Look Into The Future ($5 Blowout Price!)

Second album from this post-Santana lineup is a bit more commercial than the debut but there are still progressive overtones. Neil Schon shines again.

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  • "Alice Cooper's third album, Love It to Death, can be pinpointed as the release when everything began to come together for the band. Their first couple of albums (Pretties for You and Easy Action) were both largely psychedelic/acid rock affairs and bore little comparison to the band's eventual rip-roaring, teenage-anthem direction. The main reason for the quintet's change was that the eventually legendary producer Bob Ezrin was on board for the first time and helped the Coopers focus their songwriting and sound, while they also perfected their trashy, violent, and theatrical stage show and image. One of the band's most instantly identifiable anthems, "I'm Eighteen," was what made the album a hit, as well as another classic, "Is It My Body." But like Alice Cooper's other albums from the early '70s, it was an incredibly consistent listen from beginning to end. The garage rocker "Caught in a Dream" as well as the ass-kicking "Long Way to Go" and a pair of epics -- the Doors-esque "Black Juju" and the eerie "Ballad of Dwight Fry" -- showed that Alice was easily in league with other high-energy Detroit bands of the era (MC5, Stooges). Love It to Death was the first of a string of classic releases from the original Alice Cooper group." - All Music Guide
    $5.00
  • Second album of fine melodic metal from former Savatage member Zak Stevens, doesnt stray that far from his former bands path. Its not Savatage but its close enough. Comes with one live bonus track.
    $11.00
  • The progressive elements are in full force and many of the band's signature pieces appear here. Highly recommended.  Remastered edition.
    $5.00
  • Former Dreamscape vocalist Hubi Meisel once again collaborates with Vivien Lalu on his new solo album. EmOcean covered "water" so I'm assuming that Kailash covers "earth" - Kailash is a conceptual work based on the Himalayan mountain range. Sun Caged guitarist Marcel Coenen lays down some sick solos as does Mago De Oz guitarist Jorge Salan. The rhythm section is borrowed from Mind's Eye - Daniel Flores on drums and Johan NIemann on bass. Beautiful symphonic metal. Digipak edition comes with two bonus tracks.
    $14.00
  • Redemption is one of the leading progressive metal bands in the world today.  Formed in Los Angeles, California in 2000 by guitarist / keyboardist / songwriter Nicolas van Dyk, the band features legendary progressive metal vocalist Ray Alder of Fates Warning, as well as guitarist Bernie Versailles (Agent Steel), and the phenomenal rhythm section of Chris Quirarte (drums) and Sean Andrews (bass).Redemption’s combination of heaviness not usually found in progressive metal, irresistible melodies and emotional urgency has created a unique and resonant voice for this band that sets them apart from the many clones in the genre, and which has gained them the attention of fans, critics and musicians.Through the band’s first three studios CDs (2002s self-titled first release, 2005’s The Fullness of Time, and 2007’s The Origins of Ruin), Redemption gained a loyal fanbase and garnered rave reviews worldwide from critics, who describe Redemption’s music as“one of the best progressive metal acts to emerge in the past decade” – DPRP“magical aura and incredible songwriting” – BLABBERMOUTH“it's powerful, catchy, enslaving, technical; it's the whole bunch” – LORDS OF METAL“the new star on the US prog-metal sky” – SQUEALER ROCKSAfter touring in support of Dream Theater and documenting at headlining show at tour’s end entitled Frozen in the Moment, the band returned to the studio to release 2009’s Snowfall on Judgment Day and 2011’s This Mortal Coil.Performing in support of that record, in 2012 Redemption co-headlined the world-famous ProgPower Festival in Atlanta, where the band recorded a unique show featuring nearly 80 minutes of material and staged with complementary visuals that drive home the compelling emotional impact of this band.   That performance is now being released as a CD/DVD set with additional bonus material through Sensory Records, the band’s original label.  From fan favorites such as the never-before-performed Parker’s Eyes to the crushing emotional weight of Stronger than Death, Redemption’s performance captured the special ability of its music to deeply connect with fans.  In the words of one concert-goer, Redemption’s show “was definitely the most exhausting, personal and emotional musical experience I’ve ever had.” 
