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SKU: CK66416
Label:
Columbia/Legacy
Category:
Classic Rock
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"From December 1971 to April 1972, Carlos Santana and several other members of Santana toured with drummer/vocalist Buddy Miles, a former member of the Electric Flag, and Jimi Hendrix's Band of Gypsys. The resulting live album contained both Santana hits ("Evil Ways") and Buddy Miles hits ("Changes"), plus a 25-minute, side-long jam. It was not, perhaps, the live album Santana fans had been waiting for, but at this point in its career, the band could do no wrong. The album went into the Top Ten and sold a million copies." - All Music Guide

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  • Note this is not a 2 on 1.  Its a 15 track compilation of the albums Balls To The Wall and Restless & Wild.
    $5.00
  • Fourth album from Believe, the Polish progressive rock band formed by Collage guitarist Mirek Gil. The album veers toward the atmospheric side, not unlike Riverside's quieter moments. I'm particularly fond of the violin work of Satomi. Her playing adds a refreshing texture to the mix and is an interesting counterpoint to Gil's fluid guitar lines. 
    $16.00
  • Kit Watkins runs wild!! Comes with 2 live bonus tracks.
    $16.00
  • Third and by far the best album from this Austrian gothic metal band. Visions Of Atlantis basically started off their careers as a clone of Edenbridge but always suffered from mediocre vocals. The band has now enlisted the amazing soprano Melissa Ferlaak, formerly with the American symphonic metal band Aesma Daeva. Her presence is like a shot of adrenaline for this band. Male vocals are once again provided by Mario Plank. He sings in a slightly thrashy style in the vein of James Hetfield - a nice counterpoint to Ferlaak's crystaline vocal presentation. This is one of the better gothic metal releases I've heard in some time and it's obvious with the arrival of Ferlaak the band will move up the foodchain quickly. Highly recommended.
    $10.00
  • This is the album that really broke the band in North America.  Hit after hit..."After years of writing hook-laden choruses and triumphantly buzzing riffs, this German band finally perfected the formula. A fine mix of poise and passion, Love at First Sting appeals to both angry metalheads and Top-40 aficionados." -- Jon Wiederhorn
    $7.50
  • "Recently reissued on the Cd format by the great ProgQuebec team, this album (and its predecessor) had been all too long ignored and denied a second life by the Harvest label. Oddly enough with the bulk of reserve material still waiting to be released back then, the CD reissue offers no bonus track, but the album alone is much worthy by itself. The last paragraphs are dedicated to the review being re-written after its reissue.Old review: How to describe this absolutely masterful and orgasmic music? Except for this lone LP where one number is sung, Maneige is an instrumental group that lets you know right from the start that they will take full advantage of this and will not allow you one second of inattention. The group mixes acoustic and electric instrument with such dexterity that they make it look easy and sound simple. NOT SO!!! Although people will classify this group in the fusion section , this is only partly correct as there is some jazz & folk , but there is an uncommon percentage of classical music but nothing stolen from the historical composers.This album and the debut as well as the recently released live 74-75 are highly indescribable melange of all sort of academic musics. If I must name one band of this site to come close to Maneige, I will tell you a cross between Univers Zero and Gentle Giant for the construction complexities but Maneige is so much more melodic and harmonious to your ears, that GG is rather distant cry from them."Why have you not heard of this band before?" you ask. My theory is that they got black listed because of their Quebecois origins at the time when Quebec was overtly menacing of separation from the rest of Canada because of the English compatriots refusing to recognize Quebec as a distinct society. This made Quebec groups unable to play freely in the rest of their country along with Harmonium (a little success), Pollen (just one superb record and disband), Aquarelle (I am not even sure they released something outside Quebec) and even the Franco-Ontarian band Cano, so they had real problems of exposure. This lasts still today except for Harmonium that does get international recognition. Is the best proof of this not that only three albums of this great band are on CD? As they are still relative unknown, your hunt for the vinyls should not be that difficult or expensive, but man, it is definitely worth it. Max: can you give a sixth star just for the sake of it?New review: The 19-min+ title track suite (written by wind player Bergeron) is grabbing by the throat from the first notes, and never letting it go of its grip through its six movement, with its constantly evolving composition and so many different acoustic instruments taking over the previous one and even a rare sung section, whose lyrics were reprinted in a weird fashion on a loose sheet alongside the inner sleeve. The first side closes