Memories From The Future

SKU: SR3074
Label:
Sensory Records
Category:
Power Metal
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"Maxi Nil (ex Visions of Atlantis) and Raphael Saini (ex Iced Earth) after touring the world and captivating audiences along the way, decided to join forces and re enter the music world as Jaded Star!

Exploding with energy, experience and drive the band's debut album "Memories From The Future" is ready.

Produced by Maxi Nil, mixed and mastered by Fredrik Nordstrom at the legendary Fredman Studios in Sweden, this album showcases Maxi's electrifying vocals and the masterful drum work Saini is known for.

Guitar hero Kosta Vreto with his unique finger strumming style, eschews the plectrum in favor of a raw, organic sound that literally comes straight through his hands. Babis Nikou on the bass brings a solid foundation and the chemistry between he and Maxi as the song writing team provides emotion to match the power of the sound.

The elements are there, the forces have aligned, the Jaded Star is ready to shine!"

 

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  • Hey I didn't make up the album title!  Leave that to guitarist Chato Segerer.  He's an admitted fan of Frank Zappa and that is apparent in his songwriting.  If you are a fan of Morglbl and Panzerballet I think you'll lose it over Chato's disc.  The humor is there but its very subtlely woven into the fabric of the music.  So overall what might appear to be some wacked out over the top album turns out to be a rather tasteful album of prog fusion with balls!
    $13.00
  • "New album  from Daniel Cavanagh of Anathema, introducing the brilliant Sean Jude.Leafblade was born out of a calling. A calling to bring the writing of Sean Jude towards a wider audience; or so thinks Mr. Cavanagh of Anathema, who originally formed Leafbladewith Jude several years ago.In May 2013 Leafblade release their new album, The Kiss of Spirit and Flesh, on the Kscope label.Daniel and Sean are joined on the new album by Anathema's portuguese multi instrumentalist Daniel Cardoso who plays drums, supported by Kevin Murphy and recorded by Mark Ellis who worked on anathema's 2010 masterpiece, We're Here Because We're Here.Produced by Cavanagh, The Kiss of Spirit and Flesh steps up the dynamics from debut albumBeyond, Beyond.Showcasing Cavanagh's unmistakable production work, his signature electric guitar playing and heartfelt 'musical weaving', all of which is built around Jude's unique and brilliant progressive songwriting, his lute-like nylon strings, his articulate lyrics and passionate vocal delivery.Cavanagh feels that the album has found a natural home at Kscope, the label that he has worked with extensively over the past few years, "the writing is absolutely top class and the progressive and organic nature of the music makes it very much part of Kscope's orbit."He continues; "we feel the album is a special one thanks to the beautiful lyrics, top class arrangements and excellent musicianship, and it should appeal to Anathema fans and progressive fans alike."""
    $15.00
  • "Unwritten Pages’ Noah is an album born out of a passion for progressive, driving music, concept albums and 80’s science-fiction film. It combines the broad musical taste of its creator Frederic Epe and the stylistic and unique musical backgrounds of each project member, reaching from rock and metal to Latin influences and more classical/score-oriented arrangements.The album features soaring guitars, fat organs and bone-breaking drums, as well as a healthy dose of retro. But most of all, it never loses its focus on unique and melody-driven song-writing. And it comes in the form of an ambitious story, told through the eyes of the vocalists and musicians.Noah tells the story of a boy born in the ruins of the futuristic Utopia City, and Maria, the daughter of a ruthless politician who has – literally – split Utopia City in half and driven the poor to a district known as LS01X. As the political climate escalates, a few hundred people from both sides of the city are forced to leave their home world and start a new life on Mars. Here, both Maria and the boy grow up in the middle of a rising conflict between two factions that are unwilling to ignore their grudge-ridden past. Noah features the talents of Damian Wilson (Threshold, Ayreon, Les Misérables), Karl Groom (Threshold, Shadowland), Davy Mickers (Stream of Passion, Ayreon), Alejandro Millán (Hello Madness, Stream of Passion) and many others."
