DeLane Lea Studios 1973

Official (?) release of a live performance that has been circulating among tape traders for decades.  This was a live in the studio performance recorded for the BBC in 1973 in front of an invited audience.  Its a classic gig that features Wishbone Ash's Andy Powell on Ashes Are Burning along with Al Stewart.

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  • I have to admit I was a bit dubious when I picked up a buzz about this new Italian prog band featuring Stefano Galifi, the former lead singer of Museo Rosenbach. Luckily this one lives up to the hype. The five piece band was formed (and now led) by keyboardist Elisa Montaldo. While guitar is quite prominent, the focus always seems to return to her vintage keyboard sounds. Plenty of Hammond, Mellotron, and synth sounds to satisfy any fan of Rock Progressivo Italiano. Galifi still has a great set of pipes and fits this style of music perfectly, offering drama and passion to the often frenetic playing. Yes was never much of an influence on the 70s Italian bands. Although playing in the classic style, Il Tempio Delle Clessidre seems to draw some influences from the British legends. Easily one of the best prog albums of 2010. Highly recommended.
    $16.00
  • Once upon a time there was a brilliant Canadian composer musician named Franck Dervieux. In 1971 he recorded a great album of classically influenced progressive rock called "Dimensione M". Dervieux passed away at an early age due to cancer. The members of his ensemble essentially formed Contraction upon his passing. The main drivers behind contraction was vocalist Christiane Robichaud and bassist Yves Laferriere. While the self-titled debut didn't hit the lofty heights that their second album reached it's not without it's charms. The focus is on Robichaud's ethereal vocals with all the firepower a bit in the background. Start with "La Bourse Ou La Vie" first.
    $18.00
  • "It started with a simple idea: virtuoso musicians and a pop singer joining to make new-fashioned music the old fashioned way. A band followed, evolving into Flying Colors: Mike Portnoy (drums, vocals), Dave LaRue (bass), Neal Morse (keyboards, vocals), Casey McPherson (vocals, guitar), and Steve Morse (guitar). Together, they create a unique fusion of vintage craftsmanship, contemporary music and blistering live performances."FOREIGN CUSTOMERS PLEASE NOTE THAT DUE TO THE HEAVIER WEIGHT OF VINYL YOU WILL BE SUBJECT TO ADDITIONAL SHIPPING CHARGES.
    $19.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • "NEWLY REMASTERED EDITION OF THE RARE 1978 ALBUM BY CANADIAN PROGRESSIVE ROCK BAND FM BOOKLET WITH FULLY RESTORED ARTWORK & ESSAY. Esoteric Recordings are pleased to announce the release of a remastered edition of the 1978 mini-album by the Canadian Progressive Rock group FM, Direct to Disc . The band began life in 1976 with CAMERON HAWKINS (Synthesisers, Bass, Vocals) and NASH THE SLASH (Jeff Plewman) (Electric Violin, Mandolin, Vocals) coming together as a duo, making an appearance on national TV in Canada in the Summer of 1976. By March 1977 FM became a trio with the addition of MARTIN DELLAR on Drums. The Canadian Broadcasting Company offered to release the band s debut album, Black Noise on the CBC label later that year. By the end of the year Nash the Slash had been replaced by BEN MINK on Electric Violin and Mandolin in time for the sessions for Direct to Disc , an album that featured one track per side and was recorded directly to a master disc from which records were pressed, rather than from a master tape. This mid-priced Esoteric Recordings release is the first time Direct to Disc has been issued in Europe and has been newly remastered and includes an illustrated booklet and a new essay."
