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"I guess that Jyvaskyla is one of the most important cities in Finland when it comes to rock and metal. More than just a handful of bands call the city their home and one of the is Swallow The Sun.

$ 7.80
$ 13.00

"I guess that Jyvaskyla is one of the most important cities in Finland when it comes to rock and metal. More than just a handful of bands call the city their home and one of the is Swallow The Sun.

$14.00
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"Black Sabbath embraced change in 1976 when the heavy metal innovators started managing themselves and began exploring different sounds on the band’s seventh studio album, TECHNICAL ECSTASY. The record reached #13 in the U.K. and was certified gold in the U.S.

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$60.00

2020 had been planned to celebrate the Finns’ 20th Anniversary, two decades of doom, gloom, and desperation etched in proverbial platinum.

$ 23.40
$ 39.00

2020 had been planned to celebrate the Finns’ 20th Anniversary, two decades of doom, gloom, and desperation etched in proverbial platinum.

$ 21.60
$ 36.00

"2020 had been planned to celebrate the Finns’ 20th Anniversary, two decades of doom, gloom, and desperation etched in proverbial platinum.

$25.00
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Molassess is essentially the reincarnation of The Devil's Blood. If you are unfamiliar with the band they were a retro-doom/occult/psych/prog rock band from The Netherlands.  TDB was led by Selim Lemouchi who ultimately committed suicide and with it the band ended.

$ 15.00
$ 25.00

"Every time a legendary, much-loved band releases a new album there seems to be a race as to who can be the first to declare it “their best album ever”.

$12.00
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"Over the years, Tasmanian maniacs The Wizar’d have repeatedly proven their penchant for writing massive, catchy doom.

$ 9.60
$ 16.00
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High Priestess is an all female psychedelic doom trio from Los Angeles.  Apparently their debut made some waves in the doom metal scene.  They are back with a follow up and they have added a bit of a prog element to their sound.

