Man

Man

BY Man

(Customer Reviews)
$18.00
SKU: ECLEC2012
Label:
Esoteric
Category:
Progressive Rock
Add to wishlist 

"Man's first classic album for liberty / ua - now 24-bit re-mastered from the original master tapes with previously unreleased bonus track. Man's importance in the history of welsh rock music cannot be understated. Fusing the worlds of Psychedelia, Blues, Rock and Roll and west coast inspired Rock,
They were simply one of Britain's most original groups of the 1970's. Recording a series of classic albums for Liberty / United Artists, Man, along with label-mates Hawkwind, were true champions of the "underground" spirit. Esoteric recordings are proud to undertake the reissuing of man's entire legacy for united artists beginning with their debut for the label released in march 1971. The reissue features a previously unreleased 17 minute bonus track and liner notes exclusively penned by man guitarist and raconteur Deke Leonard. The time is right to re- experience the musical ages of man!"

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Decline and Fall is the long awaited sixth album from a group who personifies the term 'beloved underground favorites'. From the group's beginnings as a duo doing basement recording experiments nearly 30 years ago until now, Thinking Plague has always had a strong vision of their unique take on progressive rock music. Despite the very long lifespan of the band and the many years between records, the basic sound of the group and instrumentation was set early and the years since have seen interesting variations on their sound, from the stripped down approach of the earliest work to the deep layering of electronic sounds and samples of their last album. Decline and Fall strips back a lot of the 'studio-isms' and more than ever, sounds like the work of a really powerful band. The album adds a few other new surprises, most notably the addition of wonderful vocalist Elaine Di Falco who fits right into what may be the band's most demanding job. She sings with great poise and control the band's hallmark melodic lines - passages that would trip up a lesser vocalist. Also new is keyboardist/drummer Kimara Sajn who plays with tremendous authority on both instruments (although just before finishing up the album, the group added drummer Robin Chestnut who appears on one track). Returning are long-term members Mark Harris on saxes and clarinets, Dave Willey on bass and Mike Johnson, the band's guitarist, leader and composer. A new album by Thinking Plague is always an event; working slowly and unwaveringly, the group has released a handful of brilliant, art-rock classics. Decline and Fall is the latest of them."
    $15.00
  • ""Countdown to Ecstasy wasn't half the hit that Can't Buy a Thrill was, and Steely Dan responded by trimming the lengthy instrumental jams that were scattered across Countdown and concentrating on concise songs for Pretzel Logic. While the shorter songs usually indicate a tendency toward pop conventions, that's not the case with Pretzel Logic. Instead of relying on easy hooks, Walter Becker andDonald Fagen assembled their most complex and cynical set of songs to date. Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay. Listen to how the album's hit single, "Rikki Don't Lose That Number," opens with a syncopated piano line that evolves into a graceful pop melody, or how the title track winds from a blues to a jazzy chorus -- Becker and Fagen's craft has become seamless while remaining idiosyncratic and thrillingly accessible. Since the songs are now paramount, it makes sense that Pretzel Logic is less of a band-oriented album than Countdown to Ecstasy, yet it is the richest album in their catalog, one where the backhanded Dylan tribute "Barrytown" can sit comfortably next to the gorgeous "Any Major Dude Will Tell You." Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one."" - All Music Guide
    $5.00
  • Legendary first album comes with 4 unreleased bonus tracks. Now available at a great price.
    $5.00
  • 2LP orange vinyl edition in a gatefold sleeve and one bonus live track.You know this band is like money in the bank. They don't get a lot of hype but they've never made a bad album. They change singers from time to time but they always come up with a great one. They tinker with the formula from time to time just to keep it fresh but you can always expect great harmonies, blistering leads of guitar and keys and melodies that stick in your head for days on end. Wounded Land was one of the first progressive metal albums I ever heard and really drew me into the genre. Critical Mass doesn't disappoint at all.
    $30.00
  • Third album from this excellent Norwegian band.  Arabs In Aspic is yet another prog band influenced by the sounds of the 70s.  Lots of similarities to Black Bonzo.  Vintage keyboard sounds and nice heavy-ish guitar leads.  Vocalist Rune Sundby of the 70s Norwegian band Ruphus guests.  That band would be a pretty good comparison but you can definitely hear undercurrents of Uriah Heep and Deep Purple but there is more going on here. On the longer, jammier tracks the music takes on the psychedelic feel of Echoes period Pink Floyd.  Beautifully done.  Highly recommended.
