Grace For Drowning (Blu-Ray)

SKU: KSCOPE511
Label:
KScope
Category:
Progressive Rock
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Steven Wilson's second solo album features a variety of interesting prog luminaries including Steve Hackett, Robert Fripp, Tony Levin, Trey Gunn, Theo Travis, and Jordan Rudess. Proggier than his first solo album and frankly recent Porcupine Tree. Lots of Mellotron bliss on this one. Exemplary production wraps up the total package.


This Blu-Ray edition contains the album in hi-resolution 5.1 and stereo mixes. It has 2 bonus tracks, demos, videos, and a lot more stuff.

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  • Agora was an excellent Italian jazz rock band that made two albums in the mid-70s and then flamed out.  If you like Perigeo or Napoli Centrale then Agora is right up your alley.  This is a collection of unreleased material from their early days as well as their "lost" period (after their lost their record deal) and with their current lineup."Ichinen is the synthesis of the band's previous works. The tracklist is made up of historical songs, unreleased tracks of the second period of activity of the group and some rarities: never before released recordings of 1978 with Massimo Manzi on drums and Roberto Bacchiocchi at Rhodes piano.Within Ichinen coexist moments of the life of the band from the beginning to the present. The track "Serra San Quirico" placed at the beginning of the work and the final track "Pyramid of Tomorrow / Solar Ride" represent the sound of the current lineup: Renato Gasparini (guitar), Ovidio Urbani (sax ), Gabriel Possenti (guitar), Gianni Pieri ( cello), Lucius Caesar (bass), Massimo Manzi (drums).The Mediterranean atmosphere typical of the group are combined with ethnic and meditative tone that expands the sound structure of the entire album. What you can hear is an acoustic and refined sound , full of warm melodic themes and intense improvisations." 
    $18.00
  • "Sinbreed is the project around 27 year old Guitarist Flo Laurin who joined forces with dedicated artists of the European metal scene. The blistering combination of speed, melodic and aggressive arrangements combined with high and soaring vocals characterizes Sinbreed's distinctive Power metal, and they now present their debut album "When worlds collide".The project has been in the making since the late nineties by founder Flo Laurin, and piece by piece everything has fallen in place; from the style of the music, the influences and the band members. Three demo’s were recorded, and the last one was voted “Best newcomer of the month” in Germany’s Heavy Magazine. During spring 2009 a deal was made with Sweden’s Ulterium Records, and the band started to work hard on their debut album.The members of Sinbreed are Frederik Ehmke [Blind Guardian] on drums, Hebie Langhans [Seventh Avenue] on vocals, Alexander Schulz on bass and Flo Laurin who handles guitars and keys. For the mixing and mastering of the album the band decided to work together with the highly acclaimed producer Markus Teske, famous for his work with Symphony X, Vanden Plas, Neal Morse among others.Guests on the album includes Thomas Rettke [Redkey, Ex. Heaven's Gate], Joost van den Broek [Ayreon, Star One] and Morten Sandager [Pretty Maids]. The artwork was created by Felipe Machado Franco [Iced Earth, Ayreon, Pyramaze] and the booklet by Markus Sigfridsson [Darkwater, Harmony]."
    $15.00
  • "Aranis, year 2014: a Belgian band that brings something definitely off the beaten tracks! The second installment in their "Made in Belgium" series (aka MIB 2) is now on the road...and it's more captivating than a thriller! In it, a subtle blend of rejuvenated classical influences mix with (aming other things and with no specific order) a touch of drumless/ clarinetless Balkanic Klezmer- punk, a glimpse of 100% Brussels- deserts tango and a few improvised moments that manage to never really sound like "jazz"...No easy label comes to mind when it comes to describe Aranis' sound...and so its should be! A pretty unpredictable sextet...Classical? Jazz? Folk? Rock?...Well, a little bit of all this...That's what you'll taste in the Aranis pizza! So, why wouldn't you treat your ears and get a slice of it? With real chunks of Peter Vermeersch (FES), Koen Van Roy (Cro Magnon), Walter Hus (Maximalist!), Ananta Roosens (La sieste du dromadaire), Aurélie Dorzée (Aurélia) and many others..."Second release in the series from this exciting Belgian chamber rock sextet.  This is more chamber than rock but it has a great kinetic energy that melds different styles - classicial, rock, klezmer, zeuhl - always keeping the listener on his toes.  Never abrasive - always mesmerizing.  Highly recommended.  ARANIS - SKIP 21 from Robbe Maes on Vimeo.
