Marbles (2CD Digibook)

SKU: SMACD972
Label:
Madfish
Category:
Progressive Rock
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"Marbles was originally released on the band's own Racket Records label and attracted a lot of attention when it was released as the album had been funded by donations from fans who had pre-ordered the album before they started recording in return for having their name printed within the album artwork (over 18,000 names). This new 2CD Madfish edition of the album is packed in a deluxe 36 page digibook re-worked by original designer Carl Glover. The book features unseen pictures not used in the original artwork. The tracks on the second disc have previously only been available through the band's own website."

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  • "After 17 years, the progressive aggressive forefathers reemerge more massive than ever. ATHEIST delivers "Jupiter", a landmark return to earth of sonically gargantuan proportions. In the late 80's and early 90's, this band, alongside fellow Floridian's DEATH and CYNIC, handcrafted the subgenre that spawned bands such as MESGHUGGAH, BETWEEN THE BURIED AND ME and MUDVAYNE. In 2010, ATHEIST perfect it immensely."
    $11.00
  • "The second installment of our 20th Anniversary celebration, "Off the Floor 02" continues with more live-in-the-studio performances of staples from our live sets. Taken from the same sessions as "Off the Floor (01)," the track list draws from each of our five studio albums and includes a healthy dose of improvisation, a bit of re-imagining and even a little new music in the form of a bass & drums interlude.We won't repeat the "Brief History of Tiles" from the OtF (01) liner notes, but will take a moment to revisit the basic 'off the floor' concept. After much discussion about our "platinum" milestone (unfortunely not for sales!), we decided to do a live album using the somewhat non-traditional approach of recording live in the studio. This is actually what the phrase 'off the floor' means in recording lingo: to record a song as a complete performance without adding more parts (overdubs) later. We recruited a few friends to be our audience – for inspiration and to keep us on our toes.Having the controlled environment of a private 'soundstage' allowed us to focus on the music. We didn't have to haul a bunch of equipment into a club and deal with recording technicalities, show promotion and other business distractions. Although we were in a studio, "OtF 02" is still "live" – complete with the occasional less-than-perfect note and other minor imperfection. We did, however, take advantage of the relaxed setting and usually played each song twice, picking the best version for the CD. Occasionally we didn't need a second take, but a couple of times we needed a third take ("Patterns" oddly enough!).To offer a little something different, "OtF (01)" had a couple special guests plus an expanded arrangement of 'The Wading Pool.' For "Off the Floor 02" we dug into our archives and dusted off a few tunes from our appearance at the 2005 Rites of Spring Festival (ROSfest). We had recorded our entire 2-hour set, but filed the hard drive away with little thought it would see the light of day. Technical problems had dogged us the moment we hit the stage and left us feeling unsatisfied with our performance. Sampler and keyboard sounds would mysteriously reset and the bass amp would cut in and out. Figuring out why these intermittant problems were happening was made even more challenging by Jeff's state of exhaustion; even though it was a good kind of exhaustion caused by the birth of his daughter just four days before the show. Since the problems were on his side of the stage he had to play detective and keep up with the songs! Eventually, the issue was discovered and duct tape strategically applied to a loose electrical wall outlet – which worked just fine unless someone happened to use the side-stage walkway.Although tempted by the 12-minute "venting" version of "Capture the Flag," we didn't want to repeat any songs already included on either Off the Floor disc. Fortunately, "Facing Failure," "Ballad of the Sacred Cows," "Paintings" and "Window Dressing" were in all-around good shape. We only needed to drop in a couple missing samples and a keyboard part. By including selections from ROSfest as part of the Off the Floor project we get to acknowledge Pat Deleon, our drummer from 1997 to 2005, and present a complete live history of Tiles." - Chris Herin/TilesDisc One: Off the Floor 021. Patterns (4.38)2. Hide & Seek (8.09)3. Taking Control (5.14)4. Remember To Forget (5.00)5. Analysis Paralysis (5.18)6. Cactus Valley (7.01)7. Sacred & Mundane (6.30)8. Dancing Dogs (5.45)9. Safe Procedures (7.31)10. Another's Hand (6.26)Mark Evans: Drums & PercussionChris Herin: Electric Guitar, Keyboards, Backing VocalsPaul Rarick: Lead VocalsJeff Whittle: Bass Guitar, Keyboards, Backing VocalsDisc Two: Live at the 2005 Rites of Spring Festival1. Intro/Facing Failure (6.48)2. Ballad Of The Sacred Cows (7.24)3. Paintings (5.04)4. Window Dressing (17.03)Paul Rarick: Lead VocalsChris Herin: Electric & Acoustic Guitar, Keyboards, Backing VocalsJeff Whittle: Bass Guitar, Keyboards, Backing VocalsPat DeLeon: Drums, PercussionBonus Videos (from the Off the Floor sessions):1. Landscrape (4.27)2. Remember To Forget (5.00)
    $15.00
  • Reissue of the first album from this eclectic British neoprog band. Red Jasper always stood out from the crowd. They drew equally from the genres of progressive rock and folk rock. You get this weird hybrid of Fairport Convention meets Marillion. Instrumentation included electric mandolin and tin whistle so you get this sound that was somewhat like late 70s Jethro Tull but with much more elaborate song forms. Lead vocalist Davey Dodds is like a cross between Geoff Mann and David Bowie. Long out of print, this new edition comes with three bonus tracks.
