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  • Realm Of Shadows is the third album from the Dutch masters of symphonic rock. Knight Area creates harder edged progressive rock in the vein of Arena, Marillion, and Dream Theater. This latest effort is a conceptual work about a metaphysical journey that finds their music and themes taking a decidedly darker turn. Knight Area was founded in 2004 after Gerben Klazinga recorded the first album The Sun Also Rises. This album was a project of Gerben, who wrote all the music, with many musicians participating in the recordings of the album. It was a worldwide success and as a consequence Gerben formed a band to play live. Their second album, Under A New Sign, was released in 2007 after the band successfully played European and American stages including a performance at Nearfest. The album was a real band effort receiving superb reviews worldwide. A subsequent tour found the band performing in the UK, Germany, and Canada. The band will support the release of Realm Of Shadows with a European tour including appearances at ProgPower Europe, Prockfest, and the Classic Rock Society Octoberfest.
    $14.00
  • Budget priced but nice slipcased set includes both the "Solution" and "Divergence" albums complete. [[{"type":"media","view_mode":"media_large","fid":"12256","attributes":{"alt":"","class":"media-image","height":"200","width":"200"}}]][[{"type":"media","view_mode":"media_large","fid":"12255","attributes":{"alt":"","class":"media-image","height":"200","width":"200"}}]]   
    $14.00
  • This is the eighth album from the Pennsylvania prog band and first in three years.  2 LP vinyl edition in a gatefold sleeve.Echolyn's music has never been about complexity - although there is plenty of it.  They are all fine musicians and when the song calls for it they ably step out front and show off their chops.  No...this is a band who's music packs an emotional wallop - I dare say almost a spiritual nature.  Credit this to the vocals of Ray Weston who really is able to drive it home with the listener.  So a good Echolyn album is one that connects with the heart and the mind.  I Heard You Listening achieves both and perhaps in a better way than any of their previous efforts.  BUY OR DIE!
    $32.00
  • First album to feature Rob Halford upon his return. Its actually not bad! Found cheap import overstocks. Grab it!
    $8.00
  • "Described as “the Enya of heavy metal” and a Celtic vocal goddess, Leah’s brand new EP will certainly make waves with fans of acts like Nightwish or Leave’s Eyes. The beautiful siren has a voice that is unmistakably brilliant, showing off right from the start on piano-laden ballad “Shores Of Your Lies.” But for those of you who might be under the assumption that this is just going to be a light-hearted affair with no sign of guitars, drums or other metal elements, you are quite wrong. “The Northern Edge” sounds exactly like what would happen if you threw Enya right into the middle of a sprawling metal band, blast beats included. I don’t know about you, but I’m already impressed with this one. “Surrounded” is a bit lighter, but still showcases Leah’s vibrant vocal chords and some slick guitar playing to boot. I think that other female vocal artists are going to have a healthy amount of competition in this woman, who once again proves her prowess with “Do Not Stand At My Grave And Weep.” But finally, there’s the album closer “Dreamland,” which features none other than Eric Peterson (Testament, Dragonlord) on vocals. With his black metal approach (and a so/so clean vocal that doesn’t work for the piece) providing a great balance of dark and light, along with thundering guitar riffs – this track definitely sets the stage for a welcomed heavier side of Leah. Maybe not everyone will understand it, but even if you don’t, you can’t deny that the other four tracks on this EP are quit magnificent. Out of the many female vocal pipes that I’ve heard in the metal and rock genres, Leah is a force to be reckoned with. Metal has never been more majestic." - New Noise
    $10.00
  • Originally released privately in 1978 and long sought after by collectors, III was the one off album by this Dutch progressive rock band. The dual guitar driven quartet injected a touch of anarchy into their mix of improv and Crimso influenced prog. This release marks the first time it has ever appeared on CD. It comes with extensive unreleased bonus material, detailed liner notes and unpublished photos. The album was mastered by audiophile engineer Bob Katz from the original analogue master tapes. This is a strictly limited edition of 500 copies and arrives housed in an old style mini-LP tip-on sleeve.
    $27.00
  • Third album from this New Jersey symphonic rock band.  All of the band's albums are conceptual pieces based around literary works.  In fact the band's name is derived from a Ray Bradbury story.  On A Dark And Stormy Night is based on Madeleine L'Engle's fantasy novel of the same name.  The album is a wet dream for any fan of symphonic prog.  As I make my way through the album I'm frequently reminded of some similarities to Glass Hammer.  This is very keyboard driven music with a healthy amount of guitar leads.  There are even some nice Mellotron sounds popping up now and then.  These guys dream big and hit the mark.  Highly recommended.
