Caravansarai ($5 Blowout Price!)

SKU: CK63595
Label:
Columbia/Legacy
Category:
Fusion
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"Santana's fourth album, Caravanserai, finally being reissued and remastered by Columbia Legacy/Sony, is a landmark recording for the band. Originally released in 1973, this album marked a change for the band, as they were moving away from the Latin tinged psychedelic pop rock of their earlier recordings to a more ethereal, jazz fusion based sound. Change also brought about line-up shuffles, as after this album second guitarist Neal Schon and keyboard player/singer Gregg Rolie left the band to form Journey. Famed keyboard virtuoso Tom Coster made his first appearance on this release, and he later spent many years alongside Carlos Santana in various incarnations of the band.

 

The influence of groups such as Weather Report, Mahavishnu Orchestra, Lifetime, Miles Davis, Larry Coryell's Eleventh House, and John Coltrane are heard all throughout this CD. Latin percussion mixes with swirling organ while Santana and Schon's guitar licks run rampant on each track. While the bands signature melody on "Song of the Wind" still remains a classic, it's the extended breakouts on tunes like "La Fuente Del Ritmo" , complete with an amazing electric piano solo from Coster, and the energetic "Just in Time to See the Sun" that really shine. Drummer Mike Shrieve comes into his own on this albums more jazzy context, and the percussive tandem of Jose "Chepito" Areas, Mingo Lewis, and the legendary Armando Peraza provide the perfect Latin rhythms. "Every Step of the Way" features some wicked guitar work from Schon and Santana, supported by manic percussion and raging organ from Rolie, and stands out as a classic example of Latin jazz fusion.

My advice to you all, don't walk, but run to your local CD shop and indulge yourself in this timeless classic. The remaster job is superb, with every instrument crisp and clear, and you get a nice booklet that goes into the history behind the album. A must have!" - Sea Of Tranquility

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  • “Tempo”, long waited new Osanna release with a 40 pages book with lots of photos and 2 DVD. Prog lovers will be captured by this work full of great music with a recent concert at Trianon Theatre in Naples with orchestra and archives material with rare 70s video footage.The book shows many pictures which tell Osanna Story with some photos from the 1st Osanna line up (Elio D’Anna, Danilo Rustici, Massimo Guarino, Lello Brandi) and a biography of the band written in Italian and English. The 2 DVD tell the history of the band from the first RAI video clips ‘til the recent live plays in Naples in 2012.First DVD “Live in Naples” has realised at the Trianon Theatre in Naples on 24 October 2012 during the presentation of  “Rosso Rock” album; a concert with some guests as: David Jackson, Sophya Baccini, Maurizio Capone, Elio Eco, Giampiero Ingrassia, Gianni Leone, Antonella Morea, Tito Schipa Jr., la Banda “Concerto Musicale Speranza” di Pino Ciccarelli e l’Orchestra d’archi “Rosso Rock” Ensemble” diretta da Gianluca Falasca.First half is more “electric” and Osanna plays with David Jackson, Gianni Leone and Sophya Baccini songs as: “‘A Zingara”, “Introduzione da YS” del Balletto di Bronzo, “Everybody’s gonna see you die”, In un vecchio cieco”, “Vado verso una meta” and “Theme One” (VDGG) to close first half of the gig.The second half start with a tribute to “Milano Calibro 9” movie directed by Fernando Di Leo, with the suite from the album “Preludio Tema Variazioni e Canzona” realised in 1972 with Luis Bacalov; Osanna plays with the “Rosso Rock Ensemble” Orchestra directed by Gianluca Falasca.Following some guests play with Osanna: Giampiero Ingrassia in “There will be time”, Tito Schipa Jr. “Per la Strada” (“Orfeo 9”) and “Fiume” (Landscape of Life), Antonella More, Maurizio Capone and Elio Eco in the final part of gig in “O Cuore e Napule” and “Fuje a chistu paese”.Second DVD “Story” : 20 video clip represent the story of the Band, some are from RAI Archives and there are also videos from Capodistria and some come from private archives. From 1971 to 2009 20 videos show different Osanna line up from time of RAI and TeleCapodistria ‘til recent videos in Naples and Savona. Many different “L’Uomo” versions presented by Renzo Arbore, Enrico Simonetti, Nino Fuscagni, Vanna Brosio and clips taken from “Speciale Tre Milioni”, “Domenica In”, “Amico Flauto”, “Adesso Musica”, “Tutto è Pop” etc.A really exclusive video is the one showing a Pop Festival in Naples “Be-In” (1973) where you can see some “prog” stars on stage...11 videos are taken from the 70s and 9 videos regarding Osanna from 2000 to 2009 including live at Mediterraneo Theatre in Naples in 2001 and live at Chiabrera Theatre in Savona in 2009 with David Jackson, Gianni Leone and Sophya Baccini.
