Magic Forest (Ltd Digipak)

"Female fronted Symphonic Power Metal band AMBERIAN DAWN return with their new album “Magic Forest” on Napalm Records. Female fronted bands have always been a target for hate in the Metal community, but it’s nice to hear this powerful and lovely voice!

The only way I can think to describe this band is imagine Children of Bodom, put a girl in front and make it Power Metal instead of Death Metal. Capri’s vocals are both beautiful and chilling throughout the entire album. These are over some strong instrumentals with a bunch of incredible guitar and keyboard solos, AMBERIAN DAWN bring Power Metal to a whole new galaxy!

As much as I’d like to talk about and praise each and every song on this album for you, there is one main song that sticks out the most. “I’m Still Here” is the perfect song to show what AMBERIAN DAWN bring, catchy vocals, insane but not over the top instrumentals and a wicked keyboard to guitar solo. If there is any song to look up to decide if you are going to like this band or album this is it right here.

“Magic Forest” is absolutely killer, if you’re not one of those people who hates female fronted bands without rhyme or reason. Symphonic Power Metal is a rare treat and it gets even better when you find an astounding band that does it right!" - Metal Temple

 

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  • "Two years ago, a virtually unknown Russian band released a debut with chamber classical orchestration, gorgeous multi-layered vocals, and the occasional modern rock touch. Very few initially noticed it, but eventually by word of mouth, it became an unexpected favorite 2012 album in progressive rock, despite the scarcity of progressive rock elements. Listeners there mainly rated on songwriting and enjoyment.Now, we have a second iamthemorning album, expanding on the elements from the first album. A confident, mature album that will likely bring rave reviews all over the place given the band is not as obscure as in 2012.The music is once again heavily influenced by classical music. Vocals and piano continue creating the foundation of the music, with orchestral instrument, drums, and modern rock sounds adding layers whenever needed. Even the modern rock sounds are used in a very classical, 'iamthemorning' way.The added complexity of the music was a risk. After all, the debut's instantly rewarding melodies and its safe, if brilliant, songwriting approach made it very difficult for many listener to honestly hate such an album. Now, we're dealing with complexity levels more to the tune of classical music and progressive rock. This is now easily categorized as progressive rock, with less direct melodies, knotty musical ideas, occasionally long songs, more in-depth instrumentation and lyricism. The risk is that I enjoyed the first listen less than the first listen of the debut. However, I cannot decide which album I prefer now. I feel like this one has a few minor flaws based on the risk-taking approach, compared to the near-perfection pop of the debut. However, there are even more 'WOW!' moments here in my opinion, some of the very best musical passages I perceive to come across.Flaws? I seem to only gripe about the slow development of their last full song, the samples in 'Howler' and the beginning of 'K.O.S' with a repetitive, awkward drum beat and one-chord guitar riff. Luckily, the latter two songs are overall highly interesting and dynamic songs otherwise, which is why I said the flaws are not severe as they involve a small fraction of two songs.Strengths? It's hard to name them all. The intermissions remain impressive. The first one has such a captivating atmosphere, I can't imagine anyone being hard-pressed to say 'nah' and stop playing the album. The fourth intermission (titled XII) almost reaches song-like status in length, starting with classical violin and continuing with mesmerizing piano. The last intermission is almost transcendental in a spiritual sense.And then you have the songs and they are so, so good. All those subtle melodies and exciting instrumentation in 'Howler', the beautiful 'To Human Misery' with a very captivating main melody yet also with a lot of subtle instrumentation. I should try not to overuse the phrase 'subtle complexity', but I think that word really describes this album. Subtle complexity is what makes this album work so well: you latch on into some obvious melodies on first listen, but then all those little details won't make you lose interest. Every instrument plays melodies, sometimes simultaneously.'Romance' and '5/4' sound a bit like more intricate version of Tori Amos music. They are whimsical, enchanting yet quite complex in instrumentation. Those little details like the muted violin melodies and brief 'shredding' electric guitar that somehow sounds mellow. The '5/4' song is mostly in 6/4 actually, but when it shifts to a 5/4 meter playing a carnival-like atmosphere, it's pure genius, even if it sounds like a horrible idea at first listen. It's an odd choice for a single. I thought it would be 'The Simple Story' which is more instantly recognizable with its melodies and the great piano line near the end. 