Diario Di Viaggio Della Festa Mobile (BLOW OUT PRICE!)

Remastered edition of the long out of print one-off band. It's a short one but a classic. Festa Mobile was actually a precursor to Il Baricentro. While they never displayed that band's pyrotechic fusion leanings, they did have some subtle jazz overtones but a classical influence dominated. The music is dominated by virtuoso piano runs and fuzzed out guitar leads. Gorgeous disc.

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  • "Eden must be rumbling, its ground beginning to shatter as it is being constantly sliced by the profanity of an intense music heading closer and closer. Mankind was assumingly banished from the enchanted lands of upstairs without an option of returning, but the curse will be forever remembered, reminisced by those expatriated for generations, thus the creation of a sonic boom, a symphonic echo forged by the ancient sin, in order to redirect it back to where it came from. The creators have been quite proficient in their deeds, escalating their abilities for the shaping of the perfect “Symphony Of Sin”, this multinational formation is called EDEN’S CURSE. Actually, this isn’t the first time I was touched by the band’s enhanced multiformity as I had the chance to review their previous “Trinity” release. But with the upcoming “Symphony Of Sin”, again via AFM Records, EDEN’S CURSE underwent a slight change of figures. With vocalist Michael Eden out of the game, along with keyboardist Alessandro Del Vecchio, the remaining members sought out and found the Serbian soulful bliss of the young Nikola Mijic and the experience and abilities of Steve Williams (ex-POWER QUEST / ex-MERCURY RAIN / ex-DSG). Even with their reorganization, EDEN’S CURSE maintained their same sensitivity towards the melodic crust of both Rock and Metal, and I might even add that they enriched it this time around.The materialization of “Symphony Of Sin”, signified a slight change of proceedings within EDEN’S CURSE music. Nothing much a substantial impact of sorts, yet I felt as that this album tends towards the boundaries of AOR and Hard Rock rather towards the clutches of Heavy or Power Metal, thus making it less heavier or piercing, yet not without a lesser quality. Other than the classic influence of DIO, BLACK SABBATH and DOKKEN, particularly within Thorsten Koehne’s rocking riffery, it appears that the band took a closer step towards the catchy vibes of BALANCE OF POWER, PINK CREAM 69, SHAKRA, HOUSE OF LORDS, JADED HEART, COLDSPELL, EVIDENCE ONE and POWERWORLD. On the other hand, I found the energetic flex of STRATOVARIUS and Koehne’s guitar wizardry orientation of ex-STRATOVARIUS’s Timo Tolkki. Additionally, Mijic’s exquisite voice pattern, like a mixture of Jon Lynn Turner, Ian Gillian and Tony Martin seems to fit well with rockier songs and therefore the songwriting the musical direction was accordingly. “Symphony Of Sin”, in comparison to “Trinity”, consists of a fairly harmonic vibe, especially demonstrated on the choral vocals that were amazingly produced, which garnered the listening experience a fine edge of smoothness. There is nothing too cheesy or cheap, but a polished form of Hard N’ Heavy with a clear 80s ambiance, leaning on softer margins.“Unbreakable” and “Wings To Fly” are the opposite of modern day breakers, hook laden emotive rockers exercising the arts of old AOR, along with Pete Newdeck’s robust drumming efforts, taking on smoother turns, creating an anthem driven feel with such a fine elegance full of grace. “Devil in Disguise”, fulfilling the lust of those looking for a bite of intensity and exuberant guitar riffery, yet will find out that within this Heavy Metal chugger there is a sweet peak moment with an enticing chorus and sharp edged soloing. “Turn The Page” and “Where is the Love?” inflamed with its melodic sensation, riff revelations, corresponding between Hard Rock and Metal, and another enchanting display of Mijic’s soaring vocals. EDEN’S CURSE established a profound position for themselves, finding the right voice to lead them forward, and the exact musical vibe to follow through the next steps of their career. “Symphony Of Sin” is a quality product of an 80s admiration and fascination, yet also upgraded by the features and goods of a well attributed crew." - Metal Temple
    $15.00
  • Beautiful sounding symphonic prog from Italy. The music has a very laid back refined quality that touches on folk elements at times. Female vocals (in Italian), flute, keys, electric guitar, bass and drums fill the soundspace in a way that lets the compositions develop and breath. The 31 minute epic "Morgana" features long languid instrumental passages in which the flute weaves around the keyboards and guitar to mesmerizing effect. The music never gets too heavy but there is an ever present ebb and flow that is appealing. Very impressive - these guys need to find a real label.
