Ex Tenebris

SKU: TERMOCD016
Label:
Termo Records
Category:
Progressive Rock
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Termo Records reissue program of the White Willow catalog continues.  This remastered edition features new artwork and liner notes as well as 4 previously unreleased bonus tracks.

Seven songs of melancholy and mysticism... White Willow's music embraces gothic, folk and classical elements within a progressive rock framework. The second release from Norway's White Willow carries on in the tradition of their debut Ignis Fatuus. Joining founders Jacob Holm-Lupo and Jan Tariq Rahman are new members Frode Lia, Sylvia Erichsen and Anglagard's Mattias Olsson. Also returning is engineer Jo Wang who's audiophile approach to recording has once again created a sonic masterpiece. Ex Tenebris features a dynamic mix - from moody quiet instrospection to heavy symphonic pyrotechnics. Perhaps more personal and focused than Ignis Fatuus, yet the album offers a more mature sound. Clearly one of the finest progressive rock bands currently recording.

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  • 4th album now remastered in a deluxe edition at a budget price (go figure...). Only bonus is a dispensable remix of "The Bells Of Notre Dame". Perhaps the band's most underappreciated album. A space rock classic.
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  • "Over 5 hours of great performances including the entire Testimony and One albums plus special encores of the Spock's Beard classic, "The Light" featuring Alan Morse, and the Transatlantic epic "Stranger In Your Soul." Also included is a behind-the-scenes documentary with footage of Neal's exclusive acoustic concert, rehearsal footage, "Name That Prog Tune" game with Mike and more!Complete with 4 piece horn section, 6 member female background vocal section, violin and cello, full orchestra percussion with timpani and chimes, dancers, special guests and special staging, this is the most elaborate live release of Neal Morse's career!Neal even flew out Rich Mouser who mixed the original studio albums to do the front of house mix! Neal says "We really went all out this time. I wanted it to be the quintessential presentation and performance of this music." And so it was...and is!Says Mike Portnoy - "I've got to say... as a fan of this wonderful music, how incredible this is! I am so happy to see this come to fruition. This music really deserves this… everything from the incredible presentation, and all these amazing musicians...it's great to hear this music come to life on stage like this. To be doing it in his hometown with all his friends and family present and to be doing it here in this building that has such incredible importance to him and his story, it's elevated the music to a whole new level. This is just been an amazing experience!""
    $20.00
  • "This album presents a mix of studio tracks and altered live recordings from Frank Zappa's hard rock period. The tone is definitely less rock-oriented than on Them or Us, only "Stick Together" and "Cocaine Decisions" qualifying as such. The most noticeable trend here is the half-spoken half-sung free-form numbers "The Radio Is Broken," "The Dangerous Kitchen," and "The Jazz Discharge Party Hats." They all feature Zappa performing a written text or improvising one on the spot, speech-singing while the band wallops around, reacting to his words. A few instrumental tunes round out the set, including the superb "Moggio" and "Tink Walks Amok," with Arthur Barrow playing multiple bass parts. The album's title comes from a '50s song, included ("The Man From Utopia Meets Mary Lou [Medley]"), while the cover artwork alludes to an infamous Italian tour in 1982 plagued by mosquitoes and riots. There exists two different CD versions of this album. All reissues of the original 1983 LP in digital format before 1992 present a slightly remixed version. Post-1992 CDs feature an extensive remix, the track list has been modified, a bonus track added ("Luigi & The Wise Guys"), and different drum tracks recorded in the mid-'80s by Chad Wackerman have replaced the original live ones in "The Dangerous Kitchen" and "The Jazz Discharge Party Hats." Despite of these changes, The Man From Utopia retains the cold digital sound of Zappa's albums around this time but is more varied and engaging than Them or Us." - Allmusic
    $12.00
