Live Reunion

SKU: PACD010
Label:
Pan Records
Category:
Progressive Rock
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ONE OF A KIND TITLE FROM THE LASER'S EDGE ARCHIVE

This is a live recording of the band's reunion gig from 1980, recorded in Fredrikstad, Norway.  These guys really can blow - lethal guitarwork.  Aunt Mary were an interesting band.  They skirted the margins between prog rock, hard rock, and psychedelia - they touch on them all but don't reside comfortably in one.  Out of print and I understand its quite rare.

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  • "Periphery have been an omnipresent force in the prog metalcore realm since their first album released in 2010 – band founder Misha Mansoor has served as producer on several of the genre’s albums, and the other members are all famous in their own right, whether it’s simply for their craft (Matt Halpern), their involvement in other projects (Spencer Sotelo, Mark Holcomb, Nolly Getgood), or just simply being the nephew of someone exceedingly famous (Jake Bowen). This makes whatever they decide to do extremely important, and the band’s decision to release a concept double album has created hype of hugelargic proportions. In my humble opinion, the band has delivered on all fronts, but not without some disappointments in the “could’ve been” area.Since their inception, Periphery have changed from a chugga-chug ambidjent project posting demos on the internet in the late 2000s to a full-fledged prog metal band with heavy elements of metalcore, post-hardcore, and pop music in general. If you weren’t onboard for “Periphery II”, “Juggernaut” likely won’t change your mind (unless your issues were relatively small), as it’s more of the same poppy atmosphere and less of the techy downtuned riffs, though god knows THOSE are still around. But there’s also a lot of style experimentation – jazz fusion, death metal, and various forms of electronica are all utilized on a semi-normal basis, and range from being seamlessly integrated into the music to being tacked on to the ends of songs like gluing a top-rate dildo onto an already particularly throbby penis. If this all sounds a bit schizophrenic, rest assured that the songcraft is, for the most part, tighter than it’s ever been. Singles from Alpha like “22 Faces” and “Alpha” itself show off Periphery’s pop prowess with choruses and hooks that refuse to leave your head, and complex riffs that are somehow just as ‘wormy as the vocals. And the songs on Omega are longer, more complex, and still manage to be as infectious as the most annoying of STDs – even the twelve minute sprawling title track that has more in common with the bombastic riffs of Periphery I has a shapely middle section that rivals even the hottest of…ugh, fuck it, done with the metaphors. It’s just insane. I cried when I heard it.And now onto what I don’t care for; first off, the decision to split the album into two parts was definitely well-informed from a marketing standpoint. Most people don’t go around listening to 80 minute records all day, myself included, and the supposedly delicate structure of a concept album also means that listening to Juggernaut by skipping to different songs would devalue the experience. So the band broke it into two records to make it seem more manageable to listen to in daily life. Another stated reason was so that newcomers to the band would be able to buy Alpha at a discounted price, decide if they liked it, and then purchase Omega if they were so inclined (music previewing doesn’t work like that anymore, but hey you can’t fault the band for trying to turn that into tangible record sales). The problem I have is that Omega isn’t really paced to be its own album, which makes releasing it on its own instead as simply as the second disc in a package a little pointless. It’s not like the excellent “The Afterman” double albums from Coheed and Cambria, which were each albums that worked in their own right. I realize that this is really just semantics, but I think calling Juggernaut both the third and fourth album from Periphery, while technically correct, is just disingenuous, and judging them fairly on their own as separate albums is impossible (which is why all reviews being published are including them together).Periphery has always had a unique way of pacing their albums, regularly including playful, sometimes relatively lengthy interludes