and then some. Having said that it's impossible to deny the musical connection. Highest recommendation! Kingfisher Sky on Myspace
    $6.00
  • Out of print for some time, Bruce Soord freshed up the band's second album.  Originally released back in 2001, this version of 137 features a new mix, new mastering, and even new artwork.
    $13.00
  • Obsidian Kingdom is a fascinating band from Barcelona that released Mantiis in 2012 in a limited run of 500 copies.  It's now picked up for worldwide distribution via Season of Mist.  This is definitely progressive metal - real boundary pushing stuff.  The band is categorized as post-metal and that is just one of the guideposts they touch on.  I hear more of a musical connection to Leprous and Arcturus.  If you are inclined towards the more avant garde side of metal you need to hear this band.  With the right push they could become massive.  Highly recommended."Cutting right to the chase, Obsidian Kingdom‘s latest release, ‘Mantiis‘ could very well be the most equivocal album I have reviewed to date. What this five piece post-metal band from Barcelona has put together with their latest genre-crossing, boundary pushing release is something few other bands can lay claim to accomplishing. I can’t even began to describe the number of different genres represented throughout this 47 minute monstrosity of an album.“Not Yet Five” is the album’s opener and starts things off with looming bass, light distortion, piano work and sporadic beeps and buzzes that all blend together to create an eerie ambiance that sets the mood for things to come. From here the album progresses forward with “Oncoming Dark” and “Through the Glass” which start off which crisp clean vocals and electric-accoustic guitar work before evolving into a wanderlust of heaviness that borders between post-metal and progressive death metal. Keyboards play on in an evil manner and when combined with chugging guitars and persistent drumming a doomsday like atmosphere forms. As the album moves forward through the short tracks, it gains in intensity through it’s evolving layers. By the time the album reaches its fourth track, “Cinnamon Balls” it has already spiraled into a dark, twisted place filled with harsh demonic vocals and djent style guitar work.A short piano interlude leads into “Answering Revealing” which brings the album full circle as clean vocals emerge as does a short but sweet return to Obsidian Kindgom‘s softer side. “Last of the Light” is where the album completely goes off of the tracks. While the beginning and end of the track are highlighted by violent vocals and double bass action, bookended between it is a several minute long section that features a classical guitar and with a very bluesy saxophone solo. You heard me right. This is without question one of if not the most unique song I have heard in years and definitely one of the most unusual combinations of instruments. From here ‘Mantiis‘ takes a stark transition to “Genteel to Mention”, a short track that opens with piano and clean vocals  that only last for a short while before the album returns right back to its doom and gloom heavier ways with the intro to “Awake Until Dawn”. The track does come to a crawl as it progresses when piano work mixed with synths present yet another unheard element to the album.‘Mantiis‘ moves forward with “Haunts of the Underworld” showcasing the best guitar work to be found on the album  and “Endless Wall”, which feels like the closest thing to a post-metal track found on the album despite the hints of more djent guitar work. Clean vocals amidst swirly ambiance make up “Fingers in Anguish” and demonic vocals and downtuned guitars return in “Ball-room”, both short tracks that barely cross over the five-minute mark combined. “Ball-Room” does a fantastic job setting the table for the closing track “And Then It Was”. Stark, aggressive drumming leads the way as everything the album has built itself up for comes to a head in this epic finale.One album I do think that compares particularly well to ‘Mantiis‘ is Crippled Black Phoenix‘s ‘Mankind, The Crafty Ape’. The two albums share many similarities in how they flow, how they use music as a journey to tell an album spanning story and also how they infuse many different genres into their sound while never delving down too far into a particular one. While CBF opted for a more psychedelic, bluesy infusion, Obsidian Kingdom chose a much darker, louder progressive death metal meets doom metal approach.While fantastic in its storytelling, the album isn’t without its shortcomings. I found myself wishing the album flowed a little bit better as some of the transitions seemed a bit awkward. There are also times where I wished the clean vocals would have had a stronger presence throughout the album as the band’s softer material is among their strongest work. Still, I can overlook these minor nuances as I continually find myself coming back to this album time and time again. ‘Mantiis‘ is one of the more captivating albums I’ve heard all year and is without question a breath of fresh air. " - PostRock Star 
    $12.00
  • "Blues-Rock veterans, the Stoney Curtis Band, returned to the studio in Las Vegas this summer in follow-up to their 2012 double-live release. The resulting CD, Halo Of Dark Matter, is a high-energy collection of guitar-oriented jams, that recalls the stadium guitar heroes of the 70's. This fifth record in Stoney's discography takes things up a couple of notches as his songwriting and soloing skills ascend to yet a higher plateau. The Stoney Curtis Band has been working the clubs between Los Angeles and Las Vegas, for over 10 years, honing their own brand of psychedelic Blues-Rock, readying their show for the road ahead. Over the past few years the band has done a number of USA tours and six European tours as well. Heavily steeped in 60's/70's Psychedelia, the Stoney Curtis Band has translated the energy of their phenomenal live show into an incredible new studio disc containing over 70 minutes of full tilt Blues-Rock."
    $15.00
  • Third album from a band that is essentially a mash up of members from Sieges Even, Sun Caged and Dreamscape.  Their music carries on very much in the style of the later Sieges Even albums.  In other words progressive rock that leans towards the heavier side of the spectrum.  Rush, Rabin-era Yes, Saga, and Dream Theater come to mind as influences.  Quite melodic and if you are so inclined you'll hear some incredible chops from guitarist Markus Steffen.  The band corraled Stream Of Passion's Marcela Bovio for a guest vocal appearance, dueting with Arno Menses.This is the deluxe 2CD edition.  It sports a really cool looking 3D cover.  The bonus CD is a live concert recorded in Mannheim in 2012.
    $19.00
  • Second solo album from Japan's vocalist is primarily an instrumental album. The music follows a similar path to Brian Eno's work. It's gorgeous, atmospheric bliss out music created by some extraordinary musicians like Percy Jones, Holger Czukay, John Taylor, and Ryuichi Sakamoto with soloist Jon Hassell and Robert Fripp coming to the foreground of the soundscape on ocassion. Mesmerizing...
    $12.00