Argia

Argia

BY Diabulus In Musica

(Customer Reviews)
$12.00
$ 7.20
SKU: NPR536
Label:
Napalm Records
Category:
Gothic Metal
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Argia is the third album from this female fronted band from the Basque region of Spain.  The band has been reconstituted with only founding members Zuberoa Aznárez and Gorka Elso returning.  There aren't a lot of "beauty and the beast" metal bands around any more with most of them either breaking up or moving on to all clean vocals.  DiM still do it and do it well.  This album sounds absolutely massive, reminding of the glory days of After Forever.  Monolithic keyboards, layers of choir-like vocals, and crushing riffs are the order of the day.  Occasionally a wicked keyboard solo will pop in for good measure.  Complementing the great vocals of Zuberoa are two guest appearances - Thomas Vickstrom (Therion) and Ailyn Gimenez (Sirenia).  If you like the style this one is highly recommended.

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  • "Drop was the first fruit of Porcupine Tree drummer Gavin Harrison's collaboration with singer and extended range bass player 05Ric, and featured contributions from Robert Fripp, Dave Stewart and Gary Sanctuary.Nine carefully crafted songs combined with ground-breaking multi-layered guitars, vocal harmonies and rhythms.This is the 2013 Kscope edition of the duo's astonishing debut."
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  • "Forever tied with fellow gothic symphonic metal band Tristania, Sirenia were formed when Morten Veland left Tristania over musical and personal differences in 1999, despite the band just releasing their breakthrough record Beyond the Veil. Now twelve years later, Sirenia have taken two and half years to perfect the songwriting for their latest opus Perils of the Deep Blue.Early on Sirenia followed the approach of the “Beauty and the Beast” style vocals where they blended operatic female singing with guttural death metal vocals. That all changed with 2009’s release The 13th Floor where they brought in female vocalist Ailyn as their permanent vocalist. She had just participated in the Spanish version of X Factor and her wide vocal range brought a sense of melody and more of a rock style vocal to the band.Perils of the Deep Blue is a marked improvement over their last release The Enigma of Life. This time around the songs sound inspired and not so formulaic. Their utilization of combining clean male and female singing with harsh vocals is second to none. Despite utilizing more of his raspy vocals, Veland is on fire with his clean singing on “Ditt Endelikt.”Ailyn is the star here though, as her vocals play a major role in the songwriting. “Decadence” captures her accessible side as she embodies Within Temptation’s Sharon den Adel. She also utilizes an amazing range and uses opera inspired vocals on “Darkling” and the first single “Seven Widows Weep.” Her ability to capture the mixture of technicality and memorable vocal lines is impressive.The use of orchestration is not over the top and executed with a lot of finesse. “Seven Widows Weep” also incorporates a choir and the interplay between the heavy riffs, double bass drumming and strings is outstanding. “Profound Scars” has a driving tempo and incorporates some electronic elements to go with the energetic guitar riffs. A little reminiscent of later day Theatre of Tragedy, Sirenia should incorporate faster tempos more often.The 12-minute plus “Stille Kom Døden” is epic in scope. By far the longest song of their career, the melody lines on the guitar are gorgeous and work well with the orchestration. The pace is very slow and is a great throwback to Veland’s doom past. A moving riff comes in half way through the track as Veland’s vocals annihilate the listener.At an hour and seven minutes, Perils of the Deep Blue is a lot to digest. Even though the songwriting is more focused this time around, it is simply too long. It could have been shortened considerably as the tempos aren’t varied enough and we do run into some monotony.A more inspired release that we have seen from Sirenia in a long time and their best with vocalist Ailyn. Their continued use of three distinct vocal styles is impressive and Veland is an exceptional musician. Not only does he sing and play guitar but plays a plethora of musical instruments throughout.I was concerned with the future and direction of Sirenia after the release of The Enigma of Life, but am pleasantly surprised with their renewed focus as the songwriting is not lethargic this time around. Not many do the symphonic gothic metal style better, and that tradition continues with Perils of the Deep Blue." - About.com
    $13.00
