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Thrash Metal

Remastered reissue of classic Bay Area thrash. Comes with a poster booklet and 4 bonus live tracks.

$20.00
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Bay Area thrash been that has been going for years now. High quality stuff - for some reason these guys never broke out on a massive level.

$15.00
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Ninth studio album completely remixed and remastered by Dave Mustaine. Contains 3 previously unreleased bonus tracks. For those of you concerned...these are import versions that are copy-protected by EMI.

$12.00
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Fifth album, remastered and remixed by Dave Mustaine. Comes with 4 bonus tracks. 

$7.50
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Second album. Not just remastered but actually remixed by Dave Mustaine. Features 4 unreleased bonus tracks. 

$7.50
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Reissue of the first album from this legendary SF thrash band. Comes with two live bonus tracks.

$10.00
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  • Get ready to rock out to the latest album from Swedish Prog-Rock legends, THE FLOWER KINGS! In their nearly 30-year career as a band, they return with their 16th studio album, "Look At You Now". This record is all about vintage vibes, with a warm and inviting sound that's reminiscent of legendary and classic 70's albums. And forget about processed, metallic sounds – "Look At You Now" is all about that analog feel that will transport you to a bygone era of rock. Experience the magic of "Look At You Now" in the following formats: Limited CD Digipak, Limited 180g double LP. Don't miss out on this new milestone from one of the most iconic bands in Prog-Rock history! 
    $14.00
  • "John Mitchell is a man with a rich musical heritage and history - from musician and vocalist, to songwriter and producer. So it’s no great surprise to find him as the mastermind behind a new project called Lonely Robot. The eponymous forthcoming album is the first time he has done something of this nature, and he's loved every minute of making it.“I can honestly say it's the most fun I've ever had in the studio. That's not to belittle anything I've done before but with this, I can wake up in the morning with a song idea in my head, write it and have it recorded by the evening.”Mitchell had long thought about embarking on a project like this, and when he found a break in his schedule due to plans for the next It Bites album being delayed, he finally took the opportunity.“People had suggested I do an album like this for a long time, but I procrastinated so much that in the end, it took Thomas Waber from InsideOut to push me into doing this.“With Lonely Robot, I have a clean slate and that's very exciting, because nobody expects anything in particular. It reminds me a lot of how things were when the Kino album [2005's ‘Picture’] was done, in that no-one knew what would come out of it. Musically, the Lonely Robot album is very proggy, but more about atmosphere than technical expertise. It reminds me in places of Kino and Frost*, but stands apart from both.”There are 11 songs in total, with the versatile Mitchell handling much of the instrumental performance and vocals himself. But he also lined up some intriguing musical talents to guest on it.“Craig Blundell does all the drums. I mapped out all the parts for him in advance, but he brought a lot of his personality to the songs.”Marillion vocalist Steve 'H' Hogarth performs on two songs, but not in his accustomed role. “He does backing vocals, yes. But his main contribution is playing the piano, which he does with such a delicate feel.“Throughout, what I wanted to do was to take the guests outside of what they're usually known for. For example, Kim Seviour from Touchstone sings on one track called ‘Oubliette’, and I got her to do it at the lower end of her vocal register, which she doesn’t normally get to use.”There are two other acclaimed singers featured on the album, the first being Heather Findlay.