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  • One of the really great progressive bands from the 90s is back with their first album in 7 years.  The band is fronted by Fredrick Ohlsson, one of the great voices in metal.  He sounds very much like prime era Geoff Tate so the band has often been compared to Queensryche.  Truth is there is more of a melancholy/doom power vibe going on but there are progressive overtones and it never becomes plodding in a Sabbath/St. Vitus/Candlemass way.  Its all kind of weird since this is a professed Christian band and those themes do crop up.  Even still Veni Domine should be enshrined in the Metal Hall Of Fame."After nearly seven years of silence, we hear again from Swedish metal band Veni Domine (latin: Come Lord) with their new album Light, now with Massacre Records. Early in their nearly 30 year career the band got 'labeled' as a doom metal band. It's a rather interesting thing as the band pursues Christian themes in their lyrics. Christian is not a religion of doom and despair, but of life and hope.Nevertheless, with a spin of Light, you may hear some of those 'doom' elements: deep sound and a brooding pace. Even Fredrik Sjöholm's voice has low, sober, feel. Yet, Veni Domine work in other elements as well like both symphonic and acoustic elements, and some simply fundamental heavy metal. Where They Story Ends is good example of the merger of the elements. It's at once atmospheric, heavy, and somber, yet gets speedy later on. This is perhaps the reason why some listener tack on 'progressive' when speaking of the band. Alternatively, listening to In Memoriam or Last Silence Before Eternity, the mood and music of Veni Domine might remind of Candlemass-like epic doom metal. More curious company to keep. Sometimes the mood, pace, and soberness of the music matches the title of the song as with Waiting, moved along mostly by voice, acoustic guitar, and steady drums. Finally, the band revisits some of their past by re-recording Oh Great City from their first album 1991's Fall Babylon Fall. I've never heard the original, so I can't speak to difference. It is, however, more brooding heavy metal. If progressive, sometimes epic, doom metal is your flavor of the month, you'll likely enjoy Veni Domine's Light." - Dangerdog.com
    $15.00
  • "Leah’s 2012 debut, Of Earth and Angels, came out of nowhere and blew me away with its catchy, epic music and beautiful, ethereal vocals. Naturally, I bought her follow-up EP, Otherworld, but didn’t like it as much, since it was much mellower (except for “Dreamland” with guest Eric Peterson).Thus, I was very excited to learn that Leah’s next release would feature Delain guitarist Timo Somers. I figured Timo was exactly what Leah needed to find her heavier sound again, since he has contributed some of Delain’s best guitar work. As an added bonus, Timo produced and arranged the album and also recruited ex-Delain drummer Sander Zoer.Does Leah’s new team deliver? Yes. Kings & Queens is epic, heavy, and beautiful. Timo contributes excellent riffs and solos; Sander provides driving rhythms along with bassist Barend Courbois (from Blind Guardian); and Leah sounds as delicate and ethereal as ever. Her voice is high, clear and perfect, much like Liv Kristine’s.The music, voice, and lyrics evoke far-away lands and heroic stories. Leah has explained: “One theme in particular is the historical and metaphorical grip around our throats we feel from top-down agendas that threaten our freedoms. It seems to be a never-ending game of chess between those who demand power and those who would preserve freedom. It’s the theme of every good fantasy book and film, and the message rings true for even our modern world. In addition, the line-up and stellar musicianship of the guys who came on board this project heightened the sheer epicness and caliber of the music itself.”The album’s first single is “Enter the Highlands.” It starts heavy with aggressive guitars and drums before Leah’s otherworldly vocals kick in, and then builds with even more intense rhythms, a galloping riff, and choral vocals. Leah says she loves how heavy Timo made the song, and that the lyrics are about lost civilizations, with implications for our own.Two other songs that really showcase Timo’s guitar skills are “Save the World” and “Angel Fell,” both of which feature blistering