Mirrors

SKU: ALT-030
Label:
Altrock Records
Category:
Avant Garde/RIO
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""Two years after Iridule, finally the italian band Yugen comes back with its first live album. The cd captures the show at RIO Fest 2011, in Carmaux, France, and presents the group in an extraordinary seven-member line-up.

As Sid Smith writes in the liner notes, Mirrors is "a dizzying cavalcade of turn-on-a-dime rhythms, intriguing harmonies and striking, anthemic melodies that have a habit of drilling down deep into the consciousness of the listener".

"Yugen represents an exciting forward-looking trend in European music", Smith underlines, "marrying both intellect and emotion in one seamless and coherent partnership. How successful they are in this endeavour you can judge for yourself by playing this remarkable and frequently thrilling live souvenir.""

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  • "Think of the new Megadeth album like this: take Endgame and add a large dose of Youthanasia and Countdown to Extinction, then mix it all in a blender and you’ll get a good idea of how it sounds. For die-hard Megadeth fans (like me), the album is a catchy, solid slice of good metal. Much like Endgame and United Abominations, Th1rt3en has a few weak spots, but is generally a decent album. Far from just generic recycling however, it has some fantastic highlights.The three opening tracks easily fit with some of Megadeth’s classic material, as Dave Mustaine has lost none of his talent for catchy melodies and thrash-metal attitude. Well produced and composed, the album flows much better than Endgame and more consistently than United. Dave’s voice retains much of its character but is not what it once was. He has wisely chosen to stay in his lower range, perhaps in order to avoid having to use his falsetto (…case in point). A curious thing about this album is its inclusion of earlier Megadeth material from past sessions. One of my favorites has to be Black Swan, from the United Abominations-era. As it happens, Dave’s voice was still in good condition in 2007, and it shows. Lyrically, Dave sticks to standard Megadeth-themes: the apocalypse, personal demons, ect. Some of the lyrics here are very compelling and well-written, but his pedantic musings on the “New World Order” have become a little obnoxious. Dave’s lyrics on political paranoia and deception worked very well with cold-war topics like those on Rust in Peace, but nowadays I can only cringe when he mouths off about The Illuminati and a “one world currency”.  That and, for obvious reasons, I would advise some caution when writing lyrics that denounce “A book written by man, use to control and demand” (from New World Order), when you espouse a similar book in your private life. I won’t even start with the lyrics on Fast Lane (you’d think Dave would have learned from Moto Psycho, ugh). Anyway, I should say that the guitar playing from Dave Mustaine and Chris Broderick is absolutely mind-blowing and it’s great to have Dave Ellefson back in the rhythm section as well. Aside from some of the things I've moaned about here, I found Th1rt3en to be a very satisfying Megadeth album." - Metal Injection
    $10.00
  • "By opening their self-titled album with a group of children reciting a sing-songy version of the Pledge of Allegiance to the U.S. flag, keyboardist Frank Lucas, drummer Chuck White and bassist Steve Edsey prove early on that their self-titled LWE debut will be unlike so many other instrumental progressive-music CDs flooding the marketplace these days. First of all, there are no guitars. Lucas' piano — rarely does he use synths — propels this music into a feel-good stratosphere, while the rhythm section of White and Edsey provides a mighty backbone. (The subtle potency of this trio is no surprise, really, considering that all three men have gigged with the likes of guitarists Michael Angelo and Neil Zaza, as well as the prog-metal band Ion Vein.) Edgar Gabriel, a principal violinist for Cirque de Soleil, also appears on three of LWE's eight tracks.Pre-release comparisons to Emerson, Lake & Palmer and the Chick Corea Electrik Band might have been overstated. This music is less pretentious (although no less dramatic) than ELP's work, and it lacks the blatant fusion references of Corea's late-1980s/early-1990s outfit. Instead, listeners get a steady 54-minute stream of clever, quippy and wholly engrossing music that includes the marvelous, bouncy opener "Liberty," the beachcomber anthem "Hasta Mañana" and "The Nightcap," an uncharacteristically dark, mysterious and sexy piece. LWE milks its cleverness with songs whose titles reference the Chicagoland trio's influences: "A Note to Jordan" (as in Dream Theater keyboard maestro Jordan Rudess) and "Waiting for Bela" (as in premier banjo player Bela Fleck).Count LWE among the most promising acts on ProgRock Records' burgeoning roster of talent." - Sea Of Tranquility