$ 14.40
$ 24.00
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  • WE ARE NOW TAKING PREORDERS FOR THE RE-PRESS OF THE CAMEL "AIRBORN" 27 CD/5 BLU RAY BOX SET.  STREET DATE IS MAY 3, 2024.  PLEASE DO NOT COMBINE YOUR PREORDER WITH YOUR REGULAR STOCK ORDER.  WE DO NOT SPLIT SHIPMENTS OR RESERVE STOCK ITEMS.  AVOID DISAPPOINTMENT - PLACE YOUR PREORDER SEPARATELY.In celebration of the 50th anniversary of the release of their self-titled debut album, this 32-disc super deluxe boxed set is the definitive tribute to the legendary band Camel. The boxed features newly remastered versions of every Camel album and single issued between 1973 and 1984,  but also includes new stereo and 5.1 Surround Sound versions of the albums “Camel”, “Mirage”, “Music Inspired by The Snow Goose”, “Moonmadness” and “Nude”, as well as new mixes of three concerts; The Marquee Club, London 1974, Hammersmith Odeon 1976 and Hammersmith Odeon 1977 The set also features previously unreleased out-takes from album recording sessions and BBC Radio “In Concert” appearances from 1974, 1975, 1977 and 1981. Additionally included is a Blu ray video disc of promotional videos and BBC TV appearances on “The Old Grey Whistle Test” and “Sight and Sound In Concert” and a Blu ray video disc of the 1984 concert film “Pressure Points”The boxed set includes a lavishly illustrated book with essay and a poster.CD ONE “Camel” – Remastered (Released as MCA Records MUPS 473 in 1973)Slow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaSarah (previously unreleased) - Bonus trackNever Let Go (single version) - Bonus trackHomage to the God of Light (live) (from "Greasy Truckers - Live at Dingwalls Dance Hall") - Bonus trackCD TWO “Mirage” – Remastered (Released as Deram SML 1107 in 1974)FreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyEarthrise (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))The Traveller (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))Supertwister (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))The White Rider (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))Lady Fantasy (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))CD THREE “Mirage” sessionsLady Fantasy (Basing Street studios original mix)Autumn (previously unreleased)Nimrodel / The Procession / The White Rider (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackLigging at Louis' (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackLady Fantasy (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackArubaluba (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackCD FOUR Live at The Marquee Club - 30th June 1974 (Newly mixed in full by Stephen W. Tayler)IntroductionEarthriseNimrodelSix AteSupertwisterMystic QueenArubalubaCD FIVE Live at The Marquee Club - 30th June 1974 (Newly mixed in full by Stephen W. Tayler)Rhayader Goes to TownThe Snow Goose / FreefallLady FantasyHomage to the God of LightCD SIX “Music Inspired by The Snow Goose” – Remastered (Released as Decca SKL-R 5207 in May 1975)The Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshFlight of the Snow Goose (single version) - Bonus trackRhayder (single version) - Bonus trackCD SEVEN “Snow Goose” sessions - Recorded and mixed at Decca Studios, Broadhurst Gardens 7th June 1974RivermanRhayder Goes to Town (BBC Radio One “In Concert” – 22nd April 1975)Sanctuary (BBC Radio One “In Concert” – 22nd April 1975)The Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)Migration (BBC Radio One “In Concert” – 22nd April 1975)Rhayder Alone (BBC Radio One “In Concert” – 22nd April 1975)Flight of the Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)Preparation (BBC Radio One “In Concert” – 22nd April 1975)Dunkirk (BBC Radio One “In Concert” – 22nd April 1975)Epitaph (BBC Radio One “In Concert” – 22nd April 1975)La Princesse Perdue (BBC Radio One “In Concert” – 22nd April 1975)The Great Marsh (BBC Radio One “In Concert” – 22nd April 1975)Selections from "The Snow Goose" (BBC TV Old Grey Whistle Test – 21st June 1975) a. The Snow Goose / b. Friendship / c. Rhayader Goes to TownCD EIGHT “Live at The Royal Albert Hall - 17th October 1975” – Remastered & mixed with the London Symphony Orchestra conducted by David BedfordIntroduction by Peter BardensThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshEncore: Lady Fantasy (previously unreleased)CD NINE “Moonmadness” – Remastered (Released as Decca TXS-R 115 in 1976)AristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaSprit of the Water (demo) - Bonus trackChord Change (demo) (previously unreleased) - Bonus trackLunar Sea (demo) (previously unreleased) - Bonus trackAnother Night (single version) - Bonus trackCD TEN Live at Hammersmith Odeon - 14th April 1976 – (Newly mixed in full by Stephen W. Tayler)AristillusSong Within a SongThe Great MarshRhayaderRhayader Goes to TownAir BornChord ChangeThe White RiderCD ELEVEN Live at Hammersmith Odeon - 14th April 1976 (Newly mixed in full by Stephen W. Tayler)Lunar SeaPreparationDunkirkAnother NightLady FantasyCD TWELVE “Rain Dances” (Released as Decca TXS-R 124 in 1977)First LightMetrognomeTell MeHighways of the SunUnevensongOne of These Days I'll Get An Early NightElkeSkylinesRain DancesHighways of the Sun (single version) - Bonus trackFirst Light (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackMetrognome (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackUnevensong (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackSkylines (live at Leeds University 3rd October 1977) - Bonus trackLunar Sea (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackRaindances (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackCD THIRTEEN: “Raindances live”Never Let Go (live at the Colston Hall, Bristol 2nd October 1977)First Light (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Metrognome (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Unevensong (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Rhayader / Rhayader Goes to Town (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Skylines (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Highways of the Sun (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Lunar Sea (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Rain Dances (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Never Let Go (BBC In Concert - Golders Green Hippodrome - 29th September 1977)One of These Days I'll Get an Early Night (BBC In Concert - Golders Green Hippodrome - 29th September 1977)CD FOURTEEN: Live at Hammersmith Odeon – 30th September / 1st October 1977 (Newly mixed in full by Stephen W. Tayler)First LightMetrognomeUnevensongRhayaderRhayader Goes to TownPreparationDunkirkSanctuaryThe Snow GooseCD FIFTEEN: Live at Hammersmith Odeon – 30th September / 1st October 1977 (Newly mixed in full by Stephen