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  • Trigaux's brilliant new studio album is virtually a recasting of Univers Zero featuring Guy Segers and Daniel Denis.
    $15.00
  • "InsideOutMusic present three albums by US prog metal act REDEMPTION as one attractively priced limited 3CD box set. Featuring the mighty Ray Alder (Fates Warning) on vocals, "The Origins Of Ruin", "Snowfall On Judgement Day" and "This Mortal Coil" are perfect examples of high class progressive metal fusing heaviness and epic melodies."
    $18.00
  • Their first album was laid back psychedelic folk with a female singer. Quite beautiful.
    $16.00
  • First new studio album since 1999's Darktown demonstrates a masterful musican firmly in control. Steve has continued to evolve as an progressive artist with only a modest look backwards. At times subdued there are plenty of guitar pyrotechnics and keyboard embellishments to remind you of his earlier solo works. Recorded with his recent touring band, notable guests include Ian McDonald and brother John Hackett.
    $13.00
  • This is a 2DVD set culled from Pete York's German TV specials focusing on great drummers. These shows were broadcast in 1987-1989. Featured performers include Bill Bruford, Simon Philips, Bill Cobham, Louie Bellson, Dave Mattacks, Jon Hiseman, and many many more. The backing bands are quite phenomenal - Brian Auger, Wolfgang Schmidt, Peter Woelpl, Miller Anderson, Colin Hodgkinson, Eddie Hardin, Jon Lord (!), and others.
    $18.00
  • Overlooked gem marked Fripp's proper solo debut. To detail all of the contents on this 2 CD set would almost be confusing. In a nutshell you get the original version of the CD from 1979 on disc 1. Disc 2 includes the version that Fripp remixed in 1983 and released on CD in 1985 as well as 3 of the unreleased Daryl Hall vocal mixes that were originally recorded for the album but pulled by Hall's management. Also you get 4 bonus tracks consisting of alternate tracks. Great remastered sound courtesy of Simon Heyworth - detailed liner notes from Fripp as well as previously unpublished photos. This is the exhaustive and definitive version of Exposure - an album that has held up after 27 years. Easily worth you revisiting.
    $16.00
  • No need to go into a lengthy discussion of this seminal Canterbury band. This is the right way to do a reissue. Universal saw fit to use 24 bit mastering and filled up each disc in the series with extensive bonus material as well as copious liner notes. "If I Could Do It All Over Again" features 4 previously unreleased tracks. Essential.
    $10.00
  • Obscure German prog private release from 1976, reissued on vinyl from the master tapes including 2 non-lp bonus tracks.There were many unsigned German prog bands doing their thing in the mid-70s.  El Shalom borrowed a little bit from Genesis and a lot from Faithful Breath and Eloy.  Keyboards remind quite a bit of Eloy but done up in a bit of a low budget way that some will hate and some find endearing.  Vocals are a mix of English and German."I suppose it shouldn’t be surprising that a band with a Hebrew name sings in both German and English. Darned if I could explain this 1976 album, as it’s one of the more unique albums to have come my way in a long time. Leave it to Garden of Delights to reissue this oddball. It would appear the German sung tracks are for their more aggressive work, while they use English for the lighter fantasy fare (ala Yes, Nektar, Eloy). So the Deutsch songs could be seen as the successor to Prof Wolfff or Eulenspygel – that is a heavier rock base, with some snotty attitude. The exception would be the German narrated ‘Alvin Zweistein’, which recalls Minotaurus, when coupled with the spacey nature of the music. One note about the keyboards: They almost seem homemade. The organ is of the mid-1960s variety, whereas there are some electronics that one might hear on some experimental albums from 1967 or 1968 (think Silver Apples). Flute, sax and dual guitars round out the lead chores. Overall, El Shalom have provided us a very intriguing album. There doesn’t appear to be any rhyme or reason to what they were doing, certainly not a play for anything commercial.  “Frost” came out at a time when private releases, such as this, were quite rare and there wasn’t any preset audience expectation. Other than the production quality, which is charmingly muffled, the album is well composed and professional. Don’t make the same mistake I did and pass this one up. A chance encounter allowed me the opportunity and now it will get continual study for a good number of years. CD contains 4 relevant, and good, bonus tracks. Interesting trivia note: “Frost” was recorded in the same obscure, tiny studio as Dom and Kalacakra!" - Cun Cun Revival Blog
    $26.00
  • "David T. Chastain has gained a reputation over the last 25 years as a powerful, progressive guitarist whose music has been centered around his melodic and technically fluent fret board mastery. For Those Who Dare, the fifth CHASTAIN album and originally released in 1990, showed David forging into new territory with the finest group of musicians he had ever worked with creating not only the most accessible metal record of his career but also the most inventive.While David did remain the principle songwriter, he admitted that the band’s sound on For Those Who Dare wouldn’t have been the same without David Harbour (bass) and John Luke He’bert (drums) supplying their own individual trademark performances. Besides David’s virtuoso style the other major attribute to CHASTAIN’s instantly distinct sound is vocalist Leather Leone’s superior and ultimately commanding presence.Originally brought together by Shrapnel Records’ Mike Varney, Leather quickly established herself as one of the greatest female heavy metal vocalists of all time appearing on all four previous and critically acclaimed CHASTAIN albums - Mystery Of Illusion (1985), Ruler Of The Wasteland (1986), The 7th Of Never (1987) & Voice Of The Cult (1988). Ever since his recording debut in 1983 David Chastain has been wowing fans with his innovative and technically superb guitar playing. For Those Who Dare is a perfect example that David Chastain was not just a great player, but also a talented songwriter and band leader with an exceptional group of collaborators to help make his melodic visions a reality."