    $17.00
  • A Liquid Landscape from The Netherlands is a bit of a departure for The Laser's Edge. Their slice of post-progressive music has a contemporary edge that finds them sitting alongside bands like Dredg, Anathema, and Porcupine Tree. The band has been a live act for several years and shared the stage with bands like Karnivool (AUS), Anathema (UK),Thrice (US) and Riverside (Poland).During the past year the band also was a finalist at the prestigious annual Dutch Grand Prize contest and on top of that they had 3 sold out Noorderzon gigs, featuring a stunning visual show.With all the material they had written, the band reached out to Forrester Savell (Karnivool, Helmet). Forrester liked the material a lot and he agreed on mixing the album and doing some production work as well.‘Nightingale Express’ is a concept album. This inspired moviemaker Lex Vesseur to make a short movie with music from the album. He also made the artwork and the visuals for the live show. So both the music and the film return in an interactive rock show with a live VJ.Washed up, tired and staggering across a beach in the early hours of the morning. Somewhere in the twilight between desperation and surrender, there is still a glimmer of hope. That sense that everything will be alright, no matter what the odds are. This is what A Liquid Landscape sounds like. 
    $8.00
  • Great instrumental symphonic band led by Finisterre leader Fabio Zuffanti. This is the 3rd of 4 parts celebrating the seasons. Pure analog keyboards (Mellotron, Moog, Hammond), flute, sax, guitar, etc. The music has a bit of a melancholy and sombre feel but at the same time it can be quite exhilarating. In some ways it reminds me of SFF... Highly recommended.
    $16.00
  • Second album from this retro hard rock band led by Wicked Minds guitarist Lucio "Swan" Calegari. The band is fronted by female vocalist Monica Sardella and she fits the music perfectly in a Robert Plant/Geddy Lee kind of way. The music owes an obvious debt to bands like Captain Beyond, Led Zeppelin, Black Sabbath, and Ramatam. Lots of ripping soulful guitar with underpinnings of organ and vintage synth sounds. One could easily take this for a 70s recording. Good stuff!
    $16.00
  • The band's first album is a bit raw in sound. This is pre-Peart material. LIstening to this today you would almost think it's a different band although their trademark tune "Working Man" is here.  Remastered edition.
    $5.00
  • "San Francisco has produced countless acts that have defined, and even created, entire genres of music from the psychedelic movement to some band named METALLICA. On “The Zodiac Sessions”, Stoner Metal darlings ORCHID, somehow manage to add their name to the list with a seedy, grooving, bong hit ripping trip through the dark side. Poster children of the Stoner-hipster-Metal phenomenon, ORCHID has released a mess of music since forming in 2007. “Zodiac” is a collection of the bands earlier work, the “Through the Devils Doorway” EP and the killer full-length, “Capricorn”. Newly re-mastered, both records sound excitedly crisp and full, begging to be played at full volume with no remorse.If you really stretch your chemically altered imagination, you can see ORCHID onstage at the Fillmore ruining every ones buzz with their hemorging wall of sound and message of absolute Doom. Maybe that trippy vision is a little too heavy for your current state of mind but these guys are making retro sound progressive, conjuring the very best of classic BLACK SABBATH, PENTAGRAM and DUST while burning a path all their own. “Capricorn” is just plain creepy as the boogie virtually drips off Mark Thomas Baker’s guitar. It’s almost impossible to understand how the refrain gets so heavy with one guitar player but Keith Nickel hammers the bass strings so hard it shakes the ice in your glass. Carter Kennedy handles the back end nicely with deeply body shaking drum work, the perfect complement to the classic crushing being done by Baker and Nickel. Theo Mindell leads the charge with a howling voice resembling Bobby Liebling at his evilest.Baker throws the black cloak of doom gently over the listeners head with “Black Funeral”, the perfect late night graveyard hang out song, Mindell sounding like he is trying to raise the old souls of San Francisco’s past for an