  • "“The Invisible”, a supernatural thriller about a writer with bright future until brutally attacked and left to die. He find himself trapped between the worlds of living and dead, his only chance for survival is to unravel the mystery of what happened to him and why, before it`s too late…I bet you wonder what the hell this has to do with anything? Well, there begins the story of the “Traumatic Scenes”.Brazilian Power Metal quartet SUPREMA managed to exploit the idea behind this movie into mixture of poetry, great vocal performance and even better music. Don`t be fooled, it`s not the movie in verses (this isn`t “Les Miserable’s” for crying out loud), but the tale about various stages of human mind and parapsychology. Themes covered are fury, anger, visions, nightmares… I`m not going to reveal all, some things you should discover by yourself.Album introduction – “Marks of Time” brings the distant echo of music with the spoken verses, narrated by Tarsis Marim. “Dark Journey” is the real album opener, explaining how does waking up on the “other side” feels like. Fast music, and keyboard effects in unexpected parts, amazingly combine and hint that something unnatural is happening. Music remains fast, but the keyboards change into choirs, amazing melodies and pretty solid guitar solo somewhere halfway through “Rising From the Ashes”. Is there a better way to describe the “Rage and Fury” other than heavy riffs? Didn`t think you`d disagree. “Visions From the Other Side” besides keyboards and heavy riffs introduce acoustic guitars and some guttural vocals belonging to Victor Prospero (try to remember his voice cause he`ll be back growling on two other tracks “Burning my Soul” and “Traumatic Scenes”) making this track pretty interesting. “Burning my Soul” is the sound of unfilled dreams and anger in full force. The storm of rage is over, leaving reminiscence of the time before. “Memories”, nostalgic ballad, makes great contrast to the previous track. Everything comes with a price, dearie - and that`s what the progressive “Nightmare” and psychedelic “Before the End” are all about. “Iced Heart” is yet another progressive and heavy track, with amazing guitar riffs. Last track, the carrier of the album title “Traumatic Scenes” tells the whole story in short, highlighting the tragedy of previous events, and the traumatic outcome that these events have caused.Overall SUPREMA brings you one great story in amazing package. If you liked “Mercy Falls” by SEVENTH WONDER, you`ll like “Traumatic Scenes”, too. These guys from São Paulo did an amazing job on their debut album, and it would be a shame for it to remain undiscovered by many." - Metal Temple
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  • "Failing to make any waves with their first album, this Norwegian group got themselves together and started to make this monster of an album. Unfortunately, due to reasons beyond my knowing, the band was dropped by their label and soon disbanded. This album was never finished, but was released as a free download on the internet for all to enjoy. Confusing to this fact is the production value of the album. It doesn't sound raw at all... really, it sounds like the band put tons of polish on the album... quite confusing for an album that would never hit shelves. More evidence to support the fact that this album is unfinished is the fact that the album doesn't even sport any cover art. Not that that takes away from the album at all. In fact, the only time that it shows that the album is unfinished is that the final song when... well, I'll let that be a surprise.It's a real shame that this band never really got the feet under it to go anywhere, because the music here is fantastic!As previous reviewers have stated, it's likely better to ignore the tech/extreme label on the band here. The music here really sounds like X-over or even heavy prog. Any fans of those genres will likely be blown away by this album. Strong bass lines (always a selling point for me) and some wonderful organ parts (reminiscent of classic Deep Purple) are what highlight this album so much along with some excellent melodies and hooks that demand repeated listening.Opening with the quirky STARCHASER this album never lets down. The keys and guitars kick in right away as do the killer bass lines. Rapidly changing pace the song makes its way with some truly excellent moments. The floating keys in the background give the song an airy feel among all that pounding rhythm section until the song finally comes to an end. To quote the song Enjoy the ride!. DESERT MACHINE continues with the strong bass lines and drives across this heavy song with a bang. ACCORDION WOMAN is the song that brings forth the most notable Deep Purple influences, its notable riff and organ making for a nice combination as the catchy chorus blends in for a very notable track. Getting heavier and more into the guitar work is TERMINAL, similar to its predecessor in terms of organ/guitar work, this song is actually probably the simplest song out the of the mix so far. Still good none the less, and a good song to rock out to. A slow bridge/chorus also make for an interesting mixture.Then we get to the really good stuff.BLOOD IS BLOOD is the biggest standout on the album. Being the longest track this song also manages to capture everything already mentioned about the album that's great. Half of the song being an instrumental overture, the band really gets to strut their stuff here. The killer bass lines are back with a vengeance and so are the keys. The guitar drifts a bit more towards the background here but still provides a nice section. Really picking up around the 2 minute mark everything just keeps getting faster and better until everything simply dies off and the vocals bring out the song with some much more subdued work from the other members. Fantastico!Coming into the second half of the album the band still manages to keep interest.Starting off the mix is the quick instrumental WE WILL CRIMSON YOU. A clearly Fripp inspired song that's quite good (if not quite Crimson caliber), and the guitar actually coming to the foreground to take the helm from the keys and bass for a bit, even if they still are there. Almost bordering on Black Sabbath (mixed with the KC) sounding, this song is a nice change in pace. U is a quirky track that's