W. TaylerTell MeSong Within a SongSkylinesHighway to the SunLunar SeaRain DancesOne of These Days I'll Get an Early NightCD SIXTEEN: “Breathless” (Released as Decca TXS-R 132 in 1978)BreathlessEchoesWing and a PrayerDown on the FarmStarlight RideSummer LightningYou Make Me SmileThe SleeperRainbow's EndRainbow's End (single version) - Bonus trackCD SEVENTEEN “I Can See Your House from Here” (Released as Decca TXS-R 137 in 1979)WaitYour Love is Stranger Than MineEye of the StormWho We AreSurvivalHymn to HerNeon MagicRemote RomanceIceRemote Romance (single version) - Bonus trackCD EIGHTEEN “Nude” – Released as Decca SKL 5323 in 1981City LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)Captured (first version) (previously unreleased) - Bonus trackCD NINETEEN BBC Radio One In Concert - Hammersmith Odeon 27th February 1981 First broadcast 2nd May 1981Never Let GoSong Within a SongLunar SeaSummer LightningIceCity LifeDraftedDocksBeachedLandscapesChanging PlacesReflectionsCapturedThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)CD TWENTY “The Single Factor” – (Released as Decca SKL 5328 in 1982)No Easy AnswerYou Are the OneHeroesSelvaLullabyeSasquatchManicCamelogueToday's GoodbyeA Heart's DesireEnd PieceYou Are the One (promotional 12-inch single version) - Bonus trackCD TWENTY-ONE “Stationary Traveller” – (Released as Decca SKL 5334 in 1984)Pressure PointsRefugeeVoposCloak and Dagger ManStationary TravellerWest BerlinFingertipsMissingAfter WordsLong GoodbyesIn the Arms of Waltzing Fraulines - Bonus trackPressure Points (12-inch single extended version) - Bonus trackCD TWENTY-TWO “Pressure Points” Live at Hammersmith Odeon 11 May 1984Pressure PointsDraftedCapturedLiesRefugeeVoposStationary TravellerWest BerlinFingertipsCD TWENTY-THREE “Pressure Points” Live at Hammersmith Odeon 11 May 1984SasquatchWaitCloak and Dagger ManLong GoodbyesRhayaderRhayader Goes to TownLady FantasyCD TWENTY-FOUR “Camel” and "Mirage" New Stereo Mix by Stephen W TaylerSlow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaFreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyCD TWENTY-FIVE “Music inspired by The Snow Goose” New Stereo Mix by Stephen W TaylerThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshCD TWENTY-SIX “Moonmadness” New Stereo Mix by Stephen W TaylerAristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaCD TWENTY-SEVEN “Nude” New Stereo Mix by Stephen W TaylerCity LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)DISC TWENTY-EIGHT (Blu-ray) “Camel” & "Mirage" High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixSlow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaFreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyAutumn - Bonus trackDISC TWENTY-NINE (Blu-ray): “Music inspired by The Snow Goose” & “Moonmadness” High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshRiverman - Bonus trackAristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaDISC THIRTY (Blu-ray): “Nude” High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixCity LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)DISC THIRTY-ONE (Blu-ray): “The Video Vaults”Never Let GoArubalubaSelections from "The Snow Goose" a. The Snow Goose / b. Friendship / c. Rhayader Goes to Town (Guildford Civic Hall 1973 – MCA Promo film shown on “The Old Grey Whistle Test”)The White Rider (BBC TV – The Old Grey Whistle Test – 21st June 1975)Lunar Sea (BBC TV – The Old Grey Whistle Test – 21st June 1975)Preparation (BBC TV – The Old Grey Whistle Test – 21st June 1975)Dunkirk (BBC TV – The Old Grey Whistle Test – 21st June 1975)Another Night (BBC TV – The Old Grey Whistle Test – 21st June 1975)Lady Fantasy (BBC TV – The Old Grey Whistle Test – 21st June 1975)First Light (Live at Hammersmith Odeon – 14th April 1976)Metrognome (Live at Hammersmith Odeon – 14th April 1976)Unevensong (Live at Hammersmith Odeon – 14th April 1976)Rhayader / Rhayader Goes to Town (Live at Hammersmith Odeon – 14th April 1976)Skylines (Live at Hammersmith Odeon – 14th April 1976)Highways of the Sun (Live at Hammersmith Odeon – 14th April 1976)Lunar Sea (Live at Hammersmith Odeon – 14th April 1976)Rain Dances (Live at Hammersmith Odeon – 14th April 1976)Never Let Go (Live at Hammersmith Odeon – 14th April 1976)One of These Days I'll Get an Early Night (Live at Hammersmith Odeon – 14th April 1976)City Life (BBC TV – “Sight & Sound in Concert – 29th September 1977”)Lies (BBC TV – “Sight & Sound in Concert – 29th September 1977”)DISC THIRTY-TWO “Pressure Points”In the Arms of Waltzing FraulinesPressure PointsRefugeeVoposStationary TravellerWest BerlinFingertipsSasquatchWaitCloak and Dagger ManLong GoodbyesRhayaderRhayader Goes to TownLady FantasyIn the Arms of Waltzing Fraulines
    $225.00
  • Limited Deluxe Collector's Box Set:Artbook180g 2 LP Gatefold Vinyl w/ Exclusive Artwork and Exclusive LP Color (White)Exclusive picture disc 7"60 cm x 60 cm poster10 art cardsSlipmatPatchPinHand-numbered certificate of authenticityTwo-time Grammy-nominated and millions-selling progressive music titans Dream Theater announce the forthcoming worldwide release of their 14th studio album, ‘Distance Over Time’ on 22nd February 2019. ‘Distance Over Time’ showcases a newfound creativity for Dream Theater while maintaining the elements that have garnered them devoted fans around the globe. The album also marks the first for the band’s new label InsideOutMusic / Sony Music. The artwork was created by long-time cover collaborator Hugh Syme (Rush, Iron Maiden, Stone Sour). ‘Distance Over Time’ was produced by John Petrucci, mixed by Ben Grosse and mastered by Tom Baker.“When I listen back to the album, I can distinctly recall every moment of the writing process; where I was standing in the room, what inspired us in that instant and the meaning behind each song. As a producer, my goal was to try and create the best-sounding Dream Theater record we’ve ever made so that listeners can just be enveloped in the music. I really wanted this recording to truly reflect the spirit, joy and passion that went into making the album and for people to walk away feeling some of the organic nature, personality and raw energy that the band captured while together in the studio. For me, I think it accomplishes that and I hope that other people will feel the same way,” explains John Petrucci.In June 2018, Dream Theater secluded themselves in a private location in upstate New York to begin writing for the new record. While spending the summer living together in the property's adjacent residence, the band spent their days and nights crafting the music that would make up the new album in the ‘Yonderbarn’; a beautiful and spacious barn that had been meticulously transformed into a state-of-the art film and recording studio. Following an intense & extremely productive period of group writing sessions and wanting to retain the magic that was captured in this scenic and inspiring location, they decided to record the album in the very room they had all convened to write together in. Living together during the writing and recording for ‘Distance Over Time’ marked another first for the band’s 33-year career. The result is a heavier collection of songs that showcases the early roots of the band while exploring new territory as musicians and as friends.