    $11.00
  • James LaBrie once again that there is life outside of Dream Theater.  His solo band features a stable lineup consisting of Matt Guillory (keyboards), Marco Sfogli (guitars), Ray Riendeau (bass), Peter Wildoer (drums, death vox).  Jens Bogren once again mixed. An interesting twist to the mix is the inclusion of Soilwork's Peter Wichers who contributes some guitarwork and also collaborated on songwriting with LaBrie.While the music is square on prog metal and all in all not too dissimilar to Dream Theater its different enough to have its own vibe.  Wildoer's coarse vocal approach offers an interesting counterbalance to LaBrie's upper midrange clean voice.  The limited digipak edition comes with two bonus tracks.  Highly recommended.
    $13.00
  • Overlooked gem marked Fripp's proper solo debut. To detail all of the contents on this 2 CD set would almost be confusing. In a nutshell you get the original version of the CD from 1979 on disc 1. Disc 2 includes the version that Fripp remixed in 1983 and released on CD in 1985 as well as 3 of the unreleased Daryl Hall vocal mixes that were originally recorded for the album but pulled by Hall's management. Also you get 4 bonus tracks consisting of alternate tracks. Great remastered sound courtesy of Simon Heyworth - detailed liner notes from Fripp as well as previously unpublished photos. This is the exhaustive and definitive version of Exposure - an album that has held up after 27 years. Easily worth you revisiting.
    $16.00
  • First time on vinyl - 2LP set on 180 gram vinyl - includes one bonus track.  You also get the album on CD!This was the band's third album and is arguably their best.  Its a killer combination of melody, crushing riffs and mind bending twists and turns.  One of the defining prog metal albums of all time - now on beautiful sounding vinyl!
    $19.00
  • "Here go the twins and their Metal, aimed to please, distribute their appreciation and admiration for the melodic end of this exquisite music. Founders of the majestic brethren of TWINS CREW, David Janglöv and Dennis Janglöv, originating from Sweden, were able to assemble an astonishing group of folks embraced with great talents upon providing the world with downright classic Heavy / Power Metal fame and fortune, crossing paths with IRON MAIDEN, RAINBOW, HELLOWEEN, GAMMA RAY, STRATOVARIUS, LABYRINTH along with the line of melodic fanatics. Signing with the Italian Scarlet Records seemed rather natural for these guys, also since Italy is one of the foremost places for melodic Metal, and it is quite an honor for the release of their sophomore release, “The Northern Crusade”. After listening to this album for a few sessions, I came to a known notion of mine, time and time again, regarding me being convinced even more, and it has been a while since I took to review this profound unison of brothering subgenres, that this form is a safe bet, a golden chip to rely upon while writing Metal music.What I mostly liked about “The Northern Crusade” that the larger sum of the time flew by as if a racing car passed right through my face without making me flinch about it. Though there were a few epic songs, those were so refined that I didn’t even notice their length. Eventually it starts and ends with the material in question, TWINS CREW wrote songs with an appeared intent on delivering it straight up, yet with being smooth, harmonic and fluent. Nothing within the music is awfully complex or ambiguous, every song has that same obviousness forged back in the 80s, yet it didn’t enervate or bored. Each track has its own quality and virtues without recycling the others in the process. When it comes to personal skills, I believe that the founders, both on guitars, are twin wizards, focusing their shred, partially Neo-Classical playing through the Malmsteenish style is conveyed with awesome precision, yet their playing also contributed a great deal to the clarity and power of the rhythm section that is intense as well. Furthermore, there is active keyboard man, and also the band’s newest addition, Nicko DiMarino, which maintained the certain Neo-Classical emblem on the band’s creations. Also I was overwhelmed by the frontman, Andreas Larsson, as it seems that these types of vocalists grow on trees in Sweden. I haven’ never heard of the guy nor noticed any other bands he participated in, definitely a keeper in this group. A part of the problem regarding Larsson’s role is that I don’t believe that he was set well into the overall mix, a little behind the rest of the band as he should be in the front center.Unraveling the classiness of 80s Metal with a little ventures towards a few modern enactments, “The Northern Crusade” grazed my skin with tasty hits. Although, as I stated earlier, there is a pattern between the songs, but each and every one showed its worth and effect. “Take This Life”, however heading towards the end of the album, heavily caught my attention with its HELLOWEENish nature, not fully Teutonic, yet with ounces of power, catchy melodic lead guitar licks and crisps of harmonies. Larsson nearly killed me with his performance. “Under the Morning Star” is one of those songs that I wish to long for just a minute or so, as it would terrible for them to end prematurely. Mainly a buildup ballad, eventually turning the chick to heaviness, cradles such an emotional chorus, slightly tacky but with the orchestration involved, it is simply magical. “Loud and Proud” is nothing more, nothing less of an 80s Metal hit, straightforward and pounding, a bit RAINBOWish, not in the range of “Long Live Rock N’ Roll”, yet more of the ACCEPT kind with sharper and stronger vocals. “Blade” and “Dr. Dream”, both Power Metal speeding bullets, cumbersome on those wonderful keyboards support, an incredible addition no doubt. Finally there you have it guys, a foundation of an unforgettable Heavy / Power Metal happening, an astute melodic title that you have to check out unlike most of the Swedish NWOBHM entries." - Metal Temple
    $15.00
  • Here's a new band that will give avant prog fans a screaming orgasm.  Rhun are a French ensemble.  Their music quite effectively captures the essence of Magma, RIO, and Canterbury.  That's just the first song!!  "The musicians offer an interesting and vivid mosaic of predominantly Canterbury, Zeuhl, Jazz, RIO, and (Kraut)Rock. Beside two guitars, bass, drum, percussion and thrown in sounds, two horn players bring lively colors on sax, bassoon, clarinet and flute in this complex mix. The two singers act in a more avant-garde way as for example Magma. People interested in above mentioned styles should have fun." 