yet another change in pace. Heavy and clunky, this track shows off the more metal side of the band. UNDEAD is a fairly lo-key track that feels necessary to start to tail off the album with. Good but not great, this song actually feels like a bit of filler. However, all is forgiven with the next (and final) track. NOTHING NEW is an unfortunately accurate and slightly foreboding title (it's their last song, so nothing new after this!). The song, however, is marvelous! slower than it's brothers yet still wonderful ear candy, this song is another one of those songs that epitomizes what the band does best. More great bass lines and keys coupled with some more to the front guitar work and blissful melodies makes one want this song to last forever. Coming to the end with some Wakeman like boards and a guitar that really picks up the song...the song... the song..!!! ... cuts off. It just ends. Likely meant to be the album's epic and never finished the song really just leaves you wanting more, which is both good and bad. Good because that's how an album should always end (with you wanting more) but bad because they're never going to follow up on this album and their debut will likely be tough to find. Oh well.Wonderful music from a terribly misfated band that is recommended to all. (As mentioned before) Fans of heavy prog and X-over should give this album a shot, because it's a wonderfully hidden gem. Anyone who wants to check them out can search them up on the internet and download the album for free (and legally, too). 4 stars, it's not a masterpiece... but it sure is a great listen." - ProgArchives
    $15.00
  • "On ZAO's second album they have lost the stunning vocals of Mauricia Platon who has left,leaving the vocal duties to Dugrenot (bass player) who sang the low notes, and Seffer who would sing the high notes. There would be two guest percussionists in their lineup as well, and Seffer would not be playing clarinet on this one, only sax. As their liner notes state, they did not wish to have "Osiris" released on a major label and so turned to a new label called "Disjuncta" which had been created by Richard Pinhas of HELDON fame. He was a friend of Cahen and a cousin of MAGMA's singer Stella Vander. Thanks to Pinhas' hard work "Osiris" outsold their debut "Z=7L". One year later the label went bankrupt unfortunately and "Osiris" was deleted. Thankyou "Musea" for reissueing this amazing recording."Shardaz" opens with drums and sax as vocal melodies come in. Violin after a minute as the tempo picks up. The vocal melodies are prominant much like what you would hear on some MAGMA records. Piano before 3 minutes, and the bass is nice and heavy that follows. "Isis" is pastoral for 1 1/2 minutes until we get some guitar melodies that come and go as warm sax melodies play on. The drums and sound are building, and the tempo picks up 6 minutes in. Great sound ! Violin arrives a minute later. A calm takes over (that reminds me of the intro) for the final minute of the song. What a ride that was. "Reinna" features drums, bass, piano and sax while Zeuhl-like vocals arrive a minute in causing the instrumental work to take a back seat temporarily. Some great drumming and sax work follows. Piano and violin join in and we are cooking now ! Percussion too as this is quite jazzy."Yog" features deep vocals and piano that are contrasted with instrumental outbreaks. I love this stuff ! This is such a beautiful passage.The song takes off after 2 minutes with sax and vocal melodies taking center stage. It calms down 5 minutes in and check out the drumming after 6 minutes ! Vocal melodies end the song. "La Rhune" is a very good song with bass, percussion, drums and piano leading off before sax comes in followed by violin after 3 minutes. The bonus track is a live song that Seffer and Cahen recorded with members from Quebec artist Robert Charlebois' band who showed a great deal of interest in ZAO, and actually recorded three tracks with Seffer and Cahen in 1973. This one is called "Montreal" and it's truly an amazing live Zeuhl song at almost 12 minutes. Guest female vocals along with relentless bass and drums. Seffer especially stands out with his sax work. Cahen is incredible on the keys as well.This is not as challenging as their debut was, but it's not inferior either. These guys (Cahen & Seffer) were a big part of MAGMA's early sound and also composed a lot of their music then as well. "Osiris" is a feast that is as satisfying for me as their debut. 5 stars." - ProgArchives
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  • "It has been an eventful year or so in the world of Haken. In September 2013, the sextet released what can only be described as a masterpiece of progressive music in the form of their third album, the magnificent ‘The Mountain’. This album received almost universal critical acclaim upon its release and even led to interest from the likes of Mike Portnoy (Flying Colors, Transatlantic) and Dream Theater’s Jordan Rudess. In the case of the former, it led to an invitation to play the inaugural ‘Progressive Nation At Sea’, but thanks to both ringing endorsements, the door to the American market has opened more widely of late. And if that wasn’t enough, Haken recently received no less than three nominations in the Progressive Music Awards, quite an achievement for a band so relatively young.However, with the smooth, also comes the rough and almost immediately following the release of this ‘breakthrough’ album, bassist Tom MacLean announced his departure from