    $12.00
  • Tremendous pedigree follows this new Swedish band. Dionysus was put together by Johnny Ohlin, guitarist from the late lamented Nation, and drummer Ronny Milianowicz late of Sinergy. Fronting the quintet is Olaf Hayer who has sung on Luca Turilli's solo projects. The album was produced by Edguy's Tobias Sammet and mixed by Tommy Newton (Helloween and Ark). This is well crafted melodic power metal with touches of speed and neoclassical guitar. To my ears this sounds like Angra or perhaps a stripped down version of Rhapsody - it's more direct and less bombastic. I was a big fan of Nation so it's great to hear Johnny Ohlin playing again.
    $12.00
  • First time on CD - reissued in a gorgeous gatefold mini-lp sleeve. "Live In Montreux" is actually their first album, released in 1975, consisting of just four long tracks. This is great jazz rock that will appeal to fans of Weather Report and Perigeo.
    $18.00
  • Guitarist/vocalist Clay Withrow is the heart and soul behind Vangough.  He's made some fine albums in the past but this is clearly his best as you can tell that he's exerting more of his own vision.  The previous albums were fine slices of progressive metal, bu they were clearly influenced heavily by Pain Of Salvation.  While there is some of that early PoS feel, Between The Madness has more of Clay than Daniel.  Its very angst driven music - from the vocals to the grinding guitar solos.  This is one pissed off band.  Its a non-stop prog metal roller coaster ride.  BUY OR DIE!"Over the last two full-length albums leading up to this, the band’s most important release, one thing is strikingly clear: Vangough has been eating their Wheaties. Whereas the last album couldn't find its center of gravity despite merits and high replay value, "Between The Madness" bridges the gap between Vangough's left brain and right brain. Moreover, the band feels much more balanced with the addition of drummer Kyle Haws. Further, it sounds like mastermind Clay Withrow had pushed himself beyond his limits to expand the Vangough tone palate.On the “Acoustic Scars” EP, Withrow developed a vocal technique that finds full maturation on "Between The Madness:” the rage-sing. Almost a yell, but neither a scream nor a simple vocal fry and free of any pitch interference, Withrow's rage-sing makes the lyrical intent as clear as it can be. The album offers bile to many parties, lyrically, and puts the listener behind a sometimes uncomfortable but necessary first-person perspective: any other perspective simply would not do justice to the intent. Vangough has always been more effective at conveying feelings than telling stories, but never before had the songs had such a natural novel-like flow to them. All the while, Withrow peppers his versatile clean singing with elaborate layers of harmony and polyphony, making for subtly different listening experiences each time.The overall sound hasn't drastically changed, and even shows some musical nods to prior songs. In "Vaudeville Nation," a scathing condemnation of a track, a clever link is established with "Mannikin Parade" around 4:28. The main melody of the latter is re-introduced on guitars in a straight-played manner. Later in the song, a similar "Mannikin Parade" vocal melody emerges in the line "...and burn the circus to the ground," and up through the yell following it. Further, continuing the storyline started with "Road To Blighttown" on the “Acoustic Scars” EP, "Depths of Blighttown" adds a fitting dark and ominous chapter to the story.The added input from Haws and bassist Jeren Martin have made the songs seem more logical, acting as balancing forces. The drumming style of Haws is noticeably organized, nuanced, and thought-out and could be accurately categorized as a blend of the styles of Lamb of God's Chris Adler, Opeth-era Martin Lopez, and Pain of Salvation-era Johan Langell. The mixing job by Sterling Winfield is a stunning step forward for the band as well, and the drum sound is particularly remarkable for its bright, punchy, but balanced character. Lead guitarist Jay Gleason makes several shred-tastic appearances to accentuate the technicality of Vangough's instrumentation, while Justus Johnston and Jose Palacios make appearances on strings to further amplify the feeling of the songs and add a superb creep factor touching on Resident Evil levels at times.No song feels out of place or unessential, with "Infestation," "Schizophrenia," "Vaudeville Nation," "Useless," and "Corporatocracy" as highlights. The dynamic growth between “Kingdom of Ruin” and “Between The Madness” makes this album out to be Vangough's “Blackwater Park,” what many will no doubt cite as the band’s seminal record. Put simply, there has never been a better time to jump off of whatever progressive metal train you've been on and ride with Vangough. "Into the dark I take you," Withrow jabs at us. Make sure your seatbelts are securely fastened." - Metal Underground
    $11.00
  • This is kind of a shocking release to turn up on Napalm Records. It looks as though they are joining the ranks of Nuclear Blast and Century Media in picking up progressive metal bands...and that can't really be a bad thing. Serenity hails from Austria. They've been kicking around for awhile but this is their debut release. The music is a mix of melodic and progressive metal with some power touches. Georg Neuhauser's vocals have a plaintive, emotional feel that suits the music quite well. They focus on melody but are smart enough to lure a prog head like me in with occassional instrumentals of the Dream Theater variety. Savatage, Vanden Plas, Threshold, DT - these guys have their bases covered. Solid debut. Highly recommended.
    $12.00