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  • Evergrey are back and better than ever!  I think the general consensus is that as the band became more and more popular the music became a bit more commercial and the production slicker.  Tom Englund has gone back to the basics and its clearly the right move.  Jonas Ekdahl (drums) and Henrik Danhage (guitars) have returned to the fold and production has been handed over to Jacob Hansen.  This is a return to the "classic" Evergrey sound - that perfect balance of melody and heaviness with the right amount of "prog" injected when necessary.  COMEBACK ALBUM OF THE YEAR!  BUY OR DIE!"One of the leading names in the power/progressive metal world is the Swedish five-piece, Evergrey. Forming in 1995, the band has released eight full length albums, with number nine releasing this fall. The band has been known for relatively dark lyrics and concept albums since their debut, and because of this fact, it was very difficult for me to get into their music. I can easily count the amount of times I thought “I should listen to Evergrey” on one hand. Though I wasn’t well versed in their discography, what I had heard was moving quite slowly, was downright melancholic, and just couldn’t catch my attention. That was until the Hymns for the Broken album landed in my inbox.First off, the notable changes in the lineup, with the return of Jonas Ekdahl (drums) and Henrik Danhage (guitar) grabbed my attention immediately. Though the band briefly spoke about the addition of the two previous members on their Facebook, “What can we say? We missed each other.” I truly believe that this decision, and the amazing mixing by Jacob Hansen (Volbeat, Amaranthe, Primal Fear) and production quality are what set this album up for its coming success.The album kicks off with a very eerie intro track, then jumps into the first single and video, “King of Errors”. Even without being an Evergrey fan in particular, I have always known who Tom Englund was, as his voice is so unique and legendary in the industry that I couldn’t ever really escape it. This song is a great display of the power and ability he has as a vocalist to truly bring a wonderfully written song to an entirely new level. The blend of the guitar riffs and keyboard work is perfection to say the least, but when the awe-inspiring guitar solo hit, I knew this album had me by its teeth.Immediately following is another one of the strongest tracks on the album, “A New Dawn” with a strong and hard-hitting guitar and bass riff that doesn’t ever really let go throughout the song. This song features one of the more beautiful keyboard solos on the album, but yet again that guitar solo just comes out of nowhere and destroys any solo I have ever heard this band release. “Black Undertow” is another perfect example of why Englund is so well-respected in the music world. It begins with his chillingly lower vocal range, but builds back up to where he truly shines. This song not only features another soaring and strong chorus, but the rhythm work between all instruments keeps it dark and eerie, though the keyboard lightly dances above it all.The title track to the record explodes into this phenomenal musical intro, but fades just as quickly as it hits. Boasting some of the strongest, most emotional lyrics on the album, the song hits a chord in many personal ways. “Scream loud, these hymns are for the broken,” are just some of this crowd enticing chorus that Englund sings flawlessly throughout. Bringing the album to a close is the over seven minute song “The Aftermath” which begins in a ballad-like fashion, but builds to a very strong finale. The tempo remains slow, but the flawless movement in the instruments keeps it absolutely enthralling. The last half of the song is entirely instrumental, and the conversations between keyboard, bass, and drums is something that I could listen to on repeat for hours, especially when the haunting lead melody soars above it all.If you can’t tell, I can’t think of a single moment on this album I don’t absolutely love. As someone who could never get hooked by an Evergrey album, I can assure you this is not just ‘fandom’ talking. Hymns for the Broken is a perfect album that even after weeks of constant play, I can not get enough of. Perhaps it is indeed perfection, or perhaps it just hit me at the right time in my life, either way I am in love. Easily a current contender for album of the year, it’s so full of beautiful melodies and amazing arrangements that any fan of power or progressive metal will absolutely love. I don’t doubt that all previous fans of the band will appreciate this album as much as I do, but I sincerely hope that new listeners give this record a fair and objective chance as well.This is definitely their most ambitious release yet, and they absolutely nailed it!" - Metalholic 
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  • "The brand new studio album by the legendary Van Der Graaf Generator. Esoteric Recordings are proud to announce the release of the new Van Der Graaf Generator album, “A Grounding in Numbers”. The stunning new album is the band’s 12th studio record by the band and is their first since 2008. In April 2010 Peter Hammill, Hugh Banton and Guy Evans met up for intensive tracking sessions in Cornwall, arranging, rehearsing and recording the album in a week. Some of the pieces were already fully-formed songs; others, even at this stage, remained more sketches than fully realised works. Over the next months the tracks were overdubbed, edited and adapted by the band in their own studios. By September the project was ready to be mixed. Legendary producer Hugh Padgham agreed to take on this part of the process - the first time anyone outside the band had been entrusted such responsibility. After three weeks in Hugh’s London studio, Sofasound (which shares its name with Peter’s original home set-up), “A Grounding in Numbers” was completed. With a fantastic clarity and depth of sound and a helter-skelter stretch of tunes, “A Grounding...” sees VdGG pushing ever further forward into the twenty first century. Clearly, they know they’re a group with a certain history - but they are also an emphatically modern one."