Haken. An apparently amicable split, it was nevertheless a hurdle that had to be overcome at a point when the largest wave of the band’s career was about to be crested. An international audition invitation was extended and, following an extensive search, a young American by the name of Conner Green was assimilated into the Haken collective. Welcome sir!In many ways, ‘Restoration’ a three-track EP is as much a bedding-in of their new colleague as it is an opportunity to maintain the momentum created by ‘The Mountain’ whilst a new full-length album is brought to life. That said, to consider ‘Restoration’ a stop-gap is disingenuous in the extreme. It may only contain three tracks, but when the three tracks last well over half an hour and sound this good, who cares?The three compositions that make up this EP are very loosely based on tracks from the bands 2007/08 demo days, thoroughly re-envisioned, re-worked and re-produced in order to reflect the changing personnel and the experience gained since the demos were originally written. The result is, frankly, stunning.Whilst it took me a good many spins and many hours of effort to get fully submerged into the world of ‘The Mountain’, the music on ‘Restoration’ is much more immediate to these ears. No less complex and challenging of course, but for some reason, the music has ‘clicked’ much more quickly here.The EP opens up with ‘Darkest Light’, (Official video below) an energetic track that ably demonstrates the up-tempo and powerful side of Haken well. It’s an agile composition too that alters pace and timing signatures seemingly at will and pulls in influences from everyone from Dream Theater to Meshuggah. The latter is primarily due to the impressive combination of Ray Hearne’s powerful drumming, the chunky guitar tones courtesy of Charlie Griffiths and Richard Henshall and Green’s intricate bass work. Importantly however, the song is never derivative and contains everything you now expect from a band at the height of their powers. It’s a piece of music that oozes class but also offers that touch of playful cheekiness that has become synonymous with the Haken sound.‘Earthlings’ is a completely different proposition entirely. For my money, its closest reference point would be ‘Deathless’ from ‘Visions’ in so far as it is a much more introspective track with real atmosphere and a quiet, brooding intensity that is utterly beguiling. The melodies are much more immediate, much more pronounced and the whole thing builds beautifully and stubbornly towards a fulfilling climax that pushes all the right buttons.The undisputed star of the show however, is ‘Crystallised’. At over 19 minutes, it offers a return of the Haken ‘epic’, joining the likes of ‘Visions’ and ‘Celestial Elixir’ in an already formidable armoury. If anything, ‘Crystallised’ may be even better than the aforementioned, thereby easily taking its place among the very best that Haken has ever created.First and foremost, the sheer ambition is staggering. The composition begins unassumingly enough but quickly reveals a more grandiose underbelly thanks to some lush orchestral arrangements. From then on, the gloves well and truly come off and Haken take us on a wondrous journey full of twists and turns, light and shade, lengthy and dextrous instrumental segments and gorgeous melodies that stay with you long after the music has ended.There are echoes of those Gentle Giant influences and nods towards ‘Cockroach King’ et al in some of the a capella segments as well as hints of ‘Pareidolia’ at other times, thanks to that by now familiar delivery of vocalist Ross Jennings. Never once do the extended instrumental passages, led by the flamboyant keys of Diego Tejeida feel contrived or out of place; they are full of those classic progressive overindulgences, further reinforcing the importance of the likes of Yes, early Genesis and many others, but crucially, they fit in with the core of the composition and seamlessly segue from one to another perfectly.And then, everything comes together in what I can only describe as a stunningly epic finale, the kind where the hairs on the back of your neck stand on end and you find yourself grinning from ear to ear, enveloped in a musical utopia. The melodies are so uplifting and gorgeous that, coupled with the grandiose return of the orchestral embellishments, mere words find it hard to adequately express just how good it makes you feel.The bones of these songs may have been written many years ago in the band’s infancy. However, they have been brought back to life in the most brilliant way possible; taking everything that’s been good about the band in recent years and applying them to their early past to create something truly special. I only wish that ‘Restoration’ was six, seven or eight songs long. Mind you, if it were, I think I might have fainted from bliss before reaching the conclusion." - Man Of Much Metal blog
    $14.00
  • Private vinyl edition released by the band.Second album from this great French ensemble. Curiously their first album was released by Tzadik and had to be the most overtly "prog" album ever on that label. This new album is out on Altrock and is probably my favorite release on the label. The band creates a mesmerizing whirlwind of sax, keys, vibes, bass, flue, bass, and drums. There is a touch of Zappa in the compositions probably due to the vibes/marimbas that remind of Ruth Underwood. Some sexy Mini-Moog leads squiggle around the dual sax leads. All in all one killer release. Highly recommended.
