8:30 ($5 Blowout Price!)

"These live recordings offer an honest, well-rounded perspective of the Weather Report experience, and Joe Zawinul's relative prominence as their coleader and composer, circa 1979. On an arrangement such as "Brown Street," it's clear that Zawinul's vision of electronics was based in great part on his Austrian folk roots and in the varied native musics of South America, Africa, and the greater global village. This edition of Weather Report, featuring former big band drummer Peter Erskine and fretless bass innovator Jaco Pastorius, offered Zawinul and saxophonist Wayne Shorter a stable environment in which to fashion a group sound, although by this time, as witnessed by his solo turn on "Slang" and his prominence on every chart, Pastorius had attained cult status based in equal parts on his impeccable musicianship and his sometimes over-the-top flamboyance. Yet for all their forays into funk and the Third World, Weather Report remained at its core the most jazz oriented of all fusion bands. 8:30 is notable for the dancing, syncopated lines of Shorter's composition "Sightseeing," in which the composer lets it all hang out in a virtuoso turn on tenor saxophone that proves that the rumors of his creative demise were grossly exaggerated." --Chip Stern

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    $14.00
  • Reissue of the first solo album from jazz drummer Horacee Arnold, originally released by CBS in 1973.  Its a very different sort of an album from the legendary follow up, Tales Of The Exonerated Flea.  In and of itself it quite a fine album.  Its an acoustic based album, firmly fitting in the modal jazz direction.  Plenty of firepower here - Joe Farrell (flute, saxes), Ralph Towner (12 string guitar), David Friedman (vibes, turned percussion), Ralph MacDonald (latin percussion), George Mraz (bass), and Bill Harper (tenor sax).  Some serious blowing and virtuosity - just don't expect the plugged in fusion of Flea.
    $14.00
  • New studio project put together by noted guitarist Henning Pauly of the band Chain. Most notable aspect of this project is the inclusion of Dream Theater vocalist James Labrie on all tracks. The music has a cinematic quality, melding progressive rock with a lighter style of progressive metal. At times the layering of Labrie's vocals are reminiscent of an old Queen album - it's almost larger than life. There are definite similarities to Dream Theater at points. Early listens remind me quite a bit of Pauly's band Chain but with a better singer and further refinement.
    $3.00
  • HOLY %&@#!!! This disc is a total monster. Biomechanical is a UK-based band led by vocalist John K. (late of Balance Of Power). Imagine a mix of Nevermore, Judas Priest and Queensryche with an added subtle touch of technicality - a highly listenable trash/power blend. This is massive sounding music designed to penetrate and clear out all the cobwebs in your skull.
    $6.00
  • Krush is the sixth album from the organ/bass/drums power trio of John Novello, Billy Sheehan, and Dennis Chambers.  Oddly it finds them now signed to Prosthethic Records, a metal label that is now making a push into the fusion and prog genres.John Novello has really expanded his array of keyboards.  He's not solely focusing on Hammond organ. One of the tunes, "Stormy Sunday", finds him blasting away on synths and organ and the music takes on and ELP dimension.  So while the album still has fusion undercurrents it very much has its foundation set in rock stylings.  Think more in terms of Keith Emerson and Jon Lord as opposed to Joey DeFrancesco.  Nothing needs to be said about Sheehan and Chambers - they are jaw dropping colossal as usual.  Krush lives up to its name.  Highly recommended.
