Memories From The Future

SKU: SR3074
Label:
Sensory Records
Category:
Power Metal
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"Maxi Nil (ex Visions of Atlantis) and Raphael Saini (ex Iced Earth) after touring the world and captivating audiences along the way, decided to join forces and re enter the music world as Jaded Star!

Exploding with energy, experience and drive the band's debut album "Memories From The Future" is ready.

Produced by Maxi Nil, mixed and mastered by Fredrik Nordstrom at the legendary Fredman Studios in Sweden, this album showcases Maxi's electrifying vocals and the masterful drum work Saini is known for.

Guitar hero Kosta Vreto with his unique finger strumming style, eschews the plectrum in favor of a raw, organic sound that literally comes straight through his hands. Babis Nikou on the bass brings a solid foundation and the chemistry between he and Maxi as the song writing team provides emotion to match the power of the sound.

The elements are there, the forces have aligned, the Jaded Star is ready to shine!"

 

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  • Some of this sounds so much like Black Sabbath that I thought I was listening to a Count Raven album.  Latest album from this French doom metal band continues to mix in 70s prog moves as well as psychedelic folk.  A bit underproduced but that does lend a bit of charm.  Cool stuff!"It’s no secret that the French progressive doom band Northwinds is a favorite here at Vertical Chamber Apparatus as the band continually pushes themselves both creatively and compositionally. Despite their two-and-a-half decades of existence and a bulletproof discography the band still dwells in relative obscurity to the world at large. While the group is often and not necessarily unfairly labelled as a “doom metal band” that label is really only a fraction of the story. Northwinds definitely invokes the ancient rites of doom metal—mostly in an organic, proto-doom spirit—but they also voyage extensively into the realms of progressive rock, folk, psychedelia, and 70’s inspired hard rock thus taking the listener on phantasmagorical journeys into uncharted lands. With four outstanding releases already under their collective belts the band is poised to release their fifth full-length, the long-awaited and highly anticipated ‘Eternal Winter.’The band’s excellent 2012 album, ‘Winter,’ was initially conceived as a double album appropriately titled ‘Winter…Eternal Winter,’ but the idea was shelved by Black Widow Records as a risky venture. ‘Winter’ was a career defining moment for the band as the release seemed to capture them not only at their doomiest, but also at their most mystical. Based on the strength of ‘Winter’ it is exciting to know that most, if not all, of the material of ‘Eternal Winter’ was conceived and composed during the same writing cycles that have produced some of Northwinds’ strongest and darkest material to date.‘Eternal Winter’ is unquestionably an extension of ‘Winter,’ though the latest doesn’t quite descend into the same dark depths as its predecessor, nor does it establish the consistent magical atmosphere that was threaded throughout the previous album. These points should not be mistaken as criticism, but should be taken as mere observation as Northwinds has yet to disappoint and ‘Eternal Winter’ is no exception from that rule. While the magical atmospherics that were in abundance on ‘Winter’ are in slight decline on the band’s latest they definitely are not absent. The dreamy intro of “Chimeres” gives way to one of the most powerful tracks of the album. “Chimeres,” with its effective use of synths and ghostly sound effects, shares a stylistic and tonal kinship to other standout tracks from the band’s discography like “Black Tower” or “Winds of Sorrow.” Adding to the atmosphere of “Chimeres” is a sinister, phantom-like vocal effect that echoes the vocals of Sylvain Auvé—a subtle, yet effective detail that enriches the track as a whole.Where ‘Winter,’ for the most part, was steeped in darkness ‘Eternal Winter’ chooses to travel paths more related to progressive influenced hard rock. The flute heavy “Crossroads” has an epic, classic rock vibe that is fueled by majestic guitar solos, organ, and Auvé’s soulful vocals. The