    $3.00
  • "Retribution” is the new album from Sweden’s Nightingale, the intended one-off project that refuses to die. Established by musical multi-talent Dan Swanö almost 20 years ago, the band is proof that good music can take on a life of its own, often when the artist least expects it.Known for his work both as a producer/engineer and with metal acts Edge Of Sanity, Bloodbath, Pan-Thy-Monium and most recently Witherscape, Swanö began his unplanned Nightingale journey in 1995 with “The Breathing Shadow”. It was a one-off goth-flavoured solo album heavily reminiscent of The Sisters Of Mercy, meant to satisfy his interest in the genre and then be put quietly to bed as Swanö moved on to other projects. The album was successful enough to warrant a follow-up according to his label at the time (Black Mark), but Swanö was, as he puts it "so over the goth thing.""I thought that if I was going to make a second record it had to reflect what I was listening to at the moment. I was going through a big revival of Gamma, Foreigner, Journey and all that super melodic AOR pomp rock stuff. It was a weird turn from the first record, so I decided to make Nightingale a home for music that I write in the moment, no matter what it is."Nightingale released five more albums between '96 and '07, slowly establishing a band line-up that began with Swanö's guitarist/keyboardist brother Dag in 1996 acting as a co-producer and session player on “The Closing Chronicles”. He officially came aboard in 1998 under his Tom Nouga moniker. The band was fleshed out by bassist Erik Oskarsson and drummer Tom Björn, who had their first rehearsal with the Swanö brothers on Christmas Day 2000. “White Darkness” from 2007 could well have been the last Nightingale album, as it featured very little songwriting input from Swanö due to severe writer's block. He decided to focus on his career as an engineer and chose to make music as a hobby. His creative side won eventually, however, as the urge to write and play again became irresistible."I bought a few instruments that would inspire me, and eventually the riffs started piling up," Swanö recalls. "I was collecting them for some kind of death metal release, and the other stuff that came out ended up being what could be used for a future Nightingale record."Originally titled “Bravado” in the working stages, “Retribution” offers up 10 songs steeped in uncomplicated '70s and early '80s-flavoured rock. Tracks such as 'Chasing The Storm Away', 'Forevermore' and 'The Maze' could have easily found a home on commercial rock radio 30 years ago, yet the album is completely relevant in 2014. Fans of Swanö's heavier works that are unfamiliar with Nightingale may be surprised the simplicity of the music and the band's non-aggressive approach."It's not easy to write simple stuff that's good," Swanö points out, suggesting people take a good long listen to “Retribution” rather than dismissing it.In Swanö's estimation “Retribution” succeeds because the songs "just kind of happened." He never set out to write any specific parts; the music is in fact a result of spontaneous moments, whether it was an accidental combination of notes on a keyboard that became an opening riff ('On Stolen Wings') or an odd guitar tuning ('Warriors Of The Dawn'). On top of that, the songs were hashed out in the rehearsal room before the band went into the studio, resulting in major changes to some of the music as it developed."When I listen to the record I don't want to have any regrets," explains Swanö. "There's no point in releasing a new Nightingale record if I don't think it's the best we ever did. That a pretty high standard to have, but if I don't feel that way when I listen to it the moment it's ready, it's got nothing to do with our back catalogue. That's the way I've felt with every record."Asked to sum up what “Retribution” means to him with regards to Nightingale's legacy, Swanö offers the following: "Classic rock with that pomp attitude really inspired me. I just wanted a good production that could hold up well against a band like Alter Bridge but still have a bit of the sonic charisma of the records from '79, which was a great year for music. The target was to make a timeless record with good, classy songs that the four of us can agree are really cool."Nightingale’s “Retribution” comes packaged in beautiful artwork courtesy of Travis Smith (Opeth, Nevermore, Katatonia, etc.) and should equally appeal to open-minded atmospheric metal and also to melodic prog rock supporters into bands like Rush, Marillion, Styx, Kansas, The Mission, Queensryche, Enchant, Threshold, Arena oreven Opeth and Katatonia."