    $16.00
  • In the late '90s, Nemesis quickly rose to the top of the Hungarian progressive metal scene with their two albums "Nemesis" and "Abraxas". Frustrated by an inability to cross over into the Western metal arena the band briefly dissolved. After reforming with a new lineup the band decided to re-record and re-arrange their old material but with a major difference: this time around they would sing in English. The band recorded two albums, "Eden?" and "Psychgeist". "Eden?" demonstrates the band's ability to create dark and moody progressive metal laced with heavy riffing, keyboard driven spaciness and an exotic Eastern vibe. Influences of Dream Theater, Fates Warning and Pink Floyd are present but the combinationis unique and clearly defined as Nemesis' own sound. Sensory will follow up the release of "Eden?" in six months with "Psychogeist".
    $4.00
  • Remastered edition with 2 bonus tracks."Easily one of the most important heavy metal albums ever released, Stained Class marks the peak of Judas Priest's influence, setting the sonic template for the New Wave of British Heavy Metal more than any other single recording. This is the point where Priest put it all together, embracing their identity as the heaviest band on the planet and taking the genre to new heights of power, speed, musicality, and malevolence. Not until Painkiller would the band again be this single-minded in its focus on pure heavy metal. Their blues-rock roots have been virtually obliterated; largely gone, too, are the softer textures and gothic ballads of albums past. The lone exception is the morbid masterpiece "Beyond the Realms of Death," on which the band finally finds a way to integrate the depressive balladry of songs like "Epitaph" and "Last Rose of Summer" into their metal side. Starting out with quiet, mournful verses, the song's chorus is ripped open by a blazing guitar riff as Rob Halford shrieks about leaving the world behind, a dramatic climax that sounds like a definite blueprint for Metallica's "Fade to Black." Yet it wasn't this song that inspired the ridiculous 1989-1990 court case involving the suicide pact of two Nevada teenagers; that honor goes to the Spooky Tooth cover "Better by You, Better Than Me" (penned by none other than the "Dream Weaver" himself, Gary Wright), on which the band allegedly embedded the subliminal backwards-recorded message "Do it." Astounding implausibility aside (as the band pointed out, why encourage the suicides of fans who spend money?), it isn't hard to see why Stained Class might invite such hysterical projections. On balance, it's the darkest lyrical work of the band's career, thematically obsessed with death, violence, and conquest. That's not to say it's always approving. Sure, there are battle cries like "White Heat, Red Hot," horrific nightmares like "Saints in Hell," and elements of the fantastic in the alien monsters of "Invader" and stone classic opener "Exciter." But the band stays philosophical just as often as not. The twisting, turning title track adopts the biblical view of man as a hopeless, fallen creature preyed upon by his baser instincts; "Savage" foreshadows Iron Maiden's "Run to the Hills" in depicting violent colonizers as the real savages; and closer "Heroes End" laments the many legends born from untimely deaths. So in the end, what really cements the celebrated morbidity of Stained Class is the sinister atmosphere created by the music itself. Never before had heavy metal sounded so viciously aggressive, and never before had that been combined with such impeccable chops. Seemingly at will, Tipton and Downing spit out brilliant riffs that cut with knife-like precision, usually several per song. This means that there's a lot to take in on Stained Class, but if there's nothing here as immediate as the band's later hits, there's also a tremendous amount that reveals itself only with repeated listens. While the album's overall complexity is unrivalled in the band's catalog, the songs still pack an enormous visceral impact; the tempos have often been jacked up to punk-level speed, and unlike albums past, there's no respite from the all-out adrenaline rush. Heavy metal had always dealt in extremes -- both sonically and emotionally -- but here was a fresh, vital new way to go about it. It's impossible to overstate the impact that Stained Class had on virtually all of the heavy metal that followed it, from the NWOBHM through thrash and speed metal onward, and it remains Judas Priest's greatest achievement." - All Music Guide
    $5.00
  • One of the great Italian symphonic prog albums of the 70s. Recommended to fans of Banco and PFM. New mini-lp sleeve edition from Vinyl Magic.
