Live In Montreux

SKU: VMCD086
Label:
AMS
Category:
Fusion
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First time on CD - reissued in a gorgeous gatefold mini-lp sleeve. "Live In Montreux" is actually their first album, released in 1975, consisting of just four long tracks. This is great jazz rock that will appeal to fans of Weather Report and Perigeo.

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    $15.00
  • Hand Made was a transitional album in the sense that it marked the change in personnel leading up to the "classic" lineup. This is high wattage progressive fusion from Klaus Doldinger, Curt Cress, Wolfgang Schmid, and Frank Roberts. Roberts was subsequently replaced by Kristian Schulze. Highly recommended.
    $14.00
  • One of the really great progressive bands from the 90s is back with their first album in 7 years.  The band is fronted by Fredrick Ohlsson, one of the great voices in metal.  He sounds very much like prime era Geoff Tate so the band has often been compared to Queensryche.  Truth is there is more of a melancholy/doom power vibe going on but there are progressive overtones and it never becomes plodding in a Sabbath/St. Vitus/Candlemass way.  Its all kind of weird since this is a professed Christian band and those themes do crop up.  Even still Veni Domine should be enshrined in the Metal Hall Of Fame."After nearly seven years of silence, we hear again from Swedish metal band Veni Domine (latin: Come Lord) with their new album Light, now with Massacre Records. Early in their nearly 30 year career the band got 'labeled' as a doom metal band. It's a rather interesting thing as the band pursues Christian themes in their lyrics. Christian is not a religion of doom and despair, but of life and hope.Nevertheless, with a spin of Light, you may hear some of those 'doom' elements: deep sound and a brooding pace. Even Fredrik Sjöholm's voice has low, sober, feel. Yet, Veni Domine work in other elements as well like both symphonic and acoustic elements, and some simply fundamental heavy metal. Where They Story Ends is good example of the merger of the elements. It's at once atmospheric, heavy, and somber, yet gets speedy later on. This is perhaps the reason why some listener tack on 'progressive' when speaking of the band. Alternatively, listening to In Memoriam or Last Silence Before Eternity, the mood and music of Veni Domine might remind of Candlemass-like epic doom metal. More curious company to keep. Sometimes the mood, pace, and soberness of the music matches the title of the song as with Waiting, moved along mostly by voice, acoustic guitar, and steady drums. Finally, the band revisits some of their past by re-recording Oh Great City from their first album 1991's Fall Babylon Fall. I've never heard the original, so I can't speak to difference. It is, however, more brooding heavy metal. If progressive, sometimes epic, doom metal is your flavor of the month, you'll likely enjoy Veni Domine's Light." - Dangerdog.com
    $15.00
  • Third part of the trilogy created by Riverside vocalist Mariusz Duda. Impressions is a collection of instrumental material conceived during the sessions that produced the first and second albums. The album is acoustic based and quite moody and introspective. Duda is the primary musician and in some cases the sole musician on a given track. He is also accompanied by Maciej Szelenbaum and Wawrzyniec Dramawicz (Indukti). The music can be quite hypnotic at times as acoustic guitar, tuned percussion, and bass intertwine repeatedly with slight changes taking place over time - progressive rock meets classical minimalism. File under: MESMERIZING.
    $13.00
  • Phil returns (and sings).