uncharacteristic “From the Cradle to the Grave,” one of the shortest non-instrumental songs written by the band, is dominated by a 70’s style strut that seemingly burns out almost as soon as it starts. “A Light for the Blind” may just be the best representation of Northwinds’ sound. It is a sprawling track that is embedded with moments of catchiness—particularly due to the lead guitar—juxtaposed with sonic explorations to other dimensions. It’s a great track that captures Northwinds doing what they do best—crafting intricate, often emotional tunes that never fail to keep the listener engaged.Northwinds have, impressively, continued their upward trajectory by releasing another stunner in a succession of stellar albums. The band is poised to have an incredible year with the upcoming release of ‘Eternal Winter’ hot on the heels of their killer split 7” with fellow countrymen Marble Chariot. In addition, the vinyl release of their 1995 demo courtesy of metalloscope-music has just been released. ‘Eternal Winter,’ like the rest of Northwinds’ discography, is an enchanting album that is comprised of a multitude of layers. Fans of doom metal and progressive rock will undoubtedly discover and hear a lot to admire in the music of Northwinds and ‘Eternal Winter’ is no exception. An engaging listen from start-to-finish. Highly recommended." - Vertical Chamber Apparatus
    $16.00
  • Despite a fracture between Andy Powell and Martin Turner, Wishbone Ash carries on - now in two different iterations. I guess Andy Powell retained the rights to the pure Wishbone Ash name and he's helming the ship on this release. Its just what any Ash fan would want - blues driven prog from a twin axe attack. That's the Wishbone Ash signature sound and if you are a fan you won't be disappointed.
    $15.00
  • With nearly forty-five minutes of brand new material, Turning Tides represents MALPRACTICE at their absolute best, combining intricate progressive metal with catchy melodies topped with excellent musicianship and brilliant vocal harmonies. Professionally recorded by the members of the band at various locations, Turning Tides was produced by the band’s Joonas Koto and Toni Paananen and engineered by Koto, then mixed and mastered by Anssi Kippo at Astra-Studio A and enshrouded by intriguing artwork and design work by Miikka Tikka.“The lyrical theme of the album is about a guy who is very well educated. In fact so educated and talented that he can't land a job for himself due to over education,” collectively issued the members of MALPRACTICE. “He kind of falls in-between things and ends up in the suburbs unemployed and frustrated. He is ‘the best kept secret’ since no one wants to hire him. His life and sanity starts to fall apart due to his frustration and depression. He tries to fight the system but always ends up deeper and deeper in apathy. The story can be somewhat related to MALPRACTICE's struggle to make it for two decades already. The question is: ‘Is the guy me? You? Or every one of us?’” 
    $13.00
  • "Cover Version was a project of Wilson's that spanned six "2 song" singles. On every release, there was always one original song of Wilson's, and one cover song that involved new interpretations of other artist's songs in ways much different from their original versions. The only exception to this format is in Cover Version IV, "The Unquiet Grave" is actually an old English folk song, and not an original song written by Wilson. All six Cover Versions were later compiled into single album and released on vinyl and CD in 2014"
    $29.00
  • "KING’S X is an American hard rock band that combines progressive metal, funk and soul with vocal arrangements influenced by gospel, blues, and British Invasion pop groups. The band's lyrics are largely based on the members' struggles with religion and self-acceptance. Since being signed to Megaforce Records in 1987, KING’S X has released twelve studio albums, one official live album, and several independent releases. To help hold their diehard fans over the band have decided to release a special package based around a recent performance in London, England. an intimate setting and the set list for the for the evening is virtually a greatest hits collection. A true must for all KING’S X fans!"