'Crowded Corridors' is possibly their most accomplished composition to date and also their longest by far at nearly 9 minutes. It begins relatively subdued with their typical instrumentation and vocalizations, if more haunting than usual. Something else going for it is the more 'epic', dramatic moments that work incredibly well. It'd be interesting if they revisit this approach to songwriting in later albums. A particular highlight, besides the obvious piano solo in the latter half, is a slow melody at minute 3 being revisited at the very end at a faster pace.By the way, most of these songs deviate from a typical song structure to help make it more impactful and dynamic. The song 'Gerda' starts very soft and delicate but later sounds very empowering and grand: it's yet another great song. 'Os Lunatum' starts as an outstanding piano + vocal duet, both at their very best, especially during the song's main hook. Guitars later become dominant on the song's instrumental section. The song concludes with a full band sound, the progression from the very beginning being very natural.'K O S' may be marginally a less enjoyable song here because of that first minute which sounds repetitive and lacks what I like about the band. The rest is an interesting experiment as they veer towards a progressive rock / alternative rock sound without fully losing their trademark vocals, pianos, and subtle way to adding melodic layers. I love the way it ends, reprising the intro in such a way that almost redeems it. The 'Reprise of Light no Light' is another lesser favorite, developing in a slow fashion that sometimes tests my patience. I do love that it, along with the last intermission, ends with peaceful, abstract noise.In the end, they have accomplished a very difficult feat, given the high standard the set themselves with their debut. This second album is very intelligent music as well as very deep, emotional music. It touches me. In the end, despite the occasional flaw, it's a masterpiece and I anticipate it being consistently among my favorite pieces of music regardless of genre alongside their debut." - ProgArchives
    $15.00
  • New album clocks in near 80 minutes. No insanely long epics and the album is probably all the better for it. About as proggy as these guys have ever gotten.
    $6.00
  • "Pink Cream 69 is an undisputed member of the elite class of melodic hard rock, the kind of band that rarely disappoints. Yes, some releases are better than others, but that is to be expected over the course of eleven studio albums and the fact is that all of them are worth your time and attention. Between the rock-solid vocals of David Readman and the immaculate production of Dennis Ward, expecting a PC69 album to fail is almost as foolish as expecting the Pope to announce his conversion to Satanism at the next Easter Mass.So how does Ceremonial stack up within the PC69 pantheon? Pretty damn good, actually. Not quite as good as Electrified or Sonic Dynamite, but slightly better than In10sity and Thunderdome. By now you know what to expect when you pick up a PC69 album and that’s exactly what the band delivers. There’s more diversity to their sound this time, the band doing a nice job of mixing things up between high-octane rockers, melodic mid-tempo anthems, and the occasional burst of metal heaviness, all of which ensure the songs don’t blur into one another. PC69 know what fans want and serve it up in fine fashion with minimal deviation from ingrained expectations.Of course, rock music is entirely subjective and how well you rank Ceremonial will depend entirely upon your personal proclivities, but there is simply no denying that this release features stellar musicianship, powering engineering, and some truly great hooks. The choruses really take off while the tight harmonies and sizzling guitar work together in tandem to make this one of the highlights of 2013.Ceremonial is a less aggressive beast than many of the releases that came before, zeroing in on the melodic section of the hard rock bleachers, a minor adjustment that serves the band well; the overall vibe is just a little looser and more fun that some of their previous output. That’s not to say PC69 have turned into a bunch of featherweights; “Big Machine” alone proves the band can still bring the heaviness, laying down a punishing groove that leads into a hard-fisted chorus that Readman delivers with an extra dose of attitude. But for the most part