Avant Garde/RIO

"The notion of progressive rock often suggests the melding of rock with some elements of jazz or jazz fusion, due to extended song forms and an emphasis on instrumental prowess.

$15.00
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Limited edition 2LP vinyl set.  Fascinating new collective from the Bay area. Equal parts King Crimson and Thinking Plague mixed together with an improvisational edge.

$32.00

Limited edition 2LP vinyl set.  At this point in time the band had moved over to The End Records and they were a good fit for their roster offering a mix of avant prog rock and metal.

$32.00

"Composed for symphony orchestra and Mats/Morgan Band.
It is very rare to have a full symphony orchestra perform your own original music. So I feel very fortunate that Norrland Operan’s symphony orchestra will perform this, my music, live with Mats/Morgan Band in October 2016.

$16.00
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Francesco Zago's avant baby puts together another amazing collection of experimental/exploratory songs-- their first studio album since 2010's wonderful masterpiece, Iridule. Percussionists and a percussion-mindset seem to rule the day with YUGEN work, and Death by Water is no exception.

$16.00
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"Jono El Grande is a self-taught composer, musician, conductor, painter and prankster and remains an outsider on the far margins of the Norwegian experimental music scene.

$18.00
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"From Guapo’s origins as an artsy noise-rock duo in the 90s to their current standing as a quartet, founder and drummer Dave Smith has steered clear of cliché and compromise.

$15.00
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Upsilon Acrux is amazzzzzzzzing. --Thurston Moore, Sonic Youth

$ 6.60
$ 11.00
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October Equus are one of the more interesting bands on the so-called "avant-prog" scene.  Their music has a dark energy that often evokes the spirit of Present and King Crimson.  A lot of this is due to the angular stylings of guitarist/leader Angel Ontalva.

$13.00
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"Souffle Continu Records presents the first official vinyl reissue of With (Junk-Saucepan) When (Spoon-Trigger), Mahogany Brain's 1971 debut album.