between tracks. Juggernaut is no different, and these interludes are now occasionally used to seed songs that will appear later on the album, or provide callbacks to tracks already present. The transitions aren’t always elegant however, and can range from grin-inducing to head-scratching to just plain grating. Thankfully, the band isn’t going for the illusion that each song flows seamlessly into the next, at least no more than they were going for it on any of their previous albums, and it’s easy to get used to everything given multiple listens.Overall, Juggernaut is a dense album that’s going to take a myriad of listens to fully sink in, just like most of the band’s prior releases (I don’t think anyone is gonna argue that “Clear” has any depth that you would find after about the fifth listen or so, but hey hey that’s ok kay). But it’s also accessible on the surface with deceptively simple rhythms and poppy choruses, which draw you in to appreciate the deeper cuts. I’d recommend it to anyone who likes unique and thoughtful music in the post-hardcore, metalcore, and progressive metal genres, but I’d also recommend it to anyone ever, because this is my absolute favorite band and I think they’ve created a masterpiece. So take from that what you will, and then get the fuck out of here. The play button is calling my name." - iprobablyhateyourband.com
    $11.00
  • Third collaboration from Steven Wilson and Aviv Geffen. Mr. Geffen wrote all of the material except for one track. Musically speaking its a very different animal than Porcupine Tree. Its much more laid back with a heavy emphasis on orchestration. I'm reminded a bit of later Pink Floyd and also Roger Water's solo works. Not a lot of pyrotechnics and really not much in the way of heaviness. Its almost as if Mr. Wilson has taken a supporting role as opposed to equal stature to Mr. Geffen. If you are looking for Porcupine Tree's quasi psychedelic metal look elsewhere. Blackfield presents you with (well recorded) art rock that targets your emotions rather than your thought process.
    $20.00
  • "Miracles do happen: seven years after the announcement of their creative break, the original members of prog rock supergroup Transatlantic – Roine Stolt (The Flower Kings), Pete Trewavas (Marillion), Neal Morse (ex-Spock’s Beard) and Mike Portnoy (Dream Theater) – got together again and recorded a new studio album titled “The Whirlwind”, which went on to be TRANSATLANTIC’s best-selling album, entering mainstream charts in the US, Germany and Netherlands. Their two seminal albums, tours and DVDs redefined prog’s artistic and commercial possibilities with a combination of modern and traditional prog, classic pop sensibilities, and mind-blowing musicianship.The “An Evening With TRANSATLANTIC Whirld Tour 2010” was the group’s largest tour, covering both sides of the Atlantic across 11 countries. With the addition of Pain of Salvation’s Daniel Gildenlow on guitar and keyboards, it was also their most musically powerful. On May 21, 2010, at Shepherd's Bush Empire in London, the cameras were rolling.The upcoming Release entitled “Whirld Tour 2010: Live At Shepherd’s Bush London” will be available as a 2-DVD NTSC-version set, a 3CD-Audio Version and a 2DVD and 3CD Deluxe Edition. The concert featured the entire Whirlwind album performed exactly as on the studio recording. But that’s just the beginning. For the next two and half hours, Transatlantic performed nearly every song they’ve ever recorded, along with some surprises. The audio recorded at the show was later mixed by the band’s own Roine Stolt, ensuring a genuine presentation of the music from that night. The show doesn’t end, though, with the fading echoes of the final note. Backstage, in and around cities throughout Europe, the cameras accompanied Mike, Neal, Roine and Pete on their journey. Uncensored experiences and candid moments reveal the good, the bad, and the unexpected of life on the road. Also included is the band’s encore from the final night of their tour, a headlining spot at the UK’s High Voltage Festival. For the last song at UK’s High Voltage Festival, they performed the Genesis classic, “Return of the Giant Hogweed,” joined onstage by original Genesis guitarist Steve Hackett. "
    $19.00
  • The second album of a projected 4 disc series. This one is heavier than Ki and also features Anneke Van Giersbergen (ex-The Gathering) as guest vocalist.
