Invanity: Live In Berlin ($2 SPECIAL)

"A very special semi-acoustic live set from this seminal gothic metal band. The album captures their favourite songs specially rearranged for this event, while also including reworked cover versions of songs by Slayer and Nick Cave, the latter featuring guest vocals from Tiamat's Johan Edlund."

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  • Andy Latimer goes Celtic!
    $20.00
  • "There are few bands, with a better than 25 years career, that have been as consistent in their sound and output as Denmark's Royal Hunt. Sure, they've had their share of personnel changes, significantly in the vocalist position, yet they carry on with increasing success. Recently, some of that success comes from one simple yet significant change. They brought Pennsylvania native D.C. Cooper back on the microphone. For my money, he'll always be the voice of Royal. He remains so, and the band records their thirteen album with Cooper, XIII - Devil's Dozen, his fifth on vocals for Royal Hunt.For those unfamiliar with Royal Hunt, which I doubt if you're reading this, the band performs melodic and symphonic heavy metal, with large emphasis on the first two descriptors. The symphonic element comes from founder and principal songwriter Andre Anderson's influence and keyboard presence. I'm presuming it's his synths that account for the large than life orchestration and not an actual orchestra. PR material was wanting on that information. Suffice to say, the symphonic layer provides two things. It provides a lush and lavish canvas and reinforces the melody of the arrangement, in every song. After this, Anderson offers keyboard solos throughout, sharing the limelight with the guitar leads. And those leads are as present and immense as everything else. Actually, I think the guitar presence is even larger on this album than most. Jonas Larsen is at the top of his game.Following these things, Cooper is also in top form, with a strong vocal presence. His skill comes from his natural ability to follow the melody and harmony of an arrangement, and then stay in range. Then there's the character of the songs, which has been alluded to by speaking of the particular musical elements.What's notable in those song arrangements is the importance of harmony and melody, but also the basic rock groove. This is where, from the band's inception, classic melodic hard rock has been as much a pillar of the musical foundation as the symphonic element. When these things dovetail together as with So Right So Wrong, How Do You Know, Way Too Late, and the quite catchy Hear On A Platte, Royal Hunt is a formidable melodic metal powerhouse. And that was only to mention four songs. They're all outstanding, all terrific and no filler. Once more, with XIII - Devil's Dozen, Royal Hunt's melodic and symphonic heavy metal is consistent, creative, and entertaining. Sweet stuff and strongly recommended." - Dangerdog.com 
    $16.00
  • New studio album from Roye Albrighton and Ron Howden carrying on with the Nektar name.  Since the band reformed last decade, their studio output hasn't lived up to the reputation of the classic 70s era.  This album appears to stop the skid.  Keyboardist Klaus Henatsch has been with the band for some time now.  His keyboard arsenal has that old school sound utilizing Hammond organ at every turn.  Fill-in bassist to the stars Billy Sherwood rounds out the quartet and he also handled production.  While no two Nektar albums sounded exactly alike there was an overriding sound - once you heard a song you immediately were able to identify it as Nektar.  A lot of that had to do with Albrighton's vocals and guitar work.  Time Machine is just that - a trip back in time to the sound of Nektar in the early 70s.  I'm not going to tell you that is will supplant Remember The Future as their magnum opus, but I have to say that this isn't half bad at all and pretty closely approximates the Nektar sound that we all know and loved.  Surprising and satisfying.
    $16.00
  • Second album from this eclectic US prog band featuring the helium laced vocals of David Surkamp.