“We duet on a song entitled ‘Why Do We Stay’, which was actually the first one I wrote for the album. Heather is usually known for her folk style of singing but for this song, I gave her the brief of taking a more Kate Bush approach - breathy and emotive.”Perhaps a surprise inclusion on the album is Go West lead singer Peter Cox.“When you think of Peter, you immediately think of Eighties pop, don't you? But I felt his dusty baritone would suit my track ‘The Boy in the Radio’ perfectly.”Still on the 1980s pop trail, John also asked Nik Kershaw to contribute a guitar solo for the track ‘Humans Being’, as he’s long been a fan of his style. John also couldn’t resist asking good friend and keyboard player Jem Godfrey of Frost* fame to add his unique musical treatment to two tracks, including the title ’Lonely Robot’, with Nick Beggs playing bass and his signature Chapman Stick on a few other songs.There's one more significant contribution to the album. And that comes from the narration provided by renowned English actor Lee Ingleby.“He's one of Britain’s finest character actors right now. He was in Harry Potter and the Prisoner of Azkaban, and Master And Commander, as well as having the lead role in the recent BBC TV series ‘Our Zoo’. What I asked him to do was to provide motifs at certain key points in the album, to help to link everything together to the overall album theme.“The concept is about the way in which some ancient civilisations – for instance, the Mayans, the Egyptians and the Chinese – had technology way beyond what they should have had at the time. And I'm talking about the millennium up to 1000AD. It’s as if some people had been transplanted onto the planet from another world and time.”Mitchell also put a lot of thought into the overall project name. Lonely Robot isn't just the juxtaposition of two disparate words.“It represents the human condition. I'm not suggesting that human beings behave like robots, but so many people lead regimented lives and it’s easy to get stuck in a rut and not realise or know how to get out of it.”Lonely Robot is certainly the soundtrack of John Mitchell's prolific imagination coming to life.“What's the album like? Like nothing I've ever done before!”"
    $15.00
  • "Two-time GRAMMY-nominated and millions-selling progressive music titans Dream Theater announce the forthcoming worldwide release of their 15th studio album, A View From The Top Of The World on October 22nd. A View From The Top OF The World is Dream Theater at its musical finest expanding on the sound they helped create while maintaining the elements that have garnered them devoted fans around the globe. The 7-song album also marks the second studio album with InsideOutMusic / Sony Music.The artwork was created by long-time cover collaborator Hugh Syme (Rush, Iron Maiden, Stone Sour). A View From The Top Of The World was produced by John Petrucci, engineered and additional production by James “Jimmy T” Meslin and mixed/mastered by Andy Sneap.Dream Theater – comprised of James LaBrie, John Petrucci, Jordan Rudess, John Myung and Mike Mangini – was in the middle of a sold-out world tour in support of their last release Distance Over Time and the 20th anniversary of Scenes From A Memory when a Global Pandemic brought the world to a stop. The musicians found themselves at home with LaBrie in Canada and the rest of the group in the States. As fate would have it, they’d just finished construction on DTHQ (Dream Theater Headquarters) —a combination live recording studio, rehearsal space, control room, equipment storage, and creative hive. With LaBrie in Canada, he initially wrote with the band via ZOOM on a monitor in DTHQ. In March 2021, he flew down to New York, quarantined, and recorded his vocals face-to-face with Petrucci. The album ultimately threaded together lean and uncompromising hooks with tried-and-true technical proficiency.“We just love to play our instruments,” observes Petrucci. “That never goes away. I love to be creative, write, and exercise that part of my mind. We’ve been able to do this for a long time, and we don’t take it for granted. Whenever we get together, we know we can’t disappoint ourselves or our fans, so we manage to try even harder.”“We approach every album like it’s our first,” adds LaBrie. “It’s been such a great ride, but we’re not going to stop.”"