solos. These songs also show off the variety of Leah’s sound. “Save the World” starts as folk metal before becoming an anthem, then finishes with delicate voices and a harp after Timo’s solo. “Angel Fell” begins with a harpsichord and is quiet and powerful at first but has a driving finish.What these songs lack is the catchiness I liked on songs like “Remember” and “Say Yes” from Of Earth and Angels, but that begins to reappear in later songs from Kings & Queens, notably “Heart of Poison” and “Hourglass.”Perhaps the heart of the album is the epic “Palace of Dreams.” The song is long (at 7:46) and cinematic, with strong guitar and piano and a lyrical tie-in to the album title. Other notable songs include “The Present Darkness” (in which Leah uses a deeper voice) and “Remnant” (which at first sounds especially like Loreena McKennitt, to whom Leah is often compared, before building into heavy guitars). The album concludes with a pretty acoustic cover of a traditional Irish folk song, “Siúil a Rún,” about a lover lost to soldiering.Overall, I would recommend Kings & Queens to all fans of epic music and ethereal vocals. While not as catchy as Of Earth and Angels, the new album certainly cements Leah’s reputation as the metal Loreena McKennitt (or Enya), with her strong Celtic and new age influences (not to mention her high fantasy look). The album is also a showcase for Timo Somers’ guitar work, and an example of successful crowd-funding, so fans of Delain and fans of independent music alike will want to check it out.On the flipside, I would say the album and songs are too long. At 78 minutes, Kings & Queens is nearly twice as long as Of Earth and Angels or Delain’s The Human Contradiction. I think the music would have a greater impact if it were more condensed (just as I wish Peter Jackson would release a condensed version of The Hobbit). Delain fans should also know that the vocal variety is much narrower than what we get from Charlotte Wessels, who does fragile and beautiful but also raw and aggressive. Again, Leah is more like Liv Kristine. The lyrics are also subtle and metaphorical (and sometimes require careful listening to understand), so the themes discussed above about freedom and fallen civilizations don’t hit you in the face the way Delain’s (or Judas Priest’s) would." - Sonic Cathedral
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  • "“Memories Of An Ancient Time”represents the second chapter of the trilogy start with "Countdown to Revenge" two years ago. HOLLOW HAZE has recently parted ways with singer Fabio Lione ( RHAPSODY, ANGRA, KAMELOT), But luckily the Italians, in person but shortly after it announced that Mats Leven (Y. MALMSTEEN, THERION, CANDLEMASS), Rick Altzi (MASTERPLAN, At VANCE) and Amanda Somerville took part in the recording sessions as very special guest singers. Their new and sixth album, that is set to be released on upcoming June’15 by Scarlet Records.This second saga will take you on an epic journey through the desert of Egypt, meeting the aliens, special mention to the amazing artwork realised by Stan W. Decker. This “Memories Of An Ancient Time” has been mastered by Mika Jussila (NIGHTWISH, APOCALYPTICA, CHILDREN OF BODOM) at Finnvox Studios in Helsinki, Finland, and as usually, Mika has done a good job, the production is magestic.“Memories Of An Ancient Time” is a mix of progressive meets power meets symphonic meets heavy metal, fast guitar riffs, neat double bass, magical and orchestral arrangements, big and beautiful choirs in the chorus, you can easily sing along all the songs, especially due to that the songs are relatively short compared to the first album of this trilogy.All the duets between Mats Leven & Amanda Somerville are all well done, Rick is mostly heard in the background, all the lead vocals are on the Mats‘s shoulders. As usual, Mats Leven has often proven, in the past, that he can carry an complete album. Whether by Y. MALMSTEEN or with THERION (even if i prefer his vocal performance with the guitar hero), he always convinced me with his charismatic voice, and he does this time again. HOLLOW HAZE has done the best choice with Mats for sure. Note the female choirs by Amanda & Claudia are just so sweet and touch your heart with their tender melodies. Everything else is fine, there is plenty of tunes (especially in the choruses), as know so well the Italian bands in this style.Its a bombastic album, but you need to hear the first part of the saga to understand, where the band wants to take you,  so you need also to buy the CD with the booklet included to jump into the lyrics and not download MP3! To finish his review, if you’re a fan of this style of metal, you still take pleasure to listen to this “Memories Of An Ancient Time” in a few years.This is already a classic! An emotional masterpiece!" - Metal Temple
