Mirrors

SKU: ALT-030
Label:
Altrock Records
Category:
Avant Garde/RIO
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""Two years after Iridule, finally the italian band Yugen comes back with its first live album. The cd captures the show at RIO Fest 2011, in Carmaux, France, and presents the group in an extraordinary seven-member line-up.

As Sid Smith writes in the liner notes, Mirrors is "a dizzying cavalcade of turn-on-a-dime rhythms, intriguing harmonies and striking, anthemic melodies that have a habit of drilling down deep into the consciousness of the listener".

"Yugen represents an exciting forward-looking trend in European music", Smith underlines, "marrying both intellect and emotion in one seamless and coherent partnership. How successful they are in this endeavour you can judge for yourself by playing this remarkable and frequently thrilling live souvenir.""

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  • Originally released in 1978, this was the band's second attempt at cracking the English speaking market. Like Follow My Dream, there is some extraordinary progressive rock going on here but you have to put up with Skrzek's intermittent vocals which are pretty drab. This set comes with extensive bonus tracks and has 24 bit remastering.
    $13.00
  • For many this is where progressive metal started. In fact for many Dream Theater fans this is still their best effort. Regardless if you have any interest in the genre and don't own it...you should.
    $12.00
  • Well Steve is done resucitating the Genesis catalogue and back to concentrating on fresh solo material.  The new album Wolflight is a bit of a loose concept album and I find it to be one of his strongest releases in years.  The album is filled with lots of guests (including Chris Squire) contributing exotic instruments to the mix adding an old world sound.  Steve's trademark sound is locked into place so if you are looking for the wailing guitar, liquid runs and acoustic delicacy you won't be disappointed.  His vocals has never been my favorite part of a Steve Hackett album but either I've mellowed in age or his voice has - not sure which.  Regardless it fits the music just fine.  Classic Hackett and nothing less.  BUY OR DIE!Please note this is the US edition that arrives in a digipak.  Its a 2 disc set.  Disc 1 is the standard CD.  Disc 2 is actually a Blu-ray.  Tontent includes hi-res stereo and 5.1 mix of the album, 2 bonus tracks not on the standard CD (in hi-res no less!), and extensive interview footage with Steve Hackett.
    $14.00
  • Third Ion is a Canadian quartet who's music is squarely in the prog metal domain with a bit of a tech edge.  Oh yeah - I should mention that they have a bizarre obsession with video games.  With a background of playing in Into Eternity and The Devin Townsend Band you know straight away these guys have chops from hell.  This is one of those albums that can leave you off kilter as its constantly shifting directions but it has a melodic base to work from.  Vocals are totally clean and quite good - maybe a bit of a Maynard influence crops up here and there.  Keys are mainly used for texture but its important as a bed for the sick fretwork.  The insertion of "chiptune" sounds add an oddball factor - luckily they don't over do it.  So far 2015 has been a solid year for prog metal.  I expect Third Ion's debut to sit highly on top 10 lists at years end.  Highly recommended."Where to begin? Introducing the band Third Ion or my blatant skepticism about them? Actually both converge. Third Ion is a progressive metal band consisting of former members of Devin Townsend Project and Into Eternity. Their common interests revolve around prog, science, video games, which informs their music. So much so that lyrically the songs consider physics and metaphysics and, musically, the title track is written in 13/8 time signature. Moreover, all the songs will be released in 8-bit as an homage to early video games.And that's where my skepticism reared it's ugly head. Cripes. Chiptunes meets metal. Nintendo and Super Mario and their sparkle and glitter music invading my ear drums. And MIDI too. I hate that shit. And then to think of the players' former band background. No, not death vocals, too.But. Behold. My fears were unnecessary. 13/8Bit is some pretty classy and inventive melodic progressive metal, and there's no death metal vocals. Yeah, in the title track they do some of that Nintendo wonkery, but it's a rather cool and entertaining song, even playful. The songs are large on massive, but not deathly technical, riffs, inherent melody and harmony, and sufficient intrigue in arrangements. Then they're spiced by Justin Bender's spry and fierce guitar solos. Even bass player Mike Young gets to do so as within the second half of Particle Displacement Mechanism or Capitol Spill, by example. You'll also find Young's keyboards in the mix, notably within Time Lapse Beta, varying between simple piano to ethereal synths. Underneath, yet also nearly ubiquitous, are Aaron Edgar's drums, providing beat and rhythm, but also offering some flurries of poly-rhythms. Things do get slightly weird with the only instrumental, Van Halien. It sounds like chiptune, metal, and jazz fusion but, in the end, it's strangely convincing, even appealing. So my skepticism and fears were largely unfounded. Third Ion's 13/8Bit is creative and intriguing progressive metal, defintely worth your time and consideration. Recommended." - Dangerdog.com
    $10.00
  • The band's second album finds them seeking their own identity. There is still a Porcupine Tree vibe but its much less overt. Keyboards are definitely not in the forefront - this is a guitar driven effort with lots of crunch, distortion, and a schmearing of grunge. Good stuff!!