    $13.00
  • "The album is the third release by the band who formed in 2009 when Belgian Producer and musician Frank van Bogaert and keyboard player William Beckers established FISH ON FRIDAY as a studio-based Progressive Rock project. The band’s debut album was released in 2010 and saw the band augmented by Californian guitarist Marty Townsend and drummer Marcus Weymaere. The album’s melodic Progressive approach soon drew very favourable critical stylistic comparisons with the progressive side of Alan Parsons Project. The reaction to the group was encouraging enough for them to embark on performing several live shows in Belgium, before embarking on their second album, "Airborne”, which gained a wider audience and sales by receiving airplay on mainstream Belgian radio alongside specialist Progressive Rock stations globally. "Airborne” also featured the virtuoso bass player Nick Beggs (Steven Wilson band, Steve Hackett band, Lifesigns) guesting on one track, an experience that led to Nick officially becoming a member of Fish on Friday for the band’s new (and arguably most Progressive) album "Godspeed”.This stunning album features a grasp of melody on songs such as ‘Callin’ Planet Home’, ‘Just a Nightmare’, ‘Ghost Song’, ‘Sanctuary’ and the album’s epic ten minute title track. "Godspeed” also features a special guest, Theo Travis, the virtuoso saxophonist and flautist noted for his work with Steven Wilson, Soft Machine Legacy, Robert Fripp, Gong, Bill Nelson et al. All in all "Godspeed” is a Progressive rock album of fine songs, excellent musicianship and is the eagerly anticipated next step in the story of Fish on Friday."
    $15.00
  • "Devin Townsend - fully 30 records into an astonishing career - has now just raised the stakes in the form of a new double album combining Ziltoid The Omniscient’s triumphant return and the follow-up to the critically acclaimed “Epicloud!” Feasting upon Z2 is akin to immersing oneself in the arcane creases of the DEVIN TOWNSEND PROJECT catalog, bludgeoning heaviness and angelic melodies living under the cathedral of Devin’s more contemplative solo vision. The effect is lush, full- range, cinematic, and expressive. Addressing the creative tension between the two discs, Devin explains “...it’s DTP...the ‘humans’ against Ziltoid, and it’s a battle of sorts...The DTP and Ziltoid side of my writing has evolved to where this statement was necessary and undoubtedly inevitable. The battle between the two seems like a great way to priced to the next chapter of my work. It’s a backdrop for something that hopefully engaging for people. I hope that the point that I’m trying to make with Ziltoid and the metaphor behind it, isn’t lost in just a sea of absurdity.” Guest musicians include Anneke Van Giersbergen (solo artist, ex-THE GATHERING) and Chris Jericho (WWE star, FOZZY) as Captain Spectacular! Also featuring the "Universal Choir", 2000 voices strong, the biggest choir on a metal record ever! "
    $15.00
  • THE DARK LORD RETURNS... After many vinyl releases, legendary Italian doom metal guitarist Paul Chain is back with his first ever CD - and it burns from start to finish! Captured live in concert, Paul Chain, bassist Baka Bomb, and drummer Eric Lumen display their awesome improvisational talents throughout this 60 minute disc. Paul Chain's fans will not be disappointed. This is every bit as dark and heavy as you hoped for! Watch out for Paul's new studio album "Deus Irae", a symphony of dark electronics.
