Katy Lied ($5 Blowout Price!)

SKU: MCAD-11916
Label:
MCA Records
Category:
Blues Rock
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"Building from the jazz fusion foundation of Pretzel Logic, Steely Dan created an alluringly sophisticated album of jazzy pop with Katy Lied. With this record, Walter Becker and Donald Fagen began relying solely on studio musicians, which is evident from the immaculate sound of the album. Usually, such a studied recording method would drain the life out of each song, but that's not the case with Katy Lied, which actually benefits from the duo's perfectionist tendencies. Each song is given a glossy sheen, one that accentuates not only the stronger pop hooks, but also the precise technical skill of the professional musicians drafted to play the solos. Essentially, Katy Lied is a smoother version of Pretzel Logic, featuring the same cross-section of jazz-pop and blues-rock. The lack of innovations doesn't hurt the record, since the songs are uniformly brilliant. Less overtly cynical than previous Dan albums, the album still has its share of lyrical stingers, but what's really notable are the melodies, from the seductive jazzy soul of "Doctor Wu" and the lazy blues of "Chain Lightning" to the terse "Black Friday" and mock calypso of "Everyone's Gone to the Movies." It's another excellent record in one of the most distinguished rock & roll catalogs of the '70s." - All Music Guide

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  • Third and best album from this seminal Italian prog band. Originally Delirium was led by flautist/vocalist Ivano Fossati, who left after the first album and went on to a significant career in Italy as a pop singer (still going strong today). His replacement was Englishman Martin Grice who not only played flute but sax as well. In addition to Grice's great work you get some killer organ and Mellotron. The sax/organ interplay reminds a bit of VDGG and there is an obvious Tull influence at play as well. Nicely remastered and repackaged in a mini-lp sleeve.
    $20.00
  • "Good morning, good afternoon, good evening or good night (depending on where you are in the world), how’ve you been? I’m good, thanks. Anyways, first thing’s first, before we get to the review, let’s take a minute to explain what is “Lingua Mortis”? “Lingua Mortis” was a 1996 album by German Heavy Metal legend RAGE, an album which took some of their classic songs and presented them in new symphonic arrangements.Fast forward 17 years, RAGE is still going strong, and after playing live shows with what’s known as “Lingua Mortis Orchestra” over the last few years, RAGE finally decided to create a new “Lingua Mortis” album, this time however the band chose to create an album of all new material. Based on the true story of the “1599 Gelnhausen” witch hunting’s and featuring around 100 musicians, “LMO” is a monster of an album. Make no mistake about it, this is a Metal album through and through, Composed by Victor Smolski with Lyrics by Peavey Wagner, this album is as much RAGE as any album they have released in their illustrious career, but this is RAGE with a completely different edge to them.It opens with “Cleansed by Fire” a ten minute opus opening with a witch chanting with a choir coming in, this is the song that tells you all you need to know, the song is melodic, deep, heavy, catchy, this is Rage at their finest, Peavey Wagner’s usually harsh vocals are softer here and are perfectly complemented by the female accompaniment, this song incorporates three parts into it, “Convert the Pagans Pt1”, “The Inquisition” and “Convert the Pagans Pt2”, the guitar work by Victor Smolski is absolutely exquisite throughout.I wanted to do the usual track by track review, but I honestly can’t, it would take too damn long, this album moves and twists more times than I could possibly put into a single review, it’s heavy as hell, the masterful blast beats are here, the guitars are incredible and at times reminiscent of the masters like Pell and Malmsteen. The choice to mix Peavey’s heavy vocals along with softer and operatic female vocals and at times choirs is a brilliant move as they blend perfectly. The album at times even has an 80s sound (like the opening of “Devils Bride”).The bottom line here is that this album is nothing short of a masterpiece, if you love RAGE (like me), you’ll love this album, if you love Symphonic Metal, you’ll love this album, hell, it’s very hard not to love this record as it features elements from a lot of metal genres and mixes it in with an amazing array of orchestral work. I’m not really the type to call an album perfect, but I find it hard not to in this case, the hooks are there, and so is the heaviness, it’s probably the best symphonic album I’ve heard without a NIGHTWISH label on it.The album comes out August 2nd, and I certainly suggest you go on YouTube right now, have a listen to a sample and go out and get this album as soon as it’s out, you won’t regret it. " - Metal Temple
    $13.00
  • "Insurgentes is the new documentary film about Steven Wilson (Porcupine Tree) directed by Lasse Hoile. Porcupine Tree are currently enjoying massive success across the world with their latest album, The Incident. Insurgentes is a musical road movie that follows the making of his solo record of the same name, and is a portrait of an increasingly rare artist who works with music and media out of love and not for fame and fortune, persisting in making art on his own terms in a world where 'throw away' mentality is increasingly becoming the norm. The film features footage of Wilson with other artists and friends including Mikael Akerfeldt from Opeth, Jonas Renkse from Katatonia, the Israeli superstar Aviv Geffen, and the legendary producer Trevor Horn."
