Diario Di Viaggio Della Festa Mobile (BLOW OUT PRICE!)

Remastered edition of the long out of print one-off band. It's a short one but a classic. Festa Mobile was actually a precursor to Il Baricentro. While they never displayed that band's pyrotechic fusion leanings, they did have some subtle jazz overtones but a classical influence dominated. The music is dominated by virtuoso piano runs and fuzzed out guitar leads. Gorgeous disc.

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  • "The vast riches lying within the reach of Google have included a lot of bands I’ve discovered by typing long strings of words bookended by “metal” in an effort to root out underground music of varying sub-genres that I might enjoy. Forum posts often proved most fruitful, those splendid user-generated gifts of musical knowledge. One particular band I heard mentioned glowingly a few years back via a forum post was Serdce.They are a Minsk-based group and one whose 2004 album, Cyberly, was being billed as an unknown classic. I take comments like that with a pound of fucking salt. Yet it turned out to be true. So it gave me much pleasure that Blood Music worked with Islander here at NCS to premiere music from Serdce’s soon-to-be-released record, Timelessness. It was doubly nice that Heavy Blog Is Heavy began to post about them as well with yet another song premierel, because Serdce are a quirky progressive death metal band worth checking out — and worthy of that tag.I admit to feeling jarred when I first heard this album. It’s a big shift from their last record, 2009’s The Alchemy Of Harmony, a record I worship and regard as a masterpiece, although the changes make sense because they’ve been expanding toward a more prog-metal-focused sound with each release. As this was always a big part of their style, the shift away from calculating, mid-paced death metal into lighter Cynic-focused realms works phenomenally well. And it’s not as confined or as prog-by-numbers as you might think.he fusion side of this record isn’t a minor flirtation, like most of your average jazz-inflected metal dubbed progressive. In reality, it makes up the majority of the album’s sound and journey — and it’s a dense and dream-decorated journey at that. While the style on display in Timelessness is brilliant and multi-faceted to these ears, it may not be aggressive enough for the tastes of some people. For those in that camp, I urge you to examine their prior albums.That observation is not intended as an indictment or an implication that this new album is not as good as their past work — to the contrary, I would venture to say this is Serdce’s most eclectic and strongest album yet. I merely mean to say that it’s of a more airy and progressive nature and that not all metalheads may be open-minded enough to appreciate it.Serdce have been creating Meshuggah groove-gliding influenced death metal long before most of the pack who followed that lead, and they continue to do it better than most. But for those who are groove-averse, that’s far from the totality of what they have to offer. Throughout Timelessness you will hear a lot of piano playing and orchestral/carnival-esque synths, and in addition, the vocals are primarily sung this time around. Overall, the strong Cynic-vibe of the record comes not only from the riffing and fusion elements; the effusive, prominent, and exploratory bass playing brings that comparison to mind as well.Huge artistic shifts in a band’s sound remain a double-edged sword, usually causing long-time fans to quarrel for and against such transformations in equal measure. Serdce have skillfully navigated these tricky waters and come out the other side a totally different, yet no less intriguing group. Timelessness doesn’t last forever, yet it contains innumerable timelessly memorable moments within its titanic, fluid, multi-part songs. Jump on the bandwagon or crawl in the dust – Timelessness will find an interested and eager audience either way — though I urge you to give it a chance and get on board." - No Clean Singing
    $16.00
  • Gorgeous doomy Floydian metal. Super jewelbox reissue.
    $12.00
  • "Black Symphony was a unique concert at Rotterdam's Ahoy Arena on February 7, 2008 sold out months in advance. Within Temptation performed to 10,000 fans with the 60 piece Metropole Orchestra and a 20 voice classical choir, as well as on stage stilt performers, costume changes, and an array of stunning pyrotechnic and lighting effects." US edition of Black Symphony arrives with the main DVD and CD from the performance...but its NTSC version. If you want the longer versions with the extra discs you will have to settle for PAL editions at a much higher price.