the band is content to focus on the melodic rather than the metal. That’s neither a pro nor a con, simply a statement of fact. Do with it what thou will.If the metallic tracks are scanter than venison in a vegan’s freezer, the catchy melodic rock tunes are in abundance. “Wasted Years” is a blissful mid-tempo number delivered in that inimitable way that only an experienced band like P69 can pull off. Next up is the urgently hard rocking “Special” and it gets the job done…assuming that job is to get your body moving. “Right From Wrong” is a jaw-dropping demonstration of how to do melodic rock right, featuring an insanely catchy hook and a bouncy sing-along chorus that really sticks in your brain. If you are asked what the best track on this album is and you don’t answer, “Right From Wrong,” then you are… well, wrong.PC69 could have just whipped together a few solid songs, had Readman phone in some professional but heart-lacking vocals, used Ward’s glossy production to hide a multitude of sonic sins, and fans would have gobbled it up like a starving wolf chowing down on a crippled chicken. But being the consummate professionals they are, they refused to take the easy road. Instead, they actually crafted some damn fine melodic hard rock songs, coaxed a great vocal performance out of Readman, and used Ward’s crunchy production as icing on the cake rather than a crutch. The result is another top-notch offering from Pink Cream 69 that most melodic hard rockers will enjoy as much as oral connoisseurs enjoy the position from which the band takes its name." - Hard Rock Haven
    $15.00
  • HOLY %&@#!!! This disc is a total monster. Biomechanical is a UK-based band led by vocalist John K. (late of Balance Of Power). Imagine a mix of Nevermore, Judas Priest and Queensryche with an added subtle touch of technicality - a highly listenable trash/power blend. This is massive sounding music designed to penetrate and clear out all the cobwebs in your skull.
    $6.00
  • "We haven't heard from Switzerland's Kirk in better than a decade. After a successful debut album in 2003 and some touring, the band took a hiatus after their original drummer took ill. The other members pursued new projects in the interim. But as of 2010 the band has reformed, began writing, and then recording with uber-producer Dennis Ward to create Masquerade.This is solid melodic heavy metal, possibly a touch on the power and progressive metal side. You'll get the former with the aptly titled Supersonic Speed, the latter with Devil's Claw or Masquerade, by example. But some might say that these songs or something like Time and Face in the Crowd are a mash up of both.Fundamentally, what's rather impressive is the depth of song composition and musicianship. Every song sounds really good, and different, with a truckload of catchy melodies and strong vocal harmonies. Thomi Rauch is easily becoming one of my favorite metal vocalists. But the rest are no slouches either, pulling together and pulling off some terrific sounds. When all these elements come together the result is rather dramatic and entertaining. Notable are The End of the Universe and Eternity where the smooth melody, catchy hook in chorus, soaring vocal arrangement, and crisp guitar leads of each song is quite inspiring, and simply a delight to listen to. Masquerade is a strong return to form for Kirk; frankly, I don't think there's a single dull song in the bunch. Here's hoping they stick around to give us more in the future. Quite recommended." - Dangerdog
    $16.00
  • "This time around shows Prymary transcending their past achievements and creating a collage of stories that are independent and yet united in the themes of self-destruction and dreams unfulfilled. Musically the band shows a further refinement of songwriting and musicianship with songs that are more concise in musical statement, while still having the grand arrangements that Prymary is known for. As is becoming a Prymary trademark, the band has once again given special attention to combining music and lyrics together to convey the mood or feel of the song."
    $3.00
  • First it was Circus Maximus and now Spheric Universe Experience.  The fourth album from this French metal band finds them moving away from their progressive roots.  The New Eve is more immediate and in your face.  Their trademark complexity is pretty much gone.  Instead you get a lot of down tuned guitar crunch.  Keyboards are present but for the most part soloing seems to be a thing of the past.  Fred's sound likes on an industrial edge as the keys are used to punctuate the guitars.  At times the old SUE of Anima and Unreal pops up but its not as often as I'd like.  I'm not sure what the rationale was for the band to go in this direction.  Only their fans will be able to decide if it was a success.
