The Art Of Dying

SKU: NBA1233
Label:
Nuclear Blast
Category:
Metal/Hard Rock
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First new album in 11 years from this legendary Bay Area thrash band.

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  • "As long as it exists, thrash metal was always excluded from the mainstream – too loud, too noisy, too aggressive and not melodic enough, it just didn’t fit in with the popular music played in radio and TV stations. But thrash did not give up and prevailed on the hostile market, patiently dealing with all the difficulties in its way. While most bands were satisfied with being popular in the underground scene, Flotsam and Jetsam decided to take a step further and record an album which will roll into the mainstream like a cannonball. “Cuatro”, F&J’s fourth full-length release, was precisely that album. The follow-up to the highly experimental “When The Storm Comes Down” proved that a thrash metal band can achieve success even on the popular music scene, in the same time staying true to its roots. “Cuatro” from 1992 – the strongest album in band’s discography, with a commercial potential rarely seen in the thrash genre. It is also one of the best sounding thrash metal albums ever recorded. New edition includes 5 bonus tracks (video, edits and mixes)."
    $11.00
  • Simply lethal US power metal led by the vocal master Warrel Dane and the dominating guitarwork of Jeff Loomis. Man you can just feel the anger oozing out of your speakers. These guys are pissed and want you to know it!! This is the new version of the album. Apparently the original Kelly Gray mix got the big thumbs down. Andy Sneap was brought in to remix the entire album. This is an enhanced CD featuring videos for Enemies Of Reality and I, Voyager as well as Enemies Of Reality from Wacken 2004.
    $12.00
  • With each successive release the question always is asked – How will the Tipton Brothers top their last album? The band’s fifth album, Dark Deceiver, is another jaw-dropping achievement of technical metal. The quartet of Jasun Tipton, Troy Tipton, Mike Guy, and Chris Salinas take their “chops from hell” attitude to a new level. In creating Zero Hour, the brothers envisioned a dark, heavy, emotional vibe, expressed through intricate arrangements, forceful vocals, and meaningful lyrics.2006 found the band in a curious situation. Although they were attracting attention and accolades around the world they were in need of a new vocalist. The problem was solved by the arrival of noted vocalist Chris Salinas, formerly of Power Of Omens. The resulting album “Specs Of Pictures Burnt Beyond” met with stellar reviews, a US tour and a headlining slot at the Headway Festival in Netherland. The year culminated in the band’s third appearance at ProgPower USA in Atlanta – the largest progressive metal festival in the world.For the recording of their new album the band once again collaborated with producer Dino Alden. Dark Deceiver finds the band experimenting with their already defined sound. The compositions are more technical than before. Alden took advantage of Salinas’ incredible vocal talents to apply some interesting and dramatic treatments, creating something very different from their previous recordings. This is without question the band’s crowning moment.
    $13.00
  • New reissue of the band's 1994 release features two new acoustic tracks from Jon Oliva.
    $14.00
  • "Credited with being amongst the saviours of true heavy metal in the late 90s, power metal behemoths HammerFall are back to infect your sound system with high-pitched vocals, galloping riffs and a thundering double-bass kick synonymous with Sweden’s finest.The marketing approach taken on Infected has a somewhat more modern edge to it with the logo being somewhat skewed, as if a product of the toxic wasteland that vocalist Joacim Cans sings about in Patient Zero.Another notable omission is beloved mascot Hector failing to make an appearance on the album cover, replaced by a seemingly infected human mutant’s hand (the original concept was for a biohazard logo, disputed by Biohazard’s Evan Seinfeld – I didn’t realise the international symbol was the nu-metal band’s property). This has caused uproar amongst the HammerFall faithful and Hector has since graced the cover of the single for Send Me A Sign, along with the original band logo.However, despite some unusual deviations in guitarist and chief songwriter Oscar Dronjak’s direction for the band, the sound is essentially a continuation of what we have always loved about the band. Fun lyrics complemented by fist-pumping music and guitar solos that would make the likes of Bill & Ted’s Rufus envious.Although the band seem like they will never come remotely close to topping the unforgettable Glory To The Brave and Legacy Of Kings albums, HammerFall continue to deliver solid power metal and although HammerFall have added a few different types of spirits to the mix this time, the end result is still the same and will have you raising the metal horns up high.In a world of the politically correct, fashionista, hipster, self-important many, HammerFall continue to wave the flag for the disinterested in conforming to a particular mould few, who instead know what they like and don’t need to be told to like it. Bang Your Head…Stand United….amen."- Faster Louder.com.au
    $13.00
  • Fourth album from this seminal US band. Deluxe remastered reissue also features detailed liner notes, 2 bonus tracks, original artwork and unseen photos.
    $15.00
  • HOLY %&@#!!! This disc is a total monster. Biomechanical is a UK-based band led by vocalist John K. (late of Balance Of Power). Imagine a mix of Nevermore, Judas Priest and Queensryche with an added subtle touch of technicality - a highly listenable trash/power blend. This is massive sounding music designed to penetrate and clear out all the cobwebs in your skull.
