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  • "If you’re talking about modern progressive rock and don’t bring up Haken, you’re doing it wrong. Since the south English sextet started jamming together in 2004, they’ve been one of their genre’s most loyal yet, simultaneously, adventurous forces. And how do you honour such an eclectic, unpredictable career? You make Fauna: Haken’s most genre-busting and conceptually fascinating album to date. “The premise of the album when we started writing it was that every song would have an animal assigned to it,” explains singer and co-founder Ross Jennings. “They all have something related to the animal kingdom that we could write about, but they also connect to the human world. Each track has layers, and some of them are more obvious than others.” Musically, Fauna represents Haken at their most diverse. Taurus commences the album with its scraping heavy metal chords, as polyrhythmic as they are jagged. However, Ross’s melodic croon and the triumphant chorus are true Haken. Eyes Of Ebony is pure math rock, delicate in its start-stop clean guitar picking and chiming cymbals, while Island In The Clouds flaunts its bouncing bassline. Eighteen years deep, they’re still evolving and keeping their fans on their toes. Is there any truer definition of what making progressive rock means than that?"
    $20.00
  • Moon Safari’s illusive comeback album following a decade of silence. Almost 70 minutes of no nonsense symphonic rock spread over nine tracks filled with soaring vocals, explosive guitars, thunderous low-end and those unwaivering romantic lyrics fans have come to expect. Mixed and Mastered by Rich Mouser.1. 198X (Heaven Hill) (3:55)2. Between the Devil and Me (10:38)3. Emma, Come On (3:19)4. A Lifetime to Learn How to Love (8:28)5. Beyond the Blue (2:12)6. Blood Moon (5:44)7. Teen Angel Meets the Apocalypse (21:03)8. Forever, For You (10:08)9. Epilog (3:22)
    $16.00
  • Clear Dawn is the second album from this incendiary fusion ensemble.  Aurora Clara is the multi-national band led by guitarist Raul Mannola.  Once again the great Jerry Goodman guests on violin on the opening track.  If you are a fan of the 70s great fusion bands - Mahavishnu Orchestra, Nova, Return To Forever et al you need to hear this guys.  BUY OR DIE!!"CLEAR DAWN is the second album of the Madrid-based international Jazz-Fusionband AURORA CLARA. A work full of colours, fascinating rhythms, vertiginous unison lines, and inspired improvisations in the framework of elaborated and original compositions. The acoustic 12-string guitar mixed with flute, violin, and an electric Funk/Jazz rhythm section creates a very unique soundscape."“It is, however, my great pleasure to report that Aurora Clara’s second album, Clear Dawn, eclipses its first brilliant release, Transformation “ (Walter Kolosky, Music journalist and podcast host specialized in Jazz-Rock)Raul Mannola - guitarsFlamenco guitarist with 30 years of professional experience and over 10 solo albums, with roots in Blues and Jazz. Born in Buenos Aires, Argentina to Finnish parents. One of the most outstanding musicians when it comes to merging Flamenco with Jazz and Rock. The first to play Flamenco on the 12-string guitar.Juan Carlos Aracil - fluteFlutist from Alicante, Spain. Specialist in Flamenco and Flamenco-Jazz with an exceptional talent in improvisation. He has an impeccable sense of rhythm, developed over years of work with the virtuoso Flamenco dancer Juan Ramírez.Denis Bilanin - keyboardsHailing from Rumania, is a keyboardist with a very heavy groove, and a sound reminiscent of the 1980’s, but at the same time very atmospheric. He plays and produces many different styles, like Funk, Afrobeat, R&B, World Music, and Mainstream.Jorge Barrero - bassA Colombian musician, resident in Madrid for the last two years, he specialises in different Latin and African American music styles, such as Andean music, Colombian folk, Rock, Funk, Jazz etc. A brilliant virtuoso player, who encompasses all the modern techniques.Marco Anderson - drumsDrummer and multi-instrumentalist born inYorkshire, England. Musician with more than 40 years of professional career playing almost every musical style imaginable. Was drummer with The Groundhogs, seminal UK progressive blues band, and has featured in live performance and recordings with Steve Vai (Saurang Orchestra) and Carl Orr (Billy Cobham), amongst many others.Boris Momtchilov - drumsBorn in Bulgaria, resident in Spain for four decades, this drummer started to play in rock bands in Madrid, evolving towards alternative and progressive rock styles. He is Influenced by Balcanic folklore and the fusion of cultures.Collaborations:Jerry Goodman – violin (1) Zeke Olmo – congas (4, 7)
    $11.00
  • After an exceptionally long year full of personal change and near manic levels of creative activity, Canadian musician Devin Townsend releases his follow up to 2019’s acclaimed ‘Empath’ album. Assembled from a barrage of material written during the pandemic ‘Lightwork’ represents a new level, and has ended up being one of the most accessible, yet ambitious releases of his storied career. A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. It’s about strength, love, acceptance, fear, and overcoming together. Guests on the record include friends and stalwarts from his past (Anneke Van Giersbergen, Ché Aimee Dorval, Morgan Agren, Mike Keneally, Steve Vai, Elektra Women’s Choir) as well as some newer friends and faces (Darby Todd, Diego Tejeida, Nathan Navarro, Federico Paulovich, Jonas Hellborg), and also, in a rather hard to believe turn of events, legend producer and guitar player Nile Rodger plays on the track ‘HoneyBunch’.