“It was like going back to summer camp,” adds James LaBrie. “Being around each other the whole time made it that much more of a profound experience. I think the songs reflect the energy. It was a lot of fun to have a situation so powerful at this point in our career.”It has been 3 years since Dream Theater released new music. To announce the details of the brand new album, Dream Theater enlisted the help of one lucky contest winner to break the news of the record to the loyal fans of the band. An Alternate Reality Game was launched that encompassed a “treasure hunt” whereby fans were able to search for clues hidden in various photos, videos, social media posts, and more. Ultimately, one lucky winner was given access to content before everyone else including the release date and cover artwork, and the winner would be the one to share the first taste of never before heard music. Dream Theater is also planning to hit the road in support of the new album. The ‘Distance Over Time’ Tour of North America was recently announced and kicks off on March 20, 2019 in San Diego, CA. The tour will run for seven weeks before wrapping up in Mexico City on May 4, 2019.Progressive metal pioneers Dream Theater — James LaBrie (Vocals), John Petrucci (Guitars), Jordan Rudess (Keyboards), John Myung (Bass), and Mike Mangini (Drums) — share a unique bond with one of the most passionate fan bases around the globe as evidenced by their two GRAMMY® Award nominations and 15 million records sold worldwide. The 1992 opus Images & Words received a gold certification and landed on Rolling Stone’s coveted “100 Greatest Metal Albums of All-Time.” Guitar World placed the follow-up Awake at #1 on “Superunknown: 50 Iconic Albums That Defined 1994.” 1996’s A Change of Seasons notably soundtracked NBC’s coverage of Downhill Skiing at the 2002 Winter Olympics. Fans voted the 1999 Metropolis Pt. 2: Scenes from a Memory the “Number One All-Time Progressive Rock Album” in a 2012 Rolling Stone poll. Not to mention, it ranked as the “15th Greatest Concept Album” by Classic Rock. 2009 saw Black Clouds & Silver Linings crash the Billboard Top 200 at #6 as A Dramatic Turn of Events [2011] and Dream Theater [2013] maintained a three-peat in the chart’s Top 10. Consequence of Sound dubbed 2016’s The Astonishing, “An absolutely unique experience.” Beyond three platinum and two gold videos, the group was inducted into the Long Island Music Hall of Fame in 2010. On its 14th full-length and first release for InsideOutMusic / Sony Music, Distance Over Time, the band recharge the brotherhood that has kept them creating music together for over 30 years. It’s Dream Theater at their most dynamic, direct, and definitive.
    $145.00
  • \"With Book 3, The Chronicles of Father Robin reach the final chapter of “The Songs & Tales of Airoea”. This dynamic and soulful journey starts with the upbeat “Magical Chronicle”, a vocal driven track full of lush harmonies and clear references to prog classics such as Gentle Giant, Yezda Urfa and the Canterbury Scene. From the atmospheric “Skyslumber” and the soaring prog ballad that Yes never wrote, “Cloudship”, the album burst into the dynamic psych-rocker “Empress of the Sun”, a song full of energy and contrast eventually sliding into a keyboard lead middle part reminiscent of The Doors at their most adventurous. Finishing the album “Lost in the Palace Gardens” starts off with a beautiful acoustic guitar part brining associations to British folk bands such as Steeleye Span, but also the guitar work of a certain Jimmy Page. The track follows up with vocal parts where Andreas Prestmo and Aleksandra Morozova’s voices perfectly complement each other, making it a perfect culmination of this highly ambitious body of work where Father Robin explores the cloud lands in the Sky. Featuring members from some of the most revered progressive rock bands from Norway, Wobbler, Jordsjø, Tusmørke and seasoned post-rockers The Samuel Jackson Five, TCOFR is a veritable all-star team. “The Songs & Tales of Airoea”, 30 years in the making, is a cohesive triple concept album with 18 songs set in an alternate archaic world for over a period of three decades. The first album, “Book I”, was released on September 15th, and “Book II” will be out December 08th. The Chronicles of Father Robin (TCOFR) emerged from the remains of the band Fangorn back in 1993- 94, mainly inspired by the classic bands and albums of the early 1970s progressive music scene, alongside contemporary bands like Änglagård, Anekdoten, White Willow and Landberk."
    $14.00
  • Hyperdrive marks a new era for Knight Area.  The long running Dutch progressive rock band had previously released four studio albums and toured Europe and USA extensively, performing at all major prog rock festivals.  1n 2012 the band welcomed guitarist Mark Bogert as well as legendary bassist Peter Vink (Q65, Finch, Ayreon) into the fold. With these newcomers onboard, Knight Area introduced a heavier element and fuller sound to their repertoire.  All the classic symphonic rock traits of their previous albums are still clearly evident but the songs on Hyperdrive are more immediate and concise.The band invited noted prog guitarist Arjen Lucassen (Ayreon, Star One) to participate as a special guest on one track.  Joost van den Broek, who is known for his production work with Epica, Mayan, and After Forever, mixed the album.   Rounding out the package is startling artwork by Gustavo Sazes.
    $6.00