    $10.00
  • "What do you get when you take a rough and ready Germanic power metal band and add two members of Blind Guardian? You get a better rough and ready Germanic power metal band. Sinbreed is that band and features the talents of Blind Guardian guitarist Marcus Siepen and drummer Frederik Ehmke, which gives them some instant musical credibility and clout. Their 2009 debut When World’s Collide was a rock solid slab of slick, but angry metal in the vein of modern Accept, Herman Frank and Paragon and Shadows improves on that template with even more raspy, Udo-like vocals and thrashy guitar lines. These cats don’t go in for the frilly aspects of Euro-power and prefer to pummel and attack with aggression while maintaining enough melody to hook you in. That makes Shadows a feisty, ill-tempered collection of speedy riffs, catchy choruses, and pissed off attitude, and when power metal is done this well, it’s pretty hard to resist. Not revolutionary, but it sure satisfies that need for edgy power sans pirate shirt.If you loved the last two Accept albums, songs like “Bleed” and “Call to Arms” will go down gangbusters. Lots of fast, in-your-face riffs and the excellently raspy roar of Herbie Langhans combine for some headbanging good times with all the Germanic flair you expect from acts like Grave Digger, but this is much better and more jacked up. It’s one speedster after another, each with a more than adequate chorus and ample nutsack. Sometimes they remind a bit of Steel Attack (title track), others times there’s a distinct Steel Prophet feel to the songs (“Leaving the Road”). Regardless of what influences they borrow from, they keep things straight-ahead, simple and rocking.Tunes like “Reborn,” ”Black Death” and “London Moon” have simple, memorable refrains and manage to be catchy without dialing back on the aggression. Most songs ride along on simple, but heavy riff patterns and rely on Herbie’s vocals to do the heavy lifting, pausing only for some satisfying, if typical power metal solos. It’s a simple approach, but it works for them, though there isn’t much difference from song to song and things do start to bleed together a little on the album’s back-end.Speaking of Herbie’s vocals, he’s a helluva good front man for this type of music. He has the raspy, gravely style down pat and reminds me a lot of new Accept singer Mark Tornillo. He has quite the powerful range and can hit all sorts of interesting notes when he so desires. He also has a bit of Bruce Dickinson’s flair and swagger hiding between his harsher approach (especially on “Standing Tall”) and it helps put the music over and make an impression. Marcus Siepen and Flo Laurin deliver the badass riffage required for this style and their solo work is pretty nifty (especially on “Broken Wings”). Nothing they do will make you fall out of a chair, but they manage to keep things moving for all ten songs and the album feels like it goes by quickly, which is a good thing.A typical dose of Teutonic terror, but a very good one, Shadows blasts away with all barrels, stays very consistent and checks all the required boxes on Yea Olde Power Metal Checklist. These guys are one of my favorite bands of this ilk and between them, Accept and Herman Frank, I get all the Germanic rage I can handle at my advanced age. If you need more muscle in your power metal, these guys have the iron injection ready to go. Go heavy or go home." - Angry Metal Guy
    $16.00
  • I'm going to get straight to the point.  If you are a fan of female fronted metal you must own this album.  The Human Contradiction is a complete triumph.  It finds the band returning a bit to their roots.  There are still poppy elements - that's part of their core sound - but there is a heaviness that will remind you of Lucidity.  Nightwish's Marco Hietala returns contributing on clean vocals. Also back is Orphanage vocalist George Oosthoek who is one of the best growlers in the metal scene.  Arch Enemy vocalist Alissa White-Gluz makes a guest appearance.Timo Somers' guitar riffs are chunkier, Charlotte's voice is impeccable as always, and Martijn's keyboards are simply epic.  The album was recorded at Studio Fredman and sounds massive.  Weaving the whole album together is a sci-fi theme borrowed from the writings of Octavia Butler.This is an album filled with a enough earworm hooks to drive you crazy but at the same time its heavy!  For my taste its a top 10 album for 2014.  BUY OR DIE!Limited edition 2CD mediabook edition.  The bonus CD contains 2 additional new studio tracks as well as live tracks and two orchestral versions of tracks from The Human Contradiction.  Essential.
    $16.00
  • For reasons beyond my comprehension this German six piece band is being lumped in with Graveyard and Witchcraft.  Yes this is a retro sounding band and hard rock is one of their primary influences and yes there is an occult theme running through the album.  I hear much more of a 70s hard rock sound.  Think in terms of Uriah Heep, Lucifer's Friend and Deep Purple but also some undercurrents of bands like The Devil's Blood.  There is Iommi-type riffing that turns up so I guess that's the Sabs influence and the connection to those Swedish bands.  I'm digging the swirling organ sounds. "Orcus Chylde are a band with a sound that is very hard to categorize. Parts Doom, Pysch, Prog Rock, Proto-Metal mixed in with a delicious 70's Occult Rock feel.They are part of the new breed of Doom Rock/Metal that is starting to make waves through the rock world. They have just released their astonishing debut S/T Debut album. An 8 song and 48 minute blast of out of this world psychedelic riffs.The album is expertly produced and played by everyone involved.If your a fan of 70's Hard Rock Bands such as Led Zep, Black Sabbath and Deep Purple then your going to love this. It takes the music from that era but adds some cool modern Doom Rock riffs to truly stand out from the crowd.This album feels like a greatest hits collection of this great band rather than their debut album. All of the songs  are great especially - The Day The Seventh Angel Came, Valley Of Thorns, Over The Frozen Rivers.All showing what this great band does so well. Paying homage to great bands past and present but putting their own spin on things. Such as the sublime vocals of vocalist Tobias and the Organs. The organs add a dream like quality to their music. Some times unsettling but altogether original and fucking superb.This album is receiving a whole lot of praise all over the place. And rightly it should. As it's Orcus Chylde's callling card to the world of Hard Rock/Doom Metal that a truly important band has arrived on the scene. And that they are here to stay for a long, long time.Long May It Continue. An outstanding album by a great band from our German Brothers.If you want a truly operatic theatrical doom rock/metal album full of original ideas and riffs then I recommend you check this excellent band now. You would be mad to miss out this excellent album." - The Sludgelord Blog
    $15.00
  • Double live CD recorded in Santiago, Chile. Sadly this is the last release to feature vocalist Anneke van Giersbergen who has since left the band. The material is a good cross section of their catalog focusing on their more rock oriented output.