    $9.00
  • Its been quite a long time since we've heard from Magic Pie.  They went through lots of trials and tribulations getting this album finished but now its finally arrived.  If you are not familiar with this band here's the deal: Magic Pie are a Norwegian band with a retro 70s sound.  The music is a bit of a high wire act balancing the neo-prog sounds of The Flower Kings with the heavier elements of classic Uriah Heep.  They also seem to be the darlings of Rosfest having played there multiple times."It's hard to believe it's been 10 years since these proggers from Norway released their promising debut "Motions of Desire". At that time, their music struck me as an enthusiastic combination of classic prog and classic hard rock. (Think Deep Purple for the hard rock side of that equation.) At their best, they offered memorable passages and pieces that sounded like they very well could have been long lost recordings from many years ago. At their worst, they sometimes fell short of filling the big shoes of the legendary bands whose music they strove to emulate. That's actually not bad for a debut album from a new prog band. I found much to like and looked forward to hearing from them again in the future.Checking back in on them a decade later, I must say that I am very impressed with how they have developed and matured. No longer do I get the feeling that certain sections of songs are direct homages to any particular band from any one particular decade of prog's illustrious history. Their influences, while still very present and valid, are now more varied, including a greater percentage of modern reference points. More importantly, their influences are just that--merely influences rather than templates or even primary reference points.The sound quality on "King for a Day" is superb thanks in large part to the enlistment of sonic genius Rich Mouser (whose resume includes similar work for prominent contemporaries like Spock's Beard, Transatlantic and Dream Theater).Keyboardist Erling Hananger is an excellent addition to Magic Pie's recipe. His keyboard parts are expressive, dynamic and integral to the music. When appropriate, his leads seamlessly blend, harmonize, and work synergistically with electric guitar.The lyrics have a melodramatic and somewhat tragic flair this time around, but this is prog so you should be accustomed to the musical ride including a few tragic tales from time to time by now, right?OK ' so it's time for the "magic" question... A decade after their debut album, how has my impression of Magic Pie changed?On "King for a Day", I now hear a band which has found "its own voice", one that resonates confidently in the space somewhere between classic arena rock of yesteryear (on prog-steroids of course) and modern melodic prog of the 21st Century (like Spock's Beard and The Flower Kings). Add a few dashes of modern prog-metal to taste and you, my friend, have baked up a very nice confection indeed... MAGIC PIE!If you love modern prog anthems with big harmonies and 'sing along' choruses, give "King for a Day" a listen! I'm glad I did!" - ProgArchives
    $14.00
  • Following the release of 2021’s ambitious studio album ‘The Absolute Universe’, progressive-rock supergroup Transatlantic present ‘The Final Flight: Live At L'Olympia’. A document of the bands triumphant show in Paris, the last night of their tour in support of their most recent studio album, it sees Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas (along with Ted Leonard) performing the entirety of „The Absolute Universe (The Ultimate Version)”, before returning to the stage to perform some of their extensive back catalogue. A night as special as they come, this audio/visual document presents the band at their most majestic. 