    $13.00
  • "Kiko Loureiro is the guitar virtuoso from Rio de Janeiro, Brazil. At 19, Loureiro joined the metal band, Angra in 1991. In 2005, Loureiro released his first solo album, No Gravity. Loureiro started a project called Neural Code in 2009 with drummer Cuca Teixeira and bassist Thiago Espirito Santo. He has maintained a successful career both with his band and as a solo performer releasing seven studio albums with Angra and three solo albums. Loureiro has now released his forth solo studio album, Sounds Of Innocence.With his fourth studio album, Loureiro takes influences from jazz, blues, traditional Brazilian music, and mixes it with progressive metal to create an album full of fresh sounds while remaining true to his progressive metal roots. Felipe Andreoli and Virgil Donati provide bass and drums for Sounds Of Innocence.Within the first few seconds of “Gray Stone Gateway” you can see why Loureiro has been ranked as one of the top guitarists in the world. He provides some amazing guitar solos throughout this song. The solos are performed at incredible speeds, and should really be listened to fully appreciate. Felipe Andreoli and Virgil Donati do a good job at keeping up with this pace to make for a full energy song.“El Guajiro” has a heavier and metal feeling than some of the other songs. Donati does an excellent job on drums on this song, and Andreoli helps to give this song a truly metal sound with his deep bass playing. Louriero is, of course, excellent on this song, playing amazing techniques that almost boggles the mind to hear. Also of note, this song contains traditional Brazilian rhythm instruments being played that help to keep the song fresh.The more progressive rock sounding, “Mãe D'Água,” is a great instrumental track that showcases Loureiro’s guitar abilities as well as several other instruments. Loureiro plays slower solos on this track, but still articulates his message very well using jazz influences to create a great rock song. Donati and Andreoli provide great accompaniment to Loureiro’s guitar sounds.Kiko Loueiro is one of the best guitar players alive, and with Sounds Of Innocence he shows that he will only continue to get better as time goes by. His latest album is a great piece of progressive metal art. Anybody who loves amazing guitar skills should check out Kiko Loueiro. You won’t be disappointed with Sounds Of Innocence." - Prog Rock Music Talk
    $13.00
  • Cloudkicker is the project that djent guitarist Ben Sharp records under.  Typically he's a one man show - recording all the instruments in his home studio.  There are lots of guys like Sharp out there doing this type of thing but he's probably at (or near) the top of the heap.In 2014 he went on the road opening for Tesseract.  His band is actually the members of Intronaut.  If you want to hear ripping instrumental techn metal/djent at its finest you need to hear this live recording.  It's a smoker!
    $11.00
  • "Get All You Deserve is a high-definition 4 disc audio-visual set from Steven Wilson.Directed by long-time visual collaborator Lasse Hoile, Get All You Deserve was filmed in Mexico City during the recent Grace For Drowning Tour. The set captures the spectacular live experience that Wilson and Hoile created for the tour on Blu-ray, DVD and 2CD.Following the release of Grace For Drowning, Steven embarked on his first ever solo tour, assembling a virtuoso band, featuring Marco Minnemann (drums), Nick Beggs (bass), Theo Travis (flute and sax), Adam Holzman (keys) and Niko Tsonev (guitars), to accompany him. For the shows he worked extensively with Lasse to create a show unlike anything else he had attempted with his other bands, Porcupine Tree, Blackfield, No-Man or Bass Communion.The shows immersed fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse's films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song.Get All You Deserve captures one of the key shows from the tour. Recorded at a sold-out Teatro Metropolitan in Mexico City, the gig features tracks from both Wilson's solo albums along with the new, as yet unreleased, track Luminol. " 
    $31.00
  • Remastered edition of the second album is a must own for anyone that was a fan of the first UK album. Some of Mr. Holdsworth's best work. Comes with a bonus track.
    $18.00
  • Exile is the long awaited third album from this British progmetal band.  To-Mera is fronted by Julie Kiss with the principal songwriting coming from guitarist (and her husband) Tom MacLean.  Some of you may recognize Tom's name from his membership in Haken as their bassist.  It gets slightly more confusing as Haken's main composer/guitarist/keyboardist is To-Mera's keyboardist Richard "Hen" Henshall.  Yes life can get complicated sometimes.The new album is a conceptual work about human existence.  Ms. Kiss' vocals flow like a constant river over some real bad ass and complex prog metal.  At times MacLean breaks out some incredible fusion leads taking the band in a whole different direction.  Hen's keys have a very specific sound.  At times you will be reminded for a moment of the Haken sound but in general this doesn't sound like a Haken album.  The album does feature some special guests...Marcela Bovio (Stream Of Passion), Stefan Forte (Adagio), and Ray Hearne (Haken) all make appearances.  An intricate and involving listen, this is easily going to be one of 2012's best metal releases.  Highly recommended.
    $14.00
  • "1984 was a successful record not only because it contained solid, catchy hard rock, but also because it incorporated synthesizers into the mix, the first metal album to do so to any serious extent. Although the advances in electronic music make this material sound dated now, it's still a highlight of Van Halen's career. Songs like "Jump" contain a pop element that gave 1984 mainstream appeal, and David Lee Roth turned the frontman role into an art form on songs such as "Panama," "Hot for Teacher," "Drop Dead Legs," and "I'll Wait." To a large extent, it was 1984 that set the standard for '80s pop metal, and David Lee Roth who set the standard (or takes the blame, depending on your point of view) for the aggressively good-time attitude most pop-metal bands took for their own." --Genevieve WilliamsRemastered edition.