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  •  Fascinating new post-rock from this Swedish band sporting at least one familiar name!WALRUS THE BAND: Renowned film music composer and piano player Matti Bye on Hammond & Farfisa Organs, Mellotron and Wurlitzer Piano. The Tiny and Gul 3 member Leo Svensson on Cello and Minimoog. Producer and composer Kristian Holmgren on Electric Bass and Fuzz Bass. Mattias Olsson of Änglagård on drums, with Henrik Olsson of Gul 3 and Harr joining him at their double drum kit, The Sprawl."Exciting new album from Sweden that mixes retro progressive with classic Krautrock sounds. Opening track 'Tromso III' gets the motorik running with a steady beat and analog keyboards layered on top. The real party begins with 'Signals', a haunting organ and violin led piece. Heavy bass and drums propel the track forward in an exciting way. Bleeping synthesizers are dropped on top to create a truly psychedelic atmosphere. But it's the 14 minute 'Spitsbergen' that really places Walrus in the big leagues. Starting out in Ohr music territory, with a decidedly funereal backdrop of organ, synthesizers, bass and plodding drums - the composition suddenly comes alive with an insane and massive fuzz bass attack followed by swirling organ and mellotron . If you don't fly off your couch and put a fist through the wall, then you are... ... legally dead. Very few bands ever capture a perfect moment like that. What a stunning song." - Tom Hayes/Under The Radar CDs
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  • "Factory of Dreams is a symphonic metal gothic project consisting of Hugo Flores and Jessica Lehto. Hugo produces and creates all the music while Jessica provides her beautiful vocals. Following their album POLES in 2008, Factory of Dreams are back with a new production bringing a whole new epic and progressive feel to the sound crafted on their debut. More complex, heavier, faster and at the same time catchy, this is a huge album, featuring the hallmark of Factory of Dreams, with great melodic sense and shivering moments and a great cast of guest singers and performers. As a highlight, the near 10 minute Epic E-motions, and the beautiful track Sonic Sensations depicting a World created by Sound and Music."
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  • Obscure German prog private release from 1976, reissued on vinyl from the master tapes including 2 non-lp bonus tracks.There were many unsigned German prog bands doing their thing in the mid-70s.  El Shalom borrowed a little bit from Genesis and a lot from Faithful Breath and Eloy.  Keyboards remind quite a bit of Eloy but done up in a bit of a low budget way that some will hate and some find endearing.  Vocals are a mix of English and German."I suppose it shouldn’t be surprising that a band with a Hebrew name sings in both German and English. Darned if I could explain this 1976 album, as it’s one of the more unique albums to have come my way in a long time. Leave it to Garden of Delights to reissue this oddball. It would appear the German sung tracks are for their more aggressive work, while they use English for the lighter fantasy fare (ala Yes, Nektar, Eloy). So the Deutsch songs could be seen as the successor to Prof Wolfff or Eulenspygel – that is a heavier rock base, with some snotty attitude. The exception would be the German narrated ‘Alvin Zweistein’, which recalls Minotaurus, when coupled with the spacey nature of the music. One note about the keyboards: They almost seem homemade. The organ is of the mid-1960s variety, whereas there are some electronics that one might hear on some experimental albums from 1967 or 1968 (think Silver Apples). Flute, sax and dual guitars round out the lead chores. Overall, El Shalom have provided us a very intriguing album. There doesn’t appear to be any rhyme or reason to what they were doing, certainly not a play for anything commercial.  “Frost” came out at a time when private releases, such as this, were quite rare and there wasn’t any preset audience expectation. Other than the production quality, which is charmingly muffled, the album is well composed and professional. Don’t make the same mistake I did and pass this one up. A chance encounter allowed me the opportunity and now it will get continual study for a good number of years. CD contains 4 relevant, and good, bonus tracks. Interesting trivia note: “Frost” was recorded in the same obscure, tiny studio as Dom and Kalacakra!" - Cun Cun Revival Blog