    $15.00
  • A great archival score from this relatively new label out of Poland that is concentrating on Eastern European jazz and rock.  Previously unreleased live recording from 1975."SBB haven proven that there could be a world-class band in Poland. Sent on tour to Sweden in May 1975 to open for the second-rate British act Jack the Lad, SBB quickly stole the show and brought the house down. Contracted for the Roskilde Festival in 1978 as the first group from Poland ever. In their native country they were capable of playing as many as four concerts a day at one venue, and still all the tickets were sold out. They were big. Thanks to the previously unreleased live recording from 1975 we can prove it once again.The memorable performance at the „Jazz nad Odrą” festival in March 1975 was one of the very first to feature the band’s completely new setlist used (with a few alterations) during the next twelve months. The musicians performed the tracks from their second (not yet released) and third (not yet recorded) album, including the biggest hit up to date, „Z których krwi krew moja”. All the songs were merged in one long suite, incrusted with fierce and powerful improvisations. In 1976 the band began to expand the variety of instruments used and, as a result, never returned to the progressive (and aggressive!) formula so typical of 1975. Thanks to the Wrocław recording, however, we are lucky to experience once again the energy that radiated from the three extraordinary musicians.The material has been remastered from the original tapes in pristine quality."
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  • Despite a fracture between Andy Powell and Martin Turner, Wishbone Ash carries on - now in two different iterations. I guess Andy Powell retained the rights to the pure Wishbone Ash name and he's helming the ship on this release. Its just what any Ash fan would want - blues driven prog from a twin axe attack. That's the Wishbone Ash signature sound and if you are a fan you won't be disappointed.
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  • Second album from this post-Santana lineup is a bit more commercial than the debut but there are still progressive overtones. Neil Schon shines again.
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  • Ever wonder what Jasun Tipton does when he's not recording with Cynthesis and Zero Hour? Well apparently he forms a new project! Abnormal Thought Patterns is an instrumental project featuring Jasun on guitars, Troy Tipton on bass, and Mike Guy on drums. Essentially the core musicians of Zero Hour. Further they are augmented with Richard Sharman as the second guitarist. This is tech metal to the max - somewhere along the lines of Blotted Science and Spastic Ink but with that unmistakable Tipton Brothers sound. Its an EP and frankly I don't think you could digest any more in one sitting - lots of notes here. Guaranteed to have many moments where you will stop and ask yourself "how the hell did they do that?". Complex thinking man's metal at its best! Highest recommendation.
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  • "Famed Jazz pianist Keith Tippett is one of the greatest and innovative figures in modern jazz. His work has also seen him cross into the world of Progressive rock, working with King Crimson and his own outfit Centipede.The Keith Tippett Group’s debut album was recorded in 1969 and featured a line-up of Keith Tippett on Piano, Elton Dean on Alto Saxophone, Marc Charig on Cornet (also in Soft Machine), Jeff Clyne on bass (later in Nucleus), Nick Evans on Trombone and Alan Jackson on drums. "You Are Here… I Am There” is rightly hailed as a classic of the genre.A superb and highly sought after modern jazz – rock work, "You Are Here… I Am There” has been newly remastered and the booklet fully restores the original album artwork and includes a new essay."
