Impetus (BLOW OUT PRICE!)

"Impetus is the debut offering from Austrian melodic metal band Ecliptica. The band plays a fairly straightforward melodic metal that incorporates elements of both progressive and power metal. Imagine Axel Rudi Pell with traces of Edguy, Sonata Arctica, and perhaps Ayreon (lyrics weren't provided, but this feels like a rock opera or at least a concept album at times) and you'll get a basic idea of Ecliptica's sound.

It's a little surprising to find an album like this on the Frontiers label. Frontiers is no stranger to melodic metal, of course, but their releases tend to be of much higher profile and much higher quality. The musicianship on Impetus is high caliber, approaching progressive metal technicality at times, and there are some great melodies, but the songwriting is a bit uneven. When the band is doing a full-on rocker, it's easy to get into the music and melodies; likewise with their more melodic, sing-along power metal tracks (see "Carry On" and "Land of Silence"). The rock opera type songs ("Turn Away" in particular) just seem a bit too melodramatic, and are marred by some less than stellar vocal performances.

Making use of both male and female vocalists is a shrewd move, and one that would pay off if the vocalists in question further develop their talents. Elisabeth Fangmeyer and Thomas Tiebur have decent enough voices, but they both have a definite accent and seem to lack the kind of power that could really draw listeners into the music. It sounds like the vocals are buried in the mix as well. This would be a drawback for any release, but on an album like Impetus where Fangmeyer and Tiebur often appear to be playing characters in a rock opera, their weakness is a major distraction from the otherwise impressive music.

Impetus is a perfectly solid but not particularly remarkable offering from a band that definitely shows potential. Future releases from Ecliptica bear watching, but Impetus is unlikely to satisfy most fans of Frontiers' melodic metal roster." - Hardrock Haven