    $18.00
  • Amorphis really have it dialed in. They have been consistently releasing great albums for years. Their last album of all new material, Skyforger, was masterpiece material. The Beginning Of Times carries on from there. The band's musical themes are deeply steeped in Finnish folklore. As has been the case for some years now, vocals are primarily clean but with some coarse growls as augmentation. The music has a melancholy feel but would not be categorized as doom. Lots of progressive elements, in fact the guitar and keys work have a real 70s feel with lots of tasty soloing versus crunchy riffing. Simply put this is brilliant. Highly recommended.
    $13.00
  • "Frontiers Records won't be wasting any time in early 2013, as the label has a host of upcoming releases sure to thrill lovers of melodic hard rock & heavy metal. The latest from Norwegian vocalist Jorn Lande and his band is called Symphonic, a collection of songs from throughout his career with added classical orchestrations. In some instances the songs were completely remixed to add even more room for the orchestrations, but what's cool about this collection is that none of the songs lose their bite, but have become even more majestic with the added elements.Now, for all you Jorn fans out there, no doubt you already own or have heard these songs before, so I'm not sure how much of an 'autobuy' Symphonic will be, but as someone who also fall into that category, this is most certainly a fun and intriguing listen. The orchestral arrangements were conducted by Lasse Jensen, and in some songs they play a large role, and on others simply complementary. Some of the heavier rockers, like "I Came to Rock", "Like Stone in Water", "Burn Your Flame", and "Man of the Dark" sound even more powerful and grandiose with the added symphonics. Basically, these are all great songs, but for those that like the sounds of acts like Kamelot or Nightwish, there will be even more appeal to these tunes now. The Masterplan classic "Time to Be King" (which Lande has now adopted as his own seeing as he is no longer part of that outfit once again) is given roaring new life here, and the cover of Dio's "Rock and Roll Children" is simply marvelous with the extra orchestral arrangements. Throw in a few lush ballady type pieces in "Black Morning", "The World I See", and "Behind the Clown" (which are tailor made for this project), complete with soaring arrangements and Lande's emotional delivery, and you have a very enjoyable reworking of some standout Jorn material. And, wait till you hear the Black Sabbath gem "Mob Rules" with the added orchestra...wow.In summary, Symphonic might not be essential to most, but for loyal Jorn fans it should prove to be a lot of fun." - Sea Of Tranquility
    $15.00
  • Although Jeff Lynne found fame and fortune in the later years of ELO, it was the early albums that featured some great and innovative progressive rock. Originally conceived as an offshoot project of The Move, ELO featured Roy Wood and Jeff Lynne (of The Idle Race). The two had a falling out over the direction of the band and Wood split to form Wizzard. After the mixed bag that was ELO II, Lynne found firm footing with On The Third Day. It's a fantastic fusion of classical, pop, and prog. The Beatles are an obvious influence but it was ELO's use of cellos and violin within the context of rock music that made them stand out (OK - they were not the first to do this but they were the best). This is a remastered edition that features a number of bonus tracks including unreleased material. Perhaps I'm nostalgic about this album as it was part of my formative years of listening to progressive rock. File under highly recommended.