    $16.00
  • Double 180 gram vinyl edition.  Semi-acoustic interpretations of classic Anathema tracks.
    $29.00
  • Beautiful new 2011 digipak edition featuring a fresh remaster courtesy of the band. Essential seminal prog.
    $17.00
  • As you all know by now, the tracks on Made In Japan were culled from three nights of performances of the Japanese 1972 tour.  This is a new 2CD version of the album.  Disc one features a 2014 remaster of the original mix.  Disc two features the encores from all three nights - remastered from the original analogue stereo masters.
    $20.00
  • "(Mostly) UK-based symphonic/power metal band Damnation Angels is back with a new album, their second overall, titled The Valiant Fire. It’s the highly-anticipated follow-up to their breakthrough 2013 debut full-length Bringer of Light, and on it the Graney brothers and vocalist Per Fredrik “Pellek”Asly have taken just about everything to the next level.As you might expect after the grandeur of Bringer of Light, The Valiant Fire is, in a word, epic. The orchestrations in particular are massive, swirling around the guitars and drums to create a majestic atmosphere throughout the album. It’s a consistent atmosphere too, almost giving The Valiant Fire a concept album feel, even though the songs are independent of each other. The atmosphere connects them all, and makes this album that much more rewarding when taken as a whole listening experience. The melodies are a little more subtle this time around, but still play a large part in the album’s overall sound. And of course there’s the vocal performance. Pellek is one of the brightest young stars in the genre, and being in Damnation Angels seems to bring out his best performances. The power, range and emotion he conveys is what makes these songs resonate so much.Unlike Bringer of Light, which immediately drew you in with huge melodies, The Valiant Fire is going to take a few spins to really sink in. When it does though, it simply won’t let you go. That’s not to say there aren’t incredible melodies and hooks. They just seem dialed back in comparison to the debut. You’re still going to be headbanging and singing along with the catchy “This Is Who We Are” and “Everlasting.” Oddly enough, the most bombastic song on the album is the instrumental title track. It makes a statement, but you can’t help but wish Pellek was there doubling the impact of such strong melodies. The album boasts a pair of nine-minute epics – “The Frontiersman” and “Under An Ancient Sun” – that are very different from each other but equally memorable. Honestly, all nine of the songs on The Valiant Fire are sensational, and there isn’t a weak moment anywhere on the album.New releases from Nightwish and Kamelot will – deservedly – garner the lion’s share of attention from the Symphonic Metal community, but The Valiant Fire has to be considered one of the best – if not the best – entry in that genre in 2015. Even stepping away from genre tags, this is just one of the best albums you’ll hear all year if you like your metal grand, powerful and epic. If you haven’t yet experienced Damnation Angels, now is the perfect time to discover one of the most exciting bands in recent years." - Hard Rock Haven
    $15.00
  • Deluxe digipak version comes with a bonus NTSC DVD featuring "The Making Of Trust".
    $15.00
  • Debut release from this Norwegian progressive ensemble immersed in the 70s sound.  Tusmorke began life as Les Fleurs Du Mal and featured Wobbler vocalist Andreas Prestmo.  They have since gone through changes of lineup and nae.  The band is heavily influenced by Jethro Tull, White Willow and Incredible String Band.  Its flute driven prog with a quirky psychedelic folk element.  The album was produced by Wobbler keyboardist Lars Fredrik Frøislie who contributes his arsenal to the album enhancing the prog vibe.  Mellotron freaks - its all here!  In addition to the album you get 3 bonus tracks of previously unreleased material from Les Fleurs Du Mal.  Highly recommended.[[{"type":"media","view_mode":"media_original","fid":"9132","attributes":{"alt":"","class":"media-image","height":"283","width":"400"}}]] 
    $18.00