  • "Getting your head and ears around an Andromeda album can be a challenge. It's not that their music is perplexing, but it is often varied and eclectic. Consider the first two songs on their fifth album, Manifest Tyranny. Preemptive Strike is a short introductory piece of mostly heavy and thrash metal. The following Lies R Us slows the pace offering a melodic, yet heavy in parts, prog piece with a great melodic vocal arrangement. It's quite accessible. Okay then ...Expect more than a little intrigue throughout Manifest Tyranny. Stay Unaware offers an abundance of riffage, but also noticeable synth layers and solo. False Flag, the longest cut here, seems a moderation, like heavier prog rock (also noticeable on Survival of the Richest), but shifts and moves with the clever ease you expect from progressive music. Then there's simply some strange stuff. Chosen by God has a muted ethereal vocal arrangement, lots of riffage and synths, which evokes a lighter atmospheric motif. Then there's the integration of words (speeches) from political leaders. (This occurs throughout the album, often to the point of distraction.)The nuance of progressive rock returns later in Go Back to Sleep. It offers a lighter blend of electric and acoustic guitar, with a later synth solo, and some disturbing lyrics. Of note, this song displays David Fremberg's supreme vocal talents. Allowing some more convention and accessibility, Asylum offers complexity but provides a hard rock edge in the guitar solo. Play Dead and Antidote find Andromeda simply offering an arrangement of, sometimes heavy, but certainly complex and delectable progressive metal.With Manifest Tyranny, Andromeda continues to challenge and entertain. This is what a fan of progressive metal should expect: intrigue and enjoyment, and the need for more than one listen. Fans and critics will wonder if it's equal to, or better, than their critically acclaimed first outing Extension of the Wish (2001). Perhaps this is a question left to the fans or, perhaps, those who are braver than me. Strongly recommended." - Dangerdog.com
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  • Live acoustic album from the duo of Timo Kotipelto (Stratovarius, Cain's Offering) and Jani Liimatainen (Sonata Arctica, Cain's Offering).  The disc consists of them performing cover tunes as well as a couple of tracks taken from Kotipelto's solo work.
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  • Lance King is out...replaced by Iced Earth's Matt Barlow."Formed in 2001, Danish power metal band Pyramaze has managed to maintain a fairly steady line up. However, there have been several recent changes to the vocalist position. After releasing two albums with Pyramaze, 2004's "Melancholy Beast" and 2006's "Legend of the Bone Carver," vocalist Lance King decided to step down. Pyramaze would find a surprising replacement in Matt Barlow, who stepped down from American power metal giant Iced Earth in 2001 to pursue a career in law enforcement. However, Barlow's stay in Pyramaze would be brief, as he was only used to record vocals on "Immortal" before reuniting with Iced Earth. Urban Breed is now the current vocalist for Pyramaze."Immortal" has a predictable, but interesting theme. Each song depicts a different form of immortality. Including the recount of the 300 Spartans gaining immortality both historically and mythologically during their legendary last stand at the battle of Thermopolea, to the horror of not being able to escape from a nightmare and a ghost that wanders for eternity. The theme also covers emotional subjects such as finding peace via suicide to suffering in hell and the never ending battle against the demons that plague us everyday. Though immortality has become a cliche in the power metal subgenre, Pyramaze has shown how diverse the theme of immortality can be.Stylistically, "Immortal" is intended to be a power metal epic, and it delivers. The main influences seem to be Iron Maiden and Iced Earth's "Horror Show" and are dominating throughout. Other influences that appear are the Kamelot inspired piano ballad "Legacy in Rhyme," the Children of Bodom keyboard tone and riff in "Ghost Light" and the King Diamond influenced "Touched by the Mara." Symphonic elements give the album a very epic sense. The opening track "Arise" and the closing track "March through an Endless Rain" sound like they could have come from the "Gladiator" or "300" movie soundtracks.The music on "Immortal" is quality symphonic power metal. Guitarist and mastermind Michael Kammeyer puts in an excellent performance with Matt Barlow showing that he hasn't lost a step and delivering a stand out performance. However, the use of some cheesy Dragonforce-esque guitar effects for a few solos along with some cheesy vocal melodies and overly simplistic riffs are my biggest criticism of the album. However, these complaints are nothing new, as every Pyramaze album to date has incorporated those elements. Even so, the cheesy elements are only a small portion of the album and don't take away from the overall epic feel. Overall, "Immortal" is a positive step for Pyramaze." - Metal Underground
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  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00