    $15.00
  • "I have often likened being an author for an online music webzine as similar to being a treasure hunter, we sift through hours of detritus trying to find that gem of music composition that strikes a chord and has meaning, unlike the bubblegum pop of the mainstream world where it is all about money and marketing. True, the music that we champion and review may have little commercial success but, for the artist, this is the culmination of many hours of soul searching and downright hard work.These little gems of music are what I live for as a reviewer and, when you get a surprise release from out of the blue that simply knocks your socks clean off then, it makes it all worthwhile and puts a huge smile on my face.  That sensation of the hairs standing on the nape of my neck started again when I first heard Anton Roolaart’s new release ‘The Plight of Lady Oona’. This time, it wasn’t my discovery, this record was sent my way by Lady Obscure herself and, upon seeing the album cover, I was immediately hooked, as you should know by now, I’m always a sucker for an impressive album sleeve (showing my age there). As I worked my way through multiple listens, it wasn’t just the cover that impressed me.Anton Roolaart is a Dutch artist who lives in America, he has one previous album release, ‘Dreamer’ in 2007. Anton’s music is said to portray the quintessence of melodic progressive rock accompanied with lush orchestration, and this new release is certain to capture the listener’s attention once again. He does this with the help of some talented friends and musicians including Vinnie Puryear, Kendall Scott, Pieter van Hoorn, Rave Tesar and Michael Frasche. Renaissance’s Annie Haslam provides additional vocals on the title track. All songs were composed and produced by Anton with the help of co-producer Rave.You are immediately drawn into Anton’s lush cinemascapes and soundscapes with the brilliant Gravity, gentle, lush instrumentation accompanied by a plaintive vocal infuses the music with a sci-fi feeling, future music if you like. The relaxed yet uplifting tempo is central to the pathos of the track, it is atmospheric with the textured keyboards central to everything. There are hints of 70’s progressive rock in the slow, measured moog solo but, to these ears, it is a song that is set in the stars and the emptiness of space.Stars Fall Down is introduced by a lilting piano and breaking vocal, when the keyboards and laid back drums slip into place it has a real synth pop ethos. That 80’s feel is emphasised by the organ and catching vocal that increases in power as the track runs on. Another song that is food for a healthy intellect, another nice touch is the pared back, distorted solo that gives a smooth, ambient haze to the proceedings. This guy has more than one string to his impressive bow.If you are after an atmospheric, multi-faceted prog epic full of wonderful melodies, plot turns and structures then, look no further than title track The Plight of Lady Oona. Flute and acoustic guitar drift in with the mist at the beginning of the song, a folk influenced vocal and piano carry on the ambience as the tale begins. There are multiple influences at play here that Anton moulds into his own unique sound around which, the addition of Annie Haslam’s dulcet tones is a clever touch. The mood take son a definitive 70’s Yes edge with the catchy guitar and expressive bass underscoring an urgent keyboard that ramps up the pace, a spiralling, complex guitar adds another layer of sophistication along with a fulsome organ and minstrel-like guitar. The interlude that follows, full of mystery and opaqueness, is leading the way for Annie’s refined and exquisite vocal. This part of the song is poignant and full of feeling as, eventually, Annie and Anton join forces to deliver an uplifting vocal experience followed by some delightful piano and exquisite guitar work which blossoms into an impressive instrumental section where church organ, soaring keyboards and chiming guitar all contribute to a smorgasbord of musical delight. That mediaeval minstrel effect returns at the end of the song with a short vocal and extended acoustic guitar section that John Williams would be proud of, this is a precise and complicated track that is delivered with verve and aplomb, sublime.There is a darker intensity to Standing in the Rain, it is ominous, evoking a dystopian spirit. The vocal delivery is heightened and impassioned, the guitar riffs are momentous and deep lying and the percussion is moody and profound. The violin touches are vivid and the song cuts through you like a knife, holding you in its hypnotic stare, unable to break free as the mesmerising guitar solo slowly works its way into your psyche.After the potent tension of the previous track, instrumental Memoires is a musical breath of fresh air, dainty and enchanting. The acoustic guitar dances around your mind before a luscious piano makes your heart sing. The heavenly keyboards and ululating guitar join forces to bring a lustre of hope to all around, a real ‘feel good track’ to my ears.This piquant treat for aural receptors comes to a close with The Revealing Light and, at the beginning it is rather enigmatic and secretive and a very slow burner. The flute sound signals the start of something as the cryptic vocals begin, ardent and fervid, backed by a distorted, acid guitar. Lush, electronic keyboard notes envelop you in their embrace as the song takes a psychedelic turn, all Sgt Pepper in its tone. Things change with a twisting, coruscating note delivered by a melancholic guitar  and the solemn drum beat giving a sober feel to the track as a sombre voice over closes out the album with just about the right feel.‘The Plight of Lady Oona’ is an album that gives up its delights bit by bit, there is no instant gratification on offer here, if you are prepared to invest time in the music it will deliver a cornucopia of musical delights. Anton Roolaart is a name to look out for, my first introduction to his music has been an intensive and incredibly impressive one and, it won’t be my last." - Lady Obscure