    $24.00
  • The madcap French jazz metal trio return with their sixth album.  Morglbl consists of guitarist Christope Godin, bassist Ivan Rougny, and drummer  Aurelian Ouzoulias.  The band has toured extensively around the world – USA, Europe, Russia and even China!  They have shared the stage with Liquid Tension Experiment, Bumblefoot, and Umphrey’s McGee among others.These three virtuosos are also well endorsed clinicians and have developed a following individually but when they come together the fireworks really start.  Tea Time For Punks doesn’t deviate from the tried and true Morglbl formula.  Take equal parts fusion and crushing metal power chords, then inject a healthy dose of tongue in cheek humor and you’ve got the perfect Morglbl album. The band is often described as Primus meets Steve Vai and Allan Holdsworth, with flavors of Frank Zappa! 
    $13.00
  • BACK IN PRINT Renowned guitarist Scott McGill returns with his second instrumental solo album. Influenced by legends Bill Connors and Allan Holdsworth, McGill reinvents the genre by creating an aggressive style of progressive fusion. His high-energy fretwork matched by the potent rhythm section of Chico Huff (Mistaken Identities) on bass, and Vic Stevens (Gongzilla, Mistaken Identities) on drums. Ripe charts a new direction for both fusion and progressive rock.
    $5.00
  • The Diablo Swing Orchestra dates back to 1501 in Sweden, where history tells the tale of an orchestra that played like no other, with music so seductive and divine that the ensemble overwhelmed audiences all over the country. Their performances rapidly earned a reputation of being feral and vigorous and gained the orchestra a devoted crowd of followers. Their concerts attracted more people than High Mass in church and as a result the orchestra was accused of being treacherous and in league with the devil. The members were accused of being everything from heretics to the spawn of Satan. “The Devil’s Orchestra” was the epithet used by the church in it's attempt to halt the orchestra’s success. However, this eventually became a catchphrase that spread throughout the crowd, and before long it was the popular name of the orchestra. With the accusation of heresy a bounty was put on the orchestra, and as the hostilities from the church grew stronger the orchestra finally felt the need to flee. But they decided that if they were to disappear they should go out in style, by giving one last concert. Before doing so they all signed a pact saying that their descendants were given the task of reuniting the orchestra in 500 years, and that they should continue the orchestra’s work of spreading thought-provoking music. Six envelopes were sealed and given to trustees of the orchestra to pass on to family members. The final concert was a great success. Thousands of people came to see it, and the massive sing-along of the crowd made the performance the most talked about in history. Eventually, the armed guards arrested the orchestra. They were subsequently sentenced to death by hanging. Stockholm 2003. By mere accident two of the original orchestra descendants met in a music shop and began to discuss music. It later turned out that they both had received a strange letter from some ancient relative containing instructions on how to reunite The Devil’s Orchestra. By searching through archives and records they managed to track down the other ancestors. Daniel's sensibility for words and melodies made him the main composer. Annlouice's angelic yet powerful operatic voice gave a bombastic feeling to the music. Andreas swinging and energetic drumming provided the orchestra with a deep and solid foundation. And together with Andy's powerful finger style playing and funk-oriented slapping they made sure the songs had a steady groove. Pontus electronic and experimental influences proved useful as the orchestra wanted a contemporary sound. Johannes's emotive cello-playing, theoretical knowledge and stunning technique completed the orchestra. With reference to the old catchphrase they took the name Diablo Swing Orchestra and are determined to honor the legacy of their ancestors. Since the release of their debut “The Butcher’s Ballroom” in 2006/2007 the orchestra has gained a loyal fan base of their own. People have embraced their sound with open arms and they have been perceived as a fresh breath of air in a genre getting more and more stale and formulaic. The album was also well received among critics earning many rave reviews recognizing the new ideas the band brought to the scene. DSO’s sophomore effort titled “Sing-Along Songs for the damned & Delirious” proves that they are no one hit wonder but are here to stay. The new record set to be released in September 2009 is a smörgåsbord of different levels of musical insanity building on the foundation laid down on “The Butcher’s Ballroom”. Touring will begin in September starting with Progpower USA and will continue in Europe later in the fall.