  • Digibook edition at a reduced price comes with a 24 page booklet."At the dawn of each new year, there’s already usually a batch of albums I am looking forward to. 2011 opened up with the great promise of music to come, and the new Ulver album was up there on my list of albums that were making me excited. Stealing my heart with their opus ‘Shadows Of The Sun’ from a few years ago, I checked out the new album from this band at the earliest discretion once it was made available for listening. Although I will be the first to say that the album is slow to grow on a listener, Ulver has made a great album with ‘War Of The Roses,’ although at times it may be a little too mellow and drawn out for its own good.With ‘February MMX’, Ulver begins their latest work off on a surprisingly upbeat note, an atmospheric rocker that introduces ‘War Of The Roses’ on a somewhat misleading note. Although the song here is far from my favourite offering on ‘Roses’, it is without a doubt the most energetic, and gets the listener expecting something a little more active from these guys, only to scurry back down an ambient path with the second track ‘Norwegian Gothic’ and onwards. Luckily however, the first two tracks here make up the weakest material ‘War Of The Roses’ has to offer; it only gets better from there.The first piece of real interest here is ‘Providence’; a cunning melange of styles, ranging from the classical cellos to delta blues ad-libbing. Following that is another highlight- and my personal favourite- ‘September IV’, which feels as if it loosens up on the ambient nature with some more conventional songwriting, this time in a melodic post-rock style. Throughout all of this are the deep, distinctive vocals of Garm, who is certainly a great vocal presence, but doesn’t feel as if he has such strong melodies to guide his voice, instead feeling almost as if Garm’s voice is simply there for it’s looming resonance and little else. That being said, the strength of ‘War Of The Roses’ is in its grand instrumentation and clever electronic arrangements.The track that might be of most excitement to people is the fifteen minute ‘Stone Angels’, backing the rest of the album and eating up a third of the disc time. While some might expect a complex suite from Ulver here, ‘Stone Angels’ is instead a fairly minimalistic ambient hymn, with the poetic ramblings of a surrealist narrator speaking overtop. It may not sound like much, but the way Ulver does it is really majestic, making it feel like much less in length than the time spent listening. Eerie effects, pleasantly melancholic tones underneath and an ethereal vibe makes ‘Stone Angels’ a perfect piece of music to chill to. The one thing here that does get in the way are the pieces of narration themselves, which generally add little to the music besides something to raise an eyebrow to. Many will certainly find ‘Stone Angels’ to be a disappointing snore, but if you take it for what it is, you may be pleasantly surprised.I must say though, I did not care for ‘War Of The Roses’ at all when I first listened to it. I found it both too diverse and too boring to get much into, and the vocals felt misplaced, if anything. But there’s no denying after a couple of listens onwards that ‘Roses’ has alot more musically going for it than many ambient albums of its time.Although the album is far from being perfect or Ulver’s best, it’s certainly an album that grows with each listen; after all, hasn’t the music of Ulver always been one to play hard-to-get?" - prog-sphere.com
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  • "Scherzoo is François Thollot's 3rd CD, with a new band, featuring Anthony Béard (bass), François Mignot (guitar), Jeremy Van Quackebeke (piano), Guillaume Lagache (sax alto) & François Thollot (drums). This is his most accomplished effort so far, the band plays tight & the music is an unlikely fusion of Zeuhl & mid/late period of Soft Machine. 6 tracks (including a 19 minutes re-written version of "Voyage au bout de la nuit" which was part of Thollot's first CD - in 2002, then recorded alone as a multi instrumentist)."
    $18.00
  • "Factory of Dreams is a symphonic metal gothic project consisting of Hugo Flores and Jessica Lehto. Hugo produces and creates all the music while Jessica provides her beautiful vocals. Following their album POLES in 2008, Factory of Dreams are back with a new production bringing a whole new epic and progressive feel to the sound crafted on their debut. More complex, heavier, faster and at the same time catchy, this is a huge album, featuring the hallmark of Factory of Dreams, with great melodic sense and shivering moments and a great cast of guest singers and performers. As a highlight, the near 10 minute Epic E-motions, and the beautiful track Sonic Sensations depicting a World created by Sound and Music."
