Discovering Kaipa (3CD Box Set)

"As part of its ongoing series of Original Album Collections, InsideOutMusic invite you to discover three albums by classic prog rock band KAIPA at a superb price. Active since the 70's, the Swedes' albums "Notes From The Past" (2002), "Keyholder" (2003) and "In The Wake Of Evolution" (2010) are stellar representatives of their vast catalogue."

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  • "In a society which continues to develop at breathtaking speed, racing through world history in seven-league boots, mercilessly trampling down anything unable to keep pace with this ruthless goose step, Riverside have composed an album which is a perfect reflection of our times. An offering full of symbolism – starting with the fact that the title of their fourth release consists of four words and that the album is precisely 44:44 minutes long – and an intelligent stocktaking of reality. Anno Domini High Definition is no concept album in the classic sense, although it features a central theme and a haunting message. “It’s a story about people who angrily state that such-and-such a device is no longer fashionable, before they`ve even learnt how to use it properly themselves. Even worse – it’s no longer usable, because there’s something better on the market now”, Mariusz Duda, vocalist, bassist, guitarist and lyricist of the four-piece explains. “For me, those are the thoughts of people who wake up every morning worrying that perhaps today their ‘sell-by date’ may expire.”Riverside was founded by guitarist Piotr Grudzinski, drummer Piotr Kozieradzki and Mariusz Duda in 2001. Immediately after the recording of their debut album, Out Of Myself, keyboardist Michal Lapaj joined the band, completing the current line-up which has impressed fans and media alike with the musicians’ great technical skills. Musically and in terms of its subject matter, Anno Domini High Definition marks a temporary climax in the quartet’s artistic work: “It’s an album about people who know they need to speed up or they’ll get left behind“, Duda summarises the tracks, adding: “About people who sometimes, despite themselves, will stop at nothing to achieve their aims. It’s an album about chaos, constant race, uncertainty, stress, and the struggle to survive.”This permanent inner restlessness, a constant search for the latest thing, is reflected in the band’s complex music. The five songs consciously keep up a high energy level, be it through a pounding groove, a turbulent bass line, cutting keyboard passages or haunting vocals. Anno Domini High Definition is a pulsating hybrid of a range of different stylistic means. Duda: “There’s more rock stuff on the record now. The new album has more balls, you could say, than anything we’ve done so far. But I think we kept all the nice melodies and traits that are characteristic to our music. It’s very energetic. There are longer, more complex compositions, but with more energy, power and ease. It’s been a long time since we had so much fun composing and recording, and I hope the listeners will also be infected by this atmosphere.”Anno Domini High Definition sees Riverside take another step in the evolution of their extremely significant sound, documenting a total focus on the here and now. “We don’t want to be one of these living-in-the-past prog bands,” Duda points out. “We feel that we have something new to say, and lots of moments on this album feature a fresh approach to some things. First of all, our main influence – our lives, or to be more precise, the speed of our lives. That’s why we had to cut an extremely dynamic and pretty short record, which suits the times we live in.”Experts have called Riverside a stylistic mix of Tool, Porcupine Tree and Dream Theater, but Duda reckons that other influences are more dominant on Anno Domini High Definition: “We wanted to reflect the energy of the early 70s and combine it with modern sounds. Now I think there is more of a Rush , Led Zeppelin and Deep Purple sound. But at the end of the day, this record ultimately sounds like Riverside.” 
    $14.00
  • I'm going to get straight to the point.  If you are a fan of female fronted metal you must own this album.  The Human Contradiction is a complete triumph.  It finds the band returning a bit to their roots.  There are still poppy elements - that's part of their core sound - but there is a heaviness that will remind you of Lucidity.  Nightwish's Marco Hietala returns contributing on clean vocals. Also back is Orphanage vocalist George Oosthoek who is one of the best growlers in the metal scene.  Arch Enemy vocalist Alissa White-Gluz makes a guest appearance.Timo Somers' guitar riffs are chunkier, Charlotte's voice is impeccable as always, and Martijn's keyboards are simply epic.  The album was recorded at Studio Fredman and sounds massive.  Weaving the whole album together is a sci-fi theme borrowed from the writings of Octavia Butler.This is an album filled with a enough earworm hooks to drive you crazy but at the same time its heavy!  For my taste its a top 10 album for 2014.  BUY OR DIE!