    $14.00
  • Limited edition digipak with 2 bonus tracks."The road to Altzi is paved with good intentions…. When Masterplan announced the new lineup in November of last year, Jorn apologists flooded the comment strings of various metal news outlets with comments like “another band is spoiled by a vocalist change” and “no Jorn…no Masterplan.” While I might agree that there was reason for outcry when a well-known/respected singer leaves a band, it’s not as if Masterplan has never had another vocalist and is not a band with more past members than present. The object is to listen and make judgments later. The announcement of Rick Altzi was particularly intriguing and any fan of At Vance and Thunderstone can attest – there was much reason for hope.The news that main man/guitarist Roland Grapow’s (Ex-Helloween) revealed that there was going to be a return to “faster” and “more metal” material made this more appealing. Add further still…the addition of Ex-Stratovarius bassist Jari Kainulainen and the naysayers should have stood back and waited to react. Why? As it turned out, Rick Altzi proves a more than compatible replacement for Jorn…and *GASP* dare I say – a wee bit better in spots? Blasphemy? Try it…prove me wrong.Musically, the album ranks as one of the band’s finest, recalling the best heard from the self-titled debut, 2005’s “Aeronautics,” and the appropriately titled 2010 “Time to Be King,” but with a heavier edge. Altzi is so compatible that only the most attentive Jorn fans can see the difference, most notably that low power that shifts with a slab of grit while on the way up to the high range. This is not besmirching Altzi at all, as his range is proven and perfect. His first appearance is at 0:47 on the album’s second track “The Game,” an admirable driving melodic metal song with noticeably well-crafted double bass from new drummer Marthus Skaroupka (Cradle of Filth) and copious amounts of heaviness intertwined with trademark melody. Grapow proves again what amazing solos he can play.The album’s first music video was for “Keep Your Dream Alive” – a mid-paced winner expertly chosen, as it’s the song where Altzi shines brightest, showing the breadth of his range – and for many moments I said “Jorn who?” The finest track on the album is “Betrayal,” which will prove to be one of the best of the year when all is said and done, if not for its Middle Eastern charm that falls into the heaviest riff on the album drawn out like slamming shudders by Axel Mackenrott’s keyboards. Other notables are the appealing riff in “Earth Going Down” (which is a tad swallowed by the keyboards as the song progresses), the Strato-feel of “Black Night of Magic,” the speedier “Return to Avalon” and the never dull 11 minute title track (especially 6:13 to 7:15) and vocal duet of Altzi and Grapow. Highly recommended is the digipak version with bonus tracks “1492” and “Fear the Silence.”My only complaint is not necessarily with the band’s play or its flawless execution, its more the melodic metal style in general. At the same time it represents a favorite style – in Masterplan’s case best defined as “what Whitesnake would sound like if they tipped a bit into power metal” – listening to entire album presents a challenge, if only for that mid-paced repetition. I find the album plays a bit better when I listen to a few songs at a time, mixing it in with other bands and styles.This may be “a new beginning” for Masterplan in member changes, however the creation of high quality melodic metal perseveres. Grapow assembled a new team of musicians that prove just as compatible, especially Altzi’s performance. With the proof in the product, fans of the band should have little to complain about with “Novum Initium,” though I suspect some Jorn lamenters will never take the road less traveled….the one where its “time for” Rick “to be king.”" - Metal Underground
    $16.00
  • "LANCER is a power/speed metal band based out of Arvika, Sweden. Following the release of a Demo and an EP, they present their second full-length released entitled “Second Storm,” containing nine tracks. “Running from the Tyrant” is the opening track. Right out of the gate there is a contagious energy imbedded in the swift pace of the song, and a big, full chorus. Isak’s vocal range is impressive, in the tradition of the bands that precede them in this genre.