    $24.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • Remastered edition with 2 bonus tracks."Easily one of the most important heavy metal albums ever released, Stained Class marks the peak of Judas Priest's influence, setting the sonic template for the New Wave of British Heavy Metal more than any other single recording. This is the point where Priest put it all together, embracing their identity as the heaviest band on the planet and taking the genre to new heights of power, speed, musicality, and malevolence. Not until Painkiller would the band again be this single-minded in its focus on pure heavy metal. Their blues-rock roots have been virtually obliterated; largely gone, too, are the softer textures and gothic ballads of albums past. The lone exception is the morbid masterpiece "Beyond the Realms of Death," on which the band finally finds a way to integrate the depressive balladry of songs like "Epitaph" and "Last Rose of Summer" into their metal side. Starting out with quiet, mournful verses, the song's chorus is ripped open by a blazing guitar riff as Rob Halford shrieks about leaving the world behind, a dramatic climax that sounds like a definite blueprint for Metallica's "Fade to Black." Yet it wasn't this song that inspired the ridiculous 1989-1990 court case involving the suicide pact of two Nevada teenagers; that honor goes to the Spooky Tooth cover "Better by You, Better Than Me" (penned by none other than the "Dream Weaver" himself, Gary Wright), on which the band allegedly embedded the subliminal backwards-recorded message "Do it." Astounding implausibility aside (as the band pointed out, why encourage the suicides of fans who spend money?), it isn't hard to see why Stained Class might invite such hysterical projections. On balance, it's the darkest lyrical work of the band's career, thematically obsessed with death, violence, and conquest. That's not to say it's always approving. Sure, there are battle cries like "White Heat, Red Hot," horrific nightmares like "Saints in Hell," and elements of the fantastic in the alien monsters of "Invader" and stone classic opener "Exciter." But the band stays philosophical just as often as not. The twisting, turning title track adopts the biblical view of man as a hopeless, fallen creature preyed upon by his baser instincts; "Savage" foreshadows Iron Maiden's "Run to the Hills" in depicting violent colonizers as the real savages; and closer "Heroes End" laments the many legends born from untimely deaths. So in the end, what really cements the celebrated morbidity of Stained Class is the sinister atmosphere created by the music itself. Never before had heavy metal sounded so viciously aggressive, and never before had that been combined with such impeccable chops. Seemingly at will, Tipton and Downing spit out brilliant riffs that cut with knife-like precision, usually several per song. This means that there's a lot to take in on Stained Class, but if there's nothing here as immediate as the band's later hits, there's also a tremendous amount that reveals itself only with repeated listens. While the album's overall complexity is unrivalled in the band's catalog, the songs still pack an enormous visceral impact; the tempos have often been jacked up to punk-level speed, and unlike albums past, there's no respite from the all-out adrenaline rush. Heavy metal had always dealt in extremes -- both sonically and emotionally -- but here was a fresh, vital new way to go about it. It's impossible to overstate the impact that Stained Class had on virtually all of the heavy metal that followed it, from the NWOBHM through thrash and speed metal onward, and it remains Judas Priest's greatest achievement." - All Music Guide
    $5.00
  • Legendary first album comes with 4 unreleased bonus tracks. Now available at a great price.
    $5.00
  • "To be in a band remotely related to the realms of Progressive and Power, is to be an immensely accomplished instrumentalist in your own right. However, it is all too easy for entire bands to be lost in the sea of generic driven mass, regardless of the title of 'progressive', swamped in unusual and atonal melodic progressions and multi-rhythmic drumming. Sometimes even the lyrics can become a drawl; who wants to hear about the same knight fighting the same dragon across 10 different bands? This is where Floridians SKYLINER come into play, ablaze with fresh ideologies, tried-and-true Power Metal establishments with Progressive embellishments, and very real lyrical philosophies.The intro track blew me away with its eerie soundscape and powerful vocal delivery, not unlike a cross between VOLBEAT's Michael Poulsen and ex-ICED EARTH vocalist Matthew Barlow. Pulling no punches is "Symphony in Black" delivering a speedy and uplifting cascade of riffs steeped in creative melodies. Jake delivers a unique vocal effort, sticking to an aggressive Heavy Metal approach with unusual, yet catchy inflections in his melodies. "Forever Young" is a powerful track that hits home with passages evolving in both speed and technicality, with abrupt crescendos marked by drastic blast-offs in tempo; an incredibly solid track with creative drumming and even more diverse vocal performances.I would devote a significant portion of my writing towards the epic "Worlds of Conflict", wherein the lads "pulled a DREAM THEATER" and wrote an enormous, 21-minute track. Rarely does one hear something of such epic proportions. Never stale, it seamlessly weaves in and out of passages of their own individuality that coalesce into powerful crescendos, or on the other hand may diverge into various sentient soundscapes. The bass work in this track is thoroughly impressive, going past a meat-and-potatoes approach to offer an astounding array of dynamics to add to a track that would ordinarily require a great amount of fleshing-out. I stress, this is not something you would chuck on to fit the mood. Absorb it, and embrace it.Individually, the tracks are excellent. The 21 minute monster is at a masterpiece level, I cannot get enough of it. If I had a single qualm it would be that each of the tracks are 'too' different from the next, that the album feels more like a collection of works as opposed to, well, an 'album'. But then, I could be wrong; I could be too used to listening to 2-hour, drawlish concept albums. It is my belief that the end product was their 100% intention. They have done this right." - Metal Temple
    $15.00
  • Tiger Moth Tales is the working name for British multi-instrumentalist Peter Jones.  Mr. Jones has great facility on all instruments and all the more impressive considering he is blind.  He's also a fine vocalist, having had a run on the British X-Factor competition.Cocoon is a conceptual piece based around the four seasons.  The album has a contemporary sound but there are some obvious old school references.  Genesis, Steve Hackett and Anthony Phillips solo work seems to be an influence as is the carnival elements of Haken.  In many ways I'm reminded of Big Big Train - one would think they drank from the same well.  Take something old and create something fresh.  No metal here although some flashes of heavy guitar now and then which work well against the acoustic bits.  Hackett vs. Phillips.  Not sure what it is about the British prog musicians but every once in awhile they create something that has a certain peaceful, tranquil vibe.  I often refer back to that old "Rain" album.  Long on mood and maybe short on chops.  Here we have the mood but Mr. Jones has injected the chops as well.  Highly recommended.