    $14.00
  • Woodpecker is the debut release from singularly named Swedish vocalist AnnaMy (her spelling not mine).  Its a gorgeous album.  This is beautifully recorded gentle, melodic psychedelic folk.  Plenty of electricity here - most notably on electric guitar courtesy of Reine Fiske.  Undercurrents of flute and organ spice up the mix but the focus is on AnnaMy's stunning voice.  The overall sound pays homage to the greats of the 70s.  Think in terms of Trees, Mellow Candle, Caedmon, and Vashti Bunyan.  This one is a real grower.  Highly recommended.
    $16.00
  • Second album from this female fronted Italian band.  Exilia tread similar territory to In This Moment or perhaps a heavier Lacuna Coil.  There is a modern metal element present that conveys quite a bit of agression.  This is the special edition that comes with a bonus NTSC DVD featuring "making of" footage as well as video clips.
    $17.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The blu-ray features:- 5.1 PCM Surround Sound and High Resolution Stereo mixes (24bit 96khz).- the original album mix in a hi-res flat transfer from the original stereo master tape source (24bit/192khz).- a complete alternate album running order drawn from live tracks, singles edits & an extended mix.- exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).- exclusive needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.The ultimate way to enjoy the album that helped establish Yes's reputation as a creative force to be reckoned with.CD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)Blu-Ray (Region 0, NTSC):Presented in DTS-HD Master Audio- Album mixed in 5.1 Surround- New Album mix- Original Album mix (flat transfer)- New Album mix (instrumental version)- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixPlus further audio extras some exclusive to the Blu-Ray edition.NTSC, all regions, LPCM playable in all Blu-Ray players & Blu-Ray drivesBlu-Ray - Full Track Listing:New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971)Blu-Ray Exclusive:Single versions, edits & live:1. Your Move - single version, stereo2. Clap - single version, mono3. America - Live, London 19714. It's Love - Live, London 19715. Your Move - single version, monoNew Stereo Instrumental Mixes (24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeNeedle-drop (A1/B1 UK vinyl transfer 24/96 LPCM):Original stereo, archived master transfer (Flat Transfer 24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual Change 
    $25.00
  • Second album from this Swedish trio.  Like a lot of the bands on Transubstans, Three Seasons has a sound very much rooted in the spirit of 70s hard progressive rock.  Organ dominates the sound but some tasty Hendrix inspired licks are frequently prominent.  I'm reminded of Deep Purple, Lucifers Friend, and Ken Hensley period Uriah Heep.  Vocals remind me a little bit of Robert Plant (maybe just a little).  This one is a real stoned out trip in the Wayback Machine.  Highly recommended.
    $15.00
  • "Downtime doesn’t appear to be in this Swedish traditional group’s mindset, at least in this point of their career. Striking while the iron’s hot from their 2011 Heads Will Roll debut and touring with the legendary Lizzy Borden across mainland Europe, the quintet from Gothenburg set about writing the follow up, Storms of War rather quickly. With King Diamond guitarist Andy Larocque behind the production chair, Storms of War will either make Katana another worthy Swedish contender to the Wolf/Enforcer new brigade throne or may cast them into the land of bargain bins forevermore.The opening salvo of riff peeling from guitarists Patrik Essen and Tobias Karlsson on “Reaper” rivals the best 80’s Judas Priest with Accept for good measure- and the trade-off solos are pure ecstasy for all air guitarists worldwide. Sometimes the reference points get a tad obvious: Iron Maiden on “Wrath of the Emerald Witch,” Loudness on “The Samurai Returns,” but Anders Persson’s poised drumming and the multi-octave, high-octane melodies from Johan Bernspang more than make up for any similarities.Bernspang even shows off a lighter, lower playful side to his voice ala Bruce Dickinson during the shorter, gallop-worthy “City on the Edge of Forever.” The swirling wind effects and a slow moving bass line signal the start of the eight-minute epic “In the Land of the Sun,” the verse melody mirroring the open clean plucking before the tempo moves upward and you feel like you are experiencing another NWOBHM journey with a series of Egyptian point-counterpoint guitar refrains. And how about the Omen up and down guitar harmonies throughout “Modesty Blaise” circa Warning Of Danger?Since Iron Maiden feel that their fans desire more progressive rock-length arrangements over the classics they rendered on the first seven studio albums, Katana could fit that missing niche in your collection with Storms of War. Thank you gentlemen for bringing me back to my teenage years with this one. " - Blistering,com