    $18.00
  • Limited edition digibook has a bonus DVD featuring a "making of" documentary.Riverside vocalist Mariusz Duda returns with his fourth Lunatic Soul project.  Duda plays all the instruments except drums which are handled by Indukti's Lawrence Dramowicz.  The last Lunatic Soul album, Impressions, was an all instrumental effort that explored ambient and post-rock territory.  Walking On A Flashlight Beam is a bit similar but Duda does provide vocals from time to time.  Like all of the Lunatic Soul albums that preceded it, WOAFB has a very dark and mysterious vibe to it.  Duda is moving away from exclusively using acoustic instruments.  Textural electronic keyboards predominate and I'm pretty certain he plugs his guitar in as well.  This is another one of his albums that will suck you in.  Highly recommended." I'll come right out and say that Lunatic Soul's new album "Walking on a Flashlight Beam" was my most anticipated album of 2014. Why? Well, Mariusz Duda (of Riverside fame) has created such a brilliantly natural sound in his side project that it has become one of my favorites, not to mention my family's, as well. We simply can't get enough of the acoustic, airy atmospheres combined with the dark, throbbing feelings that swing between transcendence and despair. Lunatic Soul's first three albums are masterpieces of emotion and epiphany, and so any follow-up would have to be something special. Duda, however, has delivered in the most unexpected, brilliant ways possible."Walking on a Flashlight Beam" (WOAFB) is an experience that is as much about lyrics and feelings as it is about music. You need the whole picture in order to understand it truly. Duda has been very forthcoming with theme for this album, as it seems to be rather personal. This album is about those people that prefer to shut themselves in their rooms/homes in order to immerse themselves in the creations of others: films, books, music, games, etc. I think it strays between this setting, however, and the same type of person that shuts themselves up, preferring to create art in private.Like I said, this theme is important to the music. WOAFB is full of bleak tension, cold sublimation, and beautiful simplicity. Duda was inclined to create this album with a wide variety of ethnic instruments, tones, and sounds; from cold trance beats contrasted against radiant acoustic guitar to world music influences combined with a new addition to the sound palette of Lunatic Soul: a subtle, heavily distorted electric guitar that crafts some charging, tumbling grooves. Duda has really expanded the sound of his pet project, and it impressed me to no end to hear the vast variety of sounds that were able to come together into a unified, cohesive mix. Sometimes it feels like Duda has gone post-rock, such as in the opener "Shutting out the Sun". Sometimes Duda simply sings a beautifully wrought melody, as in the spectacular "Treehouse" or one of my favorites, "Gutter" (the chorus will be in your head for weeks). Yet, sometimes Duda just wants to lay down an incredible bass-driven instrumental section, as in the winding, complex "Pygmalion's Ladder".Every track really feels just right. "Cold" feels, well, cold. It feels bare and desolate, with a simple melodic line added to enhance the stark feelings present. Duda is so good at expressing emotion in his music. Yet, this album has really impressed upon me how good he is at creating instrumental sections, as this album is full of them. The supremely subtle title track is an amazing example of this, as Duda builds and builds layers and layers of melody, harmony, tone, and effects. In the end, this album is so concentrated and makes so much sense from track to track that I can barely pick a favorite.This might be my album of the year. Don't be surprised if it is. I know I sound like a Duda fanboy (which I kinda am), but this album reaches the heights of the last three, and then expands on them. Incredibly catchy, wonderfully complex, and darkly eclectic, "Walking on a Flashlight Beam" is a journey into a confined consciousness of creativity, privacy, and enigmatic genius. Duda has once again proven his capabilities." - ProgArchives
    $9.00
  • Phenomenal new studio album from the "classic" lineup - the first one since Unfolded Like Staircase. What makes it the classic lineup? Guitarist Jon Preston Bouda has returned to the band. His intensity is the perfect complement for Matthew Parmenter's vocals. Where ULS used a lot of Mellotron, this album really gives more space to Bouda's guitar. Parmenter still sounds like a more melodic version of Peter Hammill, primarily in the way that they both use emphasis. I keep making mental references to "intense". Simply the best way to describe this album. If these guys would have recorded more often...they could have played on a bigger stage. Luckily what we have is great. High energy, thought provoking progressive rock. It really doesn't come any better than this. Highly recommended.
    $13.00