“Iwo Jima” is a nice war anthem, full of pleasing harmonies and big melodies, really drawing out the sound in grand fashion. Favoring the keep the guitar solo as an accent to the main melody, they do a good job of keeping that memorable long after the track ends. “Masters and Crowns” features that two guitar opening that is so common in the NWOBHM movement of the late 1970’s and early 1980’s. The sound here in this track really soars, shooting high into the sky. When Isak lets loose, he can really negotiate his voice in the upper ranges with ease, as in the opening scream of “Behind the Walls.” The hastened pace careens straight at you, with the double bass thundering forward like well-oiled machine. The fifth track “Aton” clocks in just under ten minutes. It has a slower and more deliberate rhythm, like any epic story. There is definitely a mystical quality to this piece and some noted influence from IRON MAIDEN in the guitar harmonies, particularly after the second chorus. There are really three distinct movements in the song if you will, and they connect very memorably. I really like the way the song ends in this massive crescendo of beauty and light. Returning to the swift rocking pace, “Children of the Storm” lays down a super melodic chorus and a thick bridge section chocked full of guitar harmonies. Key changes provide a nice element of surprise. “Eyes of the Liar” is another song where that mysterious, almost supernatural quality permeates the track, but does not overtake the main melody. “Fools Marches On” is the closing song and the second longest on the album. They close in grand fashion here, with a track that seems to encompass nearly every element that we have heard to date. LANCER’S power metal is all about feeling and emotion. It just makes you feel good, like you want to take up a quest to a distant land and leave everything behind. The musicianship and songwriting is strong and fresh, and the band’s synergy is driven by the very impressive vocals of Isak Stenvall." - Metal Temple
    $13.00
  • What would you call a power trio that veers seamlessly between shredding peaks, jazzy moods, and fat funky grooves? Mörglbl of course! Often compared to Primus meeting Steve Vai, Mörglbl hits like a heavyweight jab and makes you laugh while you bleed! Mörglbl is the punch you don't see coming! Packaged in a limited edition digipak, "Jazz For The Deaf" is the fourth album from the world-renowned French jazz metal trio. This band with the unusual name is led by virtuoso guitarist Christophe Godin. Virtuoso bassist Ivan Rougny is complemented by the double bass of new drummer Aurelien Ouzoulias. With the release of "Jazz For The Deaf", Mörglbl has created an album with cross genre appeal. Fans of shred and fusion Gods like Allan Holdsworth, Steve Vai or Freak Kitchen's Mattias Eklundh will find much to sink their teeth into. After entertaining crowds around the world, Mörglbl performed at Nearfest in 2008. It was the first time in the 10 year history of the festival that an opening act received two encores. This amazing performance sparked a flurry of interest from other festivals, culminating with Mörglbl receiving an invitation to appear at Progday 2009 in Chapel HIll, NC on 9/5/09.
    $13.00
  • "When multiple members of a sextet juggle recording and touring responsibilities for known entities such as Kreator, Turisas, and Moonsorrow, rest assured that new studio product isn’t going to hit the streets for a little while. Finnish progressive melodic doom/death metal act Barren Earth face their biggest challenge though to date beyond scheduling issues since their beginnings in 2007, as their third full-length album On Lonely Towers represents the vocal debut of Faroese native Jón Aldará – for Swallow The Sun requires Mikko Kotamäki’s full attention at this point in time.To those unfamiliar to this band’s approach, these musicians offer up a heavy slice of Scandinavian death/doom, while also injecting a love of 70’s progressive rock in a lot of their piano/organ passages, spirited instrumental sections, and outside the box epic arrangements or left-field saxophone use. Early on they may have been considered sons of Opeth meets Amorphis, but not anymore. When they choose to be straight ahead doom in the closing sections of “A Shapeless Derelict”, the mid-range operatic bellows and evil heavy riff combination are classic Candlemass trademarks. Sami Yli-Sirniö and Janne Perttilä excel at layering guitars plus emotive, meaningful lead sections as the supplementary keyboards, bass and drums move in an alluring cadence that you can’t help but be swept into its melancholic majestic splendor – even at a close to 12 minute timeframe as in the title track.Jón can gurgle from the swampiest lands (check out his Christian Älvestam register on the culturally adventurous “Set Alight”) but deliver these chill bump clean textures that recall the best work of Dan Swanö on “Howl”. And take a microscopic aural approach to the saxophone passages during “Sirens of Oblivion” – exotic, jazzy and occasionally syncopating to the churning guitars (2:36-2:51) but then free flowing in a lighter, progressive context during the subsequent instrumental section.Barren Earth stands head and shoulders above a lot of the progressive doom/death pack because of their solid songwriting chemistry and ability to never push technicality over the limit to lose the human feel that makes On Lonely Towers special. Given North America’s proclivity to applaud foreign metal over much of the domestic product these days, you would be wise to add these 9 cuts to your playlist immediately." - Dead Rhetoric