    $12.00
  • "Founding members of the original "Rock In Opposition" [R.I.O.] movement and the inventors of "chamber rock", Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizable. Clivages is their first studio album in over five years, but much more importantly, it is their first studio release since 1986's Heatwave to feature the energy and sound of a working, rehearsing, live ensemble performing in the studio! It features the current line-up of the group who have been playing concerts and working together for quite some time now: Michel Berkmans (bassoon, English horn, oboe), Kurt Budé (clarinet, bass clarinet, alto sax), Pierre Chevalier (keyboards), Daniel Denis (drums, sampler), Dimitri Evers (bass), Martin Lauwers (violin) and guest Andy Kirk (guitar and percussion). Univers Zero are rightly famous for finding the perfect balance between classical and rock influences and drawing on musicians from both worlds. In terms of this, Clivages is possibly their best-balanced release , featuring a couple of small chamber works for the trio of strings, reeds and double reeds of the group. The rock side has not been ignored in any way, however and in addition to contributions from band members Denis, Budé and Berckmans, Clivages features Andy Kirk's 12' piece "Warrior", which harkens back to the sound of the band circa Heatwave!"
    $15.00
  • "My first introduction to Brazil's Hibria came with last year's DVD/CD live package Blinded By Tokyo. It seems, besides their popularity in South America, they've been a hit in Japan from earlier on in their career. The live set was good showcase for their power metal skills. Now seeking more international recognition, Hibria releases Silent Revenge through AFM Records.I'll admit I was almost put off by Silent Revenge from the start, thanks to the first, and title, cut. Silent Revenge features Andre Meyer of death metal act Distraught offering competing death vocals. I get the addition, but it's still annoying. Later, with Walking to Death, Hibria vocalist Iuri Sanson nears hardcore screamo vocals. All this makes me wonder if, in attempt to be edgier or more commercial, Hibria wants to move more towards modern metal.Alternatively, listening to Silence Will Make You Suffer, Lonely Fight, or the powerful anthem Shall I Keep on Burning (unplugged version is even better), you find both Sanson and Hibria straying little from their traditional heavy power metal roots, with emphasis on heavy. However, sometimes they get a little over ambitious as with The Way It Is. It's decent power metal, just too long. One thing Hibria has always been known for is powerful guitar leads, and there's a truck load of ripping leads all over this album. This simple, but necessary element, puts Silent Revenge beyond a better than average album. Their traditional South American and Japanese fans should enjoy this album, and the band will probably collect more fans in Europe as well. Recommended." - Danger Dog
    $15.00
  • This is the second album in the live series documenting the band's residency in Tokyo in April 2014.  This is a complete performance of Per Un Amico.  More in the series to come...
    $19.00
  • "What are we going to do with Angra? I don't really enjoy their early material that much – sure it's very well written, and technically sound at that, but it has not yet engaged me and the vocals of then-frontman Matos rub me the wrong way. Temple of Shadows was good but held back by a lot of things that made it hard to listen to all the way through – for instance, it was fruity as hell, and overloaded with too many ideas. Aurora Consurgens fixed those problems and delivered a great album of modernized power metal. But I still thought they could do better...and hence, Aqua.This album is just really awesome. It's proggy and dense – much more so than anything else they've ever done. This is not the kind of album that you would expect after hearing Temple of Shadows alone, and for that I think this is getting a lot of unwarranted bad press from the metal community. In reality this is the sound they seem to have been shooting for all along. Where on Temple they just tossed random elements into a melting pot and hoped it came out with some good hooks – succeeding only half the time – on Aqua, they condense their rumbling guitars, folksy melodies and epic vocal lines into full-throttle progressive metal without any apologies.The restraint on this album is just maddening, as when you think the song might explode into a high-flying chorus or screaming climax...it doesn't. And that's what's so good about it – they've managed to construct a bunch of tunes that never go for the obvious hook, rather choosing to try for a new twist – most of the time it works really well. Edu Falaschi's vocals are reigned in to a deeper, darker intonation than he's ever had, and his vocal melodies are just superb on here. They're slow-burning growers, but once they hit you, they really hit you, as on "Hollow" or "A Monster in Her Eyes." "Weakness of a Man" is just great with this, too.The guitars are always heavy and rhythmic, not always going