    $12.00
  • Weidorje not withstanding, Eskaton are quite possibly the best of all the Magma clones. The band existed from the late 70s into the early 80s. This eight piece ensemble completely grokked the zeuhl ethos with the exception that they use French vocals instead of Kobian. 4 Visions was the band's first album but was only released in the cassette format. In fact it didn't even become available until after the success of Ardeur - their first "official" album. It was released on CD in 1995 by APM and has been out of print for years."This is the very first vinyl edition EVER of this great album. It was at first published in cassette format in the US in 1979, then reissued on CD but until now it never made its way to vinyl. 2010 remastering by Udi Koomran, supervised by the band. The front cover is the one of the original cassette release, restored and now featuring all details of the original painting for the first time. Thick cover, 180 gram vinyl – Numbered, limited edition of 500 copies."
    $28.00
  • Second album from this incredible fusion trio from North Carolina will blow your skull off.  Trioscapes consists of Between The Buried And Me bassist Dan Briggs and Walter Fancourt (tenor sax/flute), and Matt Lynch (drums).  Don't let the absence of keys or guitar throw you.  This is mild altering, high energy fusion. You get the chops from hell, tripped out soundscapes, and head throttling melodies.  And that's just the first tune!!!  Utterly lethal.  BUY OR DIE!!"Much of what can conceivable be written of Trioscapes‘ most recent album Digital Dream Sequence is exactly what could be written about their previous offering Separate Realities.Musicians, jazz musicians particularly, may spit their coffee all over their keyboards on reading that, apopleptic and petulant – pointing out that where the previous album was underpinned by Ionic mode progressions, that this one is rooted in the Chromatic (or somesuch muso guff). Suffice to say that, as with Separate Realities, Digital Dream Sequence does not cling to homely pentatonic melodies or major chord, 4/4 song structures.It is a surprising and joyful departure from the predictable, which would be easy to describe as mind-expanding if it did not so closely follow its predecessor in structure and feel.As it is, there are a few physical embellishments to the formula worth noting, but not many. Keyboard fills (or what sounds like keyboards – what Dan Briggs can do with a bass guitar and effects pedals can be confusing at times) bring an extra accent to the pieces, as well as atmospheric depth on, say, the opening sequence of ‘From the Earth to the Moon’. On that track, the use of keyboard wash with a glockenspiel voice is foregrounded in something that tips a hat to Pink Floyd’s exploration of moon themes, before it takes off into something more definitely Trioscapes in its saxophone/bass/percussion attack. The track goes on to finish with an outro that co-opts much of the main theme from Tubular Bells.Keys, elsewhere on Digital Dream Sequence, play a role more to do with sound dynamics than with song structure – they fill a gap in the lower mids that is left between Walter Fancourt’s flute and alto saxophone moments.To state outright that this album sounds like Separate Realities is misleading though – there is much in the way of progression to note, and a gelling of roles between band members who have, onstage and in the studio, found a way to fit their individual talents into a group dynamic. Although there were moments of more-than-the-sum-of-its-parts alchemy on the earlier album, they were rarer than they are on Digital Dream Sequence. The latter has more raw groove, embeds moments of individual technical dexterity into the compositions less abruptly, and overall displays a more comfortable fusion (arg – that word!) between the funk and metal aesthetics that comprise the Trioscapes recipe.Of that curious mix, the mention of both Pink Floyd and Mike Oldfield above may offer some clue – there is a smattering of prog rock reference on Digital Dream Sequence (the intro to final track ‘The Jungle’ particularly) which opens a world of musical territory to the trio. Particularly the rhythms of Mali, which fascinated prog musicians for much of the 80s. Or perhaps that is too fanciful (jazz and funk have, historically, a more direct conduit to African rhythms than anything channeled through prog, after all).Nevertheless, that final track, once one has re-accustomed the ear to the Trioscapes tag-team approach to rhythm, tension and controlled saxophone madness, throbs with a primal, sweaty and utterly invigorating energy that transcends jazz, funk, metal or rock and is its own glorious creation.Which is something that never quite happened on Separate Realities (and bear in mind that Separate Realities was chosen by this reviewer as the album of 2012). This time Trioscapes have thrown off the anxiety of influence, have coalesced their individual contributions into a smoother whole, and have dug deeply to find an immense gravitronic groove.It’s a throbbing monster of an album." - Trebuchet Magazine
    $14.00
  • Of all the Yes albums that needed a remix this is the one that needed it the most!"Relayer (1974) is the third in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been remixed into stereo and 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The blu-ray also contains the original album mix in high-resolution, a complete alternate album running order drawn from demos and studio run-throughs. Additional exclusive Blu-Ray features include extra demo/studio run-throughs, full album instrumental mixes, a full album needle-drop of an original UK A1/B1 vinyl pressing, single edits, live tracks, and needle-drops of the banded tracks from the original US vinyl promo album.Restored artwork approved by Roger Dean, the release of which coincides with the 40th anniversary of the album’s original late 1974 appearance."