    $5.00
  • "Riot has always been ahead of the curve, be it their powerful riff machine, or their unapologetic status as pioneers in the speed metal genre. I would like to take an opportunity to differ once again with the common viewpoint here, this is not “almost” Painkiller 2 years before; it is its doppelganger, at least in terms of kick ass aggressiveness and image. It is a more musical and complex answer to the thrash genre that it fathered; its spirit is that of a triumphant warrior cutting down its foes. While the heroic Painkiller soared through the sky putting fear into the hearts of his enemies, Thundersteel’s half-cyborg/half-tank body stood tall to face them on the ground.In 1988 metal was mostly known by its image, and if you judge these guys by that alone, they look like the bastard sons of Motley Crue and Judas Priest. But when Tony Moore blasts his high banshee voice into the microphone, he sounds like a crazed Viking Berserker ready to behead an army of frightened Romans. Mark Reale, the only remaining originator of this outfit, wields his guitar like a battle axe and challenges the likes of K.K. Downing, Dave Murray and Ross the Boss. Bobby Jarzombek, who is well known for his work with Rob Halford’s solo project, as well as several other bands, gives the performance of his life on here. Don Van Stavern keeps the bottom end solid and has a wicked bass intro in “Johnny’s Back”.There is never a dull moment on this album, from start to finish it grabs you by the throat and commands you to praise the Gods of Metal. Be it the fast as hell title track, which rivals anything Judas Priest has ever put out, or the more moderated Deep Purple riff monster “Sign of the Crimson Storm”, it screams metal. You’ve got an anthem of rebellion and non-conformity at warp speed like “Johnny’s Back” in the running, or the Manowar inspired heavy ballad “Bloodstreets”, which gives Heart of Steel a run for its money. “Fight or Fall” and “Flight of the Warrior” have memorable choruses and plenty of amazing lead work, all done by the original speed metal riff man Mark Reale, while “On Wings of Eagles” is a better produced version of something you might find on Kill Em’ All.We’ve got two highlights on this album, both of which are a good bit different than the lion’s share of speed driven songs on here. “Run for your life” is an upper mid-tempo crusher with tons of great lead guitar work, but it’s true charm is the chorus, which reminds me a bit of the high/low vocal interchanges that you hear on Dio’s early material. “Buried Alive (The Tell Tale Heart)” is actually a bit reminiscent of Crimson Glory’s work on Transcendence, which came out the same year that this did. You’ve got a rather odd spoken intro with a clean and somber guitar line, followed by some brilliant twin guitar soloing (all done by one guy, just the same way Tony Iommi did it). After 3 minutes of mind-blowing, we get a slow and evil sounding groove that grows into a brilliant homage to the NWOBHM, names like Iron Maiden and Angel Witch come to mind.In conclusion, this is a piece of metal history that demands to be listened to. If you are a power metal fan who lives for speed and melody, get your tight jeans wearing ass to the store right now. If you’re a holdover from the glory days of traditional metal and you don’t have it, get it now or risk having your credentials as a metal head questioned. If you love thrash with attitude, this gives the bands that carry that label a run for their money. Fans of Judas Priest, Manowar, Helloween, Running Wild, and Iron Maiden in particular will love this. There is a new power alive in the distance, carrying a fully charged plasma cannon, followed by an army of true metal warriors, and his name is “Thundersteel”." - Metal Archives
    $7.00
  • Out of print limited edition mediabook comes with 2 bonus tracks."Doro has long been the reigning queen of metal, and with her 12th solo studio album, Raise Your Fist, she continues to reinforce that notion. Her new album has a thicker feel than her previous release, Fear No Evil (2009). Packed with her trademark anthems and velvet ballads, Raise Your Fist is Doro at the top of her game.Sure Doro has a weakness for the occasional Velveeta lyrical theme, but it is her passion for metal, her fans, and the music that keep her among heroes of the genre. On Raise Your Fist, Doro brings the traditional bang your head, throw up your horns metal, with memorable sing along choruses. The album’s opening track, “Raise Your Fist in the Air”, is a perfect example. A lyrical theme all metalheads can get behind, with air-guitar worthy riffage and an anthemic chorus.Motörhead mainman, Lemmy Kilmister drops by to show a surprisingly tender side on the ballad, “It Still Hurts”, and guitar icon Gus G (Ozzy Osbourne, Firewind) makes an appearance on the track “Grab the Bull (Last Man Standing)”, giving it some extra swagger.On the song, “Freiheit” she tackles the issue of human rights. She noted that this particular song is very close to her heart. Tracks like “Rock Till Death”, “Take No Prisoners”,  and “Revenge” are some of Doro’s meatier sonic assaults, and remind us that heavy metal need not be void of melody.Doro also pays homage to her dear friend, Ronnie James Dio on the album closer, “Hero”. The song was the first one written for the record, and hits home with serious emotional impact. Doro’s vocals are poignant and emotive, filled with admiration, loss, and angst.Raise Your Fist is a confident, well crafted, classic metal album, which offers a slab of horn-throwing anthems, with just the right amount of sentiment. Doro heads into a new decade with another load of rock and roll ammunition in her arsenal." - Metallic
    $6.00
  • Second release from this German band and frankly its a huge improvement from their debut. Dante skirt the fine line between neoprogressive rock and progressive metal. The music is quite melodic and there is some heaviness in the guitarwork...and yeah the keyboardist likes to shred like Jordan does...so maybe they can slip into the metal category. File these guys along side Ricochet.