    $17.00
  • Limited edition digipak with 2 bonus tracks."The road to Altzi is paved with good intentions…. When Masterplan announced the new lineup in November of last year, Jorn apologists flooded the comment strings of various metal news outlets with comments like “another band is spoiled by a vocalist change” and “no Jorn…no Masterplan.” While I might agree that there was reason for outcry when a well-known/respected singer leaves a band, it’s not as if Masterplan has never had another vocalist and is not a band with more past members than present. The object is to listen and make judgments later. The announcement of Rick Altzi was particularly intriguing and any fan of At Vance and Thunderstone can attest – there was much reason for hope.The news that main man/guitarist Roland Grapow’s (Ex-Helloween) revealed that there was going to be a return to “faster” and “more metal” material made this more appealing. Add further still…the addition of Ex-Stratovarius bassist Jari Kainulainen and the naysayers should have stood back and waited to react. Why? As it turned out, Rick Altzi proves a more than compatible replacement for Jorn…and *GASP* dare I say – a wee bit better in spots? Blasphemy? Try it…prove me wrong.Musically, the album ranks as one of the band’s finest, recalling the best heard from the self-titled debut, 2005’s “Aeronautics,” and the appropriately titled 2010 “Time to Be King,” but with a heavier edge. Altzi is so compatible that only the most attentive Jorn fans can see the difference, most notably that low power that shifts with a slab of grit while on the way up to the high range. This is not besmirching Altzi at all, as his range is proven and perfect. His first appearance is at 0:47 on the album’s second track “The Game,” an admirable driving melodic metal song with noticeably well-crafted double bass from new drummer Marthus Skaroupka (Cradle of Filth) and copious amounts of heaviness intertwined with trademark melody. Grapow proves again what amazing solos he can play.The album’s first music video was for “Keep Your Dream Alive” – a mid-paced winner expertly chosen, as it’s the song where Altzi shines brightest, showing the breadth of his range – and for many moments I said “Jorn who?” The finest track on the album is “Betrayal,” which will prove to be one of the best of the year when all is said and done, if not for its Middle Eastern charm that falls into the heaviest riff on the album drawn out like slamming shudders by Axel Mackenrott’s keyboards. Other notables are the appealing riff in “Earth Going Down” (which is a tad swallowed by the keyboards as the song progresses), the Strato-feel of “Black Night of Magic,” the speedier “Return to Avalon” and the never dull 11 minute title track (especially 6:13 to 7:15) and vocal duet of Altzi and Grapow. Highly recommended is the digipak version with bonus tracks “1492” and “Fear the Silence.”My only complaint is not necessarily with the band’s play or its flawless execution, its more the melodic metal style in general. At the same time it represents a favorite style – in Masterplan’s case best defined as “what Whitesnake would sound like if they tipped a bit into power metal” – listening to entire album presents a challenge, if only for that mid-paced repetition. I find the album plays a bit better when I listen to a few songs at a time, mixing it in with other bands and styles.This may be “a new beginning” for Masterplan in member changes, however the creation of high quality melodic metal perseveres. Grapow assembled a new team of musicians that prove just as compatible, especially Altzi’s performance. With the proof in the product, fans of the band should have little to complain about with “Novum Initium,” though I suspect some Jorn lamenters will never take the road less traveled….the one where its “time for” Rick “to be king.”" - Metal Underground
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  • Third and best album from this Italian band that started out in a psych/proto-prog direction. Great example of "Rock Progressivo Italiano". Long suites filled with spacey keys and slashing guitar leads. The keys really make this album - 'tron, phat Moog sounds blast into the ether. Dynamic listening experience with quiet interludes and vocal harmonies interspersed with exciting outbursts of keyboard/guitar interplay. In that respect I'm reminded of Le Orme's Felona E Serona. I've seen this album get knocked on some prog forums and for the life of me I can't imagine why. To my mind this one is a classic and a must own. Highly recommended.
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  • "Limited four disc (two DVD + two CD) edition includes bonus poster and laminated tour pass! 2013 live album from the German guitar hero Axel Rudi Pell has been releasing product for over 25 years, but hasn't released a live album since 2002's Knights Live. On the second leg of his Circle Of The Oath tour in Cologne, Germany, the band decided to let the tapes and cameras roll and capture the action."
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