  • TRANSATLANTIC — the multinational progressive rock supergroup featuring vocalist/keyboardist Neal Morse (SPOCK'S BEARD, THE NEAL MORSE BAND), drummer Mike Portnoy (SONS OF APOLLO, DREAM THEATER), bassist Pete Trewavas(MARILLION) and guitarist Roine Stolt (THE FLOWER KINGS) — will release its fifth studio album, "The Absolute Universe", on February 5, 2021 via InsideOut Music. Representing the band's first new music since 2014's "Kaleidoscope", with "The Absolute Universe" the band has done something unique and created two versions of the record: "The Absolute Universe: The Breath Of Life (Abridged Version)" and "The Absolute Universe: Forevermore (Extended Version)".As Portnoy explains: "We've got two versions of this album. There is a two-CD presentation, which is 90 minutes long, and a single one — that's 60 minutes. However, the single CD is NOT merely an edited version of the double CD. They each contain alternate versions and even in some cases, new recordings. We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD. Some of the songtitles have also been changed, while others might remain the same, but compositionally, what you'll hear has been altered."You must appreciate that what we have done is unique. We revamped the songs to make the two versions different."Trewavas adds: "We did write some new music for the single CD. What's more, there are also differences in the instruments used on some of the tracks across the two records."Each album will be available on CD, LP and digitally. But there will also be what has been called "The Absolute Universe: The Ultimate Edition", which collects both versions together in one lavish package that includes 5LPs, 3CDs and a Blu-ray that contains a 5.1 Surround Sound mix with visuals and a behind-the-scenes documentary. All editions have unique artwork created by Thomas Ewerhard.Initial tracking began in September 2019 when the band met up in Sweden to write and arrange the new material. As Portnoy explains: "Over a period of 10-14 days, we mapped out the songs. Then we all went back to our home studios and did the recording. That's the way we always do it. At one point, though, it was suggested that instead of doing what was by that time going to be a double album, we should just be content to do a single CD.""What happened was that everything kept expanding and expanding," recalls Stolt. "Therefore we decided it made sense to make it a double album. It was Pete and Neal who then came out and said they felt this would be too long, and we should reduce it to one…But we were already recording, and it didn't seem feasible to cut it back. There were so many pieces that each of us loved in what we were planning and didn't want to lose. That's when we ended up in discussions over the best way forward."This album also marks a return to the concept album for TRANSATLANTIC."Well, the idea of TRANSATLANTIC deciding to do a concept record this time around won't shock anyone, right?" laughs Portnoy. "What we have is essentially one giant composition, split into chapters. The storyline is about the struggles facing everyone in society today.""We didn't start out with the idea of this being conceptual," admits Stolt. "The way things work with us is that we have a load of ideas, and these are developed spontaneously when we meet up. Everything happens in the moment."So, how does this new groundbreaking album compare to TRANSATLANTIC's previous four albums?"I always try not to compare albums as much as possible," insists Morse. "It's very difficult when you're trying to be creative, because your natural instinct is to constantly compare. But in order to create you have to kind of step away from that. Having said that, I would say this would have more in common with 'The Whirlwind' album [the band's third, from 2009] than others that we've created."For Trewavas, "The Absolute Universe" is a momentous project. "I think it is right up there with the very finest albums we've done," he says. "As the others have said, it compares very well to 'The Whirlwind', which I believe represents TRANSATLANTIC at our best. As on that album, we took our time to write and arrange everything, and that shines through. I am very excited for people to hear it."TRANSATLANTIC formed in 1999 and released its debut album, "SMPT:e", the following year. Sophomore effort "Bridge Across Forever" followed in 2001, but the group went on an extended hiatus after Morse left SPOCK'S BEARD in 2002 to focus on his newly launched career in the Christian music industry.The group reunited in 2009 and released third album "The Whirlwind", which consisted of a single 77-minute track, that same year. A fourth album, "Kaleidoscope", was recorded in 2013 and released the following year, when it debuted at No. 6 on the German top album charts. The band has also released several live albums and live videos, most recently 2014's "KaLIVEoscope".Portnoy and Morse are frequent musical collaborators, having recorded more than a dozen albums together outside of TRANSATLANTIC, including three FLYING COLORS releases, three by THE NEAL MORSE BAND and seven Morse solo albums."
    $15.00
  • Third album from Sam Vallen and Jim Grey.  Plain and simple another triumph.  The great thing about this band is the way they assimilate different influences and make a cohesive whole.  Vallen's guitarwork touches on djent riffing as well as fluid clean lines and Grey's vocals...well they are spectacular as usual.  You get a little bit of Opeth here and Haken there.  Maybe even a little Dream Theater and Pain Of Salvation.  Naturally if you are a fan of Jim Grey's other band, Arcane, you are going to love this one as well.  Very dynamic and dramatic.  Essential 2015 purchase.  BUY OR DIE!"There are certain albums that require more than just open ears. Sometimes, you need to close your eyes in order to sharpen up your senses, to be able to really consume and obtain the musical message delivered throughout the record. So before pressing the ‘play’ button on Caligula’s Horse newest release, Bloom, pour a glass of your favorite drink, put your headphones on and close your eyes.Consisting of 8 tracks, Bloom delivers something deeper than a compilation of technical riffs; it sets an atmosphere, driven by emotion and by the story line, as the sound and production correlate towards that notion. From the very beginning, with the theme song being the opener of the album, you can see how the band sets the mood for the entire record. Mysterious, dark, heavily Opeth influenced, and yet still having its own characteristics to the story.Right from the beginning of the album, one cannot miss how Opeth deeply affected the band’s music. The vocal ideas and implementation, the guitar sound and the general image that’s created, can immediately drift the listener to many of the Swedish group’s finest works. Nevertheless, I do feel that within these carried elements still lies a large chunk of originality that separates this album from being another Opeth-imitation attempt, which can easily be found on a variety of past-releases of different bands.One impressive thing to notice on this record is vocalist’s Jim Grey. It is easy to fall in love with the color of Grey’s voice, as can be heard on The Tide, The Thief & River’s End (2013), but he did manage to improve a certain and essential vocal ability for this album: I’ve always felt that when hitting the higher notes, he needed to “shout” those notes just a little bit too much, having immediate impact on the tenderness and vibrations of his voice. On this album, it seems that Grey feels much more comfortable on higher scales, and that vocal freedom