    $13.00
  • "Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the "Boogie Woogie Waltz" and proceeding through a variety of Latin-grounded hip-shakers. It is a record of discovery for Zawinul, who augments his Rhodes electric piano with a funky wah-wah pedal, unveils the ARP synthesizer as a melodic instrument and sound-effects device, and often coasts along on one chord. The once fiery Wayne Shorter has been tamed, for he now contributes mostly sustained ethereal tunes on soprano sax, his tone sometimes doubled for a pleasing octave effect. The wane of freewheeling ensemble interplay is more than offset by the big increase in rhythmic push; bassist Miroslav Vitous, drummer Eric Gravatt, and percussionist Dom Um Romao are now cogs in one of jazz's great swinging machines." - All Music Guide
    $7.00
  • "Secret Voyage is another kaleidoscopic musical journey through time and space, incorporating and rearranging traditional melodies from all over Europe, blending the "old" and contemporary. The brilliant guitar stylings of Ritchie Blackmore, the enchanting vocals and lyrics of singer/songwriter Candice Night and the saturation of authentic Renaissance instruments woven throughout the melodies, create a unique style of music they call Renaissance/Folk/Rock. Secret Voyage consists of twelve new tracks, recorded by Candice Night, Ritchie Blackmore and their Band Of Minstrels. This musical journey is inspired by nature and incorporates acoustic and electric guitars, strings, renaissance instruments and Candice Night s ethereal voice and mystical lyrics."
    $15.00
  • New solo album from Arjen Lucassen demonstrates a lighter hand than the Ayreon and Star One projects. This has a more overtly prog rock feel - quite melodic and at times spacey. Lots of similarities to Pink Floyd circa "The Wall" in places."The story of "Lost In The New Real" follows Mr. L, a 21st-Century man who was cryopreserved at the moment of clinical death from a terminal disease. The album begins as Mr. L is being revived at a point in the distant future, when technology has advanced enough to cure his disease. Mr L finds himself in a world that has drastically changed — to the point that the line between what's real and what's not is no longer clear.Mr. L's appointed psychological advisor (played by legendary screen actor Rutger Hauer) is tasked with helping him emotionally adapt to this strange new world. The songs on CD1 follow the main character Mr. L's emotional journey as he is confronted with both serious and comical aspects of the "New Real", and desperately tries to decide if he can find a meaningful place within it.CD2 is a mix of songs that are part of the concept but didn't fit on CD1, and cover songs that are (more or less) related to the concept. "
    $16.00
  • After toying with the neoprog genre for some time, Portugal's Forgotten Suns lets its freak flag fly and goes full bore with a fantastic prog metal disc. The band is led by virtuoso guitarist Ricardo Falcao who has definitely spent some time listening to John Petrucci. The band has a new vocalist in Nio Nunes. He's got a great voice and fits into the new found sound perfectly. So what is the new sound exactly? Well it consists of more than a few dips into the Dream Theater pool - laser beam keyboard solos, stunning guitar solos, and expressive vocals. There is no doubt - while there are some prog rock underpinnings the Marillion influences have gone by the wayside - this is as good a prog metal album you will hear this year. If you dig chops from hell but with melodies that will stick with you - you need to hear this disc. Think of this band as Portugal's answer to Spheric Universe Experience. Buy or die!!
    $3.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • Tenth album from this prolific German band fronted by English vocalist Philip Griffiths who also is a member of Alias Eye.  PGM's brand of prog is squarely in the melodic vein with elements of neo and symphonic rock.  Flute is a nice addition to the mix and often evokes the feel of early Genesis.  The band is joined by Phil's father - the great Martin Griffiths who you should all know from Beggar's Opera (Time Machine!!!!).  He actually sings on 5 tunes and still has a great voice.