    $10.00
  • "Hard to believe it has been four years since the last Iron Savior record. In that time I almost thought we'd never hear anything from Piet and co again. Boy am I glad they're back, and with the Condition Red line-up to boot. While I felt Megatropolis was a slight musical misfire, The Landing sees the band firing on all cylinders again.It should be no surprise that this album sounds quite a bit like Condition Red in places, with a hefty kick of Unification and Battering Ram for good measure. This is pure unadulterated German power metal played by one of the granddaddies of the genre, Piet Sielck is the man, and he displays his mastery of this style all over The Landing. Kicking off with a mid-paced cruncher armed with sublime hooks, and a majestic chorus, "The Landing" is a great start to the show. However it is in "Starlight" that the album really kicks off. I was overcome with joy when I first heard this song. Iron Savior at their best: blazing riffs, double kicking, and a massive chorus; this track could have be long lost from the Unification recordings.Throughout The Landing Iron Savior continue to assert their authority; everything from production to performance is nothing short of excellent – which should be expected of these masters. The guitar tone is concrete middle ground between the more compressed tone of Battering Ram and the natural feel of Condition Red. They album ticks all the boxes that need ticking in an Iron Savior record, "March of Doom" nails the heavy power metal track, with badass riffs and the finest pre-chorus of the album. "Heavy Metal Never Dies" takes the "Warrior" approach and is a great fist pumper, and coupled with "R.U. Ready" tick of the worship of heavy metal approach. Finally we have the quality "Before the Pain" which ticks off the ballad.All in all I believe The Landing is a complete and utter success, vastly preferable to the latest releases from stalwarts Gamma Ray and Stormwarrior. Highly recommended to all power metal fans, this is without a doubt one of the finest releases this year. While it doesn't reinvent – or innovate for that matter, that isn't important as Iron Savior were never about that. Recommended." - Metal Crypt
    $15.00
  • Danish guitarist Erik Ravn unites with vocalist Kristian Andrn (Tad Morose, Memento Mori) to creat a conceptual tour-de-force of symphonic speed metal infused with folk and classical elements. Fans of Rhapsody, Angra, and Blind Guardian will not want to miss out on this epic musical adventure!
    $13.00
  • 40th anniversary reissue comes in a 2 CD version. The first disc includes a completely new mix taken from the multi-tracks. The mix was prepared by Steven Wilson. There are 5 bonus tracks. The second disc features the 2004 remastered version of the original mix but there are 5 other bonus tracks. Basically this is the set to get if you don't care about the 5.1 mix.
    $17.00
  • Perhaps we all burnt out on this album some time ago - I know I played it to death. Released in the US as "Security". In retrospect it may well be Gabriel's solo album that held up the best and could be considered the pinnacle of his solo career. Gabriel explored world music tribal rhythms and sampled sounds The whole album has lots of electronic processing courtesy of Larry Fast which lend an otherworldly quality to the production (which is of audiophile standards). It's an extremely dynamic recording that will tax your audio system and your brain. This one is filled with classics like "San Jacinto" and "Lay Your Hands On Me". Not prog rock per se - but progressive for sure. Very forward thinking thought provoking intense music. A classic.