affects his entire range. Grey has turned it up a notch, becoming not only great a singer, but a great storyteller. His vocal movements are probably the most interesting thing to follow on this album, as it escorts the listener throughout each and every song.Another thing that immediately stands out is the band’s cooperation while putting Grey’s vocals as the leading musical idea of the album. Nothing is over-pressed, and it seems that band took a great care of composing the songs mostly to create an atmosphere, to set the right stage to deliver the story in the best way. It is impressive, since many bands tend to miss this very idea, with every musician trying to overlap the other, which mostly leads to a confusing blend that misses the main idea. This shows great maturity of the band, which helped them carry their music to the next level.Many bands these days try to force their music in to a hidden musical horizon just to be different. What’s so great about Bloom is that the band did not try to reinvent the wheel, but only used the tools they had, mixed just a little bit of everything to create something unique. Every song has that thing that sticks to your head; whether it’s a defying chord, a vocal movement, mesmerizing vocals and at times – some really catchy, groovy guitar riffs. That alone helps the fluency of the record, making it an album, 44-minutes of which you listen to from the top to the bottom, rather than just a collection of different songs.Overall, it’s easy to see how the band feels more comfortable with their work with every passing release. With time, Caligula’s Horse understands what they look for while composing their music, yet something still feels held back. It’s funny, because even I, after countless of times listening to the album, still cannot really put my finger towards what it is that is missing. Perhaps it is something that cannot be described by simple words, but it is that something that turns a 9 into a 10. That something that transforms an album which is great to hear, to a one that really dives into your deeper cells, and stays there. Rest assured: You cannot turn a blind eye in regard of the band’s progress, and you absolutely must give this album a try." - It Djents
    $15.00
  • Phase - Midnight Madness is the third release in our limited edition Modulus series.  Pressed in an edition of 500 copies, it comes housed in a old school style tip-on mini-LP jacket.  A 12 page booklet features detailed liner notes from the members of the band.Phase was a New Jersey based quartet formed in 1978.  It featured Regan Ryzuk (piano, Moog, Celeste), Dave Anderson (electric and Anscor stereo guitar), Carl Scariati (Carl Thompson electric bass), and John Hvasta (drums/tympanis).  All members were young but highly accomplished musicians with a serious interest in jazz, classical composition, and progressive rock.  Their high energy instrumental music clearly demonstrated these influences.  The music of Phase can easily be classified as fusion but there are strong undercurrents of progressive rock that weaves its way through the album - not just in terms of the instrumentation or playing, but the compositions as well.The band signed a deal with QCA/Red Mark Records in Cincinnati.  The band left New Jersey and heading out to Ohio to record Midnight Madness.  The album was recorded and mixed very quickly.  It saw a release in 1979 and unfortunately sank without much of a trace.  Keyboardist Regan Ryzuk reissued the album two years label, rebranding and repackaging the release under the Fusion Quartet moniker.Hearing this music for the first time was quite a revelation.  I was blown away to say the least.  When I'm asked to describe the music I typically reply "Return To Forever meets Emerson Lake & Palmer".  Not only did this quartet have chops from hell but the compositions were challenging as well.  If you are a fan of RTF, Mahavishnu Orchestra or the prog giants ELP, Yes, Zappa, and PFM you will find much to enjoy here.Please keep in mind that when this edition sells out it will be gone forever.   
    $27.00
  • In a time where progressive music is rising and there are so many options available to new listeners, it takes serious guts and personality to turn heads anymore. Norway’s Leprous has done just that in recent years, and it has been such a joy to watch them emerge into the limelight of awareness within the progressive community. It is no wonder, however, as Leprous continues to mature and to cling ever closer to their hearts when crafting new music.Leprous is a visionary band that defies genre labelling, not just in the style, but also in their attitude. After releasing “Tall Poppy Syndrome” (2009), “Bilateral” (2011) and “Coal” (2013); these artists released their monster album “The Congregation” (2015) that spurred high acclaim and an enormous world tour. Leprous, however, is not a band that takes success resting on their hind quarters, as they believe in pushing boundaries, learning from their mistakes, and following their instincts. They are prepared to release their new album “Malina” this summer, and it is set to offer a left hook to the progressive world.Of all things, Leprous is not a band that can be caged into any single genre. They aren’t interested in any of that. What they do believe in, however, is pursuing their artistic passions and following wherever their hearts may lead. They have been celebrated for years for their evocative mix of polyrhythmic grooves, melancholy atmospheres, melodic vocals, and biting lyrics; but their new album represents a pure stream of consciousness in the changes they have made to their sound. It’s in this imaginative style of composition that the band finds “a lot of the beauty about composing and creating: There’s always movement.”The band, however, found their instincts leading them away from simply polishing the melancholy progressive metal of “The Congregation”. They followed their conviction about creating music that feels right in the moment, which they consider to be the core of all true musical expression. In the process, Leprous has become a band that is “more accurately defined as a rock band than a metal band”, though even that label is unsatisfactory and binding to them. This is music that expresses their souls, embodies their passion, and confirms their genius.  They believe in making quality music that speaks to who they are right here and right now.About these changes, the band had this to say, "This album is the perfect example on how you can start with avision and ending up with a result that has nothing to do with the original idea. The writing of the album started out with the idea to perfect the sound and working method we began with on "The Congregation". While the writing process was actually pretty similar (30 sketches, elimination process etc etc) we gradually started noticing stuff with the sound and the songwriting on the previous album that we wanted to sound different. Gradually we realised what needed to be done. This album needs to sound more alive, more organic and more dynamic. The longer into the process the more obsessed we got with this idea”.