Awaken The Guardian (Remastered 2CD+DVD)

2005 deluxe remastered edition of the bands 1986 magnum opus, the last one to feature John Arch on vocals. This elaborate set features two cds and one live DVD. Disc One is the remastered version of the album. Disc Two features unreleased live and demo tracks. Disc Three is an NTSC Region 0 live DVD of a live gig from 1986. Mike Portnoy wrote the liner notes.

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    $14.00
  • "After the lack of success garnered by 1970's The Twelve Dreams of Dr. Sardonicus, Randy California (guitar/vocals) -- who had recently suffered a nearly fatal horse-riding accident -- split from the combo, leaving only Ed Cassidy (drums) and John Locke (keyboards) to carry on from the original lineup. They were joined by brothers Al Staehely (bass/lead vocals) and Christian Staehely (guitar/vocals), with the former supplying a majority of the album's solid material. His consistently strong songs were perfect for this seemingly hastily collected aggregate. Unlike Jay Ferguson (vocals) and Mark Andes' (guitar/vocals) boogie outfit Jo Jo Gunne, Spirit remained steeped in equal measures of pop, rock, and jazz. That said, "Cadillac Cowboys" could have just as easily passed off for Gunne, with the propulsive backbeat centered down the spine of the slightly syncopated rhythm, perfect for Cassidy's percussive inflections and innate sense of timing. Locke's instrumentals "Trancas Fog-Out" and "Puesta del Scam" also put the drummer in the driver's seat, as his compact interjections propel Christian Staehely's guitar and Locke's aggressive piano leads. Producer David Briggs captures these in an almost v rit manner, as each musician spontaneously reflects his counterparts la the band's 1968 debut -- and perhaps more pointedly Locke's ten-minute epic "Elijah." "Darkness" is another Locke side that is worth mentioning with regard to the interaction among the quartet members, as the noir waltz perfectly captures the strengths of this lineup. "
    $5.00
  • First album from this extreme metal band from Australia that is generating quite a buzz. Ne Obliviscaris mix clean and black metal vocals over a fairly symphonic/prog style that features quite a bit of lead violin. Plenty of guitar crunch to be heard through out as well. Definitely some of the early Opeth albums rubbed off on these guys but oddly classical and jazz elements creep in. As long as the black metal vox don't get to you I think you'll find the music quite captivating. Highly recommended with the noted reservations.
    $15.00
  • "On first listen, you could be forgiven for thinking that Helker are German: in fact, they hail from that renowned hotbed of heavy metal Argentina, with ‘Somewhere In The Circle’ being their fourth album but the first to be both recorded in English and gain an international release, thanks to a deal inked last year with AFM Records.However, the assumption that the five piece’s geographic origins lie in Germany, or even Italy, is a fair one to make, due to a number of factors – not least their collaboration with one Mat Sinner, who not only produced the album but also co-wrote all of the 11 tracks. Then, there’s the material itself, which evokes classic Helloween, especially, as well as the likes of Hammerfall, Primal Fear (vocalist Ralf Scheepers makes a guest appearance, along heavy metal mercenary Tim ‘Ripper’ Owens, on ‘Begging For Forgiveness’) and just about every other classic European power metal outfit.All the right elements are included – soaring guitar solos and harmonies, huge, catchy choruses and majestic vocals. Actually, let’s concentrate on the latter for a moment: Diego Valdez does have a powerful, impressive voice, with a delivery and style that is very reminiscent of the late Ronnie James Dio (perhaps a bit too closely imitative on the likes of ‘Modern Roman Circus’, ‘No Chance To Be Reborn’ and ‘Dreams’), Michael Kiske (check ‘Wake Up’ or ‘Ghosts From The Past’) and even Klaus Meine (as on ‘Flying’).Elsewhere, the musical performances are all powerful and impressive, delivering a collection of songs that don’t stray too far from the traditional power metal formulae but nevertheless do so in an efficient and tidy manner." - Planet Mosh
    $15.00
  • Second album from the Finnish offshoot of Burning Point. Ghost Machinery are now fronted by Taage Laiho who was formerly with Altaria. The music veers more towards traditional speedy Helloween-ish power metal but the band throws some curve balls at you. The tune "Blood From Stone" has lots of hooks and the keys give it an 80s pop-metal vibe. Another cool thing about the album - they actually do a cover of a Blackfoot tune - "Send Me An Angel". I bet Ricky Medlocke is ready to cash those royalty checks!