    $14.50
  • Third album from Sam Vallen and Jim Grey.  Plain and simple another triumph.  The great thing about this band is the way they assimilate different influences and make a cohesive whole.  Vallen's guitarwork touches on djent riffing as well as fluid clean lines and Grey's vocals...well they are spectacular as usual.  You get a little bit of Opeth here and Haken there.  Maybe even a little Dream Theater and Pain Of Salvation.  Naturally if you are a fan of Jim Grey's other band, Arcane, you are going to love this one as well.  Very dynamic and dramatic.  Essential 2015 purchase.  BUY OR DIE!"There are certain albums that require more than just open ears. Sometimes, you need to close your eyes in order to sharpen up your senses, to be able to really consume and obtain the musical message delivered throughout the record. So before pressing the ‘play’ button on Caligula’s Horse newest release, Bloom, pour a glass of your favorite drink, put your headphones on and close your eyes.Consisting of 8 tracks, Bloom delivers something deeper than a compilation of technical riffs; it sets an atmosphere, driven by emotion and by the story line, as the sound and production correlate towards that notion. From the very beginning, with the theme song being the opener of the album, you can see how the band sets the mood for the entire record. Mysterious, dark, heavily Opeth influenced, and yet still having its own characteristics to the story.Right from the beginning of the album, one cannot miss how Opeth deeply affected the band’s music. The vocal ideas and implementation, the guitar sound and the general image that’s created, can immediately drift the listener to many of the Swedish group’s finest works. Nevertheless, I do feel that within these carried elements still lies a large chunk of originality that separates this album from being another Opeth-imitation attempt, which can easily be found on a variety of past-releases of different bands.One impressive thing to notice on this record is vocalist’s Jim Grey. It is easy to fall in love with the color of Grey’s voice, as can be heard on The Tide, The Thief & River’s End (2013), but he did manage to improve a certain and essential vocal ability for this album: I’ve always felt that when hitting the higher notes, he needed to “shout” those notes just a little bit too much, having immediate impact on the tenderness and vibrations of his voice. On this album, it seems that Grey feels much more comfortable on higher scales, and that vocal freedom affects his entire range. Grey has turned it up a notch, becoming not only great a singer, but a great storyteller. His vocal movements are probably the most interesting thing to follow on this album, as it escorts the listener throughout each and every song.Another thing that immediately stands out is the band’s cooperation while putting Grey’s vocals as the leading musical idea of the album. Nothing is over-pressed, and it seems that band took a great care of composing the songs mostly to create an atmosphere, to set the right stage to deliver the story in the best way. It is impressive, since many bands tend to miss this very idea, with every musician trying to overlap the other, which mostly leads to a confusing blend that misses the main idea. This shows great maturity of the band, which helped them carry their music to the next level.Many bands these days try to force their music in to a hidden musical horizon just to be different. What’s so great about Bloom is that the band did not try to reinvent the wheel, but only used the tools they had, mixed just a little bit of everything to create something unique. Every song has that thing that sticks to your head; whether it’s a defying chord, a vocal movement, mesmerizing vocals and at times – some really catchy, groovy guitar riffs. That alone helps the fluency of the record, making it an album, 44-minutes of which you listen to from the top to the bottom, rather than just a collection of different songs.Overall, it’s easy to see how the band feels more comfortable with their work with every passing release. With time, Caligula’s Horse understands what they look for while composing their music, yet something still feels held back. It’s funny, because even I, after countless of times listening to the album, still cannot really put my finger towards what it is that is missing. Perhaps it is something that cannot be described by simple words, but it is that something that turns a 9 into a 10. That something that transforms an album which is great to hear, to a one that really dives into your deeper cells, and stays there. Rest assured: You cannot turn a blind eye in regard of the band’s progress, and you absolutely must give this album a try." - It Djents
    $15.00