    $9.00
  • Digipak edition with bonus track."These Power Metal merchants are held in high regard thanks to their personnel who have the experience, plus the previous four albums by Silent Force have held the attention mixing the hooks with rampant guitar riffs and their flair for clinical execution.Their last album, 'Walk The Earth', was unleashed back in 2007 so there has been plenty of water under the proverbial bridge leading up to this release.One notable difference for fans of Silent Force is the absence of D.C. Cooper on lead vocals. He has returned to the mighty Danish Melodic Progressive Rock band Royal Hunt and on this album is replaced by Michael Bormann known for his work with Bloodbound and Powerworld.Known as the main brain behind these Metal marauders, Alex Beyrodt starts the proceedings with some Yngwie Malmsteen style fretwork before 'Caught In Their Wicked Game' runs loose. Fast paced and ready to eliminate the competition the band sound hungry and eager to please.The new vocalist here really complements the sound, but may have some struggles winning over purists who yearn for their favourite original singer. 'There Ain't No Justice' and 'Circle Of Trust' both thrust the sword through the torso as the energy remains relentless.I really enjoyed the opening salvo of these three songs the first time I heard this album, through to the fifth spin and so on. The latter of these three tracks retains a pop sensibility, but loses none of the Metal credentials that you'd expect from this band.Not much to find fault about regarding 'Living To Die' which doesn't have the same prominent and obvious hooks as the previous songs, but still retains the quality. Listen out for some tasty keys from Alessandro Del Vecchio in the song 'Before You Run' and there's some mean riffing throughout 'You Gotta Kick It'. The balancing trick between the keys and guitar is the love affair that makes this album so appealing to the ears. They are the real stars from start to finish.Sarah has a lot to answer for as 'Turn Me Loose' tackles a relationship lyrically and maintains the groove in the backdrop. Solid drumming from AndrĂ© Hilgers keeps the good ship Silent Force on course providing a solid backbone, but is still unable to save this song from being below par in comparison to the rest. Perhaps slipping a little through the gears and reaching auto-pilot, 'Born To Be A Fighter' goes through the numbers competently enough, but the sparks aren't flying.Meanwhile, 'Anytime Anywhere' picks up the level of quality and mixes things up with a fine arrangement oozing melodies at each turn. This brings us to the final track 'Kiss Of Death' which chugs along like your favourite Metal anthem. The chorus stands up well and is a great way to round off what overall has been an enjoyable journey.Eight out of ten of the songs here are monuments to their reputation and abilities. Top quality musicianship, crisp production and power found in the crevices are all that I was hoping for initially, plus a feisty and strong delivery from the new vocalist. Thankfully, they tick the boxes consistently apart from a couple of weaker tracks that don't quite reach up to the benchmark they set with the rest of the album. Let power and melody unite in a blissful collision once more, as album number five aligns itself with their back catalogue." - Metal Talk  
    $16.00
  • One of the best US prog metal. Firmly rooted in the Dream Theater sound.
    $5.00
  • This was the fourth studio album for the band and their last with EMI Harvest as it was considered to be somewhat of a flop. I'm not sure why as it sounds pretty damn good to me! Lots of Mellotron goodness. Remastered edition comes with 10 bonus tracks!
    $13.00
  • Excellent remaster of one of the greatest mellotron albums of all time! Not even sure where to begin as this album is loaded with masterpiece after masterpiece. Comes with an unreleased track as a bonus cut.