$26.00
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  • Its been almost 4 years since the band's phenomenal debut.  Since that time the duo of Mariusz Boniecki and Marcin Kledzik have expanded into a live gigging quartet.  I'm pleased to say that in terms of their music the band has not lost any momentum.  The same influences are still present - you will hear the imprint of Porcupine Tree and King Crimson.  The title of the album is a bit of a giveaway - this is not uplifting music.  It is filled with noir-ish, melancholy atmosphere.  Emotion filled vocals ride on top of Crafty guitarwork.  The technicality is there but you have to listen for it.  Think of a head on collision between In Absentia and Discipline and then take it one step beyond.  Clearly Pinkroom does it again.  BUY OR DIE!
    $13.00
  • "While Headspace probably known to most prog fans, All That You Fear Is Gone, their second album, is my first experience with the band. Headspace features some notable musicians from the UK prog world including vocalist Damian Wilson (Threshold, keyboard player Adam Wakeman (Ozzy Osbourne, bassist Lee Pomeroy (It Bites, Steve Hackett), and guitarist Pete Rinaldi with new drummer Adam Falkner.All That You Fear Is Gone is a second part of trilogy with concept created by Wilson. Their first album I Am Anonymous had to do with the individual fitting into the world and it's various groups. This album deal with the individual sparring with and releasing himself for the hold of those same groups and institutions. Breaking free suggests also breaking free from your fears that they may have put upon you, and so the album title. Heady stuff from Headspace.My initial interest in Headspace comes from seeing vocalist Damian Wilson's name in the credits. I love his voice and vocal style. His work in Threshold is quite pleasing. He has this smooth melodic elegeance to his voice, but yet still conveys passion.As for the music within, there's definitely some creativity and variety, yet with echoes of classic prog from Yes to Genesis to Threshold to Hackett. Some things are heavier, like Kill You With Kindness which is thick with riffs, bass and drums, but still has a segue distilled to voice and acoustic guitar in the center. Conversely, The Element dials back most everything to minimalism: voice, light guitar, atmospheric synths. Similar is the short The Death Bell, where piano comes to the forefront with Wilson's voice. The title cut follows a similar motif, quiet, yet with even brighter piano aids Wilson's impassioned vocals.Alternatively, severals songs, like Secular Souls and The Science Within Us, the two longest songs here, work the juxtaposition of lightness and heaviness with more complexity, having moments and movements feature different elements. For example, within Secular Souls, before the midpoint the piano gets some attention. But after this, a strong bottom end takes over and the sound gets heavier, darker.Perhaps the most interesting song here is Polluted Alcohol. According to Wilson, it was a song that started one way, then came out differently. Mostly, this song is voice and guitar, and what's either a Dobro or steel guitar. At his this kind of Southern front porch blues feeling to it. One thing you will be convinced of upon listening to All That You Fear Is Gone is that this is definitely interesting progressive rock created by some very talented musicians. Recommended." - Danger Dog
    $12.00
  • “Known/Learned’ is the third album from this thought provoking progressive band from Brisbane, Australia.  It’s a sprawling 2CD collection of themes and moments, captured between recurring characters. While never explicitly told in the traditional vein of the ‘concept album’, the imagery of Known/Learned depicts fragmented moments in the lives of a father and his daughter, their loss, their love, their journey. A bittersweet love song for life.Occupying a unique place in the Australian progressive music scene, Arcane’s transcendental live performances and 2009’s critically acclaimed, dark and enigmatic concept album 'Chronicles Of The Waking Dream' have earned them a inimitable reputation as one of Australia’s premier progressive rock bands.Sharing stages with artists as diverse as Anathema (UK), Soilwork (Swe), Queensryche (USA), Dead Letter Circus, Ne Obliviscaris and hundreds more, Arcane's live show, often accompanied by a backdrop of staggering visualizations, is a vast sensory experience.Arcane's immersive sound, and the vocals of Jim Grey quickly found favor throughout Australia, headlining the annual Progfest tour, providing touring support for Ne Obliviscaris, and performing to capacity crowds at Sonic Forge Festival in Melbourne. A crowd funding campaign in July, 2013 heralded the 2015 release of 'Known/Learned' a 16 track conceptual double album. Arcane blends the technicality of progressive metal with the atmospheric intensity of bands like Tool, Riverside and Anathema.  The world is about to discover what their Australian fan base already knows – that Arcane is a rising star in the world of progressive music.
    $14.00
  • Monumental album from Ritchie Blackmore/Ronnie James Dio. Worth it just for "Stargazer" alone. Remastered edition. Essential.
    $5.00
  • Its been six years since the last release from this Louisiana band.  Years ago I mentioned how much they sound like Porcupine Tree.  Well not a lot has changed in this respect.  If you are a fan of Steven Wilson and Porcupine Tree you'll find that Abigail's Ghost drinks from the same well.  In fact, of all the bands that bear the musicial DNA of Mr. Wilson, I would say that Abigail's Ghost do it the best.  So getting this out of the way I'm pleased to say that Black Plastic Sun is the band's best work.  Its what contemporary progressive music should be.  Melodic through out with room for stunning solos.  Overall the album is very dynamic - a nice contrast of heavy guitar driven music and heartfelt balladry.  This is not your father's prog.  BUY OR DIE!
    $12.00