    $6.00
  • The Japanese East Wind label was active in the 70s and into the early 80s.  This was a jazz label that focused on Japanese artists but also covered many popular US players.  While not as overtly audiophile as Three Blind Mice, the East Wind label was always noted for immaculate reference quality production.Universal Japan has released 72 titles from the East Wind catalog in extremely limited editions.  We've cherry picked those titles that we think are of interest to our customer base.The creator certainly had a master plan when it came to this modal masterpiece.  Pianist Mikio Masuda's trio is augmented by a number of reed players including the great Terumasa Hino.  The entire album has a spiritual vibe.  When you hear the track "Prayer" you would swear you were listening to outtakes from a Pharaoh Sanders session.  A stunning album.  Highly recommended.
    $16.00
  • "The second installment of our 20th Anniversary celebration, "Off the Floor 02" continues with more live-in-the-studio performances of staples from our live sets. Taken from the same sessions as "Off the Floor (01)," the track list draws from each of our five studio albums and includes a healthy dose of improvisation, a bit of re-imagining and even a little new music in the form of a bass & drums interlude.We won't repeat the "Brief History of Tiles" from the OtF (01) liner notes, but will take a moment to revisit the basic 'off the floor' concept. After much discussion about our "platinum" milestone (unfortunely not for sales!), we decided to do a live album using the somewhat non-traditional approach of recording live in the studio. This is actually what the phrase 'off the floor' means in recording lingo: to record a song as a complete performance without adding more parts (overdubs) later. We recruited a few friends to be our audience – for inspiration and to keep us on our toes.Having the controlled environment of a private 'soundstage' allowed us to focus on the music. We didn't have to haul a bunch of equipment into a club and deal with recording technicalities, show promotion and other business distractions. Although we were in a studio, "OtF 02" is still "live" – complete with the occasional less-than-perfect note and other minor imperfection. We did, however, take advantage of the relaxed setting and usually played each song twice, picking the best version for the CD. Occasionally we didn't need a second take, but a couple of times we needed a third take ("Patterns" oddly enough!).To offer a little something different, "OtF (01)" had a couple special guests plus an expanded arrangement of 'The Wading Pool.' For "Off the Floor 02" we dug into our archives and dusted off a few tunes from our appearance at the 2005 Rites of Spring Festival (ROSfest). We had recorded our entire 2-hour set, but filed the hard drive away with little thought it would see the light of day. Technical problems had dogged us the moment we hit the stage and left us feeling unsatisfied with our performance. Sampler and keyboard sounds would mysteriously reset and the bass amp would cut in and out. Figuring out why these intermittant problems were happening was made even more challenging by Jeff's state of exhaustion; even though it was a good kind of exhaustion caused by the birth of his daughter just four days before the show. Since the problems were on his side of the stage he had to play detective and keep up with the songs! Eventually, the issue was discovered and duct tape strategically applied to a loose electrical wall outlet – which worked just fine unless someone happened to use the side-stage walkway.Although tempted by the 12-minute "venting" version of "Capture the Flag," we didn't want to repeat any songs already included on either Off the Floor disc. Fortunately, "Facing Failure," "Ballad of the Sacred Cows," "Paintings" and "Window Dressing" were in all-around good shape. We only needed to drop in a couple missing samples and a keyboard part. By including selections from ROSfest as part of the Off the Floor project we get to acknowledge Pat Deleon, our drummer from 1997 to 2005, and present a complete live history of Tiles." - Chris Herin/TilesDisc One: Off the Floor 021. Patterns (4.38)2. Hide & Seek (8.09)3. Taking Control (5.14)4. Remember To Forget (5.00)5. Analysis Paralysis (5.18)6. Cactus Valley (7.01)7. Sacred & Mundane (6.30)8. Dancing Dogs (5.45)9. Safe Procedures (7.31)10. Another's Hand (6.26)Mark Evans: Drums & PercussionChris Herin: Electric Guitar, Keyboards, Backing VocalsPaul Rarick: Lead VocalsJeff Whittle: Bass Guitar, Keyboards, Backing VocalsDisc Two: Live at the 2005 Rites of Spring Festival1. Intro/Facing Failure (6.48)2. Ballad Of The Sacred Cows (7.24)3. Paintings (5.04)4. Window Dressing (17.03)Paul Rarick: Lead VocalsChris Herin: Electric & Acoustic Guitar, Keyboards, Backing VocalsJeff Whittle: Bass Guitar, Keyboards, Backing VocalsPat DeLeon: Drums, PercussionBonus Videos (from the Off the Floor sessions):1. Landscrape (4.27)2. Remember To Forget (5.00)
    $15.00
  • New 2 CD set features the audio tracks of the already out of print DVD as well as bonus tracks recorded in the US and Germany. An excellent cross selection of material drawn from their three studio albums as well as some cool covers like "21st Century Schizoid Man" and "America".
    $15.00