    $12.00
  • Hidden Masters is the latest retro discovery from Rise Above Records.  Typical of most of their signings, Hidden Masters are British - specifically Glasgow, Scotland.  These guys set their sights a bit earlier than Diagonal and their ilk.  This music is psychedelic tinged rock that has an affinity for Freakbeat London circa 1968.  I'm reminded of bands like The Kinks, Pretty Things, The Yardbirds.  I'm even hearing strains of US west coast psychedelia like Quicksilver Messenger Service.  Vocal harmonies are quite prominent but never reach Beach Boys levels.  If you are looking for prog moves here you will be wasting your time.  This one is a trip in the Wayback Machine but the controls are set for an earlier time.  Highly recommended if you like this sort of thing and I do."With the toybox psychedelia of Tame Impala hitting the mainstream and all things “out there” becoming the sound of summer 2013, Hidden Masters have landed at just the right time with an album which is absolutely smothered with heavy psyche. It is so psychedelic in fact, that you could be forgiven for thinking you had woken up in the late '60s and the acid had never worn off. Prepare for the trip of your life!Blasting off with ‘She Broke The Clock Of The Long Now’, sub-Sabbath riffs are interspersed with frenetic piano and melodic vocals. On top of this harmonies swoop and swoon and guitars make thrilling runs. Forget all music that has happened in the last fifty years as you are placed right in the heart of Carnaby Street once again.‘Into The Night Sky’ is held up by the piano as everything else clatters around it, Almost telekinetic, there is understanding of how this music should work and the trap off falling into too much going on is tempered by the space between. Music should be able to breathe and Hidden Masters know how to do this perfectly.‘Perfume’ could have come straight off Nuggets with its urgent vocals and swirling Hammond. It's the closest you get to a possible single but you doubt this is even considered. No, Hidden Masters are more interested in that old fashioned statement...the album. Every song is a trip in itself which as a whole satisfying whole show a relentless talent at work.Nothing sounds quite the same and by the time you get to ‘Like Candy’, which is possibly one of the greatest songs ever written with its insane sing along section followed by the funky work out on organ, you have lost all grip on reality. ‘Last Days of The Sun’ does this too only this time it transports you with its Arabian flavour. If only The Kinks were this good!There is nothing like Hidden Masters at the moment, the closest comparison in contemporary circles is Howl Griff who take a much more elegiac road. Hidden Masters are the sound of the best acid trip ever and then some. Lysergic and blistering, the sun will never be the same again." - Echoes And Dust
    $11.00
  • "Hailing from Torino, Italy, their debut released in 1999 and 6 full length albums to follow, this band stayed consistent. Highlord is a 5 member group and had some line up changes but not much. Having some releases overseas and touring in Europe, Highlord seems to be on top of their game.
I gave "The Warning After" a couple of listens and I have to say the singer is very good and the musicianship on this album is top notch. Magic tracks like Track 7 'Of Tears And Heaven'. Great song! Singer Andrea Marchisio has great range and knows his craft. Not forgetting Stefano Droetto (guitars), Lele Mr. Triton on keyboards (great work). This band can deliver some good metal. KILLER SOLOS!!Other tracks like track 3 'Brothers To The End' gives me the Megadeth/Queensryche feel which kicks ass and I think this band has a lot to offer on this release and for years to come. You might find yourself headbanging to track 5 'Standing In The Rain', a double bass explosion with some megaheavy riffs following. Drummer Luca Pellegrino forging consistency and ear pounding percussion on this release. Production is awesome and hats of to the engineers on this milestone. 

"The Warning After" has something special in it, finding it is the journey.