    $27.00
  • THIS NORTHERN VIRGINIA BASED BAND is a three-piece at heart, musically rooted in the raw energy and rhythmic interplay of RUSH and KING’S X. Fans of dark, guitar-driven rock bands from ALICE IN CHAINS, DEFTONES to the contemporary metal riffing of LAMB OF GOD and PANTERA, will connect to the heavy core of IRIS DIVINE’s sound. Add to that progressive complexity and moody synths inspired by DREAM THEATER and PORCUPINE TREE, and a liberal dose of memorable hooks and melodies, to understand some elements of IRIS DIVINE’s sound. And yet, the band has a distinct identity, not quite sounding like any of the aforementioned bands, and with an emotional urgency that pulls subtly from alternative and other influences.KARMA SOWN IS A TRIUMPH OF A DEBUT ALBUM, immediate and memorable but revealing layers and depth upon repeated listens."Progressive metal is in a rough period right now. The old guard are either releasing sub-standard albums that only make it more obvious how far they have fallen, or they are drastically uncool with anyone who didn't become a fan when progressive metal was first being created. Progressive today tends to mean djent, a style that has sapped all the life and humanity out of music, turning metal into a math equation of time signatures, and not songs that anyone can actually remember. There was a time when progressive metal remembered the ultimate goal of music; to have listeners enjoy the songs so much they would return to them again and again. Today, progressive metal is mostly the sort of music that could pass for muzak, if you don't turn the volume up too loud.Iris Divine wants to change that. They set out with the mission of writing progressive metal that is intricate and challenging, but still produces the kind of songs that listeners who don't have an advanced degree can love and sing along to. It's a challenge, and it goes against the tide, but it's a desperately needed revolution if progressive metal is going to flourish anytime in the near future.I knew from hearing the pre-release track “A Suicide Aware” that Iris Divide was special, and the full album reinforces the point. “The Everlasting Sea” comes out of the gates with plenty of tricky riffing and unusual rhythms, but they lead into big melodies with strong hooks and vocals. Their progressive playing isn't meant for show, it's a tool used to set a tone that juxtaposes with the more melodic moments. Finding the proper balance between these elements is not easy, and many a band have failed miserably trying to do so, but Iris Divine doesn't. On their debut record, they show a skill some bands have spent their entire careers failing to learn.What I love most about the record is that it can be seen in many different lights. If you like straight-ahead metal, there is plenty of heavy riffing and pounding drumming here to keep you satisfied. If you like progressive music, these songs have twists and turns, and Rush-like keyboards, in enough quantity to match the djent crowd. And if you're a fan of old-school radio rock, the choruses in these songs will be music to your ears. Keeping all three of these in mind at the same time can be tricky, but it's worth the effort.For being a trio, “Karma Sown” is a massive sounding record. The production is flawless, big and clear, without ever sounding too polished. The heavy parts are heavy, the vocals are up front, and you would never believe this was a self-produced record that was crowd-funded. I can put it up against many, many of the big label releases, and it would win the fight.In fact, I can think of a dozen so-called progressive metal bands that should immediately hand over their label contracts to Iris Divine, because it's a crime that a band that is advancing progressive metal in the right direction doesn't have the backing of one of the labels. Not to name names, but this album would be bigger than half of the progressive metal released this year if it had the media push behind it.In case you haven't noticed, what I'm saying is that “Karma Sown” is a fantastic debut, and the future of progressive metal. Iris Divine isn't a Dream Theater clone, and they're not djent. What they have done is integrate all the strains of progressive metal into a singular sound, one that could set the standard moving forward. If every band sounded this good, progressive metal wouldn't need to be underground. “Karma Sown” is the best progressive metal album of the year, bar none." - Bloody Good Horror
    $6.00