    $17.00
  • Private vinyl edition released by the band.Second album from this great French ensemble. Curiously their first album was released by Tzadik and had to be the most overtly "prog" album ever on that label. This new album is out on Altrock and is probably my favorite release on the label. The band creates a mesmerizing whirlwind of sax, keys, vibes, bass, flue, bass, and drums. There is a touch of Zappa in the compositions probably due to the vibes/marimbas that remind of Ruth Underwood. Some sexy Mini-Moog leads squiggle around the dual sax leads. All in all one killer release. Highly recommended.
    $15.00
  • "Fortunately, part four of the quadrilogy, the blissfully laidback Ghost, will provide the perfect rest and recuperation at the end of that torrid ordeal.“Deconstruction is a complicated album. It’s got elements of Strapping without all the nihilistic, suicidal tendencies. For the people who want a heavy statement that’s very complicated, I think it’s gonna be the “be all, end all”. However, Ghost is a much more risky record on a lot of levels. It’s a really beautiful, folky, acoustic record with flutes and a real peaceful sentiment. I really like subtlety. That’s why I love Ghost so much. Deconstruction is about as subtle as a boner in sweatpants and that’s great too!”"
    $12.00
  • Debut album from this Italian power trio.  Doctor Cyclops are heavily invested in a 70s (and even 60s) hard rock sound not too dissimilar to Sir Lord Baltimore or Captain Beyond. What the hell - toss in some Black Sabbath and even Blue Cheer (yeah black and blue!).  Current bands like Firebird, Spiritual Beggars and Witchcraft are influences as well.  Blood Ceremony's Alia O'Brien guests on one track, contributing some nice spacious flute work.  On the final track "The Unquiet Garden" there is a nice bluesy Trower/Hendrix lead over some low key organ work.  Classy hard rock album.  Highly recommended.  
    $15.00
  • Amazing 2DVD set featuring highlights of the 2008 Wacken Festival. The lineup is staggering to say the least. Pro-shot it also features backstage footage, interviews (subtitled if I'm not mistaken). Check out this lineup: DVD1 01 Girlschool-Hit And Run 02 Mustasch-Monday Warrior 03 Sturm&Drang-Rising Son 04 Alestorm-Captain Morgans Revenge 05 Airbourne-Girls In Black 06 Leaves Eyes-New Found Land 07 Mambo Kurt-The Number Of The Beast 08 Iron Maiden-Two Minutes To Midnight 09 Primordial-Gallows Hymn 10 Mortal Sin-Out Of The Darkness 11 Cynic-How Could I 12 Job For A Cowboy-Entombment Of A.. 13 Unearth-The Great Dividers 14 Headhunter-Born In The Woods 15 The Rotted-A Return To Insolence 16 Kamelot-Rule The World 17 Destructor-Destructor 18 Soilwork-As The Sleeper Awakes 19 Autumn-Closet Friends Conspire 20 Sabaton-Attero Dominatus 21 Sonata Arctica-Don-t Say A Word 22 Massacre-Defeat Remains 23 Stam1na-Merestae Maalle 24 Psychopunch-Another Statement 25 Nifelheim-Storm Of The Reaper 26 The Haunted-Moronic Colossus 27 Van Canto-The Mission 28 Opeth-Heir Apparent 29 Corvus Corax-Fortuna 30 Saltatio Mortis-Uns Gehoert Die Welt 31 Avantasia-Twisted Mind DVD2 01 God Seed-Carving A Giant 02 God Seed-Teeth Grinding 03 Crematory-Tears Of Time 04ExcrementoryGrindfuckers- Excrementory Grindfuckers 05 The Fading-Destination Life 06 3 Inches of Blood-The Goatrider.. 07 Machine Men-Ghost Of The Seasons 08 Evocation-The Dead 09 Holy Moses-Through Shattered Minds 10 Merencary-Black And Hollow 11 Before The Dawn-Faithless 12 Enemy Of The Sun-Burning Bridges 13 Exodus-Piranha 14 Obituary-Slow Death 15 Powerwolf-Saturday Satan 16 Warbringer-Total War 17 As I Lay Dying-Within Destruction 18 Torture Squad-Living For The Kill 19 Krypteria-Somebody Save Me 20 Carcass-Heartwork 21 Drumsolo K. Owen 22 Killswitch Engage-Rose Of Sharyn 23 Girugaemesh-Dance Rock Night 24 Dream Of An Opium Eater-Audition 25 Watain-Sworn To The Dark 26 Kreator-Phobia 27 Nightwish-Nemo 28 Nightwish-Poet And The Pendulum 29 Axxis-Blood Angel 30 Lordi-The Only Come Out At Night 31 Lordi-Hardrock Hallelujah
    $26.00