I recommend it for anyone into progressive heavy metal (Dream Theater/Queensryche). Some of the songs give me the total traditional metal way of writing songs and I think its killer considering a lot of bands don’t write like this anymore, I give these guys props. Solos are great and song writing is metal as [email protected] with a rollercoaster of compositions!" - Brutalism
    $13.00
  • "Their debut album, Dreamboat Annie, was first released in Canada and then in the United States on February 14, 1976. It was an immediate hit, reaching number seven on the United States album charts, and achieved a platinum award for sales.At this point in its career, Heart was still a band, but the Wilson sisters had already begun to exert control. They co-wrote wrote nine of the 10 tracks on the record and wrote the remaining track with the rest of the band. In addition, Ann, as the lead vocalist, was the centerpiece and main focus of the band.It was an auspicious first album. The music had a rawer feel than their later polished sound that would propel them to further stardom. It was hard rock with a bluesy sound mixed in. It all added up to one of the better debut albums of the seventiesThe album's first track was the Top 10 hit single “Magic Man.” Ann Wilson’s vocal immediately grabs you. It was instantly recognized that she possessed one of those rare voices that was a gift. The other Top 40 single, “Crazy On You,” was an anxious and urgent rocker. The acoustic intro led to a building electric guitar sound with a repeated riff that continued throughout the song.There is a lot to like about the album. “Soul Of The Sea” is a nice guitar ballad with strings. “White Lightning and Wine” is a bluesy rocker and a forgotten gem in their large catalog of material. “Sing Child,” which is the only group composition on the album, has a guitar jam in the middle that presents early Heart as a true band. “How Deep It Goes” is another rock/blues outing.When this debut effort was first released, it seemed as if Heart just appeared on the music scene out of nowhere. Thirty-four years later, the Wilson sisters are now recognized as lasting rock superstars. If you want to explore the music of Heart, Dreamboat Annie is the place to start." - Seattle Pi
    $7.00
  • "Leah’s 2012 debut, Of Earth and Angels, came out of nowhere and blew me away with its catchy, epic music and beautiful, ethereal vocals. Naturally, I bought her follow-up EP, Otherworld, but didn’t like it as much, since it was much mellower (except for “Dreamland” with guest Eric Peterson).Thus, I was very excited to learn that Leah’s next release would feature Delain guitarist Timo Somers. I figured Timo was exactly what Leah needed to find her heavier sound again, since he has contributed some of Delain’s best guitar work. As an added bonus, Timo produced and arranged the album and also recruited ex-Delain drummer Sander Zoer.Does Leah’s new team deliver? Yes. Kings & Queens is epic, heavy, and beautiful. Timo contributes excellent riffs and solos; Sander provides driving rhythms along with bassist Barend Courbois (from Blind Guardian); and Leah sounds as delicate and ethereal as ever. Her voice is high, clear and perfect, much like Liv Kristine’s.The music, voice, and lyrics evoke far-away lands and heroic stories. Leah has explained: “One theme in particular is the historical and metaphorical grip around our throats we feel from top-down agendas that threaten our freedoms. It seems to be a never-ending game of chess between those who demand power and those who would preserve freedom. It’s the theme of every good fantasy book and film, and the message rings true for even our modern world. In addition, the line-up and stellar musicianship of the guys who came on board this project heightened the sheer epicness and caliber of the music itself.”The album’s first single is “Enter the Highlands.” It starts heavy with aggressive guitars and drums before Leah’s otherworldly vocals kick in, and then builds with even more intense rhythms, a galloping riff, and choral vocals. Leah says she loves how heavy Timo made the song, and that the lyrics are about lost civilizations, with implications for our own.Two other songs that really showcase Timo’s guitar skills are “Save the World” and “Angel Fell,” both of which feature blistering solos. These songs also show off the variety of Leah’s sound. “Save the World” starts as folk metal before becoming an anthem, then