    $25.00
  • Third album from this progressive metal band based out of Sweden.  The band is fronted by former Seventh Wonder/current Aeon Zen vocalist Andy Kravlijaca who frankly is very underrated.  Silent Call touches on a variety of genres while firmly rooted in the metal realm.  You'll hear some fluffy AOR bits and some prog rock at times.  Very much a band that is strong on melody.  Highly recommended."I’m torn. Torn between championing the cause of a massively underrated and under-exposed Metal band, and the pride I feel when chatting about Progressive Metal to like minded people and playing them Silent Call – who invariably they have never heard of, and can’t believe they have passed them by! The secret will be out of the bag y’see. No more gloating for yours truly, no more “Surely. You’ve heard of Silent Call”, complete with knowing smile. Nope, people can just read this review and know all about them – which is the least the band deserve! Decision made then. Ladies and Gentlemen, fans of Melodic Progressive Metal, I give you Silent Call…unless, of course, you’ve already heard them and it’s just here in the windswept hills of deepest Yorkshire where they are unknown…a bit like super fast reliable broadband…This is Silent Call’s 3rd album – I got their debut way back in 2008 because it was on Escape Records (home of all things light and fluffy) and someone sold it to me after being horrified that Silent Call weren’t in the least bit light OR fluffy! He even wrinkled his nose (the nerve!) when he described the heaviness of the guitars and drums. This was the same day I informed him that one of his favourite Melodic bands of the 80’s – Fate – were in fact previously called Mercyful Fate (omitting the fact it was only Hank Shermann in Fate), so he rushed off to buy their back catalogue, Harrgh Harrgh, Harrgh…I don’t think he’s ever forgiven me… But I digress – Silent Call are way too heavy for a Melodic Rock label, and hopefully now they have found a worthy home on DOTT.For existing fans (because I’m sure there are many fans outside the UK), “Truth’s Redemption” is just as good as their previous two – The production is a little bit heavier and fuller which just enhances things more and allows the songs to have even more impact. You will not be disappointed! For the uninitiated, Silent Call have their sound rooted in the best of the Progressive Metal bands around the turn of the Millennium. Blending aspects of Angra, Lion’s Share, Eldritch, Stratovarius, Labyrinth – even early Kamelot and Sonata Arctica to name but a few. Their technicality is more subtle, crafted, and less showy than Dream Theater and their ilk, leaning more towards a sound centred around melody and memorability than individual musicians egos. And this is what really works for Silent Call and widens their appeal. The vocals are an expertly delivered mid-to-high range, somewhere around an amalgam of Carsten Schulz, Apollo Papathanasio, David Readman and maybe Tobias Sammet…but then, it isn’t really, as his tone – his ‘timbre’ if you pretentiously prefer – is quite unique to Andi Kravljaca. The Drums, Bass, Keys and Guitar are all executed with precision and flare, always complementing each other yet shining when it is their moment or when specifically listened out for. Musically, I’ve covered some of their bases, but their attention to detail, delivery and arrangements open the band up to fans from Pink Cream 69 through to Evergrey.The predictable thing to do here is to try and sum up the album with one or two songs – well I’m not going to make it that easy for you. Mainly because I can’t pick out a favourite OR a track that if you randomly chose it, then it wouldn’t convince you to hear the rest of the album. Every band member’s performance on every well-crafted track is first rate, there are no fillers – just top quality Melodic Progressive Metal from start to finish. If you’ve got this far through the review then surely you have thought this album is worth checking out? So one of my best kept band secrets is now out there – the cat is out of the bag as it were, so run Kitty run, run and be free…LOOK OUT FOR THAT TRUCK…!!!" - Ave Noctem
    $5.00
  • "NEWLY REMASTERED EDITION OF THE 1977 DEBUT ALBUM BY CANADIAN PROGRESSIVE ROCK BAND FM BOOKLET WITH FULLY RESTORED ARTWORK & ESSAY. Esoteric Recordings are pleased to announce the release of a remastered edition of the 1977 debut album by the Canadian Progressive Rock group FM. The band began life in 1976 with CAMERON HAWKINS (Synthesisers, Bass, Vocals) and NASH THE SLASH (Jeff Plewman) (Electric Violin, Mandolin, Vocals) coming together as a duo, making an appearance on national TV in Canada in the Summer of 1976. By March 1977 FM became a trio with the addition of MARTIN DELLAR on Drums. The Canadian Broadcasting Company offered to release the band s debut album, Black Noise on their own label later that year, but the record was only made available via mail order. The following year Black Noise was given a wider release on the VISA label in the USA. This Esoteric Recordings release is the first time Black Noise has been issued in Europe and has been newly remastered and includes an illustrated booklet and a new essay."