    $12.00
  • Third brilliant album of eclectic prog metal. Quirky time signatures, crushing riffs topped by extraordinary vocals. Awesome stuff. 
    $15.00
  • Deluxe CD/DVD digipak.  The DVD features a "making of" documentary and lots of other stuff."Opening up the autumn season in grand fashion, a deluge of fantastic releases are upon us and spearheading that charge is veteran progressive black/Viking metal titans Enslaved and their newest and likely earthiest opus RIITIIR. Continuing along the long and illustrious progressive path the band first started drifting toward with 2000’s Mardraum: Beyond The Within. But if 2010’s Axioma Ethica Odini was a return of punishing metal authority, RIITIIR is an exercise in extremes and bombast – everything here is enormous in scale and execution. The songs themselves (most shooting well beyond the eight minute mark) each featuring a myriad of movements and cascading motifs, everything the Enslaved fan loves about the band here and in grand style!Glacial sheets of guitar are par the course for RIITIIR, the opening salvo of “Thoughts Like Hammers” steamrolling right out of the gate, near equal play of harsh and clean vocals coming into play with time, threatening and soothing in equal measure. These peaks and valleys return in epic fashion on “Veilburner,” trade-offs and synchrony of the two ends being used to tremendous effect, the cleans in particular used better here than on any release since Herbrand Larsen joined the group in 2004. This clean expression comes through in grand fashion on 11 minute closer “Forsaken,” a decidedly low key but super effective end to the journeys the album takes.It isn’t all clean wailing and atmospheric pomp however, the band lovingly riffing out with rediscovered metallic bravado with “Roots of the Mountain” and “Storm of Memories.” Though the harsh cliffs at the outset are soon met with clean voiced and mellotron-drenched ridgetops, eventually the listener is firmly kicked back into the abyss, this time accompanied by some fantastic and ongoing solos. It’s fascinating to see the rediscovered metallic vigor that came to life on the last release mixed so fervently with the band’s ever-growing melodic sense and expressive voice. These two aspects of the band, combined with their increasingly complex compositional sense, make for an exhausting and enthralling journey.All that being said, what’s featured on RIITIIR won’t come as a surprise to anyone who’s listened to the band for even the past couple years, let alone the last decade – the album is simply another notch along the belt of progression by degrees. The compositions are bigger, more ornate, bristling with finer features and bombast. It’s the band’s thickest release in a long line of releases guitar Ivar Bjørnson has joked are ‘all two weeks long’. With each of those releases however the joy lay in divining the details over repeat listens, unearthing the secrets between the out layers. That remains the case here, RIITIIR another fantastic from a band that burst past the 20-year mark and is showing zero signs of aging. " - Blistering.com
    $15.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • "Fair to say their name is still as dislikeable as it was when we covered their excellent album Eight Pieces, One World album two years ago but musically the Belgian metallers still rock the juices out of us as proven by new encounter Odd Memories. Max Pie fills their third album with all the essences which made its predecessor a surprising and compelling proposition but it is with bigger and bolder imagination and creative energy. We are no major heavy/power metal fans here to be honest but once again Max Pie has given us one thumping and rousing time.The band was formed in 2005 by vocalist Tony Carlino taking inspirations from bands such as Symphony X, Van Halen, Toto, Queensrÿche, and Dream Theater into their emerging ideas. A slightly unstable time in personnel graced their early years before Max Pie released debut album Initial Process in 2012. Fan and critically acclaimed it was surpassed by Eight Pieces – One World a year later in presence, sound, and praise. Its release was followed by the band playing numerous festivals and undertaking tours with the likes of Symphony X, Evergrey, Fates Warning, Avantasia, and Queensrÿche. Now they return with, as the last album, the Simone Mularoni mixed and mastered Odd Memories and simply their finest, most inventive proposal yet.The album opens with its title track; an instrumental ripe with a foreboding atmosphere and epic textures all cinematically imposing on the imagination. This type of beginning