    $10.00
  • "There have been those times in man’s life where he tells himself that he had enough with everything that had been going on surrounding his ordinary environment. Aside from the warmth of family life or even by choosing, the soothing loneliness, there are the proceedings of the society such as the corrupt politics and fragmentary feast for power that seemed to be endless without a care for future consequences. So how one can escape such a world where everything seemed to be blackened, not like a starless night, but by mankind itself that commences various of actions without thinking first? The answer might be running away but to where? The only answer is to the far reaches of space by cunningly stealing a spaceship. Though it sounds like a story from the far future when space travel is available, but it has a sense it in and can also be inferred to the spiritual form of the works of the mind and how it can escape reality while submerging into an altered universe of hopes and dreams about better life. Well, I will stop here with the philosophical debate with myself, though it is rather intriguing. The purpose of my gibbering your thinking patterns is because it highly relates to the new concept album by the Italian Power Metal band, VISION DIVINE. “Destination Set To Nowhere”, released via earMUSIC / Armoury Records, is the Metal journey and your new Star Trek across the vast space in finding new fortunes and ideologies without forgetting where the warmth of home lies.I have to tell you that it has been really difficult to not keep on discussing VISION DIVINE’s ideas regarding this fascinating story that though sounds pretty simple it harbours so many standpoints that a whole article can be written on top of their basis. However, there is also the Metal behind the philosophical mind that created this story. Nearly like every Power Metal band coming from Europe, VISION DIVINE has been storming in high speeds without letting of the so important melodic touch, an element that has been chief for the large majority of European Metal bands of the kind. Olaf Thorsen(nickname of Carlo Andrea Magnani), guitarist of the veteran Power Metal band LABYRINTH, created this beast as a side project but it got into something more. While along the years massing some of the greatest talents of the Italian scene, including the special recruitment of RHAPSODY OF FIRE’s top notch frontman, Fabio Lione, VISION DIVINE, the way I see it, has been able to assert itself as the Italian STRATOVARIOUS, but in a much higher level, while when it came down to musical quality and tenacity topping their own local mother bands as RHAPSODY OF FIRE and LABYRINTH. Right from its foundation, while perfecting their style year after year, including this here release, that for me is the band’s greatest achievement, VISION DIVINE spread their high regard for melodic Power Metal but with such musical sophistication that took them into towering altitudes and even into the world of Progressive Metal with slight similarities to DREAM THEATER and ANUBIS GATE.As far as the diverse course of “Destination Set To Nowhere”, I believe that VISION DIVINE were able to entice with such profound technical abilities and incredible skills to create wonderful tracks that seem to be endless. Throughout the entire release I was trying to relive the lives of that men and women on that spaceship running away from the frustrations of Earth. The intense and clever riffing, rhythms, great keyboards layers and miscellaneous drumming, like fast paced heart beats of hundreds of people, aided on understanding what went on through the stages of the story, where is the next destination in the land of nowhere. On top of those all there is the magnificent vocal line by a voice that is so smooth and clear but also has its own deadly Hyde creeping from its cage from time to time. I can’t really break this tracklist into lone tracks because I believe that this entire release is something that you ought to experience in full. Of course that I have my personal choices regarding preferred tracks, and I am used to provide clear cuts, yet for the sake of the story and the effort that was spent on the material, I will leave you to decide which part of this journey suits you more. Generally, VISION DIVINE is offering you an accessible showcase of musical prowess and utter creativity to step into what could be in the not so far future, and maybe help you to think to who or what idea do you mark your ballot for. “Destination Set To Nowhere” certainly became one of my candidates for the album of year for 2012." - METAL TEMPLE
    $13.00