undead freak out. On “Eastern Women” we hear the marching guitar rhythm that has lead Orchid to the head of the stoner rock pact. It’s raw and unrelenting, showing a hint of what was to come as the band grew into their already legendary “The Mouths of Madness” record. It all comes to a crashing conclusion with “No One Makes a Sound”. Mindell lays it out on the line, letting us know that ‘they ain’t going to listen now, until no one makes a sound’. Eye opening stuff reminding us that heavy licks and heavy lyrics are how this whole San Fran thing got started.While a double re-packaging of not one but two records, neither one a decade old, is a little pretentious, original ORCHID vinyl is already fetching a pretty penny online. Sporting some groovy new art from multi-tasker Theo Mindell, “Zodiac Sessions” gives first time listeners a chance to pick up some old ORCHID on the cheap (for now) and gives those who were there the first time a second hit off the good stuff." - Metal Temple
    $14.00
  • Believe it or not this is where it all began for me. After coming home from school one day I saw Rick Wakeman on the Mike Douglas show. He was this odd looking guy with long blonde hair and a flowing cape to match. He had an arsenal of keyboards making strange sounds...it was "The Battle". That appearance led me down to Sam Goody's to buy my first prog album - Journey To The Centre Of The Earth. Sure it's pompous, overblown, whatever. I still have fond memories of it and love Wakeman's elaborate keyboard work and the band's integration with the orchestra. A personal classic.
    $5.00
  • "If Astral Doors had an intention to re-revolutionize the metal and rock industry – flipping it on its ear and leaving mouths agape - well, it might be time for you to awaken from the fantasy. Astral Doors has and always will play badass rock ‘n’ metal that is so steeped in the historical realms of Rainbow and Ronnie James Dio that the material is stained a deep reddish brown. With that said, if you set those expectations to moniker of reality, “Notes from the Shadows” really is one of the most enjoyable metal albums you'll hear all year.Although I do think vocalist Nils Patrik Johansson (Civil War) plays tribute to the great Ronnie James Dio, he is quite distinctive and is by no means the “replica” which many people have stamped him as. A much closer listen to his work (check Civil War, Wuthering Heights, and Lion’s Share for reference), reveals a much deeper variety in style than the stigma he has received from critics who lazily overgeneralize. I’m sure Johansson is likely flattered by the comparison (who wouldn’t be), but on top of drawing influences from a myriad of vocalist admired over the years, he has a style that is easily identifiable.With that said, “Notes from the Shadows” presents a basic rock ‘n’ metal approach – a heavier Rainbow, if you will, so if this is not your bag…move on. For those that enjoy well written songs with bad ass Hammond style keyboards (from Joakim Rodberg) and absurdly infectious hooks (from Joachim Nordlund) all shadowed by Johansson’s bold vox, then this release will be met with insane enjoyment. “Last Temptation of Christ” and “Confessions” have all those typical Astral Doors hallmarks, including Johansson’s trademark “intro shouting” of the song title just shortly after the start. The best offerings include “Disciples of the Dragon Lord” (perhaps the heaviest on the album), “Walker the Stalker” and “Desert Nights” – all with more hooks than a Bassmaster tournament.My personal favorite is “Shadowchaser,” which starts with a melody that is a near replica of “Man on the Silver Mountain” (which certainly won’t help with that Dio/Rainbow stigma). It quickly turns into one of the most accessible tracks on the album. “Die Alone” – which is a drum clinic of badassery from Johan Linstedt (and not for awe inspiring fills, just ability to inspire headbanging) – is another in a string of tracks that would make the Astral Doors best-of release.Don't expect “Notes from the Shadows” to teach you a new way to rock. If that happens, you probably are not listening to Astral Doors. Consider this a lesson in how to properly rock through echos of the greats like Rainbow, Sabbath and, of course, Dio. If you enjoy the extension of a great legacy carried on through newer acts, you will find much to enjoy on this album. "Notes from the Shadows" is just a continuation of the great song writing and unique ability to force the body rock out which you should come to expect from Astral Doors." - Metal Underground
