The Great Southern Trendkill ($6 SPECIAL)

SKU: 7559-61908-2
Label:
East West
Category:
Thrash Metal
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"Since Phil Anselmo joined Pantera they had gone from strength to strength with sales increasing for each subsequent album and along with their worldwide reputation as a devastatingly violent and energetic live act; this album was highly anticipated in the barren metal years of the mid-nineties. The pressures of success had however, along with excessive alcohol consumption, exhausting touring duties and Phil's drug problems, caused a rift in the band and the recording of this album was anything but a smooth process. What this in-fighting, drug addiction and despair with success spewed forth was one of the most powerful pieces of pure hatred, attitude and anger filled music ever to come out of the American deep south.

The first ten seconds is an aural assault on the listener as the screams come at you with the full force of all Phil's pent-up frustrations. The guitar barbarity and drum battery will quickly have you starting a mosh pit with any unsuspecting and unfortunate individual to cross your path. Before long Dimebag Darrell's trademark Southern Hard Rock, groove layered guitar flair rears its head and the riffs are as enticingly sinister as they are absorbingly technical. The lyrics lecture us on a wide variety of topics from the evils of the media to the corruption of the justice system. There are momentary breaks from this franticly heavy barrage on tracks like the comparatively slower "10's" and most notably on "Suicide Note Pt. 1" an acoustic tale of depression. Using unusual sound effects this sombre episode looks at the man contemplating suicide and divulging his innermost emotions. "Suicide Note Pt. 2" is Pantera's attempt at creating their fastest and heaviest offering yet as they get deep down into the angers and frustrations of life and offers a warning not follow the same path. One of the major standout tracks on this album is "Floods", the guitar solo on this song is widely renowned by guitar aficionados as one of Dimebag Darrell's very best in his illustrious career and the song itself is again a rather morbid look at the state of mankind.

This album is anything but easy listening and can come across as quite disjointed on the first few listens, but given time you will soon find that this album is right up there with any Pantera album and the songwriting is at times truly astonishing. It may possibly be the heaviest album they ever did yet they never got too caught up on being heavy on this one. The slower tracks really add to its diversity and make the heavier tracks sound that much more heavy. You can see why this was the beginning of the end for this band, any group this angry and self righteous would find it simply impossible to stay together indefinitely and this album sums up everything Pantera were in one nice little package." - Metal Storm

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  • In 2013 Renaissance ran a Kickstarter campaign to raise funds and self-release the album Grandine Il Vento.  The response was an overwhelming success.  Sadly shortly after the recording of the album, Michael Dunford suddenly passed away so there is a bittersweet aura around the album.  The album never went into distribution - you could only buy it from the band's website.  Renaissance has now licensed the album and repackaged and renamed it.  Symphony Of LIght contains all of the tracks from Grandine Il Vento but with an additional three tracks.""Though the release of Renaissance's brand new album Grandine il Vento has been tempered somewhat by the recent passing of guitarist Michael Dunford shortly before its release, let's not fail to state what is pretty obvious...this is a wonderful little album. Coming 12 years after their last studio album Tuscany, Grandine il Vento manages to successfully recreate the classic Renaissance sound just like its predecessor. The line-up for the album is Annie Haslam (vocals), Michael Dunford (acoustic guitar, backing vocals), David J. Keyes (bass, vocals), Rave Tesar (keyboards), Frank Pagano (drums), and Jason Hart (keyboards).If anyone has caught the band live over the past few years, you've no doubt witnessed Haslam's voice sounding quite good, and she's in great form here as well. Just listen to her gentle touch and soaring lines on the epic & majestic opening song "Symphony of Light", a remarkable tune that has all the classic Renaissance elements; stunning piano & keyboards, nimble bass lines, deft acoustic guitar work, and powerful vocals. This track wouldn't have been out of place on Turn of the Cards or Ashes Are Burning. "Waterfall" is a lovely little ditty, complete with Haslam's charming vocal and warm guitar chords from Dunford, while the alluring title track offers up some fascinating lyrics to match the majestic musical arrangements. Tesar and Hart have really laid down some exquisite keyboard tapestries on this one, and the soaring chorus from Annie is a thing of beauty.The band goes for a more groove laden pop feel on "Porcelain", but again, Annie steals the show with her soothing