on a short symphonic (a quartet really) piece that is not as inspired as the rest of the album. Indeed, La Grosse Torche sounds out of place on the Cd (this was less evident on the vinyl).The flipside starts with Saxinette and Clarophone's wild adventures and the opening minute could make you think of Genesis' The Lamb on the second disc But this is quickly forgotten as the two instruments share literally everything mixing blood, trading licks, making love to each other. Bergeron's sax and Langlois' clarinet are not just the stars of the show, they eclipse the sun for the duration of the track from shining so hard. Vincent (Jerome's brother) Langlois' electric piano solo draws chills in your back, until a weird animal meows like an elephant and the tracks veers into a wild goose chase ending in a chaotic crowd and dying a slow death! Du très grand art, monsieur!! The closing track Chromo is a much funkier track that will indeed remind what was coming ahead in NV.NN, which would be a much jazzier album.The amazing thing is that obviously at the autumn of the group's first career (the Jerome Langlois years, if you wish), the group had loads more music that was still waiting for a proper studio recording and release. Most of these tracks can be found throughout the three live albums that have been released since 98. And from these albums, it's easy to see that Maneige's first line-up could have released a third album that would have easily matched their debut and Les Porches. So as Chromo sort of announces the new Maneige, Jerome Langlois will leave the group to concentrate on the long-standing project that he had tried to get of the ground with his previous group Lasting Weep. Le Spectacle de L'Albatros would then see the light of day in early 76 with both Lasting Weep and Maneige playing alongside, but this is another superb ProgQuebec chapter of the marvelous musical adventures of Progresson." - ProgArchives
    $15.00
  • Arena return after a 6 year hiatus. New lineup includes new vocalist Paul Manzi, John Jowitt is back replacing Ian Salmon, Clive Nolan, John Mitchell, and Mick Pointer. Its a conceptual work focusing on the last hour of life and the following hour in the afterlife. High concept indeed! 
    $15.00
  • “Known/Learned’ is the third album from this thought provoking progressive band from Brisbane, Australia.  It’s a sprawling 2CD collection of themes and moments, captured between recurring characters. While never explicitly told in the traditional vein of the ‘concept album’, the imagery of Known/Learned depicts fragmented moments in the lives of a father and his daughter, their loss, their love, their journey. A bittersweet love song for life.Occupying a unique place in the Australian progressive music scene, Arcane’s transcendental live performances and 2009’s critically acclaimed, dark and enigmatic concept album 'Chronicles Of The Waking Dream' have earned them a inimitable reputation as one of Australia’s premier progressive rock bands.Sharing stages with artists as diverse as Anathema (UK), Soilwork (Swe), Queensryche (USA), Dead Letter Circus, Ne Obliviscaris and hundreds more, Arcane's live show, often accompanied by a backdrop of staggering visualizations, is a vast sensory experience.Arcane's immersive sound, and the vocals of Jim Grey quickly found favor throughout Australia, headlining the annual Progfest tour, providing touring support for Ne Obliviscaris, and performing to capacity crowds at Sonic Forge Festival in Melbourne. A crowd funding campaign in July, 2013 heralded the 2015 release of 'Known/Learned' a 16 track conceptual double album. Arcane blends the technicality of progressive metal with the atmospheric intensity of bands like Tool, Riverside and Anathema.  The world is about to discover what their Australian fan base already knows – that Arcane is a rising star in the world of progressive music.
    $14.00
  • "Fortunately, part four of the quadrilogy, the blissfully laidback Ghost, will provide the perfect rest and recuperation at the end of that torrid ordeal.“Deconstruction is a complicated album. It’s got elements of Strapping without all the nihilistic, suicidal tendencies. For the people who want a heavy statement that’s very complicated, I think it’s gonna be the “be all, end all”. However, Ghost is a much more risky record on a lot of levels. It’s a really beautiful, folky, acoustic record with flutes and a real peaceful sentiment. I really like subtlety. That’s why I love Ghost so much. Deconstruction is about as subtle as a boner in sweatpants and that’s great too!”"
    $15.00
  • "On 'Possession', CRYSTAL VIPER decided to cross the borders of Traditional Heavy Metal, and while the fast and melodic songs bring references to such classic bands as Judas Priest, Black Sabbath with Ronnie James Dio or Jag Panzer, the epic and dark parts bring comparisons to acts such as Candlemass, Mercyful Fate or even Bathory. The album's artwork, made in a very classic and old school Heavy Metal style, has been painted by Michal Oracz, the famous Polish author of RPG and board games (incl. the world bestseller Neuroshima), and includes many impressive details which will be noticed by fans after listening to the album. Produced by Bart Gabriel (Sacred Steel, Sabaton, Burning Starr)."