  • "English neo-progressive rock spear-header IQ has been furthering the genre in the 21th century with much acclaim. Sound-wise the band hasn't changed much since ' The Seventh House', but on this album the band has finally revolutionized their composition style, arrangements and production. The symphonic layering by Neil Durant has this adult feel, reminding me of 'Tilt' era Scott Walker or 'Blackstar' era Bowie ' yet drenched in a Bladerunner like delicate sci-fi universe. Somehow this album sounds like a collaboration of the band IQ and... well a new 'force' that can look beyond its songs, its verses, its solo's and its refrains. Because of this 'force' the band has also given new meaning to the prog epic. On 'Resistance' a prog epic isn't just a multi- song. Don't take me wrong ' I really like a track like 'The Narrow Margin' ' but on this album the longer tracks really make sense from a songwriting point of view. Bare with me. Like a in a small song, where a bridge can add to strengthening the final refrain ' IQ manages to intelligently intervene and keep the song growing towards that final refrain. Furthermore, the first cd, which is 'the album', flows like a continues experience. Almost like a movie, including some modern cinematic sound-effects. What also becomes apparent after a few spins is the absence of leaning on catchy refrains, which gives the music a modern feel ' at times almost hinting at modern classical music. Peter Nicholl's voice doesn't allow for much variation, but because of the distinctive atmospheres of the songs his performances do tick the box every time. This material doesn't need catchy line A or B, it needs a performer. The rhythm section of the band has found a perfect balance between fusion styled sophistication and adding to the effectiveness of the material. Guitar player Mike Holmes somehow comes off as a bit left behind in the old IQ with his Marillion/Floyd styled guitar solo's. On acoustic guitar his contributions strike me as more imminent ' like on 'Perfect Space'. If the band ever aims to top this album in the future ' which would prove extremely difficult I guess - the electric guitar will need to contribute in more diverse ways. Now about that second disc, which I will describe in a bit more detail because most reviewers will probably focus on the first disc. If that were an album; the 22 minute 'The Great Spirit Way' alone would suffice for an indispensable purchase. Personally, I think this song is placed right after the rather dark and soundtrack-like first disc because it matches best stylistically. 'Fire and Security' is a more traditional IQ piece ' albeit a bit bleak - with a balled type opening, some darker passages and a melancholy ending section with some strong lead guitars. On 'Perfect Space' the band drives its jazz/fusion influences to the max, which will perhaps turn of some ' but I like it. The second epic, the 20 minute 'Fallout' is a bit more relaxing, abstract and dreamy. In its second halve the band experiments beautifully with sophisticated chord progressions, which also allows for Holmes' most interesting guitar solo. Conclusion. Without a doubt this will become the progressive album of 2019 and I hope it will inspire a lot of other neo-progressive bands to elaborate and expand on their Marillion/Genesis/Floyd roots and take the music to a next level of artistry. This album will probably outshine the nostalgic likings of many of its listeners, but it may also attract listeners that have previously written off the neo-prog genre. " - ProgArchives
    $15.00
  • Moon Safari’s illusive comeback album following a decade of silence. Almost 70 minutes of no nonsense symphonic rock spread over nine tracks filled with soaring vocals, explosive guitars, thunderous low-end and those unwaivering romantic lyrics fans have come to expect. Mixed and Mastered by Rich Mouser.1. 198X (Heaven Hill) (3:55)2. Between the Devil and Me (10:38)3. Emma, Come On (3:19)4. A Lifetime to Learn How to Love (8:28)5. Beyond the Blue (2:12)6. Blood Moon (5:44)7. Teen Angel Meets the Apocalypse (21:03)8. Forever, For You (10:08)9. Epilog (3:22)
    $16.00
  • "Sons Of Apollo are one of the biggest success stories of the past two years. The combination of vocalist Jeff Scott Soto, guitarist Ron 'Bumblefoot' Thal, bassist Billy Sheehan, keyboard player Derek Sherinian and drummer Mike Portnoy proved to be irresistible on their debut album 'Psychotic Symphony', released in 2017. Now, they are putting out a special live release. This was filmed at the spectacular Roman Amphitheatre in Plovdiv, Bulgaria on September 22 last year. The band's performance was divided into two sets, the second of which saw them joined by a full orchestra and choir. There are a number of cover songs performed in both sets. And it was down to Portnoy to choose which tracks were done with the orchestra and choir: “[…]I have to say that all of the covers you'll get to see us do in the second part of the performance were only done that night and no other on the tour, which helps to make this unique.”Titled 'Live With The Plovdiv Psychotic Symphony', this is to be available on CD, DVD and Blu-ray. But there are differences between the audio and visual formats. “The CD has the entire gig. But we had problems getting clearance on three of the cover tracks for the Blu-ray and DVD. Sadly, these will not have 'Comfortably Numb' from Pink Floyd, 'Dream On' (Aerosmith) plus 'And The Cradle Will Rock' (Van Halen). The good thing is that you can hear all of these on the CD, so they're not forgotten.“The DVD and Blu-ray also have a behind the scenes documentary on the whole experience in Plovdiv, which includes interviews. In addition, there's also a behind the scenes documentary on the making of our debut album. So, what fans will get is a brilliant summary of the first year in the history of this band.”Portnoy is delighted with the final product, believing it to be a triumph that encapsulates just how tremendous this band are.“This is a very special release. It magnificently captures what happened on the night and the atmosphere that surrounded the occasion.”"