    $13.00
  • "As we’ve been chronicling all year long, 2013 has been a great year for Norwegian progressive metal with some excellent progressive power metal from Illusion Suite, Tellus Requiem and Pellek, the new album by the long-running prog metal band Divided Multitude, the fantastic new album by Leprous and the exciting debut by Withem (you can read our review here).  Now, into that great mix the young band Vicinity has just released their debut full -length album, Awakening and it easily stands with the best of what their countrymen have produced this year. The band works in a decidedly melodic and dramatic fashion anchored around the wonderful voice of Alexander Lykke, the multi-faceted guitars of Kim-Marius Olsen and the powerful drumming of Frode Lillevold.  Interestingly there are no keyboards on the album (except for a few background sounds for effects) which wasn’t readily apparent to me at first because the songs are so well written and the vocal melodies are so strong. Olsen multi-tracks soft and harder textures to really give the album a rich sound.  The album has a great full sound and was mastered by the prolific Jens Bogren.Awakening is an hour long album but only has six songs.  Three are in the 11-14 minute range and the other three are between 5-6 minutes. The longer songs are not really more complex, but just feel necessary to the structure of each song which is really a testament to the band’s composition style -- the band will do a long song if warranted but works well in both long and short song formats.  The album begins with Mass Delusion which starts as a high-energy rocker but has a great instrumental mid-section that propels the song to its energetic conclusion. Opportunities Lost is the longest song on the album at over 14 minutes and is a deceptively simple song that consistently builds tension throughout the piece, alternates between short instrumental interludes, both soft and hard, and has a great vocal melody that ends in a wonderfully dramatic finale. Again, it’s fairly simple in structure but is so well written that I couldn’t believe it was as long as it was.  I was reminded of what great neo-progressive bands like IQ often do so well -- take a great idea and vary and expand on it to great emotional conclusions.  Across The River is a shorter, five minute song and is mostly a ballad that builds in intensity throughout to a powerful finale.   Walk All The Way is an 11-minute song that’s easily my favorite on the album as its got some of the most beautiful vocals on Awakening, has the heaviest section on the album right in the middle (complete with some harsher vocals for contrast and intensity) before building to a wonderfully majestic finale.  Olsen also really shines here as well with some great emotional soloing.  The Time For Change is next and it’s yet another amazing power ballad that shows, yet again how well this band can create drama and excitement.  The album ends with the 11 minute album title song that has a fairly heavy opening section but ends with a stunningly beautiful epic finish.  Honestly there’s not a weak moment on this album and if dramatic and emotionally affective progressive metal is your cup of tea, this album will hit you hard.Awakening is a really, really solid album that has so much going for it. It’s got a great, joyously youthful spirit and is decidedly focused on the emotional content instead of trying to wow the listener with technicality.   Vicinity is primarily a band of great melodic songwriters and they have the perfect vocalist in Lykke to carry out their vision of exciting  progressive music and if they continue on this path could really make some waves in this great genre." - Prog Metal Zone
    $15.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • "Whereas certain metal splinter genres like sludge and doom have found their requisite bands experimenting in ways that are still decidedly metal – or at least "extreme" by any measure – other areas such as black and post-metal see their own representatives in a practical race to see who can shed their extreme proclivities altogether. Alcest is one such band.Flirting with 90's indie rock trappings is nothing new for this French duo – essentially the one-man project of multi-instrumentalist Neige backed since 2009 by the drumming skills of Winterhalter – but Shelter is their first complete abandonment of metal altogether… there is nary a blastbeat, growl, nor brutal riff to be found anywhere on the album's concise 45-minute running time.That's not to say that Neige is reinventing the wheel, though; Shelter is a straightforward mix of 4AD dream pop and the type of ethereal post-rock that Explosions in the Sky are best known for… not to mention the gauzy shoegaze overlay that such an alchemy implicitly guarantees, of course.It sounds derivative on paper, but somehow Neige transcends his cookie cutter influences and produces a work of heart-stopping elegance and profundity. "Voix Sereines", in particular, is hands down the most plaintive and delicate work of the man's already illustrious career, a despondent lullaby of music box melodies and wistful singing that is fittingly placed in the middle of the track listing… it's the soul of the album, and belongs as its nucleus.The twang at the end of the guitar lines on the title track could – if taken out of context – herald the introduction of a new Mazzy Star single, but Alcest aren't quite that predictable. Twang aside there is no further evidence of roots rock assimilation, no blues aside from the heartache rendered potently clear in Neige's understated vocals. Nonetheless, this would make a fine crossover single aimed at whatever constitutes indie rock radio in 2014.Then again, so would "Away", which many reading this will insist even more a graceful composition than my pick of "Voix Sereines" above (those who aren't chastising the band for "going soft" in the first place, that is). I can't really argue that point, but all it does is prove what a deep bench Neige is culling for inspiration this go round.Perhaps the best evidence that Neige is not beholden to the orthodoxy of his influences is the way he builds toward a crescendo on album finale, "Délivrance". Rather than the ringing chimes that have become the hallmark of tension-building in post-rock (Explosions in the goddamn Sky), Neige shows restraint by settling for a very gradually rising chorus with subtle percussive acceleration. The final 2:30 minutes of the song consists of an unnecessary reprise, but in spite of contributing minor bloat it's still a fitting tribute to Neige's classical ambitions here.The word "masterpiece" gets thrown around a bit too frequently – often in service of albums that will be forgotten altogether a few years down the road – but if you can wrap your head around the fact that Alcest are no longer a metal band in any way, shape or form, Shelter is deserving of whatever hyperbole you care to throw at it." - Metal Injection