    $14.00
  • Special 2CD tour edition comes with a bonus Acoustic Sessions CD featuring 4 new interpretations, plus "Anathema" recorded at Liverpool Cathedral."It’s been quite a past few years for the incredible Anathema. Honors have been bestowed upon them, they’ve released an instant classic album in “Weather Systems”, and last year they released one of the best live concert films I’ve ever seen, “Universal”. Anathema is on top of the world, and they are only getting bigger. With all of this on their shoulders, they approach the world once again with their new album, “Distant Satellites”, a fitting name for a massive album. Again, with all of their recent success creating huge expectations, can this band meet such critical reception? Needless to say, Vincent Cavanagh on vocals, Danny Cavanagh on guitar, Jamie Cavanagh on bass, John Douglas on percussion, Daniel Cardoso on drums, and Lee Douglas with her wonderful vocals were all up to the challenge.“Distant Satellites” is a very different album from “Weather Systems”, or anything else they’ve done, for that matter. It is different, yet somehow instantly familiar. It includes everything that makes them Anathema, but adds new and exciting elements to their already excellent formula. If you’ve never heard Anathema, their formula (in their last few albums, anyways) includes soaring guitars, amazingly catchy melodies, spiritual lyrics, and emotional flow both vocally and structurally. They are the masters of melody, and they remain complex and progressive even while being simple and accessible. They are truly masters of their craft.This new album, then, is no different in those terms. The melodies return in force, such as the serene beauty of “The Lost Song” parts 1-3. And, yet, there is something different here. The melodic lines are somewhat more complex, less in-your-face, and more organic. This especially shows in the song lengths, most of them being over five minutes. This allows for more growth and more progression. Indeed, then, the melodies on “Distant Satellites”, while not being as instantly lovable or recognizable, are certainly more difficult and possibly will have a longer “shelf life” in my mind. Yes, the orchestrations seem to be lower key, as well, allowing the vocalists to express themselves more personally then ever.There are other improvements, too. I feel that the musicianship is more fervent and on a higher plateau of difficulty than Anathema has tried. Drummer John Douglas, especially, plays amazingly well from start to finish, accenting the music with awesome pounding and fills. The rest of the band are at their peak, too, with Vincent and Lee being especially great with emotional and meaningful vocal performances.“Distant Satellites” is different in more meaningful ways, too. Utilizing post-rock/metal structures is nothing new for Anathema, but they really do perfect them here, as on “Dusk”, a dark, climactic song. Yet, there is a sense of continuity between tracks, too. This is obviously the case between the three parts of “The Lost Song”, but it’s also apparent throughout the album, as if Anathema is telling us a story, convincing us of our true selves and our connection with the universe and with each other.This album is wonderful in the first half, but my excitement reached new heights in the second half. Anathema has taken it upon themselves to change things up a bit. They wanted to progress their sound, but make it all seem so natural. So, in the second half, the album climaxes with one of the best songs, simply called “Anathema”. But then, we are thrown for a loop somewhat, as “You’re Not Alone” features a hefty portion of electronic vibe. It’s great, but the best is still to come.Next, “Firelight”, a darkly ethereal instrumental track that is completely electronic, is thrust upon us, and is followed up by what may possibly be the best song Anathema has ever produced, “Distant Satellites”. This track combines everything that has ever made Anathema great: soaring melodies, climactic structure, gentle spirituality, amazing vocals, and now an electronic beat that is both complex and catchy. Vibrant, mesmerizing, and pure, this track elates me every time I hear it. It takes this album, and my heart, to new heights. The album finishes with a gentle ballad that just seems so fitting, yet it still has the strong electronic influence.So, is “Distant Satellites” a winner? In every way! Is it their best album? I don’t know; it has the potential, but it might take time, just like “Weather Systems” did. What I can tell you is that this new album is more mature, more progressive, more interesting and eclectic, and less formulaic then anything Anathema has crafted yet. It does sacrifice some accessibility and some instant likability for these things, but I respect their decision massively, and I fully expect to see “Distant Satellites” at the tops of many lists at the end of 2014." - Progulator
    $14.00
  • New band rising from the ashes of Rain Fell Within. The band is fronted by their former backup singer Laurie Ann Haus who has a simply stunning voice. Clearly she's had a lot of training as she exhibits amazing range and control. The music fuses progressive rock with gothic metal. So think White Willow meets Within Temptation meets Genesis. Former RFW keyboardist John Battema adds lots of tasty ambient interludes as well as lead synth lines reminding me of Tony Banks. WOW! Killer debut.
