Maledetti

SKU: CRA0136512
Label:
Edel/Cramps
Category:
Progressive Rock
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A tremendous album where they mix the avant-garde stuff in a bit with the tunes and it really works! Don't let this description drive you off. This is a powerful fusion band. Just one with a fervent imagination. I know several people that hate that squeaky stuff but love the tune Evaporazione from this disc. Fusion with accessible avant-guarde moments.

-Rick Eddy

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  • First new studio album since 1999's Darktown demonstrates a masterful musican firmly in control. Steve has continued to evolve as an progressive artist with only a modest look backwards. At times subdued there are plenty of guitar pyrotechnics and keyboard embellishments to remind you of his earlier solo works. Recorded with his recent touring band, notable guests include Ian McDonald and brother John Hackett.
    $13.00
  • "The sophomore effort from the extraordinary drummer Sebastiaan Cornelissen featuring an all-star lineup - guitarists Alex Machacek, Mike Otram, Susan Weinert, Richard Hallebeek; keyboardists Gary Husband, Scott Kinsey, and Steve Hunt; and bassists Hadrien Feraud, Jimmy Earl, Gary Willis, and Tom Kennedy among others. Since first coming on the scene in the early 2000s, composer and drummer Sebastiaan Cornelissen has emerged as one of the most distinctive new voices on the European fusion scene. Whether acting as a leader, sideman, or group member, Cornelissen's playing combines a sharp sense of empathy and staggering technique with impressive improvisational grace and intensity."
    $8.00
  • This one came out of left field and hit me like a ton of bricks. Possible Album Of The Year candidate. Trioscapes is an instrumental fusion project conceived by Between The Buried And Me bassist Dan Briggs. He enlisted tenor sax player and flautist Walter Fancourt and drummer/percussionist Matt Lynch to do a cover of Mahavishnu Orchestra's "Celestial Terrestial Commuters" and it turned into a full length project.Briggs is an absolute monster bassist. He does some insane things with his axe, processing it to sound like a guitar at times. Other times he lays down some heavy Hugh Hopper fuzz bass. Fancourt and Lynch are also outstanding. Highly aggressive and propulsive, you won't miss any guitar I assure you. Briggs is a hard core prog rock fan and the other guys must be as well - you can easily hear the Mel Collins-era King Crimson vibe mashing up with Zappa-esque arrangements. Soft Machine and Mahavishnu Orchestra also come to mind. These guys create a big ruckus and its going to kick your ass from beginning to end. Lots of non-metal releases slipping out with the Metal Blade imprint lately. BUY OR DIE!!
    $12.00
  • "Originally released in 1979, these recordings show the first solo efforts by formerly Aera leader, guitar player and composer Muck Groh. But in fact this album wasnt a solo album but could be described at the third Aera album of Aeras first decade line-up. All those great musicians like sax player Klaus Kreuzeder, drummer Wolfgang Teske, violinist Christoph Krieger and a lot of guest musicians like Alto Pappert (formerly Kraan) and Aeras second decade musicians like Matz Steinke on bass and Limbus on percussions contributed to this great album. The first 4 titles on the CD (formerly A-Side of the album) are in the tradition of the second album "Hand und Fuss'. "Psychochinese im Stanzwerk" reminds to Amon Duul's Deutsch-Nepal. For the first time Muck Groh uses vocals in his compositions in a folky style and "Blinde Kuh" reminds a little bit to the early German new wave bands like Spliff or Nina Hagen Band. All in all this album shows many facets of Muck Grohs composer abilities and convinces with its clever arrangements. CD comes with comprehensive booklet with rare and unseen photos and there are 8 bonus tracks taken from a concert from 1981."
    $21.00
  • ""Return to Desolation" is the third album from Canadian band Moonlyght. The album features 9 tracks of progressive dark metal with folk elements, melody, symphonics & lots of atmosphere. Clocking in at 71 minutes this is Moonlyght's grandiose masterpiece! There is literally something for every metal fan on this album. For fans of Barren Earth, Ensiferum, Ne Obliviscaris, Amorphis & Wintersun!"