  • "Triple CD contains the Swedish and English versions of Opeth's album In Cauda Venenum with new illustrations by internationally renowned Travis Smith in the booklet. In addition, there is also a third CD including 3 previously unreleased bonus tracks, both in English and Swedish: "Pöbeln" / "The Mob", "Cirkelns Riktning" / "Width of a Circle" as well as "Frihet & Tyranni" / "Freedom & Tyranny"."The album opens with haunting Mellotron and we are off to the races.  By now its the law of the land that Opeth has forsaken the "old" sound.   They are a progressive hard rock band who's albums are packed to the rafters with retro sounds.  The album arrives as a double disc - one version of the album sung in their native Swedish and the other in English.  The traditional melancholy sound is present here.  Expect dynamics galore.  This is an album of contrasts - darkness/light - heavy electric/acoustic.  If Trettioariga Kriget and Gryphon had a child it might sound like this.  The smell of the 70s permeates every aspect of this album so if you like old school hard rock and prog you're going to have a field day with In Cauda Venenum.  When Damnation came out it blew my mind and I think the band has done it again.  They've been kicking the tires of a masterpiece with Heritage, Pale Communion, and Sorceress but they really went and did it this time.  BUY OR DIE!"Given what OPETH have achieved over the past three decades, it seems unfair to question whether or not a new album would be anything less than a domineering success. They are set to release their thirteenth opus to add to a discography that boasts a formidable repertoire of encapsulating albums, but the most interesting line of enquiry is one of discovery. How well does a contemporary OPETH fit into the modern day? The simple answer is that they don’t really seem to care. The years might have seen them transform from death metal icons to a glowing example of prog rock prowess, but while listening to In Cauda Venenum, it is clear that they are writing music for themselves. The record is rife with the kind of personality we have grown to love from the Swedes, ultimately thriving in its honesty and stunning integrity.This is evidenced by the fact that In Cauda Venenum is the first OPETH album to be written entirely in the band’s native Swedish tongue. Even though it stands accompanied by an English version, this is a bold move, and the perception it breeds means that this feels like the most personal OPETH album to date. Coupled with sampled sonic backdrop aplenty and almost organic musicianship, it has the feel of a soundtrack to a movie we can’t see, prompting us to visualise our own masterpiece and inject our own character. Livets Trädgård / Garden Of Earthly Delights seems like opening credits rolling us into lush scenery, before Svekets Prins / Dignity takes up the gauntlet and sends us spinning into a torrid whirlpool of prog rock wizardry. Deft riffing backed by electronic keys builds the track, before a wailing solo ascertains that the OPETH writing style has been injected at full tilt. Cue delicate guitar work and vocals, before a full metallic barrage brings the track full circle with emphatic grandeur. Mikael Åkerfeldt‘s vocals are pristine, slotting perfectly into the dense instrumentals with decades-honed precision. Hjärtat Vet Vad Handen Gör / Heart In Hand continues the charge, with a runtime well over eight minutes allowing plenty of space for OPETH to open the taps. The devil often lies in the details, and throughout the album, the Swedes make use of this philosophy, employing a consortium of instruments to create a surgical level of precision. This is nothing new to OPETH, but this time the approach feels more innate, and better executed than ever.In between raging spells of heavy metal structure, melodic opulence shines in equal measure. In Cauda Venenum isn’t conventionally heavy, nor is it mellow, instead it is an open gateway into the thought process of one of history’s most capable bands. OPETH have already proved they can nail the death metal approach (in fact, they’re largely responsible for the genre being in the healthy state it is today) and with recent albums they have also tapped into a more progressive conception. This time round, the likes of De Närmast Sörjande / Next Of Kin and Minnets Yta / Lovelorn Crime reach beyond expectation. It is the best of both worlds and then some. Never have the band juxtaposed such vast beauty alongside the monstrous riffs of old, and yet the contrast allows the music to pop with brighter colour and deeper shadow than anything in their back catalogue.From the sampled maniacal laughter and time bending riffs of Charlatan to the orchestral intro of Ingen Sanning Är Allas / Universal Truth, each twist and turn is like a blind bend, pleasing the listener time and time again with its unpredictable nature. The blood still runs from OPETH veins, but the execution is more patient, and covers a gargantuan scale. Long swathes of atmospheric space drift by hand in hand with violin, starkly