  • Its been quite a long time since we've heard from Magic Pie.  They went through lots of trials and tribulations getting this album finished but now its finally arrived.  If you are not familiar with this band here's the deal: Magic Pie are a Norwegian band with a retro 70s sound.  The music is a bit of a high wire act balancing the neo-prog sounds of The Flower Kings with the heavier elements of classic Uriah Heep.  They also seem to be the darlings of Rosfest having played there multiple times."It's hard to believe it's been 10 years since these proggers from Norway released their promising debut "Motions of Desire". At that time, their music struck me as an enthusiastic combination of classic prog and classic hard rock. (Think Deep Purple for the hard rock side of that equation.) At their best, they offered memorable passages and pieces that sounded like they very well could have been long lost recordings from many years ago. At their worst, they sometimes fell short of filling the big shoes of the legendary bands whose music they strove to emulate. That's actually not bad for a debut album from a new prog band. I found much to like and looked forward to hearing from them again in the future.Checking back in on them a decade later, I must say that I am very impressed with how they have developed and matured. No longer do I get the feeling that certain sections of songs are direct homages to any particular band from any one particular decade of prog's illustrious history. Their influences, while still very present and valid, are now more varied, including a greater percentage of modern reference points. More importantly, their influences are just that--merely influences rather than templates or even primary reference points.The sound quality on "King for a Day" is superb thanks in large part to the enlistment of sonic genius Rich Mouser (whose resume includes similar work for prominent contemporaries like Spock's Beard, Transatlantic and Dream Theater).Keyboardist Erling Hananger is an excellent addition to Magic Pie's recipe. His keyboard parts are expressive, dynamic and integral to the music. When appropriate, his leads seamlessly blend, harmonize, and work synergistically with electric guitar.The lyrics have a melodramatic and somewhat tragic flair this time around, but this is prog so you should be accustomed to the musical ride including a few tragic tales from time to time by now, right?OK ' so it's time for the "magic" question... A decade after their debut album, how has my impression of Magic Pie changed?On "King for a Day", I now hear a band which has found "its own voice", one that resonates confidently in the space somewhere between classic arena rock of yesteryear (on prog-steroids of course) and modern melodic prog of the 21st Century (like Spock's Beard and The Flower Kings). Add a few dashes of modern prog-metal to taste and you, my friend, have baked up a very nice confection indeed... MAGIC PIE!If you love modern prog anthems with big harmonies and 'sing along' choruses, give "King for a Day" a listen! I'm glad I did!" - ProgArchives
    $15.00
  • The Custodian is a new British post-progressive rock band formed by Richard Thomson, vocalist for cinematic death metal band Xerath.  Unlike Xerath, The Custodian is an outlet for the more melodic, rock oriented writing from Thomson.While there are moments in the album that harken back to old school bands like Genesis and Yes, the music of The Custodian is contemporary in sound.  Necessary Wasted Time is an album full of dynamics - light and dark shadings balancing acoustic vs electric, heavy vs pastoral.  While atmospherics and tension are a strong component of the album, the band demonstrates their adept musicianship offering up long instrumental passages to complement the emotion filled vocals.  When needed the band unleashes some complex electric runs.The Custodian's debut should deeply resonate with fans of Steven Wilson, Riverside, Pineapple Thief, and Anathema.Necessary Wasted Time was mixed by noted engineer Jacob Hansen and give the full audiophile mastering treatment from Bob Katz. 
    $14.00
  • I can't remember a buzz on a band's debut since Circus Maximus.  Perhaps due to the album being released in Japan a year ago and its unavailability elsewhere, maybe because they are lined up to play ProgPowerUSA.  Whatever the reason the album finally gets a wide debut and it was worth the wait.  Damnation Angels is a British symphonic metal band fronted by a Norwegian singer.  He goes by the name PelleK and was a contestant on Norway's version of X Factor.  The band's stock in trade is epic sounding metal that pays a huge debt to Kamelot.  The instrumental passages take on the grandeur and scope of Nightwish.  PelleK does a sold job out front - he's obviously listened to a Khan quite a bit.  Highly recommended.
    $14.00
  • One of the great overlooked prog metal albums of the 90s made available again. This album with the odd name was only released in Japan by Toshiba-EMI in 1998. It was the debut album from this Swiss trio and featured the great Thomas Vikstrom on vocals. The music was keyboard driven, a bit off kilter and totally amazing. The band didn't release anything again until this year's Retrospective but the similarities are superficial. Retrospective is a great album but a bit more conventional. Cosmic Handball has a lot more personality. Its been remixed and remastered which can only help as the original production was a bit murky sounding. Highest recommendation.
    $5.00
  • Sound Of Contact is a new band put together by Simon Collins and session keyboardist Dave Kerzner.  Yeah - Simon is Phil's son.  The apple doesn't fall far from the tree - Simon plays drums and he also sings.  His voice is eerily like his dad.  At times virtually indistinguishable.  The music follows a similar path to Phil's work with Genesis and solo.  Parts of the album are pure prog - in fact the album closes with a killer 19 minute epic called "Mobius Slip".  Other parts of the album exhibit a poppier more commercial side.  I don't think of the album as a pop album - its a prog rock album.  Kerzner provides some very interesting keyboard work - lots of intricacies through out the album.  There is that commercial element that reminds me of Genesis in the 80s.  With his voice sounding so much like his father, Simon will always be cursed with being compared to Phil.  That's a fact.  Overall I think he's come up with an interesting album that fans of more contemporary progressive rock will enjoy.