    $15.00
  • Stunning 180 gram double LP vinyl set taken from the original analogue master tapes. Pressed by Music On Vinyl exclusively for the Missing Vinyl label of Greece.Third and final album from this Greek band led by Vangelis and Demi Roussos is one of the great prog masterpieces of all time. 666 is one of the most controversial albums in prog rock history. Originally conceived as a much larger work (rumored to be 4LPs worth), the band worked on it for 2 years with it ultimately seeing light of day as a double album release in 1972. By this point in time the band had already broken up. The album was composed by Vangelis, with the text written by Costas Ferris. The album deals with the Book Of Revelations and it's one that thematically will chill you to the bone. The music features the extraordinary psychedelic guitar work of Silver Kolouris and of course Vangelis' great keyboard work. Irene Papas' guest appearance on vocals will give you shivers. Plenty of Greek ethnic vibes abound. This is one of those albums you write about on and on - it has to be heard to be believed. A masterpiece that should be firmly imbedded in any prog collection. File under: AMAZING!FOREIGN CUSTOMERS PLEASE NOTE THAT DUE TO THE HEAVIER WEIGHT OF VINYL YOU WILL BE SUBJECT TO EXTRA SHIPPING CHARGES.
    $43.00
  • Third album from this Swedish stoner rock band takes equal parts Mastodon, Pink Floyd, and Baroness and jumbles it together.  Toss in a touch of retro-folk in places (I guess that would make it unequal).  It can get a bit sludgy at times and then turns around and blasts off into space.  All I know is I want what they're smoking!"New Keepers Of The Water Towers are a Stoner Metal Band who have been going since 2006 and have a loyal following within the Stoner Metal scene. They have released two well-received albums – 2009’s Chronicles and 2011’s The Calydonian Hunt.Their blend of high voltage Stoner Metal riffs mixed with Fuzz and a slight hint of Sludge Rock made these hugely talented Swedes a band to look out for. Well things are about to change big time for the band thanks to their stunning new album – Cosmic Child.For the 3rd album – the band have went under a spacey transformation of sorts. Cosmic Child sees the band incorporating huge elements of Progressive Rock and Space Rock into their already set great sound.So if you’re a fan of Pink Floyd and Mastodon then your surely going to dig this like I did. Cosmic Child is the band’s creative and most daring work to date. They are a band reborn. This is New Keepers Of The Water Towers like you have never heard before. The band has reflected this in the 47 minute running time. An almost epic length by their standards.First track – The Great Leveller – is the perfect 6-minute introduction to show you the bands new sound and outlook on all things Stoner Metal. Blending Progressive Rock riffs with Space Rock shows you this band have taken a more direct Sci-Fi vibe to their music. What else would you expect with the excellent album cover and cool title?Imagine if NASA wanted the world’s finest Stoner Metal bands to record an album about Space Exploration then The Cosmic Child would be that awesome result. New Keepers have created an astonishing album that will take you to different galaxies and dimensions without ever leaving the comforts of your own home.2nd track – Visions Of Death – might start as a cheerful Space Rock opera but listen to the lyrics and you find something dark and mysterious lurking in the background. Before the album takes you off for an epic journey into the cosmos. 9 mins on show here feel like light-years instead of mins. However, you will not know the difference as you will be enjoying the ride too much. Just more action-packed riffs to show you that New Keepers Of The Water Towers have evolved as musicians and writers since their last release. Wait until the 5:30 minute mark before an amazing Space infused Stoner Rock riff comes out of nowhere.3rd Track – Pyre For The Red Sage – is another magical epic journey through Time and Space. Well 12 minute to be precise but you get another outstanding track, which takes time building the listeners emotions before letting rip with more top-notch Space Rock riffs. Throw in great vocals and lyrics and this album is now firmly in the realm of brilliance. This is a love letter to Pink Floyd as it contains some highly recognisable rock passages that legendary band were known for.I had the feeling when listening to the album that the band had been reading or watching 2001 – A Space Odyssey or other philosophical sci-fi classics as some of their ideas on the album might actually need a degree of some sort to fully understand. However, the riffs contained on the album will keep fans happy for many years to come.The last 3 songs follow the same path as the first 3 songs. More epic progressive space rock riffs blended with sublime Stoner Metal riffs. 