    $3.00
  • Remastered edition of the band's second album comes with four bonus tracks.
    $9.00
  • Latest entrants in the German power metal gods sweepstakes features the wonderful Andy Franck (Ivanhoe, Symphorce) on vocals. Mixed by Sascha Paeth so you know it's gonna sound just right.
    $12.00
  • "There's no doubt that every genre has its leaders. Bands who through a confidence and display of ability, rise above the others who simply seem to follow in their wake. Primal Fear are one such band, leading the Euro Power Metal genre as if it is their own to do with as they please. In essence what they choose to do is, in truth, similar to countless other bands and still reliant on a blueprint created by the likes of Accept and Judas Priest many, many years ago. However with the class of Alex Beyrodt and Magnus Karlsson on guitars, PF already have a head start on the opposition, so when you add to that the bass bombast of Mat Sinner, drumming displays from Randy Black and the ultra powerful vocal viciousness of Ralf Scheepers, then immediately it becomes apparent why Primal Fear reign supreme.That line-up has been stable for some four years now and it shows on Delivering The Black, amazingly this band's tenth studio offering. What does it sound like? Well truth be told you know that already because Primal Fear do what they do so well, that tinkering with the sound would be merely to stray from a tried, tested and well loved formula. However the sheer energy and conviction behind the likes of "King For A Day", "Alive & On Fire" and "Inseminoid" ensures that what this Beyrodt produced monster of an album delivers, never falls short of fist punchingly good.However while each and every one of the ten tracks on show here (twelve and a "single" mix of "Death Comes Knocking" if you buy the deluxe version – and you know you really want to...) pulsates, gyrates and convulsates, the two which really stand out as the central pieces of Delivering The Black are the aforementioned, but full version of "Death Comes Knocking" and "One Night In December", both of which reach towards and beyond the seven minute mark. Orchestral embellishments are unobtrusively added and both tracks evolve through a variety of moods and atmospheres, while still sounding 100% like prime-time Primal. Add to that an acoustic based, but bombastically delivered slower number in the shape of "Born With A Broken Heart", where Leaves Eyes' Liv Kristine adds backing vocals and Delivering The Black stands out as an individual and ambitious album, while still being completely and utterly what this band have always been about. Something many acts have tried to do and failed.While a few new elements are successfully introduced here, the old adage of "if it ain't broke, don't fix it" still springs to mind and rest assured that Primal Fear are in full, glorious, working order." - Sea Of Tranquility
    $19.00
  • One of the all time great psych monsters back in print.  The Dream was a one and one band from Norway.  They recorded this one album in 1967.  One of the primary reasons this album is so desireable is that the lead guitarist is none other than Terje Rypdal!  Its a period sounding piece - you can tell this is the late 60s but damn if it isn't as well done as anything else from this time.  Rypdal displays an obvious influence from Hendrix.  He completely blows it out on this album.  Plenty of Hammond organ grinding away in the background.  Lyrics are pretty stupid - the opening track is actually called 'Green Things (From Outer Space)" but it doesn't matter.  The music is a typical mixture of styles but mostly bluesy stuff with a real hard edge.  Rypdal's guitarwork is purely lethal.  After this album the band split and Rypdal headed off into jazz realms with the Min Bul album, this solo album Bleak House, and then his long running career with ECM.  Highly recommended.
    $15.00
  • "Are we being manipulated? Who would benefit from us, to follow pre-established rules? Careless. As sheeps. Political parties? Religious organisations? Commercial companies? TV networks? Beware of everything, even NEMO...NEMO is one of the leading Prog Rock bands in France, and after 13 years of existence they conquered the world community of Prog lovers with their previous albums (Si, Barbares, R€volu$ion…). Their 8th studio album is about every kind of manipulation. On 2 CDs, 12 songs, they warn you about everyone, even them! Musically you will hear a varied and strong blend of what Nemo is all about, featuring a big dose of experimentation and new exploration. Beware of this album, you will succumb to its charms! "CD1:01. Stipant Luporum 2.0102. Trojan (Le ver dans le fruit) 8.5303. Milgram, 1960 5.5904. Verset XV 7.5505. Un pied dans la tombe 7.1106. Neuro-Market 6.3407. Le fruit de la peur 9.43CD2:01. A la une 5.0802. Triste fable 7.4603. Allah Deus 5.0804. Opium 9.1005. Arma Diania 17.19
    $22.00