  • The North American Freak Kitchen catalog reissue program continues.  Freak Kitchen is Mattias Eklundh (guitar.vocals), Christer Ortefors (bass) and Bjorn Fryklund (drums). The band describes their album as "A corny little heavy-pop-rock-Latin-world-jazz-avant-garde-metal-blues-record straight from hell!". "Organic" is the band’s sixth album.  It features a guest appearance by Guns N Roses guitarist Ron “Bumblefoot” Thal.  Pure guitar driven insanity with tongue firmly planted in cheek.  Essential for fans of Frank Zappa, Bumblefoot, and Steve Vai."If there was such a thing as indie metal, Freak Kitchen would define the genre perfectly. This metal band hails from Sweden and was formed back in 1992. Their outstanding musicianship and authentic musical style makes this power trio a real treat for those of us lucky enough to find their music. The bands’ distaste for big corporate labels has not prevented them from getting their music out, just not on a scale one would expect them to be considering the high level of quality music that they put out. So, as they state on one of their songs: “I’m so alternative, I am so independent, this is the way to live the independent way of life.” I guess one could say the guys walk the talk!Frontman Mathias IA Eklundh is considered a premier guitar player, having himself released several instrumental solo albums, Freak Guitar (1999) and Freak Guitar - The Road Less Traveled (2004). Also of some importance I guess is the fact that I’ve read in several live performance reviews that Eklundh will often play his guitar using foreign objects, some of which are described as vibrating dildos! Oh yeah, and he can really sing too! Eklundh is also the founder of Mattiasology, of which Steve Vai (peace prophet) and Paul Gilbert (space prophet) are listed as members of the Grand Church of Freakiness.Organic is Freak Kitchen sixth studio album, which was released in different parts of the world on April 27, 2005, just don’t expect to find it in North America yet. When you hear them for the first time, and believe me - you will eventually hear them - it’s really like nothing you’ve heard before. It’s like mixing a heavy metal guitar sound with alternative rock and adding mild progressive elements and a clearly indie rock vibe. It’s going to turn your head as it did mine. If you’re into metal you’re going to wonder “what the hell is this” and if you’re into indie rock, you’re going to wonder the exact same thing? It’s a blending of styles that requires time to soak up. But after you get over the initial impact of it all, it grows on you very quickly and I mean that in an exponentially freaky kind of way.The album opens with the single “Speak When Spoken Too,” which also features the eccentric Bumblefoot (Ron Thal - another Mattiasology prophet) on back up vocals and guitar. The Pantera style guitar riffs will have you questioning the bands musical style and the evident alternative rock vibe will probably remind you of System of a Down. There's a whole lot of humour spread out throughout the album as well.The band plays hook laden guitar driven songs full of interesting arrangements and cool little guitar antics and solos. The crystal clear production, the occasional blast beats, the crazy guitar sounds, the humorous lyrics about everyday life (infidelity, racism, the role of parenting) and the radio-friendliness of it all makes this a very memorable listening experience." - Sputnik Music
    $14.00
  • New edition of the classic second album from this amazing German band. Fully authoerized and remastered by the band it arrives with one previously unreleased live bonus track from 1973. 2nd featured a revised lineup with Stefan Diez replacing Jorge Schwenke on guitar. The ethnic vibe from Malesch is gone. Instead of inner space the band reaches for the cosmos. There is a strong Pink Floyd feel at work but it doesn't sound English (if that makes any sense). Sometimes if we don't listen to an album for some time we forget how great they are - we take it for granted. Revisiting the first two reissues from Agitation Free once again made me respect their importance in the history of German progressive rock. Essential.
    $19.00
  • "Steve Thorne returns with his fourth album, playing the majority of the instruments bar Nick D’Virgilio (Cirque Du Soleil/ex-Spock’s Beard) and Bob White on drums with Tony Levin and Gary Chandler (Jadis) also guesting. Also former IQ member Martin Orford pops out of musical retirement to play flute on two songs.What I like about Steve Thorne is his strong and topical lyrics, coupled with melodies that transcend the prog rock genre he is often lumped in. A bit like It Bites, Steve Thorne’s music can take in many musical influences to create an entertaining and enjoyable listen.‘Already Dead’ looks at modern culture and how modern technology can turn us into a nation of zombies. Good way to start the album with the heaviest and most aggressive song on the album. ‘Everything Under The Sun’ is a lovely piece of music, albeit rather sad as an older person looks back on their life and realises how alone they are now. The melodic vocal and subdued music add greatly to the song. ‘Distant Thunder’ is the nearest to classic Brit prog rock on the album, whilst Martin Orford’s flute expands the sound of ‘Moth To A Flame’ nicely. ‘Bullets & Babies’ again sees the heavier side of Steve Thorne’s work come to the fore tackling the subject of boy soldiers and how war affects people from an early age.An artist where you can start with any of his albums to date and not be disappointed. As mentioned previously Steve Thorne can appeal to the prog rock fans but also a wider audience who appreciate melodic rock with thought provoking lyrics." - Get Ready To Rock
    $6.00
  • The band gave Terry Brown the boot as producer. Peter Collins came in and kicked the band's ass a bit. The tunes are a bit more progressive sounding but radio fodder like "The Big Money" made these guys trillions.  Remastered edition.
    $5.00