    $9.00
  • "Retribution” is the new album from Sweden’s Nightingale, the intended one-off project that refuses to die. Established by musical multi-talent Dan Swanö almost 20 years ago, the band is proof that good music can take on a life of its own, often when the artist least expects it.Known for his work both as a producer/engineer and with metal acts Edge Of Sanity, Bloodbath, Pan-Thy-Monium and most recently Witherscape, Swanö began his unplanned Nightingale journey in 1995 with “The Breathing Shadow”. It was a one-off goth-flavoured solo album heavily reminiscent of The Sisters Of Mercy, meant to satisfy his interest in the genre and then be put quietly to bed as Swanö moved on to other projects. The album was successful enough to warrant a follow-up according to his label at the time (Black Mark), but Swanö was, as he puts it "so over the goth thing.""I thought that if I was going to make a second record it had to reflect what I was listening to at the moment. I was going through a big revival of Gamma, Foreigner, Journey and all that super melodic AOR pomp rock stuff. It was a weird turn from the first record, so I decided to make Nightingale a home for music that I write in the moment, no matter what it is."Nightingale released five more albums between '96 and '07, slowly establishing a band line-up that began with Swanö's guitarist/keyboardist brother Dag in 1996 acting as a co-producer and session player on “The Closing Chronicles”. He officially came aboard in 1998 under his Tom Nouga moniker. The band was fleshed out by bassist Erik Oskarsson and drummer Tom Björn, who had their first rehearsal with the Swanö brothers on Christmas Day 2000. “White Darkness” from 2007 could well have been the last Nightingale album, as it featured very little songwriting input from Swanö due to severe writer's block. He decided to focus on his career as an engineer and chose to make music as a hobby. His creative side won eventually, however, as the urge to write and play again became irresistible."I bought a few instruments that would inspire me, and eventually the riffs started piling up," Swanö recalls. "I was collecting them for some kind of death metal release, and the other stuff that came out ended up being what could be used for a future Nightingale record."Originally titled “Bravado” in the working stages, “Retribution” offers up 10 songs steeped in uncomplicated '70s and early '80s-flavoured rock. Tracks such as 'Chasing The Storm Away', 'Forevermore' and 'The Maze' could have easily found a home on commercial rock radio 30 years ago, yet the album is completely relevant in 2014. Fans of Swanö's heavier works that are unfamiliar with Nightingale may be surprised the simplicity of the music and the band's non-aggressive approach."It's not easy to write simple stuff that's good," Swanö points out, suggesting people take a good long listen to “Retribution” rather than dismissing it.In Swanö's estimation “Retribution” succeeds because the songs "just kind of happened." He never set out to write any specific parts; the music is in fact a result of spontaneous moments, whether it was an accidental combination of notes on a keyboard that became an opening riff ('On Stolen Wings') or an odd guitar tuning ('Warriors Of The Dawn'). On top of that, the songs were hashed out in the rehearsal room before the band went into the studio, resulting in major changes to some of the music as it developed."When I listen to the record I don't want to have any regrets," explains Swanö. "There's no point in releasing a new Nightingale record if I don't think it's the best we ever did. That a pretty high standard to have, but if I don't feel that way when I listen to it the moment it's ready, it's got nothing to do with our back catalogue. That's the way I've felt with every record."Asked to sum up what “Retribution” means to him with regards to Nightingale's legacy, Swanö offers the following: "Classic rock with that pomp attitude really inspired me. I just wanted a good production that could hold up well against a band like Alter Bridge but still have a bit of the sonic charisma of the records from '79, which was a great year for music. The target was to make a timeless record with good, classy songs that the four of us can agree are really cool."Nightingale’s “Retribution” comes packaged in beautiful artwork courtesy of Travis Smith (Opeth, Nevermore, Katatonia, etc.) and should equally appeal to open-minded atmospheric metal and also to melodic prog rock supporters into bands like Rush, Marillion, Styx, Kansas, The Mission, Queensryche, Enchant, Threshold, Arena oreven Opeth and Katatonia."
