Mirrors

SKU: ALT-030
Label:
Altrock Records
Category:
Avant Garde/RIO
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""Two years after Iridule, finally the italian band Yugen comes back with its first live album. The cd captures the show at RIO Fest 2011, in Carmaux, France, and presents the group in an extraordinary seven-member line-up.

As Sid Smith writes in the liner notes, Mirrors is "a dizzying cavalcade of turn-on-a-dime rhythms, intriguing harmonies and striking, anthemic melodies that have a habit of drilling down deep into the consciousness of the listener".

"Yugen represents an exciting forward-looking trend in European music", Smith underlines, "marrying both intellect and emotion in one seamless and coherent partnership. How successful they are in this endeavour you can judge for yourself by playing this remarkable and frequently thrilling live souvenir.""

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    $15.00
  • "PAIN OF SALVATION are back with a stripped down acoustic album. 3 years since their last album “Road Salt Two” this album is seen as a follow up to the 2004 album “12:5”. The whole album was a reimagined version of 8 of their original tracks from different albums/EPs that the band has produced since forming in 1991. The album also includes a new song “Falling Home” (coincidently the name of the album) and two special covers of DIO’s “Holy Diver” and Lou Reed’s “Perfect Day”Starting off with the redo of 1997 track “Stress” you really see that the band have stripped down everything that they had on the song to begin with, there are less drums, less guitars, less of everything really. As for the song even if it was titles “Stress” it’s like a get up and go kind of song, personally I think it would relive any “Stress” and just make you feel so much better about your day, throughout the song you just get random bursts of instruments, a bug part that to me represent little bursts of energy that are an instant mood changer, I think that’s a really big thing in the song to pick up.Going through the album you see in tracks like “Linoleum”, “Chain Sling” , “Mrs Modern Mother Mary”,  “Flame To The Moth” and “Spitfall”  have really been stripped down of the heaviness of  Progressive Rock that PAIN OF SALAVATION are known for. Then there are songs that fit right in to the acoustic vibe, like “1979” and “To the Shoreline” the way that they were rearranged fir perfectly into the way that the album has been structured.  But you really do see what the band are capable of and as you’ve seen it before in previous albums, it shows that they know what they are doing and what direction they want the band to move forward in. They are not a band that wants to be stuck in the same musical pattern. You can see that as a band they have made sure that the transition between track to track has flowed smoothly, and because they’re songs from different albums it was important that the transition was easy, and these guys have executed it so well, you wouldn’t even think that the tracks have come from different albums.As for the covers of “Holy Diver” and “Perfect Day” I think were the best songs to go with the type of band that they are and they fit in well with the album. The covers of the two tracks were done brilliantly, and had a bit of PAIN OF SALVATION into the songs, which is what every cover should be about really. Finally the album title and last song of 9th album to be released from the band is “Falling Home” now this is definitely a way to end an album, it’s just a full on acoustic song from the start, all the way through you just have guitars and vocals which is how any acoustic song should be, and I think it just ties the whole album together. All in all what another great album from PAIN OF SALVATION." - Metal Temple
    $15.00
  • New 24 bit remastered 2 cd edition of the debut from After Forever. This comes with a 28 page booklet, tons of non-album and unreleased demos, rarities, and session tracks.
    $20.00
  • 40th anniversary reissue comes in a 2 CD version. The first disc includes a completely new mix taken from the multi-tracks. The mix was prepared by Steven Wilson. There are 5 bonus tracks. The second disc features the 2004 remastered version of the original mix but there are 5 other bonus tracks. Basically this is the set to get if you don't care about the 5.1 mix.
    $17.00
  • New edition comes with a bonus DVD filled with videos and documentaries. Same price as before!!Amaranthe are a new Swedish/Danish band signed to Spinefarm. The band is fronted by Elize, who you will know from her touring with Kamelot. To say Elize is hot is an understatement. The band don't take the expected gothic metal route. Their order of business is a mix of poppy-melodic metal laced with death metal. Curiously the band features three vocalists. Elize is front and center but she shares the spotlight with the death growls of Dreamland's Jake E and the clean vocals of Andy Solvestrom. At times there is a similarity to some of Delain's poppier tunes but the death growls add a heavier aspect. There was a buzz developing on this disc before it hit here - I have to say I was quite surprised.
    $12.00
  • Great early Italian prog with connections to New Trolls. Heavy concentration on organ/guitar interplay reminds me a bit of Deep Purple but this is their proggiest effort and veers more towards the prog side rather than the hard rock side.
    $15.00