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "This 1971 release also went gold, here with an unreleased live version of Travellin' in the Dark (to E.M.P.) ."
    $5.00
  • Special 2 CD collector's edition features an instrumental orchestral version of the album (DO I HEAR KARAOKE?) plus a bonus track.
    $19.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • Third album from Wobbler finds them with a new vocalist Andreas Prestmo (who is a bit of an improvement). The music is still retro-British 70s prog but its clear that the spectre of Yes presides over the album. The King Crimson and ELP tidbits that cropped up on Hinterland are for the most part gone. Instead think in terms of The Yes Album and Close To The Edge with perhaps a bit of Octopus and This Is Gracious! tossed in for fun. Beginning to end its a total blast. Highest recommendation!"Norway's kings of symphonic prog, Wobbler, arrogantly sidestep the whole debate of "prog" versus progressive. Since it's dubious whether rock has anywhere left to progress anyway, they have instead chosen simply to celebrate the rainbow-colored fireworks, the airy-fairy themes, the danger and the drama and the joy of pure music that made prog what it really was, and still can be: An exhilarating musical spectacle, a gladiator match of major chord crescendos and mini-moog glissandos.Wobbler's third album, Rites at Dawn, is a case in point. It's a no-holds-barred declaration of love to the progressive giants. It's all here - Lars Fredrik Frøislie's overblown arsenal of every analog synth known to man, played with Wakemanesque flair and Emersonian hubris. Andreas Prestmo's soaring vocals, delivering at times delicate, fragile melodies and at times joyous, triumphant multi-part harmonies that would make CSN proud. The vibrant, stinging guitar of Morten Eriksen, the - you guessed it - thundering Rickenbacker bass of Kristian Hultgren, and finally Martin Kneppen's drumming, which manages that neat and esoteric 70's trick of making even impossible time signatures swing and swagger.Rites at Dawn is a major step forward for Wobbler. As songwriters they have matured. Even though the music is as complex as ever, it flows and breathes in a whole new way, and the addition of Andreas' vocals adds a very human, and dare we say emotional, element to the songs. The album somehow pulls off being both challenging and adventurous, but at the same time accessible and downright infectious. Even though this is the kind of prog connoisseurs will stroke their beards appreciatively to, it is also prog their girlfriends will like. And you really can't ask for more than that."
    $16.00
  • Fourth album and the first one to feature Marty Friedman. Completely remixed and remastered by Dave Mustaine. Features 4 unreleased bonus tracks.
    $8.00
  • Great disc with Richard Sinclair and Mel Collins in the lineup. "Echoes" is an all time classic.
    $9.00
  • Phase - Midnight Madness is the third release in our limited edition Modulus series.  Pressed in an edition of 500 copies, it comes housed in a old school style tip-on mini-LP jacket.  A 12 page booklet features detailed liner notes from the members of the band.Phase was a New Jersey based quartet formed in 1978.  It featured Regan Ryzuk (piano, Moog, Celeste), Dave Anderson (electric and Anscor stereo guitar), Carl Scariati (Carl Thompson electric bass), and John Hvasta (drums/tympanis).  All members were young but highly accomplished musicians with a serious interest in jazz, classical composition, and progressive rock.  Their high energy instrumental music clearly demonstrated these influences.  The music of Phase can easily be classified as fusion but there are strong undercurrents of progressive rock that weaves its way through the album - not just in terms of the instrumentation or playing, but the compositions as well.The band signed a deal with QCA/Red Mark Records in Cincinnati.  The band left New Jersey and heading out to Ohio to record Midnight Madness.  The album was recorded and mixed very quickly.  It saw a release in 1979 and unfortunately sank without much of a trace.  Keyboardist Regan Ryzuk reissued the album two years label, rebranding and repackaging the release under the Fusion Quarter moniker.Hearing this music for the first time was quite a revelation.  I was blown away to say the least.  When I'm asked to describe the music I typically reply "Return To Forever meets Emerson Lake & Palmer".  Not only did this quartet have chops from hell but the compositions were challenging as well.  If you are a fan of RTF, Mahavishnu Orchestra or the prog giants ELP, Yes, Zappa, and PFM you will find much to enjoy here.Please keep in mind that when this edition sells out it will be gone forever.  
    $27.00
  • First album for this Finnish band, recorded for the Christian based metal label Rivel Records. OK...so is it any good? Well if you are fan of Stratovarius I would think you would go insane for this band. It's melodic power metal with just the right amount of crunch. Not original by any stretch of the imagination but it fits neatly into that niche of melodic but slightly speed filled bands like their Finnish brethren.
    $14.00
  • German power metal masters. New remastered edition features 4 bonus tracks!
    $13.00
  • Superb return to form from these German masters of melodic progressive metal. Beyond Daylight exhibits many similarities to The God Thing and may well prove out to be their best effort yet.
    $15.00
  • "It is summer and it's hot in California. For the recording musician it means that air conditioners are causing problems and are generally too loud. So, the musician can either sit on their ass and do nothing or simply switch gears and record an album with sounds that are louder than the air conditioners. This is what Henning Pauly decided to do when he realized that moving on to his rock-opera "Babysteps" was not possible right now. He called up the singer of the new band of his bandmates from Chain, Transmission, in Germany and asked if he was available. Juan Roos immediately said yes to the project, but he only had a two week window and it was two weeks from that phone call. Henning loves deadlines and so he started writing to have the album written and recorded, minus vocals, within two weeks.Henning describes Juan's voice as a perfect blend between Geoff Tate and David Coverdale: "Juan can give you the high stuff, but he can also be really raspy and rocky...his voice just kicks you square in the nuts!"Because of the very limited time frame for the conception and production of "Credit where credit is due" Henning asked his proven writing team to join in when it comes to lyrics and melodies, so Matt Cash is on board again, as are Edward Heppenstall and Jason McSheehy. Several songs on the album loosely deal with the world of rockstars, scandals and getting credit for what one has done. No need, really, to point out here that everyone involved will get credit where credit is due.The music is loud, heavy and realism has been shoved behind production value on the list of priorities. Heavy Industrial Drum sounds are interspersed with acoustic sets. The banjo finds its way into metal again and sometimes you can draw clear parallels to the work of Trent Reznor and Marylin Manson. There's more to it than just that, but the production is clearly more modern than anything Henning is done so far.This CD was about having fun with music and production and it gives Henning a chance to be back in the studio and have fun doing what he loves the most...making music, not talking about it."
    $3.00
  • Last album of the 70s finds the tracks a bit shorter. This one tends to get overlooked as it was the follow up to the successful Point Of Know Return.
    $5.00
  • "IRON MASK stand out from many other artists of the neo-classical metal genre because they manage to combine high musical ambitions with a certain kind of accessibility and lots of variety. With 'Fifth Son of Winterdoom', Dushan Petrossi and his band manage the musical claim to be very catchy, so fans of Firewind, Dio, Iron Maiden, Yngwie Malmsteen and Rainbow will all have their joy in this extraordinary album."
    $15.00
  • One of the great UK mellotron bands reissued in a mini lp sleeve with two bonus tracks.
    $17.00