for a straight-ahead metal attack, but always being complex and riveting – check out the blistering "Awake from Darkness" or the more straight-ahead power metal cruiser "Arising Thunder." There are some subtle folk elements on a few tracks like the excellent "Lease of Life" and the crushing, searing "Weakness of a Man," and a lot of slow, ballad-esque moments that allow Falaschi to stretch out his pipes and the guitarists to cook out some more emotive moments. "A Monster in Her Eyes" is absolutely stunning in this regard.Nothing on here is really done in a way you'd expect, and since the hooks are so angular and fresh, the songs never wear out their welcome, always sounding cool and innovative. There is a somber twinge to the melodies here at times, and at others, an angry, wrathful one, making this album sound somewhat like a journey through the raging, untamed wilderness – if not for the pristine sense of refinement in the songwriting, that is. With Aqua the band eschews more and more of what held them back in the early days and also brings closer the themes and motifs they always wanted to get down in their lyrics and atmosphere. This album is progressive, raw, subtle and a huge grower if there ever was one, revealing new layers with each spin. Angra has never sounded better." - The Metal Crypt
    $15.00
  • 180g vinyl edition of the 2014 Steven Wilson remix.  Includes a 24 page 12x12 booklet with an article on the prepartion oand recording of the album, lyrics, the original album program and rare live photos."In 1972 Jethro Tull were riding high on the crest of a popularity wave. They sold out huge arenas on the back of their critically acclaimed fifth album Thick As A Brick. The question was, how do you follow a concept album comprising a single 44-minute piece of music? The answer was, with a double album of separate songs of course.For the first time in their five year career Tull went into the studio with an unchanged line-up. Founder member and undisputed leader Ian Anderson was still writing songs on flute, acoustic guitar and now saxophone, and he was again joined by guitarist Martin Barre, bassist Jeffrey Hammond-Hammond, drummer Barriemore Barlow and keyboard player John Evans. But which studio to use?The first criterion was that it had to be abroad. The second criterion was that the studio of choice had to have a good reputation. The 18th century Château d'Hérouville near Paris had previously been used by Elton John to record Honky Château and by Pink Floyd for Obscured By Clouds. It contained living accommodation as well as studio facilities, and so seemed the ideal choice. What could possibly go wrong?The choice was a disaster. First up, there were technical problems with the studio itself. Then there was the accommodation... the band all slept in a dormitory, it was very basic which might have been tolerable, had they been the sole occupants of the rooms. Unfortunately, they had unwelcome company, of a bed-bug variety. And then to make matters infinitely worse everybody got food poisoning from the in-house catering.Unsurprisingly the band decided to go home and the decision was made to ditch the hour or so s worth of music recorded in France. They decided to start from scratch and write a whole new album, instead of trying to somehow regenerate everybody s interest and commitment to something that had already struggled.And so to A Passion Play, an album that evolved into a 45-minute piece of quasi-prog rock, with complex time-signatures, complex lyrics and, well, complex everything, really. With a mere nine days left in the studio before the next tour, the pressure was on to produce something quickly. The concept explored the notion that choices might still be faced in the afterlife. It recognizes that age-old conflict between good and bad, God and the Devil."
    $25.00
  • The classic first album from 1970. Maybe not their best but their fired the first shot with it. Great calling card.
    $9.00
  • "Blues Alive is an album by the Northern Irish guitar player Gary Moore released in 1993. It is a collection of live recordings taken from a 1992 tour and draws most of its material from Moore's then-recent Still Got the Blues and After Hours albums."
    $9.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • Tremendous pedigree follows this new Swedish band. Dionysus was put together by Johnny Ohlin, guitarist from the late lamented Nation, and drummer Ronny Milianowicz late of Sinergy. Fronting the quintet is Olaf Hayer who has sung on Luca Turilli's solo projects. The album was produced by Edguy's Tobias Sammet and mixed by Tommy Newton (Helloween and Ark). This is well crafted melodic power metal with touches of speed and neoclassical guitar. To my ears this sounds like Angra or perhaps a stripped down version of Rhapsody - it's more direct and less bombastic. I was a big fan of Nation so it's great to hear Johnny Ohlin playing again.
    $12.00
  • New release from Italy's Lacuna Coil finds them moving subtlely in a more commercial direction. The music is not quite as heavy as in the past and the male vocals are all clean now. The band seems to utilize more synths also creating an atmospheric backdrop for the riffing. Christina Scabbia is still her brilliant self and for me that's what counts when it comes to judging this band. While the band still sounds very much like The Gathering it's starting to move a bit more in the direction of the Dutch band's current output. So basically I'd say it's like a slightly toned down version of Unleased Memories. Comes with a video track for you computerholics.
    $12.00