  • "1981's Mob Rules was the second Black Sabbath album to feature vertically challenged singer Ronnie James Dio, whose powerful pipes and Dungeons and Dragons lyrics initially seemed like the perfect replacement for the recently departed and wildly popular Ozzy Osbourne. In fact, all the ingredients which had made their first outing, Heaven and Hell, so successful are re-utilized on this album, including legendary metal producer Martin Birch (Deep Purple, Whitesnake, etc.) and supporting keyboard player Geoff Nichols. And while it lacks some of its predecessor's inspired songwriting, Mob Rules was given a much punchier, in-your-face mix by Birch, who seemed re-energized after his work on New Wave of British Heavy Metal upstarts Iron Maiden's Killers album. Essentially, Mob Rules is a magnificent record, with the only serious problem being the sequencing of the material, which mirrors Heaven and Hell's almost to a tee. In that light, one can't help but compare otherwise compelling tracks like "Turn Up the Night" and "Voodoo" to their more impressive Heaven and Hell counterparts, "Neon Knights" and "Children of the Sea." That streak is soon snapped, first by the unbelievably heavy seven-minute epic "The Sign of the Southern Cross," which delivers one of the album's best moments, then its segue into an unconventional synthesizer-driven instrumental ("E5150") and the appearance of the roaring title track. Side two is less consistent, hiding the awesome "Falling off the Edge of the World" (perhaps the most overlooked secret gem to come from the Dio lineup) amongst rather average tracks like "Slipping Away" and "Over and Over." Over the next year, the wheels fell off for Black Sabbath, and Dio's exit marked Mob Rules as the last widely respected studio release of the band's storied career." - Allmusic Guide
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  • Second studio album from what may be the ultimate chops band.  Guthrie Govan (guitars), Bryan Beller (bass), and Marco Minnemann (drums) turn it up an notch further.  Everything is set to 11 on this one. Lots of notes flying around and different styles as well - on "Louisville Stomp: I'm hearing some cool country style pickin' from Guthrie Govan that is welcome and unexpected.  He sounds like the second coming of Danny Gatton.  Other tracks are a non-stop shredfest - that's what the Aristocrats are all about.  Highly recommended.
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  • Magnificent spacerock journey is a conceptual work that was one half of a duology completed by "Time To Turn". Stunning Floyd-like soundscapes with Frank Bornemann's ever present guitar runs. Comes with a live version of "On The Verge Of Darkening Lights". Highest recommendation.Please note this disc incorporates EMI copy control technology which seems to allow you to do whatever it is you would normally do with a CD but you can't rip it. Bummer.
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  • Danish guitarist Erik Ravn unites with vocalist Kristian Andrn (Tad Morose, Memento Mori) to creat a conceptual tour-de-force of symphonic speed metal infused with folk and classical elements. Fans of Rhapsody, Angra, and Blind Guardian will not want to miss out on this epic musical adventure!
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  • "When people think of Melodic Power Metal from Finland, obviously two of the biggest acts that come to mind are STRATOVARIUS and SONATA ARCTICA. ASTRALION are another quintet pumping out that addictive, uplifting Euro Power Metal sound on their debut, self-titled album. Forming in 2011 and containing two ex-OLYMPOS MONS members in vocalist Ian Highhill and bassist Dr. K. Lundell, they also have two musicians from the Thrash band THE ADDICATION in their ranks with drummer Arnold Hackman and guitarist Hank Newman. Keyboardist Thomas Henry rounds out the lineup, so the experience in terms of players and musicianship makes this 11 song record much easier to ingest than the average ‘newer’ act attempting to breakthrough on this very active scene.The foundation of ASTRALION’s style cements itself in the early to mid-90’s Power Metal movement: chord structures that have a touch of that mead hall/ cultural thematic feel, as well as those larger than life choruses that BLIND GUARDIAN, GAMMA RAY, and HELLOWEEN made a staple of their sound. The keyboards certainly have that Finnish meets FREEDOM CALL happy tone – the opening strains of “At the Edge of the World” reminding me at times of “Hunting High and Low” from STRATOVARIUS. Of course you’ll get the prototypical speed numbers featuring guitar/keyboard synchronized arpeggio-like runs as the double bass cruises and the vocals hit ultimate bird call highs – “When Death Comes Knocking” and “Five Fallen Angels” textbook Power Metal 101 arrangements that should go down a storm.Beyond the mid-tempo ‘ode to what we love about the genre at hand number “We All Made Metal;” I also enjoyed the theatrical/ semi-Symphonic nature of the dramatic “Computerized Love” as well as the 13 minute epic closer “Last Man on Deck” that opens in ballad form before picking up the Neo-Classical pace and giving Hank and Thomas ample solo break / ‘can you top this’ moments. Ian may not tickle all the right notes vocally at times, but his passion and personality makes up for any small deficiencies. I come away every time singing the chorus to “Mysterious & Victorious”, and isn’t that half the battle in winning over consumers in this style?ASTRALION are off to a high quality start, so those who miss the 1990’s style of Power Metal would be wise to scoop this up." - Metal Temple
    $9.00