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  • "GAZPACHO was formed in 1996 by Jon-Arne Vilbo and Thomas Andersen and Jan-Henrik Ohme, later completed by the three others. They released six studio albums, which were well received. The Norwegian band is bringing out their seventh album, ‘March Of Ghosts’ which Vilbo describes as “a collection of short stories. The idea behind the album was to have the lead character spend a night where all these ghosts (dead and alive) would march past him to tell their stories. Characters include Haitian war criminals, the crew of the Marie Celeste, a returning American WWI soldier who finds himself in 2012 and the ghost of an English comedy writer who was wrongly accused of treason.” You might then expect quite a dramatic concept album with a lot of turbulent and heavy soundscapes or with the ghostliness some eerie and ethereal, thickly layered atmospheric songs, but with the mixture of ambient and folk elements into their post-art rock sound the music is more on the relaxing side. Though the layers and atmosphere are there, it’s rather straightforward and unpretentious and accessible. Many of the songs are dreamy, mostly evoked by Ohme’s vocal, take the first part of the ‘Hell Freezes Over’ songs, of which the second part, following the first, ups on the intensity, but it’s still pretty low key affair, reminiscent of MUSE. Added interest to this song comes with some bagpipe-y, Celtic sounds towards the end raising the oomph as it fades. ‘Black Lily’ is enhanced by some unimposing and non-bombastic orchestra parts. Some compare GAZPACHO to ANATHEMA, PORCUPINE TREE and MARILLION, yet the sound so many times reminds me of the band I’ve previously mentioned – MUSE, this track in some ways is the most representative of it - with the vocals and the way the melody sways, lets go and intensifies with that nearly MUSE-like music diction. Guitar details and folk-ish elements in the ‘Gold Star’ change this tack somewhat and earn rather the comparison with MARILLION. The violin and dreaminess in the third part of ‘Hell Freezes Over’ and its melancholy create the best moment of the album together with ‘Mary Celeste’ which has this precarious steering towards heavier sound with some wonderful detailing going on with piano, and darker, moodier strings. The lyrical narrative stands out more here too. ‘Golem’ has a most pronounced sense of experimentation woven together in an appealing way. Lyrically I especially enjoy how they’ve worked the legend of Golem into an interesting metaphor. The last part of ‘Hell Freezes Over’ is the hardest here, yet atmospheric and quite beautiful and the reference to ANATHEMA comes justified here. In fact within the last few sentences I have also written some of the adjectives that fit this album overall quite well - appealing, (very) interesting, beautiful, and also a multi-faceted and richly rewarding listen. " - Reflections In Darkness
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  • "Italy's Odd Dimension burst on the progressive metal in 2011 with their surprising and entertaining debut album Symmetrical. Most of the intrigue came from both from their creativity and accessible complexity of their prog, generated from prior experimentation with various metal and rock genres.Their sophomore release, The Last Embrace to Humanity continues to reflect some of that experimentation. The album might even be a tale of two discs. The previous release, generally, was more heavier prog metal and so is this one, notably at the start. The Unknown King, Under My Creed, and Dissolving into the World are a rush of ambitious and blistering prog. You find this at the end as well in Far from Desires.But what's in between is a bit different. Not everything here is always heavy; it's more subtle and nuanced when it comes. It's So Late, which features Michele Luppi (Vision Divine, Secret Sphere), nears more melodic, though heavier, progressive rock. Another Time and Fortune and Pain, which follow, seems to want to invoke heavy metal but in the end turns on a stirring metal-rock fusion. The latter third of Fortune and Pain, notable in the guitar, sounds like metal-jazz fusion. The New Line of Times takes all these things, abandons the aggressive metal, and develops an epic song of pure melodic prog metal.Not dismissing the other songs, but these four songs are strength and surprise of The Last Embrace to Humanity. They also show once more the impressive talent and creativity of Odd Dimension. But we knew that already, didn't we. Easily recommended." - Danger Dog
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  • Remaster of the band's third album comes with 5 bonus tracks. This one has some of their best toons...
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  • Classic Italian jazz rock.
    $15.00
  • 130 minute DVD packed with great live set as well as all kinds of bonus material. 5.1 Dolby Digital sound is reported to be awesome (I don't have a surround setup so I can't confirm).
    $16.00