delivery on the chorus. "Cry to the World" is for all the folk lovers in the house, complete with lush acoustic guitar and guest flute from Jethro Tull legend Ian Anderson, while "Air of Drama" is a quirky, mysterious little song that has a majestic feel thanks to some glorious keyboards, lush guitars, and a great vocal duet between Haslam and Keyes. Tesar's gorgeous piano leads in the dramatic "Blood Silver Like Moonlight", another song with that classic era feel, and none other than John Wetton (Asia/King Crimson/UK) makes a guest appearance to join Annie on vocals. The album closes with the dark, ominous "The Mystic and the Muse", a powerful song that features plenty of bombast and drama, thanks to some huge symphonic swells, complex passages, and soaring vocals from Annie. It's easily another one of the main highlights of the album.Though it took over a decade, Renaissance have truly delivered a stunning album here with Grandine il Vento. Sadly, it's also the last appearance of the late Michael Dunford, but he most certainly has gone out on a high note. The band have regrouped after Dunford's unexpected passing, with new guitarist Ryche Chlanda, and are taking the new album out on the road. Expect to be wowed, as much of this latest CD should slot right in alongside all those great Renaissance classics." - Sea Of Tranquility
    $14.00
  • Second album from this up and coming band from the Canadian Northwest. Black Mountain pay homage the spirit of 70s psychedelic hard rock. The music has some prog moves and the band is at their best when they jam it out like on the 16 minute "Bright Lights". Hey they aren't afraid to toss in lots of Mellotron either! Tangentially related to the retro-school that bands like Wolfmother are mining but frankly these guys are even better. "If this is the future, start growing out your facial hair now, because it looks like the blood-crazed Canadian hippies will inherit the Earth. Black Mountain are four men and a maiden from Vancouver, reveling in psychedelic prog metal with all the Seventies flourishes. In stoner-detention epics like "Wucan" and "Queens Will Play," they bring metal guitars, multipart song structures, temples-of-Syrinx poetry and vintage synths that sound like they were beamed in from some lost Argent or ELP session. Black Mountain's 2005 debut made them a hit with budding viking warriors everywhere, but In the Future has an even bigger kick, with a surprising blues edge and Amber Webber's vocals adding a touch of Sandy Denny to the battle-of-Evermore vibe. It definitely says something for Black Mountain's achievements that the two best moments here are also the weightiest — the eight-minute "Tyrants" and the sixteen-minute "Bright Lights." " - Rob Sheffield/Rolling Stone Still undecided? Check this out - you can hear the entire album on the band's Myspace page: Black Mountain - In The Future
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  • Dutch symphonic metal band EPICA celebrated their 10th anniversary with a one-night-only event, dubbed Retrospect. The band was accompanied by the seventy piece Extended Reményi Ede Chamber Orchestra and the Choir of Miskolc National Theatre, playing an unforgettable 3-hours best-of set.According to respected Dutch newspaper the Volkskrant "The band wrote a chapter of Dutch metal History" this evening. Rock Tribune (Belgium) thought it was "an unforgettable show".Ten high definition cameras captured this very special sold-out show while Epica played in front of nearly five thousand ecstatic fans in Eindhoven, the Netherlands. In addition to a collection of the band’s biggest hits from across the spectrum of their entire catalog, this once-in-a-lifetime spectacular also features the live debut of “Twin Flames” and the previously unreleased “Retrospect”, covers of classics by Vivaldi, Pergolesi, and Oscar-winning film composer John Williams, two guest collaborations with the venerable Floor Jansen (Nightwish, ReVamp), and a very special performance of their breakthrough single, “Quietus”, with founding members Jeroen Simons, Ad Sluijter, and Yves Huts.Nuclear Blast will release Retrospect as a deluxe hardcover book with 32 pages. Both as a 2DVD/3CD and 2Blu-ray/3CD version. Retrospect will contain the following fan favorites:01 - Introspect02 - Monopoly on Truth03 - Sensorium04 - Unleashed05 - Martyr of the Free Word06 - Chasing the Dragon07 - Presto08 - Never Enough09 - Stabat Mater Dolorosa10 - Twin Flames11 - Serenade of Self-Destruction12 - Orchestral Medley13 - The Divine Conspiracy - Anniversary Edition14 - Delirium15 - Blank Infinity16 - The Obsessive Devotion17 - Retrospect18 - Battle of the Heroes & Imperial March19 - Quietus20 - The Phantom Agony21 - Cry for the Moon22 - Sancta Terra23 - Design Your Universe24 - Storm the Sorrow25 - Consign to Oblivion26 - Outrospect                                                                                                                                                                                 Retrospect features this massive performance in its entirety, as well as exclusive interviews with all band members and behind-the-scenes footage from the show. 