    $14.00
  • "The Contortionist are really speaking my Language (PUN!) on their first full-length with Last Chance to Reason's Michael Lessard on vocals.Last year I went to see Between The Buried and Me and one of the openers was The Contortionist. I knew of them vaguely from my college radio days, but couldn't recall much. I was mainly interested in seeing them because Michael Lessard of Last Chance To Reason had just been announced as their permanent vocalist, and I fucking LOVE(D?) Last Chance To Reason. The set was mostly (if not entirely) from their album Intrinsic and was pretty solid, but I felt like Lessard was a little out of place. He wasn't quite at his full potential. This brings us to Language, and this is Lessard and existing Contortionist members at their best.Language opens with a melodic piece comprised almost entirely of vocal layers that I could really only compare to something on the level of Imogen Heap. The album keeps the melody going on the following track "Language I: Intuition" and it is fucking gorgeous. With the exception of a few parts the song suppresses the metal, instead opting for a rhythmic post rock feel. The heaviness does pick up as the album progresses, but there is definitely and ebb and flow (an idiom that appears a lot in the album) happening that favors the prettier side of the band, and I don't have a problem with it. There is still quite a bit to headbang to with the very next tracks, "Language II: Conspire," "Integration" and more.  So don't fret, they haven't gone soft by any means.It's unclear to me how much of the album is the added influence of Lessard, and how much is natural growth here. The band was able to progress their sound enough while staying grounded in who they are. I find this is rare for a band in general, but especially rare for a band often lumped into the "djent" category. This record is a lot more of everything that worked. It is heavier when it needs to be, it is bigger when it needs to be, it is prettier when it needs to be, etc. For example, "Thrive" could have easily fit anywhere into Intrinsic for about the first minute or two, but then Lessard soars and the song crescendos into pure atmospheric metal glory to a level they hadn't achieved before.I realize much of this review is praising Michael Lessard's vocal abilities, and if Level 3 didn't already cement him as one of the best voices in modern metal/rock/whatever, this album should (I mean, just listen to him on "Ebb & Flow"!). However, this band is really tight and unique regardless of who is the voice. Often bands in the rhythmic, atmospheric, progressive blah blah blah, genre will give in to tropes of the genre, The Contortionist either avoids them or spins them enough to make them seem outside of the box. So many bands will have one guitarist chugging along in wacky rhythms with the bassist and drummer while the other guitarist noodles over the top, and it's just so overdone. These guys will either have everyone noodling in a cool way interweaving with one another, or they just go different directions completely. This could be said about previous records as well I'm sure, it's just especially notable here.This album is not everyone. If you're quick to lazily label any rhythmic progressive band out there as "djent" and dismiss them accordingly, you should probably just not bother here. This album is for fans of progressive music, atmospheric metal, theory nerds, and especially the previous work of either LCTR or The Contortionist.I was a much bigger Last Chance fan going into Language, but this has really turned me on to The Contortionist more. This is a fantastic release that is best digested as one long piece." - Metal Injection
    $13.00
  • Daevid Allen is back with a reconstituted version of Gong.  Part of the new lineup features Kavus Korabi (Knifeworld, Cardiacs) and Dave Sturt (Jade Warrior).  