    $18.00
  • Tiger Moth Tales is the working name for British multi-instrumentalist Peter Jones.  Mr. Jones has great facility on all instruments and all the more impressive considering he is blind.  He's also a fine vocalist, having had a run on the British X-Factor competition.Cocoon is a conceptual piece based around the four seasons.  The album has a contemporary sound but there are some obvious old school references.  Genesis, Steve Hackett and Anthony Phillips solo work seems to be an influence as is the carnival elements of Haken.  In many ways I'm reminded of Big Big Train - one would think they drank from the same well.  Take something old and create something fresh.  No metal here although some flashes of heavy guitar now and then which work well against the acoustic bits.  Hackett vs. Phillips.  Not sure what it is about the British prog musicians but every once in awhile they create something that has a certain peaceful, tranquil vibe.  I often refer back to that old "Rain" album.  Long on mood and maybe short on chops.  Here we have the mood but Mr. Jones has injected the chops as well.  Highly recommended.
    $14.00
  • Prog guitarist Lanvall goes metal! Austrian multi-instrumentalist Lanvall has come up with a mindblowing entrance into the world of progressive metal. Sunrise In Eden features all of Lanvall trademark sounds - epic symphonic keys and Hackettesque fluid guitar leads - but this time he adds a hard edge distortion laden sound to his arsenal. Combined with kick ass double bass drum and absolutely awesome vocals from the drop dead gorgeous Sabine Edelsbacher and you've got one of 2000's best efforts. There is plenty here for prog rock fans to like but this is squarely aimed towards the prog metal audience. Hey - even Galdalf kicks in some sitar bits on the 11 minute "My Last Beyond".We were the former licensee for North America.  Our version of Sunrise In Eden is now out of print.  Grab 'em while you can.
    $9.00
  • Evergrey are back and better than ever!  I think the general consensus is that as the band became more and more popular the music became a bit more commercial and the production slicker.  Tom Englund has gone back to the basics and its clearly the right move.  Jonas Ekdahl (drums) and Henrik Danhage (guitars) have returned to the fold and production has been handed over to Jacob Hansen.  This is a return to the "classic" Evergrey sound - that perfect balance of melody and heaviness with the right amount of "prog" injected when necessary.  COMEBACK ALBUM OF THE YEAR!  BUY OR DIE!"One of the leading names in the power/progressive metal world is the Swedish five-piece, Evergrey. Forming in 1995, the band has released eight full length albums, with number nine releasing this fall. The band has been known for relatively dark lyrics and concept albums since their debut, and because of this fact, it was very difficult for me to get into their music. I can easily count the amount of times I thought “I should listen to Evergrey” on one hand. Though I wasn’t well versed in their discography, what I had heard was moving quite slowly, was downright melancholic, and just couldn’t catch my attention. That was until the Hymns for the Broken album landed in my inbox.First off, the notable changes in the lineup, with the return of Jonas Ekdahl (drums) and Henrik Danhage (guitar) grabbed my attention immediately. Though the band briefly spoke about the addition of the two previous members on their Facebook, “What can we say? We missed each other.” I truly believe that this decision, and the amazing mixing by Jacob Hansen (Volbeat, Amaranthe, Primal Fear) and production quality are what set this album up for its coming success.The album kicks off with a very eerie intro track, then jumps into the first single and video, “King of Errors”. Even without being an Evergrey fan in particular, I have always known who Tom Englund was, as his voice is so unique and legendary in the industry that I couldn’t ever really escape it. This song is a great display of the power and ability he has as a vocalist to truly bring a wonderfully written song to an entirely new level. The blend of the guitar riffs and keyboard work is perfection to say the least, but when the awe-inspiring guitar solo hit, I knew this album had me by its teeth.Immediately following is another one of the strongest tracks on the album, “A New Dawn” with a strong and hard-hitting guitar and bass riff that doesn’t ever really let go throughout the song. This song features one of the more beautiful keyboard solos on the album, but yet again that guitar solo just comes out of nowhere and destroys any solo I have ever heard this band release. “Black Undertow” is another perfect example of why Englund is so well-respected in the music world. It begins with his chillingly lower vocal range, but builds back up to where he truly shines. This song not only features another soaring and strong chorus, but the rhythm work between all instruments keeps it dark and eerie, though the keyboard lightly dances above it all.The title track to the record explodes into this phenomenal musical intro, but fades just as quickly as it hits. Boasting some of the strongest, most emotional lyrics on the album, the song hits a chord in many personal ways. “Scream loud, these hymns are for the broken,” are just some of this crowd enticing