    $48.00
  • "If you’re talking about modern progressive rock and don’t bring up Haken, you’re doing it wrong. Since the south English sextet started jamming together in 2004, they’ve been one of their genre’s most loyal yet, simultaneously, adventurous forces. And how do you honour such an eclectic, unpredictable career? You make Fauna: Haken’s most genre-busting and conceptually fascinating album to date. “The premise of the album when we started writing it was that every song would have an animal assigned to it,” explains singer and co-founder Ross Jennings. “They all have something related to the animal kingdom that we could write about, but they also connect to the human world. Each track has layers, and some of them are more obvious than others.” Musically, Fauna represents Haken at their most diverse. Taurus commences the album with its scraping heavy metal chords, as polyrhythmic as they are jagged. However, Ross’s melodic croon and the triumphant chorus are true Haken. Eyes Of Ebony is pure math rock, delicate in its start-stop clean guitar picking and chiming cymbals, while Island In The Clouds flaunts its bouncing bassline. Eighteen years deep, they’re still evolving and keeping their fans on their toes. Is there any truer definition of what making progressive rock means than that?"
    $20.00
  • "You might know Rikard Sjöblom as the mutli-instrumentalist madman behind the microphone of the now-legendary Beardfish, who sang about everything from personal loss to dreams of sneaking into the backstreets of some sleazy '70s disco club. Wielding his keyboard like an 88-key progressive rock machine gun and a shoulder-slung guitar much in the same manner, Sjöblom truly was the face of the band. Beardfish came to an end in 2016, leaving room for new solo endeavors for Sjöblom.With the same array of musical appendages, Sjöblom has carried on as a solo artist under the moniker “Gungfly” once more with his 2016 album “The Unbendable Sleep”, now followed by the new 2017 release “On Her Journey To The Sun, to be released on InsideOutMusic on May 19th. Just like “The Unbendable Sleep” before, “On Her Journey To The Sun” features Sjo¨blom's incredible vocal range, intensely personal lyrics, signature sense of complex-yet-catchy keyboard melodies, and guitar work that spans the spectrum of folksy to downright face melting.Sjöblom comments:“Gungfly was born out of necessity; songs came to life whenever there was downtime with Beardfish or if a song didn't quite fit within Beardfish’s (otherwise quite broad and eclectic) frame of styles. I basically started recording songs, mainly pop-oriented material, but being the type of songwriter and musician I am some prog slipped through under the radar as well. With the break-up of Beardfish all of the prog-related material I write needed to go somewhere and Gungfly was ready and able for this step!Some background: I recorded what was to become the first Gungfly album between 2007-2008 and it was released in 2009. The name Gungfly is a Swedish word meaning unsecure ground, it came from a novel I read where it was used to describe that someone didn't have grounds to back up their statements, so I liked it and chose to call the project that! I've always been writing and recording lots of music and when I formed the live band to perform these songs for the first time I got to pick some of my oldest friends to play with and thankfully they wanted to be part of it! Petter and Rasmus Diamant (yes, they're brothers) on drums and bass have always been the backbone foundation in this line-up and sometimes we actually do gigs as the Gungfly trio. Sverker Magnusson has been behind the keys since the start and was recently joined by Martin Borgh too to be able to cover all of the keyboard work on the albums, so sometimes we do three keyboard players on stage at the same time! This is made possible by the fact that guitarist David Zackrisson (Beardfish) is in the band as well. Me then? I do what I've always done; sing, play guitars and a bunch of vintage keyboards (mainly Hammond organ) - and I have lots of fun :)”In addition to his solo work, Sjöblom is the