    $14.00
  • "The rise of Greek power metaller, Firewind, has give the world two new metal heroes. They are Bob Katsionis (keyboards) and Gus G. Both are skillful musicians, now world class respected. Bob released his solo album in 2012, but only in March 2014 that Gus G finally catch up with a release his long waited solo album. Gus G's solo album titled as I Am the Fire, he is well backed by world class musicians and singers. As Gus G was previously active in Ozzy Osbourne team, the styles of heavy metal and hard rock in this solo album is not surprising, a bit step further away from his main band of Firewind, which is a power metal band.Let's see the two most interesting tracks by observing the guess list. Vengeance is back by Megadeth's David Ellefson. This is instrumental track for sure, the riffs are heavy, fast double pedal drum and of course Gus' shred + David's bass attack was more than cool enough. The second instrumental is fall to "Billy Sheehan's track". Terrified is yet another ultra fast shreds with a title that reminds us to Scarified by Racer X. Both instrumental tracks is enough to made guitars fans demand an exclusive instrumental guitar album from Gus!On the vocalized songs, they are all excellence. Mat Levén is acting as host singer, he tackled four tracks. From the opener My Will Be Done, a straight forward modern rock tunes, then Blame It On Me, a happier glam metal one. On the later are Eyes Wide Open, this is kind of late '80s hair metal scenes feel. The last from Mat is End Of The Line, acoustic ballad in the style of wild wild west. Mat Levén was once Firewind singer also.I Am The Fire is a collaboration with Devour The Day / Blake Allison. The riffs quickly brings us to modern nu-metal feels, this concurred with the style of singing, the song's structures, and utilizing of choruses, which is in the spirit of alternative metal. Long Way Down on the other hand is the only female guess track with Alexia Rodiguez. Alexia is from the band Eyes Set To Kill. The song can be categorizing as a heavier version Evanescenes style. Jacob Bunton from Lynam / Adler fame contributed in Just Can't Let Go. This is yet again in alternative / US modern metal feel. Michael Starr from Steel Panther trusted with Redemption, a track that focused on wild glam metal form, fit the image of Steel Panther. Veteran singer Jeff Scott Soto is in the spiritful AOR track of Summer Days. Finally there at least an European feel in Dreamkeeper, where Evergrey singer Tom S. Englund delivered it epic-ly!What a great packed of quality materials in one album. Of all tracks not only Gus G able to fit the styles of his song to the respected guess, he also seem like outdone the guess' each band. For example in Tom Englund's track, we can feel Evergrey's music in it. There are enough punches on each song, added more  replay value to the album. Interestingly, Gus G decided to not gives any clue about his music from Firewind. A good choices, meaning his creativity in the area of power metal will still dedicated to the main band. I Am the Fire is a great album with fresh ideas stretching  from modern metal to oldies glam metal. A must have." - Metal Harem
    $12.00
  • "The kings and queens of Scandinavian folklore are back! Thundering in on a north wind from the ancient forests and Scandinavian skies full of fire and mystery. Once lost inside ice and snowcapped mountains and forbidden islands, where you cannot remove a stone, lest you face the curse of bad tidings forever…returns the wonder of Kaipa, with their latest effort: "Vittjar". This time they return to inject wonder into the dog days of summer, much as they did for the springtime with their last album, "In the Wake of Evolution". Kaipa, in case you are new to the band, includes such well-known artists and composers as Hans Lundin, on electric and acoustic keyboards and vocals; Per Nilsson, from Scar Symmetry, on electric and acoustic guitars; Morgan Ågren, from Mats & Morgan and Zappa on drums; Jonas Reingold, from The Flower Kings and Karmakanic, on electric basses; Patrik Lundström, from Ritual; on vocals, and Aleena Gibson on vocals. Hans Lundin is the leader of the band and has been making music since 1965. The band's discography dates back to the mid – 1970s, so these are old pros venturing into new uncharted territory, with music that combines inspiration from the folklore of their past. It makes for a wonderful combination that will provide hours of listening pleasure. I didn't stop playing their last album until deep into the summer after receiving it in early spring. "Vittjar" will be available in the USA on August 28th, 2012. The opening, "First Distraction" is a Renaissance – like, triumphant march, full of flutes, keys, and later lead guitar and strong drums. You