    $14.00
  • A Liquid Landscape from The Netherlands is a bit of a departure for The Laser's Edge. Their slice of post-progressive music has a contemporary edge that finds them sitting alongside bands like Dredg, Anathema, and Porcupine Tree. The band has been a live act for several years and shared the stage with bands like Karnivool (AUS), Anathema (UK),Thrice (US) and Riverside (Poland).During the past year the band also was a finalist at the prestigious annual Dutch Grand Prize contest and on top of that they had 3 sold out Noorderzon gigs, featuring a stunning visual show.With all the material they had written, the band reached out to Forrester Savell (Karnivool, Helmet). Forrester liked the material a lot and he agreed on mixing the album and doing some production work as well.‘Nightingale Express’ is a concept album. This inspired moviemaker Lex Vesseur to make a short movie with music from the album. He also made the artwork and the visuals for the live show. So both the music and the film return in an interactive rock show with a live VJ.Washed up, tired and staggering across a beach in the early hours of the morning. Somewhere in the twilight between desperation and surrender, there is still a glimmer of hope. That sense that everything will be alright, no matter what the odds are. This is what A Liquid Landscape sounds like. 
    $8.00
  • Budget priced but nice slipcased set of the two excellent albums from the rather obscure Mr. Albert Show - "Mr. Albert Show" and "Warm Motor".Mr. Albert Show:"Holland have other bands of great interest and muscial dexterity than just Focus, Earth & Fire, and Golden Earring to mention some of the more well known bands from there. After having read about this band; MR. ALBERT SHOW in a book I wanted to give them a listen. So, this band emerged out of two other bands, and indeed this was a fortunate companionship. This album has such good music, full of sax, organ and guitar riffing all the way with very memorable melodies. Its a loose groove of jazzy rock mixed with more late 60's musical tendencies and feelings. The vocals are handled by either a female vocalist, a male vocalist or more often just a blend of voices.This album seems to be sadly unknown which is sad since this music is so joyous and full of good vibes. Off the 9 tracks, 2 are over 5 minutes, but they all have a very high standard throughout the entire album. MR. ALBERT SHOW has been compared to the English band Colosseum, and I also hear resemblances to bands like Affinity (UK), the charming early 70's rock of Gravy Train or the spacey sound of italian/german band ANALOGY."Act of Love" is the opening track starting of with a slightly bluesy melody but soon taking off in a jazzrock direction with loose psychedelic overtones in the laidback vocal and melodical arrangement. The vocals are as I mentioned done in harmonies, or maybe "collectively" is a better word. Either way it sounds very warm and above all: unpretentious. The songs never become obvious or so but instead often puts in nice addictive melodious breaks and themes or harmonica solos and so on. Bertus Bogers (saxophone and vocals) were one of the main writers in this band."Don't worry" is a short song clocking in at 2:37 but still one of my true favorites, party because the singer Inez' fantastic bluesy vocal style. And indeed the musical hooks are just unbeatable, this is early 70's loose progressive rock in the best style. "White bear skin coat" is another quick song with some humorous lyrics and indeed catchy rhythms and beats impossible to dislike. It might start of with some three chord moves with fast rhythm pattern but indeed adds some usual delightful musical twist and turns. "Wild sensation" was released as a single back then and is another true highlight. "There's a sad song in the air" is the longest track on the album with its 7:14. And indeed it has some long solos and jams and I am not a big fan of these kind of pointless meandering songs but in this case I really do like the solos and can safely say that this track is another important highlight here.This might not be for fans of strictly symphonic musical preferences, but more for the adventurous progressive rock fan who likes his music with a big dose of rock and riffs." - PassagenWarm Motor:"At the time of their second album, the band had dropped the psychedelic element of their music to concentrate more on the jazz-rock side, resulting in some first rate progressive rock. 'Did You Really Find Somebody' opens the album, and straight away you can hear the difference. Much more relaxed and jazz-orientated, it includes a lovely jazz guitar solo, which you hear far too little these days, and good use of the horn section. 'Electronic Baby' beefs up the rock element slightly, with some heavy guitars making an appearance, and also includes a good keyboard solo and a nice flute interlude. 'Let It All Hang Out' has a funky groove to it, and a vocal at times reminiscent of Joe Cocker, while 'Bantal' is the most out and out jazz track on here, featuring intricate rhythms and time changes. The generally longer tracks on this album (only six in all) work very well, and none of them drag at all, making for a truly progressive album - in that the band have actually progressed on from their debut. Now out on CD with bonus tracks - a couple of fifties style rock'n'rollers (which really do not fit in with the music on the rest of the album) in 'I Can't Help It' and 'Show Me Your Tongue', and whether you have heard their first one or not this is definitely worth checking out" - Peter Jolly[[{"type":"media","view_mode":"media_large","fid":"12263","attributes":{"alt":"","class":"media-image","height":"200","width":"200"}}]][[{"type":"media","view_mode":"media_large","fid":"12264","attributes":{"alt":"","class":"media-image","height":"200","width":"200"}}]] 
    $14.00
  • Quatermass were a killer "one and done" prog trio from the UK.  Consisting of John Gustafson (bass, vocals), Peter Robinson (keys), Mick Underwood (drums), Quatermass' music had a heaviness about it that could almost (but not quite) classify it as hard rock.  In fact Gustafson and Underwood went on to play with Ian Gillan.  Of course the star of the show is Peter Robinson, who you are probably more familiar with his later work with Brand X.  Hammond organ is the focus here and Robinson rips the hell out of it.  If you are a fan of ELP you should probably be checking this one out.The previous CD incarnation was released on Repertoire and has been unavailable for years.  This is a new CD/DVD edition.  It features a new stereo mix by Peter Robinson and includes 2 singles tracks as well as 2 previously unreleased tunes.  The DVD features the album in a 5.1 mix.  Highly recommended.