    $15.00
  • Well I guess the Odin tape vault has been opened after all these years. In addition to Long Hair Music's SWF release we get this live recording from Maxim club in Schweinfurt, Germany in September 1971. Its a mix of original and voer tunes. Detailed liner notes from Jeff Beer round out the package.
    $23.00
  • "Christianity and Heavy Metal have never really been the most obvious of bedfellows. Ever since the formation of the genre at the end of the 1960's, the relationship between Heavy Metal, in particular the more extreme variations of it, and the established Church, have been, for the most part, frosty. This doesn't mean that the two cannot come together though; There are countless great bands that have been playing great music that pays homage, rather than expressing outright hatred, to Christianity; TROUBLE, MORTIFICATION, HORDE, CRIMSON MOONLIGHT and DIVINEFIRE are the first bands that spring to mind for me every time I hear some closed minded moron quote that old, cringe-worthy and wholly incorrect adage about the Devil having the best tunes. Slovakian Power Metallers, SIGNUM REGIS, are one such band that are not only proving this phrase wrong, but are also using their knowledge of their faith to create great themes and concepts for their albums. Their last full length, for example, was based around Moses' liberation of the Israelites and their trials in the desert. This latest EP is full of the sort of classic Power Metal that many have grown to love, and it sounds amazing.This EP opens with a very solid, powerful opener, "Living Well". This is a great piece of Power Metal, with all the hallmarks of the genre; with a few harder aspects peppering the classic sound, which gives it it's own unique flavour. All this track’s elements work well together; it's really well mixed, and doesn't wander into the realms of cheesiness as some Power Metal has a tendency to, and above all, it's a great way to kick the record off. "Through the Desert, Through the Storm" treads down a much more straightforward Heavy Metal path, with razor sharp guitar lines, angelic vocals and some fairly interesting keyboard parts thrown in for good measure. The chorus is great, with some genuinely hair-raising parts that were just made for singing along to. "My Guide In The Night" is another really good piece of Power Metal with brilliant vocals and guitar work, punishing drums and some really cool keyboard sections. The fourth track, "Come and Take It", is perhaps the most straight forward Power Metal song on here, with plenty of great hooks to keep the listener interested. The penultimate track, a re-recorded version of "All Over the World", sounds even better for having been redone, and sits very well among the bands newer material.  "Vengeance Liar", which closes this EP, is perhaps the strongest song on this record apart from "Through the Desert, Through the Storm", and has a really cool, classic Power Metal sound with some genuinely inspired guitar playing and really spectacular vocals to match. It sounds awesome, and is a very good high note to end this record on.This EP is very good. Anyone who loves Power Metal will most likely enjoy this. This sounds like a band that have honed their style and perfected their image, now ready to take their music to the world at large. I'd highly recommend this EP, and indeed the rest of this bands awesome back catalogue, to anyone who loves, powerful, uplifting Metal music." - Metal Temple
    $10.00
  • New edition of the controversial 1986 album that featured both Steve Hackett and Steve Howe.  The music was a blend of AOR and prog rock.  Surprisingly they had a lot of commerical success with the album and a hit single with "When The Heart Rules the Mind".  I want my MTV!This new version includes a remastered version of the album with a few bonus tracks.  The second disc is a live recording from the Wiltern Theater in Los Angeles on July 19, 1986.  Lots of liner notes from the appropriate culprits as well.
    $18.00
  • "The great dream of Fabio Zuffanti since he began writing the music on Samuel Taylor Coleridge's poem "The rime of the mariner ancoent" was to transpose the whole opera in a theatrical version, giving people a version that could visualize its magic words and music. Thanks to the meeting with genoese director Susanna Tagliapietra, author of the great achievements in the field of the musical with his versions of "Aida" and "Jesus Christ Superstar", the dream has become reality.Susanna has helped to bring alive the musical world of Zuffanti creating a multimedia work and reproducing on stage the supernatural universe of Coleridge with multimedia elements, dance and stage actions. The first of the show was held last December 16, 2012 in the prestigious Teatro Verdi in Genoa getting a great success.From that evening comes this double album, containing a DVD with the shooting of the show (and a funny backstage) and a CD with the audio recording of the evening. Compared to the studio version, published on CD last year, the theatrical version contains many new arrangements and a brand new piece ("Interlude")."
    $16.00