is becoming a common practice across varied metal offerings but when done right, as here, it makes a potent invitation into any release. As the track slips into the following Age of Slavery, a sizzling electronic coaxing colludes with rampant riffs and a melodic embrace of keys. The thick commanding rhythms of drummer Sylvain Godenne shape and invigorate the track further, framing the growling vocals of Carlino perfectly. The frontman’s diverse delivery is as magnetic as ever, some elements more powerful and potent than others but like the music, a constant lure that likes to stretch and push both song and musician. As the guitar and keyboard craft of Damien Di Fresco builds and expands its enterprise, the track blossoms into a sturdy and fiery encounter to really kick things off.It is also, in many ways, a relatively straight forward and maybe expected proposal from the band, the new exploration showing itself more from Odd Future on. Keys breed the first mesmeric caress on the third track before guitars and the wonderfully dark throated bass of Lucas Boudina bring their hues to the emerging and stirring landscape of the encounter. Once vocals join, the song settles into a melodic roar and sonic flame of melodic and heavy rock ‘n’ roll, their union a heated and tenacious arousing of ears and thoughts veined by sparkling, and at times understated temptation from the keys. It is when things go off kilter with a glorious stretch of discord kissed invention and melodic bedlam that the song really comes alive and if there is any moan it does not play in this great moment long enough.Promised Land opens on a vivacious escapade of keys quickly encased in storming riffs and rhythms, it all quickly blooming into a virulently contagious slice of rock pop with classic metal and progressive rock hues. It has single running through its potent craft and lusty veins, every second of the track a bold and rousing incitement for body, voice, and emotions. Such its power and lure, it gives next up Love Hurts a hard time trying to follow it, and as mesmeric in melodic beauty within tempestuously emotional and physical terrain that it is, it never quite finds the same full-blooded personal reactions as its predecessor. It is undeniably superbly crafted and woven though and does leave only fully satisfied thoughts before the darker, ravenous excellence of Don’t Call My Name takes over. The guitars alone are predatory with their creative rummaging of the senses whilst the keys float with celestial temptation above them and the uncompromising rhythms spearing it all. Reaping the ripest elements of technical and progressive metal, band and track pulsate as they gnaw on ears, adding melodic and harmonic balm to the increasingly irresistible voracity on offer. With Carlino also on fine form, the track is the pinnacle of the album, reason alone to eagerly approach Odd Memories.The acoustically brewed Hold On slips in next to transfix and from a slow start to its persuasion grows into a big favourite. Whether by chance or intention, it has a Bowie-esque essence to it, a floating whisper in quieter moments which does it no harm. It is a scent soon out flamed by vocals and the sonic blaze giving the song rich crescendos and a breath-taking finale before Unchain Me takes the listener on another tumultuous ride of rugged metal and tantalising electronic adventure.No prizes in guessing some of the scenery within Cyber Junkie, its electronic and industrial endeavour a potent spicing to another song offering a compelling fusion of bestial metal and melodic flirtation, the former steering the ship with invigorating success. As Don’t Call My Name before it, the track is a masterful web of varied and diverse styles in one predacious provocateur, thoughts of bands from Anthrax to Armored Saint, Dream Theater to Skyharbor coming to mind across its exciting and again show stealing soundscape.The album is finished by The Fountain Of Youth, a song which either a raging storm of a canter or a gentle caress enthrals and sparks only the keenest attention and support from ears and emotions. Like a couple of other songs it takes longer to get all of its hooks inescapably entrenched but with its additional symphonic elegance and emotively hued strings, the song has seduced long before realisation notices.Wrapped in the excellent artwork of Didier Scohier, Odd Memories and indeed Max Pie have caught us again with a tempest of sound and invention driven by craft and passion. This time it is bigger, more adventurous, and confirming the band as one of progressive power metal’s finest." - The RingMaster Review
    $15.00