“Malina” is set to be a change in direction in more ways than one. Right away, you can see that the cover art is more colorful and more mysterious than they’ve ever had in the past. The album itself has been nothing short of a labor of love. The album took 4 times as many days in the studio to record as past albums, as the band was certain that the sound they wanted would be found in the recording studio, and not in a digital mask that would be applied during the mixing stage.With this concept in mind, David Castillo of Ghostward Studios was brought in to produce and record the album to meet the band’s demands for a specific sound and the then went with Jens Bogren again to mix the album.  The band was however adamant about what this album needed to be, “We wanted it to sound like it sounded.  We did not want to "digitalise" the sound.”The members of Leprous have poured their blood, sweat, and tears into the process of creating “Malina”. They’ve challenged themselves to mature and grow in ways they themselves did not expect. It’s because of these amazing qualities that the band is set to conquer the music scene once again in 2017. Combining a new album with a fresh sound with their upcoming, biggest headline tour yet Leprous is ready to bring their passion and badass energy to fans and new audiences worldwide this year.
    $14.00
  • Love Over Fear album CD  in a digi-sleeve as a glorious textured mini gatefold with lyric bookletTrack listing:1. Everything2. Starfish and the Moon3. Truth and Lies4. 360 Degrees5. Soul and the Sea6. Eternal Light7. Water8. Whirlwind9. Who Really Are We?10. Afraid of Everything 
    $18.00
  • YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, release their new studio album The Quest on InsideOutMusic/Sony Music on 1st October 2021. "It is simply an honour for me to have the opportunity to bring together the band members in the development of a well-refined set of songs that capture the band’s true potential,” said Steve Howe, who produced the album. He added "Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.”   Additional percussion was provided by guest Jay Schellen who supplements YES’ live performances.Label Manager Thomas Waber said “I am delighted to welcome YES to the label and am looking forward to seeing the reaction of the band's fans to the new album. Being a long-time fan myself, I am really excited by the new material. Steve Howe managed to capture many of the important elements that we all love about YES!”For half a century YES have been the definitive band of the progressive music genre, the band by which all others are judged. Their ground-breaking albums of the 70s set the standard for the genre and influenced countless others who followed in their wake.The current line-up of YES was completed in 2015 when Billy Sherwood replaced founder member Chris Squire, at Squire’s insistence, as he bravely fought a losing battle with leukaemia. Since then, YES have concentrated on touring with their Album Series tours, each featuring a classic YES album in its entirety. During this period YES have released three live albums Topographic Drama – Live Across America (2017), Yes Live 50 (2019) and The Royal Affair Tour: Live in Las Vegas (2020).The music of YES has endured over the years and has been handed down through generations of music lovers.
    $15.00
  • "Islands is the new double album by progressive rockers THE FLOWER KINGS. After the group’s much celebrated return in 2019 and the highly successful “Waiting For Miracles”, creative mastermind Roine Stolt (Transatlantic, The Sea Within, Anderson/Stolt etc.) now presents 92 minutes of brand-new music with his competent line-up also featuring Hasse Fröberg, Zach Kamins, Jonas Reingold, Mirko DeMaio and special guest Rob Townsend. Due to the Covid-19-pandemic the album comes out quite a bit sooner than originally planned as Roine explains: “All shows and festivals were cancelled and the future didn’t really ‘unfold’ itself like we had hoped. To sit out the pandemic with no activities was not an option for us. We cannot be stopped by an evil virus. With members living in the USA, Italy, Austria and Sweden the only way was to use the magic of the ’net’ sending files and start building, what now became, a double album of 21 songs.” The 92 minutes long “Islands” features artwork by legend Roger Dean (Yes, Uriah Heep etc.) and all trademark sounds and melodies, the band is known for. From vintage keys to epic guitar solos, from odd drum patterns to symphonic elements, THE FLOWER KINGS present a superb, playful and complex record."
    $18.00
  • THIS NORTHERN VIRGINIA BASED BAND is a three-piece at heart, musically rooted in the raw energy and rhythmic interplay of RUSH and KING’S X. Fans of dark, guitar-driven rock bands from ALICE IN CHAINS, DEFTONES to the contemporary metal riffing of LAMB OF GOD and PANTERA, will connect to the heavy core of IRIS DIVINE’s sound. Add to that progressive complexity and moody synths inspired by DREAM THEATER and PORCUPINE TREE, and a liberal dose of memorable hooks and melodies, to understand some elements of IRIS DIVINE’s sound. And yet, the band has a distinct identity, not quite sounding like any of the aforementioned bands, and with an emotional urgency that pulls subtly from alternative and other influences.KARMA SOWN IS A TRIUMPH OF A DEBUT ALBUM, immediate and memorable but revealing layers and depth upon repeated listens."Progressive metal is in a rough period right now. The old guard are either releasing sub-standard albums that only make it more obvious how far they have fallen, or they are drastically uncool with anyone who didn't become a fan when progressive metal was first being created. Progressive today tends to mean djent, a style that has sapped all the life and humanity out of music, turning metal into a math equation of time signatures, and not songs that anyone can actually remember. There was a time when progressive metal remembered the ultimate goal of music; to have listeners enjoy the songs so much they would return to them again and again. Today, progressive metal is mostly the sort of music that could pass for muzak, if you don't turn the volume up too loud.Iris Divine wants to change that. They set out with the mission of writing progressive metal that is intricate and challenging, but still produces the kind of songs that listeners who don't have an advanced degree can love and sing