    $13.00
  • Limited edition reissue of 500 copies.  This is the debut release from the Scottish space rock ensemble.  This one will take you to the furthest realms of the cosmos."This album is a total revelation of sonic imagery. Across eighty minutes the listener is taken on an astronomic road trip that never once wavers in imagination or immensity." - Shindig! (Happening!)"It's Can locked in an eternal psychedelic battle with the cosmos itself, a feast of tripped-out riffage, swelling, swirling bass and juddering sonic explorations that come to a hypnogogic climax with the 40 minute sonic quicksand of Father Sky, Mother Earth." - Rock-A-Rolla"Spacial exploration rather than the psychiatric breakdown. cologne rather than altamont. There’s no hipster arched eyebrow here, no faux-intellectual exploration of unfashionable musical tropes. this is just one monstrous monged jam after another monstrous monged jam." - Cows Are Just Food
    $16.00
  • Second full length studio album from this British band finds them with new vocalist Ashe O'Hara replacing the great Dan Tompkins.  This shouldn't be inferred that O'Hara is any less a vocalist than Tompkins - he's excellent as well.While the core djent sound is there the band has moved a bit more into a prog rock direction.  In general its less metal and more rock.  O'Hara's vocals don't go in the screamo direction that a lot of djent bands prefer.  The instrumental parts are still stupifyingly crazy but crazy in a King Crimson meets Tool way.  I'm not sure what the djent metal community will think of this shift in course but I like this new direction.  The old was good - to my ears this is better.  Highly recommended.
    $9.00
  • Here's a prog rock band from New Jersey that frankly was completely unknown to me until I stumbled on them recently.  Good thing too!No More Pain is a quartet that blends contemporary sounds with classic old school prog.  My initial thoughts when I first heard the band was going to lead me to comparisons to Spock's Beard and Echolyn but the deeper I dug into it the whole thing clicked - BEARDFISH!  Lots of similarities to that great Swedish band in the way they take elements of the 70s and wipe the schmutz off it and make it sound fresh and new.  Some nice flashy keyboard solos will make you flashback to 1973 Tony Banks.  Scrub the comparisons you might read referencing Dream Theater - none of that is going on here.  This is pure prog rock.  If you are looking for metal move on - you'll be disappointed.  Lots of music packed into this disc, capping off with the 17 minute epic "The Network".  These guys need a publicist and maybe get out and play some festivals.  Highly recommended.
    $10.00
  • "It took almost 20 years for German power metal masters IRON SAVIOR to release a live DVD/CD. The band, founded in 1996 by Piet Sielck, Kai Hansen (Gamma Ray) and Thomen Stauch (ex-Blind Guardian), has unleashed eight studio albums since then and has just recently issued a reworked version (remixed, remastered, partly re-recorded) of their Megatropolis album, titled 'Megatropolis 2.0'. Now with their first ever DVD, IRON SAVIOR will satisfy their fans again completely: 'Live At The Final Frontier' includes the band's recent hometown concert (Hamburg, Germany January 2015) on DVD and 2CDs (as package in digipack format). Additional bonus (video) material (backstage/concert) rounds off this extensive package, which is a must-have for all IRON SAVIOR fans!"
    $19.00
  • Brilliant double live set clearly demonstrates that Mr. Hackett can still bring the thunder to the stage. The set was drawn from shows in Paris, London, and New York during the 2009/2010 tour. With a great line up and a set list that digss into his solo career as well as Genesis gems, this is impossible to pass up. Simply awesome!
    $12.00
  • The second part of the Flying Teapot trilogy. Essential psycheledic spacerock courtesy of Mr. Allen and Mr. Hillage.  2004 remastered edition from Virgin/EMI. Comes with 4 bonus tracks.
    $9.00
  • Sixth album from Italy's best export since the invention of neapolitan style pizza. The band gets a bit of heat since they achieved break out success. Far from a sell out, Lacuna Coil is as heavy as ever. The band's focus remains on the co-vocalists Christina Scabbia and Andrea Ferro. Filled with chunky riffing and some slick production, not a hell of a lot has changed. Lacuna Coil's music has always been laced with hooks. You want to call it poppy? Go ahead but its what they have always done. Want to hear where Evanescence got their sound? Check out Lacuna Coil. They may not have been the first in the genre but they are certainly one of the standard bearers. Highly recommended.
    $4.00