most recent addition to English progressive titans Big Big Train, having performed keyboards, guitars, accordion, and backing vocals on the band's 2016 album “Folklore”.SOME MORE BIOGRAPHICAL BACKGROUND INFORikard Sjo¨blom was born in 1982 in Gävle, Sweden, and at the age of 5 began playing accordion. At 10, he added guitar to his repertoire, and by 11 he'd sent a demo of Beatles covers to Sonet Records. It was rejected.From 1994 to 1998, Sjöblom formed bands based on his love of skate punk, grunge, and eventually death metal. More fitting to the musician known today, Sjöblom became infatuated by the likes of King Crimson and Gentle Giant in 1999 and bought an L-100 organ.With the new millennium came the organ and drum duo of Bootcut, which still consists of Sjo¨blom on organ and Petter Diamant behind the kit to this day. While Bootcut remained its own entity, the duo also became Beardfish in 2001, with the addition of bassist Gabriel Olsson and guitarist David Zackrisson. Drummer Magnus Östgren and bassist Robert Hansen replaced Petter and Gabriel in 2002, forming Beardfish's unshakable core line-up that held true until the band's demise in 2016.In 2002, Beardfish wrote its 35-minute progressive epic "Sleeping In Traffic", though the song wouldn't see the light of day until 2008. Instead, the band released “Från En Plats Du Ej Kan Se” in 2003, which was the only Beardfish release to feature flautist Stefan Aronsson. During this time, Sjo¨blom also wrote and recorded Bootcut's albums “Hammond VS Drums” and “De Fluff”, as well as what would become his 2006 debut solo effort “Cyklonmannen”.Sjöblom's career took a turn for the international in 2005, when Beardfish's “The Sane Day” was released. The album garnered enough attention for Beardfish to play a handful of festivals, including ProgDay in North Carolina. The band also caught the eye of InsideOut Music, who would go on to release “Sleeping In Traffic, Pt. 1” in 2007, an album hailed by then-Dream Theater drummer Mike Portnoy as one of the best albums of the year.During this time, Sjöblom penned material that would become his solo project- turned band Gungfly.Beardfish's fourth album “Sleeping In Traffic, Pt. 2” was released in 2008 and landed the band a tour with The Tangent and Ritual, as well as a slew of European festivals. Sjo¨blom's incessant need to write post-tour resulted in both the 2009 Gungfly album “Please Be Quiet”, as well as his favorite Beardfish record, 2009's “Destined Solitaire”.2010 and 2011 brought about Beardfish's “Mammoth” record and Gungfly’s second album “Lamentations”. More Beardfish touring ensued, this time with Pain Of Salvation and Mike Portnoy's Flying Colors, as well as one-off festivals in France and French Guiana.While things were going swimmingly for Beardfish, Sjo¨blom struck personal tragedy when he and his girlfriend went through a pregnancy that ended in the stillbirth of twin boys, Ludvig and Sverker. His heartbreak would later be chronicled in a song of the same name on Beardfish's 2012 album “The Void”, its heaviest and most abrasive to date. Sjo¨blom later became a father to his daughter Villemo that same year.Beardfish toured with Spock’s Beard and Sound of Contact in 2013, and in his down time, Sjöblom recorded an album with a mystery line-up including Petter and Rasmus Diamant that has yet to be released.In 2014, Sjöblom became a father to his son Tage, and began working with singer/songwriters Ulf Nilsson and Linda Varg. At this time, English progressive rock titans Big Big Train contacted Sjöblom to play guitar and keyboards live at the band's first gigs in 17 years. In his downtime, Sjo¨blom began work on what would become 2016's “The Unbendable Sleep”.2015 proved fruitful for Beardfish and Sjöblom, with the release of its final album, “+4626-COMFORTZONE”, and a tour with the Neal Morse Band in Europe. Sjöblom continued his work as a guitarist and backing vocalist for singer/songwriter Linda Varg, and played three shows at King’s Place in London with Big Big Train.Beardfish came to an end in 2016, leaving room for a new Bootcut album and future solo endeavors for Sjöblom aka Gungfly."