    $19.00
  • Live set recorded at Rosfest and Calprog in 2009. Touchstone are getting a lot of hype in the British press at the moment but that shouldn't deter you. The band's music is from the more melodic side of the prog spectrum. Fronted by Kim Seviour, she complements the band well. If you like your prog a bit light you should enjoy this band - they went over a ton at both festivals.
    $4.00
  • Reissue of the out print second album from this excellent Swedish progressive metal band. Comes with two bonus tracks.
    $13.00
  • "History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane (tenor sax) is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers -- who was the only band member other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated -- replicating the lineup featured on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are likewise Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos -- the 180-degree antithesis of the art form up to that point. These arrangements would create a place for the solo to become infinitely more compelling. This would culminate in a frenetic performance style that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound." Coltrane's polytonal torrents extricate the amicable and otherwise cordial solos that had begun decaying the very exigency of the genre -- turning it into the equivalent of easy listening. He wastes no time as the disc's title track immediately indicates a progression from which there would be no looking back. Line upon line of highly cerebral improvisation snake between the melody and solos, practically fusing the two. The resolute intensity of "Countdown" does more to modernize jazz in 141 seconds than many artists do in their entire careers. Tellingly, the contrasting and ultimately pastoral "Naima" was the last tune to be recorded, and is the only track on the original long-player to feature the Kind of Blue quartet. What is lost in tempo is more than recouped in intrinsic melodic beauty." - Allmusic Guide
    $6.00
  • Al DiMeola's solo debut from 1976, was released right around the time of RTF's Romantic Warrior. Stellar lineup includes the other three members of Return To Forever, Mingo Lewis, Steve Gadd, Anthony Jackson, Barry Miles, Jaco Pastorius, and Alphonse Mouzon.
    $7.00
  • "If you think back to bands such as SixTh then this genre of ultra tech/ djent has been around for some time, however, with bands such as TesseracT, Periphery and Meshuggah perhaps bringing it more to the public eye and out of the groove Metal shadows, it can be no real surprise that more and more bands are coming forward with their own take on what, at the end of the day can be a very difficult style of music to get right.Nothing wrong with that I hear you say, and providing it’s done well, I quite agree.Monuments début album “Gnosis” nails it in a number of ways, yes, we have the jarring riffs that really set this genre apart from most others but we also have that increasingly rare commodity called melody. You can sometimes be technical for technicalities sake but Monuments deliver an album that strikes a near perfect balance between an overriding ambition to push the boundaries even further, and maintaining a level of accessibility for the listener.Tracks such as “Doxa” for example really encapsulate the bands sound in a nutshell, “Blue Sky Thinking”, with its beautiful mix of aggressive and clean vocal, and my personal album highlight “97% Static”, which lends a fantastic, dreamy, atmospheric feel to the ear.Lyrically, the album is quite political in it’s content, with the overall message of think for yourself and not to follow other peoples train of thought, which in a way could easily describe the band themselves.A début release this may be but it has been many years in the concept forming and song writing to get to this stage.Guitarist, John Browne has assembled a fine group of musicians together to realise his dream, non more so than Matt Rose on vocals who has an unnerving gift of moving from the hard edge sound and then to meander seamlessly across the spectrum to deliver some really uplifting melodies.Top of the tree they may not be just yet but on the showing of this highly impressive work, it must surely only be a matter of time." - Planet Mosh
    $12.00
  • Trigaux's brilliant new studio album is virtually a recasting of Univers Zero featuring Guy Segers and Daniel Denis.
    $15.00