set against biting guitar in an ever waging war. Then, we bridge into Banemannen / The Garroter, one of the album’s most eclectic tracks. Jazzy, wandering riffs feel almost like cabaret, sounding like the backdrop to a seedy city underbelly. Drums set the pace, and the bass work shines through, before a meandering solo sees us into Kontinuerlig Drift / Continuum, where choppy guitar drags us into another seven-minute masterclass of prog rock musicianship. It is utterly flawless.OPETH knew that recording the album in Swedish exposed them to a risk of isolating their English speaking fans. It has to be said that writing an English version will stand them in better stead, positioning the record as more accessible; yet as Allting Tar Slut / All Things Will Pass ultimately closes the record, it is clear that they not only made the right decision, but it really couldn’t matter less which language they chose to present the record in. In Cauda Venenum is the finest work OPETH have produced in a long time – if not ever. It will require time and space to soak up its brilliance, but if afforded such simple luxuries, it is an album set to inspire, overwhelm and rewrite the very fabric of what it means to be a heavy band in 2019." - Distorted Sound
    $17.00
  • "Sons Of Apollo are one of the biggest success stories of the past two years. The combination of vocalist Jeff Scott Soto, guitarist Ron 'Bumblefoot' Thal, bassist Billy Sheehan, keyboard player Derek Sherinian and drummer Mike Portnoy proved to be irresistible on their debut album 'Psychotic Symphony', released in 2017. Now, they are putting out a special live release. This was filmed at the spectacular Roman Amphitheatre in Plovdiv, Bulgaria on September 22 last year. The band's performance was divided into two sets, the second of which saw them joined by a full orchestra and choir. There are a number of cover songs performed in both sets. And it was down to Portnoy to choose which tracks were done with the orchestra and choir: “[…]I have to say that all of the covers you'll get to see us do in the second part of the performance were only done that night and no other on the tour, which helps to make this unique.”Titled 'Live With The Plovdiv Psychotic Symphony', this is to be available on CD, DVD and Blu-ray. But there are differences between the audio and visual formats. “The CD has the entire gig. But we had problems getting clearance on three of the cover tracks for the Blu-ray and DVD. Sadly, these will not have 'Comfortably Numb' from Pink Floyd, 'Dream On' (Aerosmith) plus 'And The Cradle Will Rock' (Van Halen). The good thing is that you can hear all of these on the CD, so they're not forgotten.“The DVD and Blu-ray also have a behind the scenes documentary on the whole experience in Plovdiv, which includes interviews. In addition, there's also a behind the scenes documentary on the making of our debut album. So, what fans will get is a brilliant summary of the first year in the history of this band.”Portnoy is delighted with the final product, believing it to be a triumph that encapsulates just how tremendous this band are.“This is a very special release. It magnificently captures what happened on the night and the atmosphere that surrounded the occasion.”"
    $48.00
  • Mixing rock, hard rock and progressive rock with heavy metal and power metal influences, Brazil's Daydream XI is a band with no self-imposed boundaries.Formed in 2008 the group have played with bands like Angra, Symphony X and the former Iron Maiden vocalist, Paul Di'Anno. In 2014 Daydream XI was invited by legendary drummer Mike Portnoy to perform on the 1st edition of Progressive Nation at Sea with bands like Transatlantic, Devin Townsend, Pain Of Salvation, Animals As Leaders, Anathema, Jon Anderson, King's X and many other leading names in progressive music.The band's debut album was produced by Jens Bogren, head of the world-class Fascination Street studio, in Orëbro, Sweden, released on September 27th, 2014, via POWER PROG. It has received many great reviews all over the globe, placing the band as one of the most promising names in Progressive Metal in South America.In their sophomore release, The Circus Of The Tattered And Torn, the band embraces the progressive side of their music in a dark concept album. The concept is a metaphor to express that we are drawn to each other more by our weaknesses and our flaws than our strengths and virtues. It’s portrayed through a journey, where Phillip, the Circus master, takes his new apprentice, Circe, across the various acts of this Circus. Each song represents a feeling or aspect of human life, channeled by the storyline of each character.On September 8th, 2017, Daydream XI will be opening the third night of ProgPower USA in Atlanta.