    $3.00
  • Third album from Wobbler finds them with a new vocalist Andreas Prestmo (who is a bit of an improvement). The music is still retro-British 70s prog but its clear that the spectre of Yes presides over the album. The King Crimson and ELP tidbits that cropped up on Hinterland are for the most part gone. Instead think in terms of The Yes Album and Close To The Edge with perhaps a bit of Octopus and This Is Gracious! tossed in for fun. Beginning to end its a total blast. Highest recommendation!"Norway's kings of symphonic prog, Wobbler, arrogantly sidestep the whole debate of "prog" versus progressive. Since it's dubious whether rock has anywhere left to progress anyway, they have instead chosen simply to celebrate the rainbow-colored fireworks, the airy-fairy themes, the danger and the drama and the joy of pure music that made prog what it really was, and still can be: An exhilarating musical spectacle, a gladiator match of major chord crescendos and mini-moog glissandos.Wobbler's third album, Rites at Dawn, is a case in point. It's a no-holds-barred declaration of love to the progressive giants. It's all here - Lars Fredrik Frøislie's overblown arsenal of every analog synth known to man, played with Wakemanesque flair and Emersonian hubris. Andreas Prestmo's soaring vocals, delivering at times delicate, fragile melodies and at times joyous, triumphant multi-part harmonies that would make CSN proud. The vibrant, stinging guitar of Morten Eriksen, the - you guessed it - thundering Rickenbacker bass of Kristian Hultgren, and finally Martin Kneppen's drumming, which manages that neat and esoteric 70's trick of making even impossible time signatures swing and swagger.Rites at Dawn is a major step forward for Wobbler. As songwriters they have matured. Even though the music is as complex as ever, it flows and breathes in a whole new way, and the addition of Andreas' vocals adds a very human, and dare we say emotional, element to the songs. The album somehow pulls off being both challenging and adventurous, but at the same time accessible and downright infectious. Even though this is the kind of prog connoisseurs will stroke their beards appreciatively to, it is also prog their girlfriends will like. And you really can't ask for more than that."
    $16.00
  • The much anticipated second album from Delain is here and it does not disappoint! Its interesting to see how the band has evolved. Originally conceived by Within Temptation keyboardist Martijn Westerholt as a studio project, Delain has evolved into a full blown active band. The success of the debut Lucidity tipped Westerholt's hand and Delain became a REAL band. With Charlotte Wessels on vocals, Ronald Landa on guitar and grunt vocals, Sun Caged bassist Rob Vander Loo, and Sander Zoer on drums, Delain took the Netherlands by storm. Delain toured extensively, opening for many bands including sister band Within Temptation, and appeared at many festivals. Ultimately they became a headlining band. With that behind them they headed into the studio to create their sophomore work.April Rain is cut from similar cloth from Lucidity but different enough to hear the evolution mentioned above. Instead of the multiple guests that were featured on Lucidity, April Rain does benefit from the return of Nightwish bassist Marco Hietala who sings male vocals on two tracks, as well as world renowned cellist Maria Ahn.Martijin Westholt is clearly at the helm - the big symphonic sound is still in place. Those elements that he brought to Within Temptation are clearly evident. There is a difference though...perhaps because of Jacob Hansen's mix the sound is more focused and even grittier, crunchier (thank you Mr. Landa). Songs tend to be on the shorter side but they slam harder. Having been familar with Rob Van Der Loo's intense basswork with Sun Caged its great to see him bring that progressive element to the rhythm section. Charlotte Wessels is young but has developed into the perfect voice and face for Delain.The comparisons to Within Temptation will continue but its obvious that Delain has come up with their own sound that stands on its on.This is THE symphonic gothic metal album of 2009. Nothing will touch it. This is the North American digipak edition of April Rain - with the exclusive bonus track "Come Closer". BUY OR DIE.
    $14.00