    $12.00
  • So here's my personal confession...after Neal left I felt that Spock's Beard lost their way.  Nick is a fine vocalist but there was something quirky about Neal's writing that had a reverential old school quality that I found lacking.  The albums didn't grab me.  Nick left and Ted Leonard took over on vocals.  Whether it was Enchant or Thought Chamber, he's always stood out and he fits Spock's Beard quite well.  The new drummer Jimmy Keegan slipped into the blend with no dificulty.  The result is (to my mind) a resurgence from this band.  Ryo Okumoto always puts on a show - in particular his heavy reliance on Hammond organ reminds me quite a bit of Steve Walsh.  In fact the sound of the whole album has a Kansas vibe. Coincidentally David Ragsdale guests on one track.  I'm not sure I can remember the last time I said this about a Spock's Beard album - Highly recommended."Very few bands are so recognizable that you know who you are listening to within 2 seconds.  That is all it takes at the beginning of the first track on The Oblivion Particle to know you are listening to Spock’s Beard.  There is no slow buildup or keyboard swells, just straight BAMM!, here we go.  And if the opening notes don’t get you, the organ 5 seconds in will.  The band’s 12th studio album, this one the second with singer Ted Leonard and drummer Jimmy Keegan, is a culmination of years of perfecting a sound and identity, one that not even 2 major lineup changes could fracture. With this new album, Spock’s Beard up their game again and show that this lineup is here to stay.If there was a track that defined what Spock’s Beard are, it might be the opening track, “Tides of Time.”  There are certain checklist items that mark their sound and they are all in this track.  The organ, the harmonies, the acoustic breakdown, the rocking middle and the epic ending.  Each member finds their moments to shine on this one and it provides a jaw-dropping sound overload that could leave one satisfied at that moment; only there is another 60 minutes to go.The album zigs and zags through a few more experimental moments, mixing in some surprises with more traditional Prog elements.  The album’s second track and first single is “Minion”, is a perfect example.  The opening a cappella harmonies provide the sort of memorable chorus and harmonies we’ve come to expect from the group.  While, the following distorted keyboard section is also standard Spock’s Beard.  But the verse and middle of the song is much darker and takes us on a surprising journey.The most unique song the album is the brilliantly titled “Bennett Built a Time Machine”, which the album’s cover is based on.  Drummer Jimmy Keegan takes lead on the vocals here and sounds incredible.  His voice actually fits the track better than Leonard’s probably would have.  The song is one of the album highlights and helps keep the record from sounding redundant.  It is almost a pop song most of the way through until turning on the jets and shifting into Prog mode.There are some heavier moments such as “Hell’s Not Enough” and “Get Out While You Can”. “The Center Line”, however, might be the most similar to something you might have found on their group’s previous album “Brief Nocturnes…”  The track opens with an expansive piano recital piece, before turning into a combo Prog-Western bounce with acoustic guitars carrying the groove. Ted’s voice lifts the choruses flawlessly and creates an almost cinematic soundscape.Even with all of these great moments, it is the album’s closing track that is the best song on the album.  “Disappear” might be one of the best songs the band has recorded since Neal left the group.  “We could disappear, you and me, we could be, anyplace else not here” sings Ted in the chorus as he wonders what might be if we left with no one knowing what happened.  The song is really the closest thing to a ballad on the album, but it doesn’t stay that way for long.  2 minutes in, the song stirs into a frenzy just before a brief cameo by Kansas’ David Ragsdale, appearing with his violin.  Of course, the big epic orchestral ending takes us home as Alan Morse provides the finishing touches with his unique finger picking soloing excellence.Spock’s Beard are Prog rock’s most reliable unit.  They have yet to disappoint and always provide comfort to their faithful fans with music that is both inspiring and breathtaking.  And while The Oblivion Particle shows a harder edged Spock’s Beard, it also displays a group that shows no signs of slowing down and is ready to take on all comers." - The Prog Report 
    $12.00
  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00
  • The madcap French jazz metal trio return with their sixth album.  Morglbl consists of guitarist Christope Godin, bassist Ivan Rougny, and drummer  Aurelian Ouzoulias.  The band has toured extensively around the world – USA, Europe, Russia and even China!  They have shared the stage with Liquid Tension Experiment, Bumblefoot, and Umphrey’s McGee among others.These three virtuosos are also well endorsed clinicians and have developed a following individually but when they come together the fireworks really start.  Tea Time For Punks doesn’t deviate from the tried and true Morglbl formula.  Take equal parts fusion and crushing metal power chords, then inject a healthy dose of tongue in cheek humor and you’ve got the perfect Morglbl album. The band is often described as Primus meets Steve Vai and Allan Holdsworth, with flavors of Frank Zappa! 
    $13.00
  • Excellent debut from this Venezuelan band. Echoes skirts the edge between progressive rock and metal. Clearly Dream Theater (and Rush to some degree) are an influence but the music isn't as heavy as most progressive metal bands. There are some great atmospheric parts that have more of a prog rock vibe. There are a number of guest vocalists that contribute to the album and they are all quite good. I'm surprised there isn't more of a latin influence going on - these guys could pass for a US band. I can see this easily appealing to fans of both prog rock and prog metal. Highly recommended.
    $3.00