    $6.00
  • Ten years since the band first formed, 2017 will see Haken’s first two albums, ‘Aquarius’ & ‘Visions’, reissued through InsideOutMusic after being unavailable for a lengthy period of time. Remastered by the renowned Jens Bogren (Devin Townsend Project, Between The Buried & Me), who worked with the band on their last two studio albums ‘Affinity’ & ‘The Mountain’, this reissue sees the albums brought up to the sonic quality of their most recent output.Originally released back in 2010, the band’s debut album ‘Aquarius’ capitalised on 3 years of work from the band which saw them staking their claim as one of the most exciting new progressive metal bands, playing with the likes of King’s X, Riverside & Bigelf. A 72-minute concept record that touched on themes of global warming, this album has long held a place in their fans’ hearts & the lengthy 17-minute closing track ‘Celestial Elixir’ remains in their set lists now.Arriving just a year on from their debut, ‘Visions’ cemented the bands reputation as one of the most solid progressive metal bands of recent years, bringing them to the US on tour for the very first time in 2011. Another detailed concept album conjured in part from a dream that vocalist Ross Jennings experienced, ‘Visions’ captured the imaginations of both fans and critics alike. Haken have also announced that they will be revisiting the album in full, live at Prog Power USA in September 2017. 
    $14.00
  • "Swedish dark melodic metal masters Evergrey return with their 12th Album - dark and heavy, the Phoenix is rising! Gearing up for the release of their highly anticipated 12th album, Swedish progressive metal band Evergrey is at a point in their career that many of their peers can only dream about. Since the release of "Hymns For The Broken" in 2014, Evergrey has enjoyed increased notoriety and success with "The Storm Within" (2016) and "The Atlantic" (2019) - ironically, a conceptual trilogy - which is highly unusual for a veteran act. They mean to continue this tradition on February 26th, 2021 with "Escape Of The Phoenix", another heavy, melancholic and thought-provoking journey as only Evergrey can create. The result is 11 songs that embody everything Evergrey fans have to expect, albeit "a more metal version of "The Atlantic", with songs that are more direct" according to Englund and producer Jacob Hansen."
    $15.00
  • ‘Arise’ gives the impression that the creative skills of Steve Babb have gone into overdrive, is there a better storyteller in modern progressive music?” - Progradar.comGlass Hammer shoots for the stars with the new concept album, “ARISE.” Set against the backdrop of deep space exploration, ARISE follows the extraordinary journey of an android dispatched by overzealous scientists to uncover the galaxy’s hidden wonders. The album’s lyrics, liner notes, and artwork convey a tale of cosmic dread and wonder that doesn’t begin with a big bang, but, according to Glass Hammer mastermind Steve Babb, “...definitely ends with one.”He’s joined by singer Hannah Pryor and guitarist Reese Boyd for Glass Hammer’s twenty-first studio album. “ARISE is my progressive-rock spin on space rock,” says Babb. “I’m still flirting with doom metal on a couple of songs, as we did on the last two albums, but there’s also psych-rock and even 80’s influence going on in the music. Even so, it’s very much a prog-rock album, just one that touches on other styles.”Babb goes on to make a bold claim. “We’ve always been big on finales,” he says. “But the final track on ARISE is like nothing we’ve done before. It’s an epic-length instrumental prog-rock jam meant to leave our fan’s jaws on the floor!”
    $13.00
  • "The release of official live material is a project that is long overdue and we know our existing fans have been crying out for this for some time now. Whilst we have filmed and recorded many shows in the past we have always felt there were elements of our shows that could be improved 'visually' before we documented and immortalised this for the world to see and that the timing for a live release never felt right for us. This is just our nature as creative people to be so extremely self-critical and constantly strive for perfection. It is largely due to the will of the people that the idea of this project became a reality. Both the band and the label were inundated with emails requesting a live release in some shape or form, and it was actually rather flattering, so giving the people what they wanted just felt like the right thing to do" - Haken"Following the release of the bands much-acclaimed fourth studio album 'Affinity', they embarked upon their 10th anniversary tour across Europe & North America. Recorded and filmed on the 13th April 2017, at the legendary Melkweg venue on the Amsterdam stop of that tour, this represents the band's first ever live document with tracks from across the band's discography.'L-1VE' will be released as a 2CD/2DVD Digipak package & as digital download. The DVD will include 4 bonus tracks filmed at ProgPower USA 2016 that also includes Mike Portnoy's cameo appearance on gong, as well as all of the official videos from the 'Affinity' album."
    $20.00