  • Limited mini-LP sleeve edition."Paul Chain is, apparently, a weirdo who came from the band Death SS, who I know nothing about and thus won’t bother trying to summarize. No, I think I have enough material here just talking about Paul Chain’s oddball solo debut Life and Death. It is an esoteric and individual beast without anything resembling trendiness or modernization, reaching back from its late 80s standing into the dark murkiness of the 70s at some parts, and at others into an entirely new dimension, unexplored by man before and since. People, I can’t come up with any more ways to say this is strange, so let’s just cut the middle man and start reviewing this sucker.Life and Death isn’t exactly a title that sends any warning signals to your brain, and neither the track names or the cover art does either, so I really had nothing to go on. I guess I was expecting some sort of dirty, minimalistic doomy affair with deep, grunted vocals and dirgey bass and occult themes, or something, but really I was completely unprepared for the airy strings, the clean, sluggish guitars that sometimes broke into melodious leads and the high-pitched warbling from the vocals that followed.Yes, Paul Chain as a vocalist is quite literally out of this world, as I can’t think of even one other singer I know to compare him to. His voice alone sounds a tiny bit like Jon Arch if he ever got a super-clean production job, but it’s the way he sings that is so different from anyone else. For one, a lot of the time he apparently isn’t even singing real words – he’s completely made up his own language. How fucked up is that? It’s actually really cool and lends to the alien mystical air this album was obviously trying to set up. And two, his vocal lines are just so idiosyncratic and so stylized that I doubt anyone could cover and not sound totally ridiculous even attempting. His voice dives and soars and croons and emotes a million different ways over the course of this album, and not once does he sound like he’s straining. His high, slightly breathy whine is layered over the music like a light morning mist.The music isn’t quite as weird, but it’s still pretty damned distinctive. The first track is a pretty useless intro without much to really make it worth hearing, but then “Antichrist” kicks in, with its crawling tempo and strange nuanced vocal lines, and this is a song that had to grow on me a little – it’s not one of the best on here, but it’s certainly good enough to introduce the listener to what’s going to come. This is music that succeeds when you just sit back and let it roll over you in waves – like on “Kill Me,” which rides a really simple, driving riff for the entire seven minute run-time, along with Chain’s moaning of the titular words for the chorus. But it works; it really works. It engulfs the listener in a chasm of melody so tight they might never be able to get out, and it’s probably the album standout at the end of the day. “Ancient Caravans” is a short, soft piece with some really delicate vocals and an atmosphere like the Middle East at nighttime, and then we kick into the other album highlight with “My Hills,” which explodes like a shooting star with happy island-style acoustics layered over colorful, blazing leads in what ends up being a mouthwatering affair. It’s not terribly metallic but it is a wonderful, engaging piece of music.The rest of the album remains curious, with the sliding guitar melodies of “Alleuia Song” and the muttered vocals and more traditional metal riff of “Spirits,” even though there are no songs as good as “My Hills.” “Cemetery” is 8 minutes of thumping bass-lines, grunted vocals and loopy, obscure guitar leads, and it comes together pretty well, never failing to entertain even if it isn’t really something that will blow you away. The album closes with “Oblivious,” which is an organ piece that leaves the listener feeling uncertain, staring at the night sky wondering what he or she has just experienced…I like it myself; it’s a good way to leave an impression. It’s like, what happened? I’d better listen to that again and inspect it more closely. And that’s always good.Life and Death is pretty much like that as a whole, really – it’s a curious affair, and no doubt inspired. With only seven tracks being actual songs it runs under 40 minutes of real music, and I think that hurts it a bit, as it really does fly by. And I don’t want to be mean to this album or anything, but a lot of these songs just don’t really catch fire. “Kill Me” and “My Hills” are about the only ones that do. Nothing else really comes up to that level, and it’s a little disappointing, as I know he has it in him to do a whole album like that. These songs are good, but most of them end up being just…curious, rather than spellbinding and arresting as those two mentioned songs can be. This feels like a warm-up album at the end of the day. Nothing wrong with that, and I can really dig this when it’s on, but I think the stars are telling me with this to go seek out Chain’s future exploits and find gold…" - Metal Archives 
    $17.00