    $15.00
  • 2CD edition comes with a bonus live disc recorded at the Loud Park 2010 festival."Taking a cue from where post-psychedelic and hard rock left off in the seventies before our hard rock heroes either went disco or into questionable directions, Spiritual Beggars’ picks up the pieces, just like Grunge did in its heyday; but adding a little more balls to the mix as an authentic force to be reckoned with. A supergroup featuring members of Arch Enemy, Opeth, Firewind, Carcass, and other extensions, the amped up sound of this Swedish powerhouse throws the pretentious mannerisms of out of the mix, gaining them a status that has created a solid dichotomy between them and many other stoner rock bands.Even as these guys are native to extreme and symphonic metal bands, the tunage gets to the point, reflecting Black Sabbath, Deep Purple, Blue Oyster Cult and early-Priest, as the heavy blues & R&B flavored upbeat moods have always raised the roof. Inflamed by grinding riffage and screaming Hammond organ, Earth Blues again sees Spiritual Beggars taking no retreat from their enigmatic rock and roll feast. The opening track “Wise as a Serpent” immediately spurs the dark groove into power pop territories, yet more intricate sides are heard on the multi-faceted “Sweet Magic Pain” & the dark 1-2 punch of “Kingmaker,” both offering up a salvo of to a Sabotage-meets-Agents of Fortune attitude. Without reckless abandon, these guys also explore a psych/funk mindset on “Turn the Tide,” plus you have “One Man’s Curse” which could have been a long last tune from Come Taste the Band.Even on the ballad “Dreamer” and the low key rocker “Dead End Town,” the band flexes their ideology the same way Zeppelin did at times; and that ideology is further expressed by way of  a set of live tracks on a bonus disc, proving they can hit the road with the attitude to kick ass. Still, whatever way you hear Spiritual Beggars, there will be no denying that their solid foundation of hard rock possesses intrigue, forgoing all the poser musicianship and letting the songs, the true grit of emotion, and the conviction to simply rock out speak loud for Earth Blues. Heavy, commanding, & sophisticated, Spiritual Beggars continue to map out their presence with bold, sharp, & gripping, metallic grandeur, affording no shame whatsoever." - Ytsejam.com
    $14.00
  • It is extremely difficult to put one specific label on the Degree Absolute material. While having firm roots in progressive metal, DA strays from the path quite frequently, exploring the worlds of jazz and ambient music, as well as doom, thrash, and technical metal. If it was possible to compare the music of DA to the music of other well-known bands, one could say that it is based somewhere between Fates Warning's semi-progressive melodies and WatchTower's technical playing skills.The Degree Absolute project began when multi-instrumentalist Aaron Bell came to the conclusion that his song ideas and concepts could not be realized in a typical band situation. After attempting to bring his original material into different local bands with disappointing results, he decided that a new project, void of any of the compromises associated with a true band, was necessary.To fill the bassist position, Aaron immediately contacted Dave Lindeman. They had worked together in a local band, Chaos Game, and Aaron thought Dave would be perfect for the role. Dave is a graduate of the Berklee College of Music, where he majored in music synthesis. He has performed in various capacities as a bassist in the Boston area, both as a studio musician and in live settings.The addition of Doug Beary on drums completed the Degree Absolute line-up. Doug has been drumming with the melodic metal band, Defyance, since its inception 15 years ago. Since joining Degree Absolute, he has proven himself to be a perfect match as well as the final piece of the puzzle.Mixing of the debut recording was performed by noted producer Neil Kernon (Nevermore, Spiral Architect, Cannibal Corpse, etc.) at Sonic Ranch in Tornillo, Texas.
    $4.00