    $15.00
  • "Impetus is the debut offering from Austrian melodic metal band Ecliptica. The band plays a fairly straightforward melodic metal that incorporates elements of both progressive and power metal. Imagine Axel Rudi Pell with traces of Edguy, Sonata Arctica, and perhaps Ayreon (lyrics weren't provided, but this feels like a rock opera or at least a concept album at times) and you'll get a basic idea of Ecliptica's sound.It's a little surprising to find an album like this on the Frontiers label. Frontiers is no stranger to melodic metal, of course, but their releases tend to be of much higher profile and much higher quality. The musicianship on Impetus is high caliber, approaching progressive metal technicality at times, and there are some great melodies, but the songwriting is a bit uneven. When the band is doing a full-on rocker, it's easy to get into the music and melodies; likewise with their more melodic, sing-along power metal tracks (see "Carry On" and "Land of Silence"). The rock opera type songs ("Turn Away" in particular) just seem a bit too melodramatic, and are marred by some less than stellar vocal performances.Making use of both male and female vocalists is a shrewd move, and one that would pay off if the vocalists in question further develop their talents. Elisabeth Fangmeyer and Thomas Tiebur have decent enough voices, but they both have a definite accent and seem to lack the kind of power that could really draw listeners into the music. It sounds like the vocals are buried in the mix as well. This would be a drawback for any release, but on an album like Impetus where Fangmeyer and Tiebur often appear to be playing characters in a rock opera, their weakness is a major distraction from the otherwise impressive music.Impetus is a perfectly solid but not particularly remarkable offering from a band that definitely shows potential. Future releases from Ecliptica bear watching, but Impetus is unlikely to satisfy most fans of Frontiers' melodic metal roster." - Hardrock Haven
    $5.00
  • Third album from this superb Dutch band.  Laser's Edge has a long standing relationship with the band, having released their debut, Hallway Of Dreams, in North America.Take equal parts Loreena McKennitt, Kate Bush, and Within Temptation and you've got the basic sound of Kingfisher Sky.  The band was formed by ex-Within Temptation drummer Ivar de Graaf and is fronted by his wife Judith Rijnveld.  Judith is an incredible vocalist - her voice will transfix you.  The lineup features two guitarists, cello, keys, bass, and drums.  Everyone in the band is first class but you will always be drawn back to Judith.  The music takes on a mystical, ethereal quality in places.  It never really crosses over into the metal realm but the guitars can get crunchy in a nice way.  One notable guest on this album is Kristeffor Gildenlow who handles all the bass parts.  Highly recommended.
    $15.00
  • "The average underground metal fan seeing Crucified Barbara in the daily news feed probably made the same mistake I did in expecting this Scandinavian all-female rock band to be too upbeat and soft to hold my attention. That turned out to not be the case at all, as “In The Red” has the best of both worlds: an energetic rockin' vibe with more than enough of a metal edge. If you dig metal/rock crossovers like Doro or want a more serious and less humorously misogynistic Steel Panther, “In The Red” is absolutely the album for you.The album opens with the catchy “I Sell My Kids For Rock 'N Roll,” an anthem of rebellion against slowing down the rock just because of age, and then shifts into the slower but harder hitting “To Kill A Man,” which would make a great soundtrack to an “I Spit On Your Grave”-style revenge flick. Third track, “Electric Sky” then splits the difference, being catchy but still heavy.The album as a whole is incredibly cohesive, keeping up a solid and recognizable vibe while slightly altering the formula to switch between punk rock partying and darker themes. There's not much in the way of experimentation or a single stand-out track, but that's actually more of a good thing than you might think, as there's really no filler tracks either.“In The Red” is likely to hold the attention of extreme metal fans better than a good deal of the other rock hybrid groups. Granted it's not brutal or extreme, but so long as you don't head into it expecting Arch Enemy you'll be good to go. These tracks are definitely heavier than say Lita Ford's material, but much more rock focused and less on the extreme end than other all-female groups such as Astarte. This leads to both high powered guitar riffing on tracks like “Lunatic” alongside an old school Blue Oyster Cult feel on “Finders Keepers.”Refusing to give up the fist pumping fun of rock while playing heavy metal, Crucified Barbara's “In The Red” is a must-hear for fans of either genre.Highs: A great meshing of energetic rock with hard hitting metal with essentially no filler material.Lows: If you only dig extreme metal this won't have as much appeal, and there's not much in the way of experimentation or a single stand out track.Bottom line: Rock and metal rarely sound this good together - even if the less heavy end of music doesn't usually appeal to you, give this one a listen anyway." - Metal Underground
    $13.00