    $15.00
  • Third album from this excellent Norwegian band.  Arabs In Aspic is yet another prog band influenced by the sounds of the 70s.  Lots of similarities to Black Bonzo.  Vintage keyboard sounds and nice heavy-ish guitar leads.  Vocalist Rune Sundby of the 70s Norwegian band Ruphus guests.  That band would be a pretty good comparison but you can definitely hear undercurrents of Uriah Heep and Deep Purple but there is more going on here. On the longer, jammier tracks the music takes on the psychedelic feel of Echoes period Pink Floyd.  Beautifully done.  Highly recommended.
    $24.00
  • “Crazy French phenomenon Christophe Godin applies his nothing short of bonkers rock guitar abilities to this ferocious yet tongue-in-cheek display of post-Vai/Zappa composition and musicianship. Jazzy it ain’t, but full of immense playing technique and cool tones it most definitely is. Be afraid.” – Guitarist Magazine Brutal Romance is the fifth release from this intense French instrumental trio. Through extensive gigging in the US, this Morglbl has developed an ever expanding fanbase addicted to their crazy blend of jazz and metal. The band consists of Christophe Godin (guitars), Ivan Rougny (bass), and Aurelian Ouzoulias. All three members of the band are known around the world not just from Morglbl but as clinicians as well. Morglbl injects a dose of tongue in cheek humor into jazz rock laced with crushing power chords. They have a strong cross over appeal between fans of progressive rock, fusion, and metal. Morglbl has performed at festivals alongside Liquid Tension Experiment and Umphrey’s McGee. They have most recently toured the US as co-headliners with Sweden’s Freak Kitchen. Fans of shred and fusion Gods like Allan Holdsworth, Steve Vai or Freak Kitchen’s Mattias Eklundh will find this essential.
    $13.00
  • Digibook edition at a reduced price comes with a 24 page booklet."At the dawn of each new year, there’s already usually a batch of albums I am looking forward to. 2011 opened up with the great promise of music to come, and the new Ulver album was up there on my list of albums that were making me excited. Stealing my heart with their opus ‘Shadows Of The Sun’ from a few years ago, I checked out the new album from this band at the earliest discretion once it was made available for listening. Although I will be the first to say that the album is slow to grow on a listener, Ulver has made a great album with ‘War Of The Roses,’ although at times it may be a little too mellow and drawn out for its own good.With ‘February MMX’, Ulver begins their latest work off on a surprisingly upbeat note, an atmospheric rocker that introduces ‘War Of The Roses’ on a somewhat misleading note. Although the song here is far from my favourite offering on ‘Roses’, it is without a doubt the most energetic, and gets the listener expecting something a little more active from these guys, only to scurry back down an ambient path with the second track ‘Norwegian Gothic’ and onwards. Luckily however, the first two tracks here make up the weakest material ‘War Of The Roses’ has to offer; it only gets better from there.The first piece of real interest here is ‘Providence’; a cunning melange of styles, ranging from the classical cellos to delta blues ad-libbing. Following that is another highlight- and my personal favourite- ‘September IV’, which feels as if it loosens up on the ambient nature with some more conventional songwriting, this time in a melodic post-rock style. Throughout all of this are the deep, distinctive vocals of Garm, who is certainly a great vocal presence, but doesn’t feel as if he has such strong melodies to guide his voice, instead feeling almost as if Garm’s voice is simply there for it’s looming resonance and little else. That being said, the strength of ‘War Of The Roses’ is in its grand instrumentation and clever electronic arrangements.The track that might be of most excitement to people is the fifteen minute ‘Stone Angels’, backing the rest of the album and eating up a third of the disc time. While some might expect a complex suite from Ulver here, ‘Stone Angels’ is instead a fairly minimalistic ambient hymn, with the poetic ramblings of a surrealist narrator speaking overtop. It may