18 more mins to keep you transfixed from start to finish.Best track of the remaining 3 is the 12:32 minute instrumental epic – Lapse – which showcases some of the bands finest instrumental work to date. Ambient noises have been beautifully added to create a world that is unnerving as it is exciting. Damn – this track is a work of art at times. Moods and atmospheres collide with intent and purpose. Just close your eyes and let the riffs take you on another great journey into the vastness of space.All in all – The Cosmic Child – is a wonderful album for everyone to experience. It has soul and heart like you would never imagine. It’s expertly produced and played by all involved.The Cosmic Child is going to launch New Keepers Of The Water Tower onto another level within the Stoner Metal scene.Excellent and Highly Recommended." - The Sludgelord Blogspot
    $14.00
  • Second solo album from Porcupine Tree keyboardist Richard Barbieri. The album is all an all instrumental collage of proggy soundscapes and trip-hop. Former Japan co-hort Steve Jansen mixed the album and Steven Wilson mastered it. P-Tree drummer Gavin Harrison, No-Man's Time Bowness and double bass monster Danny Thompson are prominent through out.
    $16.00
  • Second part of the English Electric concept dealing with life across the UK landscape.  What a beautiful album.  First off lets make it clear - Tony Banks and Mike Rutherford made a huge mistake.  Vocalist David Longdon should have been Phil Collins replacement in Genesis.  He would have fit like hand in glove.  The album features the band augmented by a variety of guest musicians including Andy Tillison of The Tangent who contributes organ, Moog, and Mellotron parts.  Its all very British sounding and once again a wonderful mix of old school prog and a more contemporary neoprog sound.  Highly recommended.
    $13.00
  • "Listeners intrigued by the rhythmic innovations and Brazilian influences of Chaos A.D. will be quite pleased by Sepultura's sprawling, frequently brilliant follow-up. True to its title, Roots wholeheartedly embraces Sepultura's native Brazilian rhythms, augmenting their music with field recordings of the Xavantes Indians, vocalist/percussionist Carlinhos Brown, and expanded percussion sections. The guitarists create an array of noisy, textural effects, so their technique and riff writing are not as impressive for fans of old-school thrash, but that's more due to the growing influence of alternative metal on the band, with Korn being a particular touchstone (vocalist Jonathan Davis even guests on one track). The songs sacrifice the tight structure of Chaos A.D. for extended percussion jams, plus some acoustic instrumental work. At 72 minutes, Roots inevitably loses focus in spots, but when the music connects (and it does so often), it carries tremendous visceral impact. Roots consolidates Sepultura's position as perhaps the most distinctive, original heavy metal band of the 1990s." - Allmusic Guide
    $8.00
  • "Early pioneers of Norwegian black metal, the band have continually evolved throughout their career and now inhabit a place entirely their own, blending rock, pop, electronica, symphonic and classical traditions along with progressive and/or avant-garde forms to create ground-breaking material.Ulver returned earlier this year with their new album Wars of the Roses. Early pioneers of Norwegian black metal, the band have continually evolved throughout their career and now stand as living legends of the dark music industry, blending rock, electronica, symphonic and chamber traditions along with noise and experimental music to create ground- breaking material.Until recently however the band had remained exclusively within the studio. This changed in May 2009 when the band accepted an invitation to appear at the Norwegian Festival of Literature. The success of this gig lead to them embarking on a string of other gigs in 2009 and 2010, selling out prestigious venues such as the Queen Elizabeth Hall in London, Volksbühne in Berlin and La Cigale in Paris before they returned to their homeland for this landmark gig at The Norwegian Opera House.The 2 hour concert marries tracks from throughout the band’s catalogue to stunning visuals to create a spectacle fitting for such a grand venue. The evening was captured on 6 HD cameras and the audio has been mixed for this release in the band’s own Crystal Canyon Studios."
    $20.00