There is a great vibe to the album and it doesn't stray from the classic sound."The enduring legend that is Gong multi National, multi dimensional Psychedelic combo enters yet another new phase on their four decades plus journey with I See You, a brand new album to be released on the Madfish label.The current incarnation of Gong comprises vocalist / lyricist Daevid Allen, who, even at the age of seventy five, still radiates an incandescent creativity, the original anarchic vibe that was born out of counter culture revolution in the Paris commune in 1968. His co conspirators on I See You comprise Orlando Allen on drums, new guitarist Kavus Torabi (formerly of The Cardiacs) and the latest guitar incumbent in a band whose ranks have included the likes of Steve Hillage and Mark Hewins, horn player Ian East Wind , sinuous bass propulsion provided by Dave Sturt (the sonic manipulator), and Brazilian Fabio Golfetti who weaves his own lysergic patterns on guitar. This collective create an impressive, multi layered and irrepressible sound that creates its own world and then populates it with a series of dazzling musical gems, melodically rich, lyrically engaging and musically refreshed.I See You is both timeless and timely, a welcome antidote to an increasingly homogenised musical mainstream. Tracks such as This Revolution, a spoken piece which name checks Gil Scott Heron and picks up on the vibe of his The Revolution Will Not Be Televised, articulates the kind of concerns and theories that have always inspired Daevid Allen and informed the Gong worldview, contrasts with the ferocious inter stellar Funk of You See Me, which is sure to be a live favourite. Thank You is a heavy slab of Psychedelicised Blues, whilst Shakti Yoni Dingo Virgin is a moody, melodic instrumental piece that serves to illustrate the immense musical firepower and musical diversity that lurks within the current line up of Gong."
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  • AOR/Melodic metal fans will drop dead when they hear this killing album. Cornerstone consists of Royal Hunt's Steen Mogensen and former Rainbow vocalist Dougie White helped out by an array of musicians including RH's mainman Andre Andersen. No surprises here - it really does sound like a cross between Rainbow and Royal Hunt.
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  • If you love that classic hard rock sound of the 70s and 80s you will go crazy over this album plain and simple.  Alex Beyrodt reined in the neoclassical overtones just a bit, David Readman shines as always (LOVE this guy's voice).  The result is an album that evokes the spirit of Rainbow, Whitesnake, and Deep Purple.  I thought the last VC album was excellent - this one is even better!  Highly recommended.Limited edition digipak with two bonus tracks and one video clip.
    $17.00
  • Remastered edition of one of Eloy's great space rock creations. This was the first disc to feature Hannes Arkona on keyboards. Comes with two bonus tracks "Wings Of Vision" and a single edit of "Silhouette". Great disc!! Please note this disc incorporates EMI copy control technology which seems to allow you to do whatever it is you would normally do with a CD but you can't rip it. Bummer.
    $13.00
  • Chamber ensemble from Hell led by Daniel Denis and Roger Trigaux. Extremely dark music sounds like a cross between Bartok and King Crimson. This is the new edition which has been remixed and remastered by Daniel Denis. The album is commonly known as "1313" because that was the catalog number of the original vinyl release. Included is a history of the band, rare photos...oh yeah...an unreleased 28 minute bonus track.
    $15.00
  • Termo Records reissue program of the White Willow catalog continues.  This remastered edition features new artwork and liner notes as well as 4 previously unreleased bonus tracks.Seven songs of melancholy and mysticism... White Willow's music embraces gothic, folk and classical elements within a progressive rock framework. The second release from Norway's White Willow carries on in the tradition of their debut Ignis Fatuus. Joining founders Jacob Holm-Lupo and Jan Tariq Rahman are new members Frode Lia, Sylvia Erichsen and Anglagard's Mattias Olsson. Also returning is engineer Jo Wang who's audiophile approach to recording has once again created a sonic masterpiece. Ex Tenebris features a dynamic mix - from moody quiet instrospection to heavy symphonic pyrotechnics. Perhaps more personal and focused than Ignis Fatuus, yet the album offers a more mature sound. Clearly one of the finest progressive rock bands currently recording.
    $16.00
  • German power metal masters. New remastered edition features 5 bonus tracks!
    $13.00
  • Danish industrial/thrash metal highly influenced by Meshuggah, Lamb Of God, Fear Factory and their ilk. The band now features a new vocalist - Guillaume Bideau from the French band Scarve. When he isn't barking he's got a pretty decent voice actually. US edition with two bonus tracks.
    $2.00