not sound like much, but the way Ulver does it is really majestic, making it feel like much less in length than the time spent listening. Eerie effects, pleasantly melancholic tones underneath and an ethereal vibe makes ‘Stone Angels’ a perfect piece of music to chill to. The one thing here that does get in the way are the pieces of narration themselves, which generally add little to the music besides something to raise an eyebrow to. Many will certainly find ‘Stone Angels’ to be a disappointing snore, but if you take it for what it is, you may be pleasantly surprised.I must say though, I did not care for ‘War Of The Roses’ at all when I first listened to it. I found it both too diverse and too boring to get much into, and the vocals felt misplaced, if anything. But there’s no denying after a couple of listens onwards that ‘Roses’ has alot more musically going for it than many ambient albums of its time.Although the album is far from being perfect or Ulver’s best, it’s certainly an album that grows with each listen; after all, hasn’t the music of Ulver always been one to play hard-to-get?" - prog-sphere.com
    $13.00
  • With new kid on the block, Mike Mangini, fully assimilated into the group, Dream Theater has come up with a stunning new album.  Expect nothing less than full on prog (with a nice tip of the cap to Rush in spots). Enigma Machine may be the best instrumental piece they've cooked up yet.  Highly recommended.This is the mega-deluxe box set.  It includes:Exclusive Artwork by Hugh Syme.Custom Box Set Holds:• Custom 2GB Majesty Symbol USB Stick containing:     - Isolated stems of "Behind The Veil"     - "Take This For The Pain (Mike Mangini Audition Improv Jam)" - 30 minute documentary.• Exclusive 7" of "The Bigger Picture" on clear vinyl, wrapped and sealed with a custom wax seal.• Gel-skin iDots of Majesty Symbol for iPhone.• 2-Disc embossed Deluxe Edition digi with bonus disc of 5.1 audio mix + expanded packaging.• 180-gram 2-LP embossed gatefold vinyl with high quality FLAC files of full album. 
    $99.00
  • Perhaps a bit of a rehash (or a further extension) of Leftoverture, it sold like mad back in 1977. Has the played-to-death-even-hear-it-in-elevators hit "Dust In The Wind". This remastered set also has two unreleased bonus tracks.
    $5.00
  • "Symphonic Power/Progressive metal group Wind Rose are sure to impress with this epic new album Wardens Of The West Wind. If you appreciate groups like the rousing metal bands Fairyland and Blind Guardian then I do suggest that you give Wind Rose a go.This is their second full-length album, and although I haven't heard Wind Roses's first Shadows Over Lothadruin from what I have read as impressive as that album was the Italian band has stepped up their game with Wardens Of The West Wind. That very cool cover art is by Felipe Machado Franco his other work can be seen on metal albums by the likes of Blind Guardian, Brainstorm, Rage and Rhapsody Of Fire. Bass player/producer Cristiano Bertocchi a former member of the prominent Italian metal groups Labyrinth and Vision Divine had also spent time working with Wind Rose and he joined the band in 2014.Folk ingredients are present and with the inviting sounds of traditional instruments and male chants on "Where Dawn And Shadows Begin" this is the precursor to some rather spirited metal on "Age Of Conquest". "Heavenly Minds" is very memorable with a touch of Symphony X in the chorus. Though the band is inspired by Symphony X and also Blind Guardian and Dream Theater. Wind Rose's songs really captivate, Francesco Cavalieri's excellent lead and those male group vocals are very likeable and they are integrated to great effect. The musical side of Wind Rose is also riveting with a fair degree of complexity, power and that symphonic charm plus while yes it's present Wind Rose's songs aren't constantly locked in rapid metal mode.The longest track a potent epic called "Skull and Crossbones" is just over seven minutes, but there is no need for those over extended songs on Wardens Of The West Wind when the ten on offer should more satisfy your epic musical needs. Wardens Of The Wind should go a long way to ensure a steady increase in the number of Wind Rose fans." - Sea Of Tranquility
    $15.00