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  • New edition of the band's second album features a remix by Rob Reed and remastered sound courtesy of Bob Katz (who called me to proclaim this "reference recording material"). There is a bonus DVD (NTSC - region 0) which features a 5.1 remix and video footage of Rob and Steve Reed in the studio as well as some Magenta official bootleg clips of Seven material. Wonderful followup to their 2001 debut. "Seven" is a concept album based on the 7 deadly sins. So you get 7 tracks crammed into a 76 minute disc filled with stunning female vocals and a musical melange that recalls the salad days of prog bands. Genesis fans will trip out on this one! Highly recommended.
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  • "US band ODIN'S COURT have been around ever since 2001, with a good handful of productions to their name so far, and in terms of full length albums they have released six of them so far. Their most recent one, "The Warmth of Mediocrity", was issued through US label The RecordLabel.net's Progrock Records division towards the end of 2013.While this is a full length album, I guess the majority would really sort this one as a compilation rather than a bonafide studio disc, as the greater majority of the songs have been pulled from old releases. But as these songs have been both remixed and to some extent remade as well, due to the addition of Dimetrius LaFavors as lead vocalist, this really is a new album even if much of the material have been available in other versions previously.As far as style is concerned, Odin's Court is among those bands that venture back and forth across the border between the rock and metal part of the progressive universe, although the main emphasis appears to be on the latter of these. They explore, at least in recent years, a brand of progressive metal that explore the contrasts between grimy, gnarly dark toned guitar riff constructions and light toned, subtly exotic sounding keyboard textures, with ample room for movements of a more careful nature to alternate between the harder edged and more intense ones. The piano is employed for an additional delicate touch on several occasions, and what I presume to be digitally crafted orchestral backings also have their place in the material of this band. The dulcimer is also used to good effects to convey effects of a more careful nature within this landscape.From what I can recall of their older material, it would appear that their new vocalist is a good addition to this band. There are still some issues with the vocals however. That there are songs here not written with the new vocalist and his particular voice in mind is a fact, and that some of the vocal parts comes across as somewhat odd in structure and execution both is a detrimental detail at times. As is the band's slight tendency to hit off in a dramatic, technically oriented run with quirky staccato riff bursts in asynchronous patterns, although this latter aspect probably has more to do with personal taste and not quite as much to do with stylistic expression and structure as such.Personally I found the band to be most interesting when exploring territories of a more regular nature, with the remade version of Utopian Rust and the following instrumental Paradise Lost: Chapter 1 to be clear album highlights. The former a fairly traditional progressive metal creation sporting a fairly smooth, dark toned guitar riff and a fairly predictable but effective keyboard contrast as the dominant elements, with compelling harmony based guitar soloing and a nifty bass motif beneath that fits this song in this guise very well indeed. The latter of these two songs appears to be a case of progressive metal inspired by classical music, using orchestral details to supplement the guitars and organ that otherwise sets the mood and atmosphere. Opening and title track The Warmth of Mediocrity also warrants a mention, and again we're dealing with a more common variety of progressive metal with strong and distinct contrasts between guitar riffs and keyboards, majestic themes and a harmony based song in general expression and instrumental solo runs both.All in all a somewhat uneven production as far as I'm concerned, where the most experimental numbers also comes across as the least inspired of the lot. But when Odin's Court starts exploring a more common and predictable variety of progressive metal, then they are going strong with all cylinders firing in a fitting, majestic manner. A band and an album worth taking a look at if you're curious of a band that are at their best exploring traditional progressive metal Dream Theater style, while also having a go at assembling compositions of a more challenging nature that may not be quite as appealing - all of this very much depending on personal taste admittedly." - ProgArchives
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  • Remastered edition with bonus tracks."This is the first of Irish guitar virtuoso Gary Moore's true heavy metal albums. Boasting a crisp, aggressive sound, Corridors of Power kicks off with the foot-stomping "Don't Take Me for a Loser," delivers the token power ballad in "Always Gonna Love You," and floors the gas pedal on "Rockin' Every Night." However, the album's climax has to be the epic "End of the World," with it's two-minute long guitar solo intro and vocals courtesy of Cream's Jack Bruce." - Allmusic Guide
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  • This was a pleasant surprise and frankly a return to form. "Room V" is actually a sequel to 1998's "Tyranny" and in many ways betters it. I find the album to be a bit laid back - by Shadow Gallery standards. I would say that this leans more towards the prog rock side rather than metal reminding me of a heavier version of Glass Hammer although lots of similarities to Dream Theater are evident. The album is filled with warmth, perhaps due to the emphasis at times on keyboards. So this one straddles the line between symphonic rock and progressive metal doing both with panache - this one is easily recommended.
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