    $6.00
  • New edition of this live tribute to the late Criss Oliva. It features live recordings from various gigs between 1987-1990. There are two bonus tracks.
    $14.00
  • Gorgeous reissue of the band's third album and first for Atlantic. This remastered edition comes with 2 live bonus tracks from 1990, detailed liner notes, original artwork and previously unseen photos.
    $15.00
  • "Re-release of Flotsam and Jetsam’s most mature and successful release from 1995 . The band recorded “Drift” in one of the hardest moments in their entire career. Still, they managed to do an incredible job and put together an amazing album, full of astonishing musicianship and memorable lyrics. “Drift” remains a true classic in F&J’s discography, proving that the group is a thrash metal name that you simply cannot miss out on. A must-have for all thrash metal lovers! New edition includes 3 bonus tracks."
    $11.00
  • Remastered edition with 2 bonus tracks."Easily one of the most important heavy metal albums ever released, Stained Class marks the peak of Judas Priest's influence, setting the sonic template for the New Wave of British Heavy Metal more than any other single recording. This is the point where Priest put it all together, embracing their identity as the heaviest band on the planet and taking the genre to new heights of power, speed, musicality, and malevolence. Not until Painkiller would the band again be this single-minded in its focus on pure heavy metal. Their blues-rock roots have been virtually obliterated; largely gone, too, are the softer textures and gothic ballads of albums past. The lone exception is the morbid masterpiece "Beyond the Realms of Death," on which the band finally finds a way to integrate the depressive balladry of songs like "Epitaph" and "Last Rose of Summer" into their metal side. Starting out with quiet, mournful verses, the song's chorus is ripped open by a blazing guitar riff as Rob Halford shrieks about leaving the world behind, a dramatic climax that sounds like a definite blueprint for Metallica's "Fade to Black." Yet it wasn't this song that inspired the ridiculous 1989-1990 court case involving the suicide pact of two Nevada teenagers; that honor goes to the Spooky Tooth cover "Better by You, Better Than Me" (penned by none other than the "Dream Weaver" himself, Gary Wright), on which the band allegedly embedded the subliminal backwards-recorded message "Do it." Astounding implausibility aside (as the band pointed out, why encourage the suicides of fans who spend money?), it isn't hard to see why Stained Class might invite such hysterical projections. On balance, it's the darkest lyrical work of the band's career, thematically obsessed with death, violence, and conquest. That's not to say it's always approving. Sure, there are battle cries like "White Heat, Red Hot," horrific nightmares like "Saints in Hell," and elements of the fantastic in the alien monsters of "Invader" and stone classic opener "Exciter." But the band stays philosophical just as often as not. The twisting, turning title track adopts the biblical view of man as a hopeless, fallen creature preyed upon by his baser instincts; "Savage" foreshadows Iron Maiden's "Run to the Hills" in depicting violent colonizers as the real savages; and closer "Heroes End" laments the many legends born from untimely deaths. So in the end, what really cements the celebrated morbidity of Stained Class is the sinister atmosphere created by the music itself. Never before had heavy metal sounded so viciously aggressive, and never before had that been combined with such impeccable chops. Seemingly at will, Tipton and Downing spit out brilliant riffs that cut with knife-like precision, usually several per song. This means that there's a lot to take in on Stained Class, but if there's nothing here as immediate as the band's later hits, there's also a tremendous amount that reveals itself only with repeated listens. While the album's overall complexity is unrivalled in the band's catalog, the songs still pack an enormous visceral impact; the tempos have often been jacked up to punk-level speed, and unlike albums past, there's no respite from the all-out adrenaline rush. Heavy metal had always dealt in extremes -- both sonically and emotionally -- but here was a fresh, vital new way to go about it. It's impossible to overstate the impact that Stained Class had on virtually all of the heavy metal that followed it, from the NWOBHM through thrash and speed metal onward, and it remains Judas Priest's greatest achievement." - All Music Guide
    $5.00
  • Obviously the band was feeling a ton of pressure to follow up Dead Winter Dead and the result, The Wake Of Magellan, more or less holds up. For some people the album was a bit flat but the way I see it Dead Winter Dead is a masterpiece and perhaps an insurmountable summit for the band. Taken for itself, Magellan is a fine disc with the classic Savatage sound. The production is simply flawless...bordering on audiophile. This new digipak remastered version comes with 2 bonus tracks and new liner notes.
    $12.00
  • Raise The Curtain is the latest effort from the former Savatage mastermind.  Its quite different from the Jon Oliva's Pain project and in a surprising way.  The music has a strong 70s vibe blending elements of progressive rock, AOR, and metal.  Oliva plays all the instruments but he collaborated on the songwriting with Dan Fasciano.  From the opening roaring organ sounds you know you are in for something a bit different.  You can tell this is Jon Oliva - there are parts that will remind you a bit of Savatage but you will also think in terms of Kansas, ELP, Alice Cooper.  A mash up of styles for sure but quite well done.  A friend who heard an advance copy summed it up perfectly: "A fun album".  This is the first pressing that has one bonus track.  Grab it while we got 'em.
    $15.00