    $10.00
  • "2012 Blu-Ray live release. The Tea Party is a Canadian rock band with blues, progressive rock, Indian and Middle Eastern influences, dubbed "Moroccan roll" by the media. Active throughout the 1990s up until 2005 when the band broke up, The Tea Party released eight albums on EMI Music Canada, selling 2 million records worldwide, and achieving a #1 Canadian single "Heaven Coming Down" in 1999. The Tea Party toured Canada on twenty-one occasions and Australia on twelve. In November 2002, The Tea Party toured Canada with symphony orchestras reinterpreting a decade's worth of shared songwriting. The band broke up in 2005 due to creative differences, but re-united in 2011 to play several Canadian tour dates during the summer. During the tour it was decided to continue and the band has now reformed. Live From Australia: The Reformation Tour was recorded in 2012 during The Tea Party's Australian tour and showcases the band bursting with renewed energy."
    $17.00
  • 2014 verson comes with a bonus CD with alternate versions, demos, and b-sides."Tim Bowness & Steven Wilson return with No-Man’s eagerly awaited sixth official album, and the band’s first since 2003’s atmospheric Together We’re Stranger.Featuring the sweetly hypnotic Wherever There Is Light, the warped dynamics of Pigeon Drummer, the outsider lament of All Sweet Things, and the subtly evolving explorations of the uplifting semi-orchestral epic Truenorth, Schoolyard Ghosts reveals the band taking its accessible and ambitious blend of Post-Rock and Singer-songwriter influences to an even more focused and personalised place than before.A distinctive combination of beautifully detailed songwriting, haunting melodies and inventively cinematic production.Representing the band’s most consistent and mature work to date, the album looks set to build and improve upon the success of predecessors Returning Jesus and Together We’re Stranger.Guest musicians include Porcupine Tree’s Colin Edwin and Gavin Harrison (Porcupine Tree/King Crimson), Bruce Kaphan (ex-American Music Club/Red House Painters), Pat Mastelotto (King Crimson), Dave Stewart (arranging The London Session Orchestra) & Theo Travis (David Sylvian/Nine Horses)"
    $16.00
  • With their departure from the label, AFM Records has seen fit to release this lavish compilation. The 2 cd set is 130 minutes worth of 24 bit remastered album material, videos, unreleased live and studio material.
    $14.00
  • New remixed, remastered edition with a bonus track and additional vocal and keyboard passages."My fellow BW&BK scribe (and boss) Chris Bruni described this album as "a masterpiece for the ages." Whether or not this description sounds hyperbolic even by metal scribe standards, well, that's a decision to be reached by the ages, I suppose. The specifity of this masterpiece (and it is) deserves clear focus. The Swedish doom metal outfit has passed beyond the promise of their debut to crystalize into one of two great bands striving for a seat on metal's highest throne-- the other one, naturally, being Opeth. But more about them soon!"Ghost of the Sun" sets the quality standard that the rest of the album more than exceeds. The Beatlesque harmonies are just the beginning. And not to profane any purist ears, but if you can stand the thought of emopunks The Ataris, whose videos blanket MTV and annoying popups dominate MP3 sites -- anyway, if you can stand the thought of The Ataris being cited in the same breath as Swedish doom, well, let's just say these guys are on the same page, a page called nostalgia.Let's be blunt: if you have a heart, Katatonia will break it. Whether it's the mournfully accepting Beatles reference in "Ghost of the Sun" -- "You said hello/I said goodbye," or it's charging chief riff, like a crystal shard through hope's molecular structure, or the way Jonas Renske's voice breaks like fragile glass and coheres around a cool determination; whether it's "the way the light hits the room" in "Criminals," in which love and its denial are coded in the discourse of penalism [check out Foucault's Discipline and Punishfor more on this]; or the coda, "Inside the City of Glass," which as the 13th song at the same time completes the cycle begun on "Ghost" -- there's so many layers, and rich at that, on this album that all I can say further is, buy it and cherish it. Chris is right." - Sea Of Tranquility
    $14.00