can almost visualize the musicians emerging from an opening in the forest to join the field of play. Off to a nice start. Then the action truly begins. "Lightblue and Green" opens with firepower from keys, heavy drums and power lead guitar…just like…yes…one of your favorite Yes songs from the past. Lundström begins the story, "painting my morning in light blue and green…a nice picture indeed. You can visualize early morning sunbeams and the feeling of awakening from some interesting dreams. The power drums, bass, and keys set an excellent tone and build a strong soundscape to surround Lundström's "visions". An awakening from winter and its frigid surroundings, into the fullness of spring. The heavier guitar licks and drums separate this album from the golden charm of the last, with its spring – tinged softness. "Our Silent Ballroom Band" is the epic and longest track at 22:11 minutes, on the album. Few bands can pull off the epics. And even fewer can do it well by adding a great story that raps you into the theme like Kaipa. This track brings the return of Aleena Gibson, reprising her role, singing as a little girl sharing her experiences and reflections of the world around her. The flutes that surround her take you right to Scandinavia and a field, where she is "dancing in the misty summer grass…in a deafening dance of her life". Lundström's vocals return to compliment Gibson's. The keyboard and guitar instrumentals add even more wonder to this, my favorite track." "Reach for the stars"… and they do. The Yes – like power of this journey – filled track will bring back memories of the power of the 70s. "Vittjar", the title track is up next and it features Lundström's vocals, in native language providing a violin filled, Renaissance – like track which is easily the second best track on the album. Even if you don't understand the lyrics you can feel the emotion in the vocals and the strings, guitars, keys, bass, and drums. The instrumentation helps create that magic environment we fans remember so well, from all of their albums. "Treasure House" is a good track full of amazing guitar."A Universe of Tinyness" is another of the best songs on the album. The violin work so compliments Gibson's careful vocal delivery that holds the listener spellbound to the story. "Tiny soldiers reach my shore"…"I'm moving back in time…in search of missing lines...I'm moving in reverse in my own universe". The violin is back in "The Crowded Hillsides", and this time it and the cool lead guitar play a major role. Simply spectacular music. The track is full of great Squire-like bass reminders that really help make this track an instant classic like some of the best tracks off "In the Wake". "All of the wonders that hide in the sky…the sky is the limit"…yeh! "Second Distraction" is a great closer full of fantastic lead guitar, bass, mysterious keys and explosive drums. This is a great follow up album to "In the Wale…" This band is expanding its abilities and delivering on the promise of mixing modern rock music with the folklore, music and traditions of the past." - Sea Of Tranquility
    $12.00
  • Another 2DVD compilation from the annual two day prog festival that takes place in Veruno Italy every year.Very varied and interesting lineup at the 2014 festival.  Bands included here are:FEMFranck CarducciMartin Turner's Wishbone AshFocusKingcrowOverheadSpock's BeardAnglagardBarock ProjectIO EarthLeprous
    $18.00
  • A Liquid Landscape from The Netherlands is a bit of a departure for The Laser's Edge. Their slice of post-progressive music has a contemporary edge that finds them sitting alongside bands like Dredg, Anathema, and Porcupine Tree. The band has been a live act for several years and shared the stage with bands like Karnivool (AUS), Anathema (UK),Thrice (US) and Riverside (Poland).During the past year the band also was a finalist at the prestigious annual Dutch Grand Prize contest and on top of that they had 3 sold out Noorderzon gigs, featuring a stunning visual show.With all the material they had written, the band reached out to Forrester Savell (Karnivool, Helmet). Forrester liked the material a lot and he agreed on mixing the album and doing some production work as well.‘Nightingale Express’ is a concept album. This inspired moviemaker Lex Vesseur to make a short movie with music from the album. He also made the artwork and the visuals for the live show. So both the music and the film return in an interactive rock show with a live VJ.Washed up, tired and staggering across a beach in the early hours of the morning. Somewhere in the twilight between desperation and surrender, there is still a glimmer of hope. That sense that everything will be alright, no matter what the odds are. This is what A Liquid Landscape sounds like. 
    $8.00