along to. It's a challenge, and it goes against the tide, but it's a desperately needed revolution if progressive metal is going to flourish anytime in the near future.I knew from hearing the pre-release track “A Suicide Aware” that Iris Divide was special, and the full album reinforces the point. “The Everlasting Sea” comes out of the gates with plenty of tricky riffing and unusual rhythms, but they lead into big melodies with strong hooks and vocals. Their progressive playing isn't meant for show, it's a tool used to set a tone that juxtaposes with the more melodic moments. Finding the proper balance between these elements is not easy, and many a band have failed miserably trying to do so, but Iris Divine doesn't. On their debut record, they show a skill some bands have spent their entire careers failing to learn.What I love most about the record is that it can be seen in many different lights. If you like straight-ahead metal, there is plenty of heavy riffing and pounding drumming here to keep you satisfied. If you like progressive music, these songs have twists and turns, and Rush-like keyboards, in enough quantity to match the djent crowd. And if you're a fan of old-school radio rock, the choruses in these songs will be music to your ears. Keeping all three of these in mind at the same time can be tricky, but it's worth the effort.For being a trio, “Karma Sown” is a massive sounding record. The production is flawless, big and clear, without ever sounding too polished. The heavy parts are heavy, the vocals are up front, and you would never believe this was a self-produced record that was crowd-funded. I can put it up against many, many of the big label releases, and it would win the fight.In fact, I can think of a dozen so-called progressive metal bands that should immediately hand over their label contracts to Iris Divine, because it's a crime that a band that is advancing progressive metal in the right direction doesn't have the backing of one of the labels. Not to name names, but this album would be bigger than half of the progressive metal released this year if it had the media push behind it.In case you haven't noticed, what I'm saying is that “Karma Sown” is a fantastic debut, and the future of progressive metal. Iris Divine isn't a Dream Theater clone, and they're not djent. What they have done is integrate all the strains of progressive metal into a singular sound, one that could set the standard moving forward. If every band sounded this good, progressive metal wouldn't need to be underground. “Karma Sown” is the best progressive metal album of the year, bar none." - Bloody Good Horror
    $6.00
  • "Gathered during the group’s most recent European headlining run for FATES WARNING’s much acclaimed latest studio album “Theories Of Flight” in January 2018, “Live Over Europe” includes recordings from 8 different cities (Aschaffenburg / Germany, Belgrade / Serbia, Thessaloniki and Athens / Greece, Rome and Milan / Italy, Budapest / Hungary as well as Ljubljana / Slovenia) and a total of 23 songs in over 138 minutes of playing time, spanning 30 years of the group’s seminal career.“Live Over Europe” was mixed by Jens Bogren (Opeth, Kreator, Symphony X) and mastered by Tony Lindgren at Fascination Street Studios in Sweden "CD 1:1. From the Rooftops2. Life in Still Water3. One4. Pale Fire5. Seven Stars6. SOS7. Pieces of Me8. Firefly9. The Light and Shade of Things10. Wish11. Another Perfect Day12. Silent Cries13. And Yet it MovesCD 2:1. Still Remains2. Nothing Left to Say3. Acquiescence4. The Eleventh Hour5. Point of View6. Falling7. A Pleasant Shade of Gray, Pt. IX8. Through Different Eyes9. Monument10. Eye to Eye
    $20.00
  • Its been quite a long time since we've heard from Magic Pie.  They went through lots of trials and tribulations getting this album finished but now its finally arrived.  If you are not familiar with this band here's the deal: Magic Pie are a Norwegian band with a retro 70s sound.  The music is a bit of a high wire act balancing the neo-prog sounds of The Flower Kings with the heavier elements of classic Uriah Heep.  They also seem to be the darlings of Rosfest having played there multiple times."It's hard to believe it's been 10 years since these proggers from Norway released their promising debut "Motions of Desire". At that time, their music struck me as an enthusiastic combination of classic prog and classic hard rock. (Think Deep Purple for the hard rock side of that equation.) At their best, they offered memorable passages and pieces that sounded like they very well could have been long lost recordings from many years ago. At their worst, they sometimes fell short of filling the big shoes of the legendary bands whose music they strove to emulate. That's actually not bad for a debut album from a new prog band. I found much to like and looked forward to hearing from them again in the future.Checking back in on them a decade later, I must say that I am very impressed with how they have developed and matured. No longer do I get the feeling that certain sections of songs are direct homages to any particular band from any one particular decade of prog's illustrious history. Their influences, while still very present and valid, are now more varied, including a greater percentage of modern reference points. More importantly, their influences are just that--merely influences rather than templates or even primary reference points.The sound quality on "King for a Day" is superb thanks in large part to the enlistment of sonic genius Rich Mouser (whose resume includes similar work for prominent contemporaries like Spock's Beard, Transatlantic and Dream Theater).Keyboardist Erling Hananger is an excellent addition to Magic Pie's recipe. His keyboard parts are expressive, dynamic and integral to the music. When appropriate, his leads seamlessly blend, harmonize, and work synergistically with electric guitar.The lyrics have a melodramatic and somewhat tragic flair this time around, but this is prog so you should be accustomed to the musical ride including a few tragic tales from time to time by now, right?OK ' so it's time for the "magic" question... A decade after their debut album, how has my impression of Magic Pie changed?On "King for a Day", I now hear a band which has found "its own voice", one that resonates confidently in the space somewhere between classic arena rock of yesteryear (on prog-steroids of course) and modern melodic prog of the 21st Century (like Spock's Beard and The Flower Kings). Add a few dashes of modern prog-metal to taste and you, my friend, have baked up a very nice confection indeed... MAGIC PIE!If you love modern prog anthems with big harmonies and 'sing along' choruses, give "King for a Day" a listen! I'm glad I did!" - ProgArchives
    $14.00