  • Evergrey are back and better than ever!  I think the general consensus is that as the band became more and more popular the music became a bit more commercial and the production slicker.  Tom Englund has gone back to the basics and its clearly the right move.  Jonas Ekdahl (drums) and Henrik Danhage (guitars) have returned to the fold and production has been handed over to Jacob Hansen.  This is a return to the "classic" Evergrey sound - that perfect balance of melody and heaviness with the right amount of "prog" injected when necessary.  COMEBACK ALBUM OF THE YEAR!  BUY OR DIE!"One of the leading names in the power/progressive metal world is the Swedish five-piece, Evergrey. Forming in 1995, the band has released eight full length albums, with number nine releasing this fall. The band has been known for relatively dark lyrics and concept albums since their debut, and because of this fact, it was very difficult for me to get into their music. I can easily count the amount of times I thought “I should listen to Evergrey” on one hand. Though I wasn’t well versed in their discography, what I had heard was moving quite slowly, was downright melancholic, and just couldn’t catch my attention. That was until the Hymns for the Broken album landed in my inbox.First off, the notable changes in the lineup, with the return of Jonas Ekdahl (drums) and Henrik Danhage (guitar) grabbed my attention immediately. Though the band briefly spoke about the addition of the two previous members on their Facebook, “What can we say? We missed each other.” I truly believe that this decision, and the amazing mixing by Jacob Hansen (Volbeat, Amaranthe, Primal Fear) and production quality are what set this album up for its coming success.The album kicks off with a very eerie intro track, then jumps into the first single and video, “King of Errors”. Even without being an Evergrey fan in particular, I have always known who Tom Englund was, as his voice is so unique and legendary in the industry that I couldn’t ever really escape it. This song is a great display of the power and ability he has as a vocalist to truly bring a wonderfully written song to an entirely new level. The blend of the guitar riffs and keyboard work is perfection to say the least, but when the awe-inspiring guitar solo hit, I knew this album had me by its teeth.Immediately following is another one of the strongest tracks on the album, “A New Dawn” with a strong and hard-hitting guitar and bass riff that doesn’t ever really let go throughout the song. This song features one of the more beautiful keyboard solos on the album, but yet again that guitar solo just comes out of nowhere and destroys any solo I have ever heard this band release. “Black Undertow” is another perfect example of why Englund is so well-respected in the music world. It begins with his chillingly lower vocal range, but builds back up to where he truly shines. This song not only features another soaring and strong chorus, but the rhythm work between all instruments keeps it dark and eerie, though the keyboard lightly dances above it all.The title track to the record explodes into this phenomenal musical intro, but fades just as quickly as it hits. Boasting some of the strongest, most emotional lyrics on the album, the song hits a chord in many personal ways. “Scream loud, these hymns are for the broken,” are just some of this crowd enticing chorus that Englund sings flawlessly throughout. Bringing the album to a close is the over seven minute song “The Aftermath” which begins in a ballad-like fashion, but builds to a very strong finale. The tempo remains slow, but the flawless movement in the instruments keeps it absolutely enthralling. The last half of the song is entirely instrumental, and the conversations between keyboard, bass, and drums is something that I could listen to on repeat for hours, especially when the haunting lead melody soars above it all.If you can’t tell, I can’t think of a single moment on this album I don’t absolutely love. As someone who could never get hooked by an Evergrey album, I can assure you this is not just ‘fandom’ talking. Hymns for the Broken is a perfect album that even after weeks of constant play, I can not get enough of. Perhaps it is indeed perfection, or perhaps it just hit me at the right time in my life, either way I am in love. Easily a current contender for album of the year, it’s so full of beautiful melodies and amazing arrangements that any fan of power or progressive metal will absolutely love. I don’t doubt that all previous fans of the band will appreciate this album as much as I do, but I sincerely hope that new listeners give this record a fair and objective chance as well.This is definitely their most ambitious release yet, and they absolutely nailed it!" - Metalholic 
    $15.00