finishes with delicate voices and a harp after Timo’s solo. “Angel Fell” begins with a harpsichord and is quiet and powerful at first but has a driving finish.What these songs lack is the catchiness I liked on songs like “Remember” and “Say Yes” from Of Earth and Angels, but that begins to reappear in later songs from Kings & Queens, notably “Heart of Poison” and “Hourglass.”Perhaps the heart of the album is the epic “Palace of Dreams.” The song is long (at 7:46) and cinematic, with strong guitar and piano and a lyrical tie-in to the album title. Other notable songs include “The Present Darkness” (in which Leah uses a deeper voice) and “Remnant” (which at first sounds especially like Loreena McKennitt, to whom Leah is often compared, before building into heavy guitars). The album concludes with a pretty acoustic cover of a traditional Irish folk song, “Siúil a Rún,” about a lover lost to soldiering.Overall, I would recommend Kings & Queens to all fans of epic music and ethereal vocals. While not as catchy as Of Earth and Angels, the new album certainly cements Leah’s reputation as the metal Loreena McKennitt (or Enya), with her strong Celtic and new age influences (not to mention her high fantasy look). The album is also a showcase for Timo Somers’ guitar work, and an example of successful crowd-funding, so fans of Delain and fans of independent music alike will want to check it out.On the flipside, I would say the album and songs are too long. At 78 minutes, Kings & Queens is nearly twice as long as Of Earth and Angels or Delain’s The Human Contradiction. I think the music would have a greater impact if it were more condensed (just as I wish Peter Jackson would release a condensed version of The Hobbit). Delain fans should also know that the vocal variety is much narrower than what we get from Charlotte Wessels, who does fragile and beautiful but also raw and aggressive. Again, Leah is more like Liv Kristine. The lyrics are also subtle and metaphorical (and sometimes require careful listening to understand), so the themes discussed above about freedom and fallen civilizations don’t hit you in the face the way Delain’s (or Judas Priest’s) would." - Sonic Cathedral
    $14.00
  • One of the really great progressive bands from the 90s is back with their first album in 7 years.  The band is fronted by Fredrick Ohlsson, one of the great voices in metal.  He sounds very much like prime era Geoff Tate so the band has often been compared to Queensryche.  Truth is there is more of a melancholy/doom power vibe going on but there are progressive overtones and it never becomes plodding in a Sabbath/St. Vitus/Candlemass way.  Its all kind of weird since this is a professed Christian band and those themes do crop up.  Even still Veni Domine should be enshrined in the Metal Hall Of Fame."After nearly seven years of silence, we hear again from Swedish metal band Veni Domine (latin: Come Lord) with their new album Light, now with Massacre Records. Early in their nearly 30 year career the band got 'labeled' as a doom metal band. It's a rather interesting thing as the band pursues Christian themes in their lyrics. Christian is not a religion of doom and despair, but of life and hope.Nevertheless, with a spin of Light, you may hear some of those 'doom' elements: deep sound and a brooding pace. Even Fredrik Sjöholm's voice has low, sober, feel. Yet, Veni Domine work in other elements as well like both symphonic and acoustic elements, and some simply fundamental heavy metal. Where They Story Ends is good example of the merger of the elements. It's at once atmospheric, heavy, and somber, yet gets speedy later on. This is perhaps the reason why some listener tack on 'progressive' when speaking of the band. Alternatively, listening to In Memoriam or Last Silence Before Eternity, the mood and music of Veni Domine might remind of Candlemass-like epic doom metal. More curious company to keep. Sometimes the mood, pace, and soberness of the music matches the title of the song as with Waiting, moved along mostly by voice, acoustic guitar, and steady drums. Finally, the band revisits some of their past by re-recording Oh Great City from their first album 1991's Fall Babylon Fall. I've never heard the original, so I can't speak to difference. It is, however, more brooding heavy metal. If progressive, sometimes epic, doom metal is your flavor of the month, you'll likely enjoy Veni Domine's Light." - Dangerdog.com
    $15.00