    $16.00
  • \"Swedish prog-rock legends THE FLOWER KINGS have returned with the newest full-length offering in their 25-year history, ‘By Royal Decree’. The group’s third studio record since introducing drummer Mirko DeMaio and keyboardist Zach Kamins into the lineup is a vintage affair in many respects. With virtually no touring to endeavor upon for the last two years, the band was free to focus on recording new material, as well as reviewing things left on the cutting room floor from previous sessions. Flower Kings lead singer and guitarist Roine Stolt elaborates on going into the way back machine for the new record, saying, “It was great to dig into that old treasure island of 'forgotten TFK music before TFK ever existed’ and re-connecting made me realize why and what The Flower Kings are. This album is a journey through my history as a writer and my ‘middle age’ saga reflecting on that.” Another significant change is that founding member Michael Stolt returns after more than two decades to contribute bass and vocals, splitting duties with current bassist Jonas Reingold."
    $14.00
  • 2020 came to a close with LIQUID TENSION EXPERIMENT announcing their return and new album to be released on InsideOutMusic. Today, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) are pleased to officially announce that the new album ‘LTE3’ will be released on March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album. “After over 20 years since the last time we recorded together, the four of us stepped into the studio and it was as if no time had passed at all! All of the magic that made the first two LTE albums so special was still there and we had such a great time making this record. I’m extremely proud of what we created together and can’t wait for everyone to hear it!”-John Petrucci“The best thing to come out of 2020 was this long-awaited reunion! And it was surely worth the wait as after all these years, the magic chemistry was still there and stronger than ever!”-Mike Portnoy
    $39.00
  • "If there is one band who has captured the sound of the golden age of Progressive Rock (1969 – 1975) without sounding regressive or copycat, it is the Norwegian band Wobbler. The band has always had an energetic and youthful approach to the classic prog era, and has managed to blow new life into the genre. Wobbler´s fifth offering is an exciting blend of carefully planned and jammed material that encompasses everything the band has done up to now. Dwellers of the Deep consists of four distinctive pieces and is a broad looking glass into Wobbler´s creative whims and playful exuberance. The album showcases the band´s mastery of dynamics and flow, with passages and themes veering from the scenic and serene to the downright rocking. On the final track, Wobbler is in full blast, with a 19 minutes suite taking the listener through aspects of the darker sides of Wobbler´s sound. The lyrical themes on the album deals with human emotion, and the ongoing struggle between juxtaposed forces within the psyche. An introspective voyage among the realms of memories, feelings and instincts, where the light is brighter, and the dark is darker. The concepts of wonder, longing and desperation permeates the histories told, and the currents from the deep are ever present. The production is open, detailed, warm and punchy, making the soundscape put together by the now seasoned sound alchemist Lars Fredrik Frøislie to an aural feast. New musical directions further the quintet’s burgeoning aural idiosyncrasies and solidify the band stature as one of the most exciting and interesting bands on the global music scene, independent of genre."TRACK LISTING:1. By the Banks2. Five Rooms3. Naiad Dreams4. Merry Macabre
    $15.00
  • 2020 came to a close with LIQUID TENSION EXPERIMENT announcing their return and new album to be released on InsideOutMusic. Today, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) are pleased to officially announce that the new album ‘LTE3’ will be released on March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album. “After over 20 years since the last time we recorded together, the four of us stepped into the studio and it was as if no time had passed at all! All of the magic that made the first two LTE albums so special was still there and we had such a great time making this record. I’m extremely proud of what we created together and can’t wait for everyone to hear it!”-John Petrucci“The best thing to come out of 2020 was this long-awaited reunion! And it was surely worth the wait as after all these years, the magic chemistry was still there and stronger than ever!”-Mike Portnoy
    $16.50
  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00