    $14.00
  • Limited edition 2CD set includes a live set recorded at Buxton Opera House."The bleak setting of BJH’s first album in 14 years – and their first since Woolly Wolstenholme cut his life short – evokes rumination on the times when the harvesting is done and one is to gather stones. That’s how the things are set in motion with a tiredly flowing “If You Were Here” until its pining ennui takes a vertiginous turn at the song’s end, when John Lees’ voice starts spinning from channel to channel for the listener to land on familiar ground which hasn’t been trodden for so long. Nor for nothing the record’s cover features a scenic view from the Northern parish of Saddleworth where the group come from.Once on terra firma, the band’s patented sense of humor kicks in, too, and the riff of “The Real Deal” casts rocks far enough, with “it’a a long way back” argument, to convince yer olde fan the album is exactly what this track’s title suggests, yet even those who’ve been following BJH for four decades won’t be prepared for the brass-brandishing “On Top Of The World” that makes the homecoming glorious. Anxious love pours out of the record’s title piece depicting local landscapes and the twangy memory-lane emotions, but the album is as ancient as it is modern.Thus, the slow boogie “In Wonderland” satirizes today’s ways of communication, with web acronyms thrown in for a chorus, and alloys the slang use of “schmetterling” with the ensemble’s symbol: a butterfly. Such an integrity lurks also in the alliteration between “North” and its predecessor, “Nexus,” as well as in the literary appropriation of Saddleworth’s Ammon Wrigley’s poem for the parting that is “The End Of the Day” wherein the gods of Ale and Mirth give birth to a child which can be a child of the universe, an important part of BJH’s lore. It’s elegiac rather than jolly, though, but Jez Smith’s piano in “Ancient Waves” and Lees’ guitar render this melancholy warm and delicate, while, for all its twilight shimmer, the 9-minute “On Leave” – surely a Woolly tribute – joins the pantheon of the band’s best ballads, whereas the quiet communal merriment fills the folk lustre of “Unreservedly Yours” that oozes the ultimate, if autumnal, dedication.With the parallel existence of another BJH, featuring Les Holroyd, “North” could have been a simple attempt of reclaiming the legacy; instead, it turns out to be a shining addition to the classic canon." - Let It Rock
    $17.00
  • Debut album from this Italian crossover band.  Secret Tales is not traditional rock progressivo italiano style of music.  This blends together symphonic rock, medieval and Celtic folk, and maybe even some subtle touches of metal around the edges (but barely).  This is a Black Widow Records release so expect an overlay of dark subtext.  Female vocals are in Italian and fit the ominous music perfectly.  There is an otherworldly ominous quality to the whole affair.  Its a concept piece and it would definitely help if you spoke Italian but the music by itself has a dark beauty."Secret tales of an enchanting journey that takes place over time in a kingdom disappeared from who knows how long ...Kings, queens, princes and princesses, fairies, witches and magical and grotesque creatures rotate with their stories in a fabulous location, where the figure of the demiurge-Unicorn overhangs and protects everything and everyone, from the monstrous Faust to the sweet Elf. Emotions without boundaries, to other infinite universes ... The charm and enchantment of soft and dreamy music, full of fabulous side dishes and lyrically supported by parts sung in Italian, English and French by Princess Tiziana Radis: the debut album of the Secret Tales is an imaginary sound that turns his gaze to the ancient traditions of Celtic folk-medieval, alternating dark atmosphere and refined symphonic progressive melodies… A work of great emotional impact !"
    $16.00