chorus that Englund sings flawlessly throughout. Bringing the album to a close is the over seven minute song “The Aftermath” which begins in a ballad-like fashion, but builds to a very strong finale. The tempo remains slow, but the flawless movement in the instruments keeps it absolutely enthralling. The last half of the song is entirely instrumental, and the conversations between keyboard, bass, and drums is something that I could listen to on repeat for hours, especially when the haunting lead melody soars above it all.If you can’t tell, I can’t think of a single moment on this album I don’t absolutely love. As someone who could never get hooked by an Evergrey album, I can assure you this is not just ‘fandom’ talking. Hymns for the Broken is a perfect album that even after weeks of constant play, I can not get enough of. Perhaps it is indeed perfection, or perhaps it just hit me at the right time in my life, either way I am in love. Easily a current contender for album of the year, it’s so full of beautiful melodies and amazing arrangements that any fan of power or progressive metal will absolutely love. I don’t doubt that all previous fans of the band will appreciate this album as much as I do, but I sincerely hope that new listeners give this record a fair and objective chance as well.This is definitely their most ambitious release yet, and they absolutely nailed it!" - Metalholic 
    $15.00
  • Quite simply one of the greatest progressive rock albums of all time. This album is very dear to me and many of you will remember that some years ago we released the 3 SFF albums on a 2CD set. Its been out of print for many years and through the efforts of Esoteric Recordings they are back in print, as individual releases.Symphonic Pictures was recorded in 1975. The trio of Eduard Schicke (drums), Gerd Fuhrs (keyboards), and Heinz Frohling (bass/guitar) was formed from the remnants of Spektakel (another one of our out of print releases). The band was signed to Brain Records. Originally Frank Zappa was going to produce their debut but because of scheduling commitments he had to back out. Instead the band worked with Dieter Dierks who was the rising star producer at the time. The album is all instrumental. It consists of the four shorter tracks and then culminates in the side long epic "Pictures". This is one of the great Mellotron albums...ever. One can easily hear how deeply Anglagard was influenced by this album. Three virtuoso musicians creating amazing symphonic rock. It just doesn't get better than this one...or does it? Esoteric has included a bonus disc containing parts of an archival live recording from Papenburg, Germany in 1975. This features two tracks that are not on the album and clearly demonstrates that SFF could pull it off live as well. Perhaps I'm too close to this album but from my perspective its BUY OR DIE! Highest recommendation possible.
    $15.00
  • Great jazz rock CD from this Italian percussionist (at least he was back then). Comes housed in a mini-lp sleeve and it's actually the first time it's on CD.
    $19.00
  • Founding keyboardist Ferdy Doernberg has reformed Rough Silk after spending the past few years touring with Axel Rudi Pell and doing countless sessions. Back in the day Jan Barnett was the vocalist and Rough Silk had a heavy Queen influence. Barnett left after the fifth album and Doernberg eventually took over on vocals as well. He's got a gruff bluesy voice that fits well when he tosses in the old school analog keyboard sounds. So toss the Queen thing out the window - instead the keyboard heavy/guitar crunch offers a sound much closer to Savatage.
    $9.00
  • New edition of the classic second album from this amazing German band. Fully authoerized and remastered by the band it arrives with one previously unreleased live bonus track from 1973. 2nd featured a revised lineup with Stefan Diez replacing Jorge Schwenke on guitar. The ethnic vibe from Malesch is gone. Instead of inner space the band reaches for the cosmos. There is a strong Pink Floyd feel at work but it doesn't sound English (if that makes any sense). Sometimes if we don't listen to an album for some time we forget how great they are - we take it for granted. Revisiting the first two reissues from Agitation Free once again made me respect their importance in the history of German progressive rock. Essential.
    $19.00
  • I guess miracles do happen. Incredible to think that its been 18 years since Epilog was released. The long promised third album is finally here and it does not disappoint. The boys and girl are back in town and they sound exactly the way they did on Hybris and Epilog. Essentially Anglagard infuse their music with the best elements of 70s prog from Sweden, Germany, and England and do it at the same high standard as the original bands that influenced them. Viljans Oga consists of 4 epic tracks of Mellotron laded symphonic rock bliss.After the band's triumphant return to the stage at Nearfest Apocalypse, the band generously divided up their remaining stock of the new album among the various vendors. For the moment we have a limited stock that we expect to sell out very quickly. More will be on the way shortly. For the moment - if you are reading this grab it because it won't be here the next time you look.BUY OR DIE!
    $22.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00