  • "Formed in 2008 under the (thankfully dropped) name Rightdoor, Within silence are a melodic power metal band in the vein of Blind Guardian. As such you can expect huge swathes of guitar, souring vocals and banks of keyboards all vying for space amidst the pounding rhythms and heroic soloing. Growing steadily, the band have taken their time to draft their debut offering, the gleaming ‘gallery of life’, and it appears that it has been time well spent because the rehearsals, the time spent writing and then honing material on the road with the likes of Blaze Bayley has paid off with this confident and powerful album.Opening with a short, choral ‘intro’, ‘gallery of life’ immediately sets out its stall as an ambitious body of work designed to be heard as one contiguous piece. The intro builds nicely to the powerful guitars of ‘silent desire’. A perfect opening song, ‘silent desire’ immediately highlights the fact this is a production that oozes quality. The guitars are razor sharp, the choruses soar memorably and the playing is ultra-precise. It shows that Within Silence will settle for nothing less than perfection and there’s a sparkling ambition here that is impossible to ignore. ‘Emptiness of night’ is a fast-paced rocker with blazing guitars and a full-on vocal performance that is both powerful and brimming with confidence. There’s a strong Iron Maiden influence underpinning the cracking pace and guitar work, and it’s clear that the band have nothing less than world domination in their sights. Keeping the energy levels high, ‘Elegy of doom’ is another taut rocker with a rampaging riff and just the right amount of keyboard to add atmosphere without overpowering the song. It’s an early highlight of the record and make no mistake, within silence are a band who like to rock! It’s a trend that continues on the equally stunning, ‘The last drop of blood’, a full-on belter of a track that sounds like the band channelling Metallica, Maiden and Judas Priest all at once. It’s one of those adrenalin packed tracks that will get the blood pumping no matter what, and it must surely be a live favourite with its brutal riffs and memorable chorus. The track reaches its peak, however, with the excellent extended solo that runs wild over the second half of the song. Showing a lighter touch, ‘Love is blind’ keeps the energy levels maxed out but offers up a more pop-infused side of the band than found elsewhere, and whilst it still remains on the metallic side of the musical spectrum, it shows that Within silence have both the talent and confidence to fully explore their genre.The band briefly slow their pace for the more subtle opening strains of ‘anger and sorrow’, although the song does not take long to explode into a typically multi-stranded beast complete with extended solos and deft changes. Representing Within Silence at their most commercial sounding, ‘Judgement day’ is the sort of rollicking heavy metal ride that would have been all over the radio back in the eighties. Powerful and driven by a chorus that is only slightly less addictive than crack, ‘judgement day’ is a beast of a track. Next up, pounding drums lead us into ‘the world of slavery’, a song with a strong folk influence. Another track that benefits from some stunning guitar work, ‘the world of slavery’ is a metal epic that only gets better with repeated listens. The album concludes with ‘road to paradise’ which dips into ‘seventh son…’ era Maiden for inspiration. Another epic length track, it is a last chance for the musicians to spread their wings and soar, something which they duly do in impressive fashion. A short ‘outro’ sees the disc spin to a halt with choral voices echoing in the dark. It is a suitably dramatic ending for a CD that takes the listener on a wonderful journey from start to finish.Power metal can be, all too often, a genre where the keyboard elements overshadow the metallic elements. Thankfully, Within Silence, perhaps because of their lengthy time spent out on the road, keep their sound hard-edged throughout and the result is an album that packs a similar punch to the classic Maiden albums of the early eighties. There are crunchy riffs galore, endless solos and the sort of huge, soaring choruses that have made Blind Guardian such a powerful force. Talented, oozing confidence and with a wonderfully powerful set of songs, Within Silence have arrived and metal fans had best sit up and take notice, because these guys have the skill and the burning ambition to go far." - Sonic Abuse
    $14.00
  • Latest release from Crippled Black Phoenix is marketed as an EP but at 45 minutes in length its anything but.  Longtime vocalist Joe Volk is gone, replaced by John E. Vistic.  The core sound is intact, an expansive, cinematic blend of post rock and early 70s Pink Floyd.  The 12 minute tune "How We Rock" sounds like an instrumental soundtrack piece Floyd would have recorded for a Sergio Leone film.  As far as I'm concerned these guys can do no wrong.
    $16.00
  • This one is a bit of a head scratcher.  Its the most un-Inside Out release ever released on Inside Out.  Stealing Axion are a djent metal/metalcore band based out of Seattle, WA.  The sound will draw comparisons to Periphery and Tesseract.  In fact the album was mixed by Tesseract's guitarist Acle Kahney.  I admit I don't get it.  I think Century Media shoved this release onto Inside Out because they sounded too much like the bands already signed to CM.
    $12.00