    $13.00
  • Remastered with 2 bonus tracks."Over the course of their first three late-'70s albums, Foreigner had firmly established themselves (along with Journey and Styx) as one of the top AOR bands of the era. But the band was still looking for that grand slam of a record that would push them to the very top of the heap. Released in 1981, 4 would be that album. In producer Robert John "Mutt" Lange -- fresh off his massive success with AC/DC's Back in Black -- guitarist and all-around mastermind Mick Jones found both the catalyst to achieve this and his perfect musical soulmate. Lange's legendary obsessive attention to detail and Jones' highly disciplined guitar heroics (which he never allowed to get in the way of a great song) resulted in a collaboration of unprecedented, sparkling efficiency where not a single note is wasted. "Nightlife" is only the first in a series ("Woman in Black," "Don't Let Go," the '50s-tinged "Luanne") of energetic, nearly flawless melodic rockers, and with "Juke Box Hero," the band somehow managed to create both a mainstream hit single and a highly unique-sounding track, alternating heavy metal guitar riffing, chorused vocals, and one of the ultimate "wanna be a rock star" lyrics. As for the mandatory power ballad, the band also reached unparalleled heights with "Waiting for a Girl Like You." One of the decade's most successful cross-genre tearjerkers, it has since become a staple of soft rock radio and completely eclipsed the album's other very lovely ballad, "Girl on the Moon," in the process. And last but not least, the surprisingly funky "Urgent" proved to be one of the band's most memorable and uncharacteristic smash hits, thanks to Junior Walker's signature saxophone solo. Through it all, vocalist Lou Gramm does his part, delivering a dazzling performance that confirmed his status as one of the finest voices of his generation. Three years later, Foreigner would achieve even greater success on a pop level with the uneven Agent Provocateur, but by then Jones and Gramm were locked in an escalating war of egos that would soon lead to the band's demise. All things considered, 4 remains Foreigner's career peak." - All Music Guide
    $5.00
  • Magnificent spacerock journey is a conceptual work that was one half of a duology completed by "Time To Turn". Stunning Floyd-like soundscapes with Frank Bornemann's ever present guitar runs. Comes with a live version of "On The Verge Of Darkening Lights". Highest recommendation.Please note this disc incorporates EMI copy control technology which seems to allow you to do whatever it is you would normally do with a CD but you can't rip it. Bummer.
    $13.00
  • This is what the ancient bearded one has to say:"Morgan Ågren is one of the great drummers of our time. Best known for his work with Mats/Morgan Band, he's also a fine composer and musical thinker.Since the mid 2000s, one of his interests have been to combine the intense jazz/rock stylings of the Mats/Morgan's earlier work with more contemporary technology, stylings and sounds (think 'beats' and 'electronica'); while those words might scare some folks reading this away, if you liked the sound of "Thanks For Flying With Us" and "[schack tati]", you've heard what I am talking about.He's been working on this album for the last number of years and it's very much a companion to "[schack tati]" stylistically, some of it completely solo (but not solo drums by any means) and some of it with Mats, as well as Devin Townsend, Fredrik Thordendal, Jimmy Ågren, Simon Steensland and others. Highly recommended! Released only in Japan, in a elegant, mini-lp sleeve!"
    $20.00
  • While this Pennsylvania based band flirted with prog metal in the past, their fifth album finds they going full bore in the direction of symphonic rock. Its a conceptual work that borders on rock opera. The band is always fronted by a female vocalist - with different ones over the years. The one constant is that Rowen Poole is always able to find excellent ones. Vocalist Ashley Peer sings in an upper register that reminds a bit of Sally Oldfield. A wide variety of keys (even 'tron) imparts a sound that is very reminiscent of Knight Area crossed with Novella-era Renaissance. This is the good stuff.
    $13.00
  • This is one of those releases that seems to skirt the copyright laws as there are many incarnations of it - none of them on Columbia or Sony. The set captures the very electric Miles Davis band in concert at the Olympia in Paris on July 11, 1973. The lineup is stellar: Dave Liebman, Pete Cosey, Reggie Lucas, Michael Henderson, Al Foster, and Mtume. Sound quality is ok - I suspect the origins of the show was from a radio broadcast since everything is pretty balanced sounding. This lineup really brings the thunder and at this price its hard to pass up. Highly recommended.
    $8.00
  • New remastered edition with a bonus second disc with 16 unreleased tracks."Death writes about life, but not as we know it. They profile the dregs of society: the malformed, the defective, the insane. Spiritual Healing opens with “Living Monstrosity”, a song about a baby “born without eyes, hands, and a half a brain” — the product of a coke-addled pregnancy. The band follows with the aptly-named abortion-themed “Altering the Future”. Frontman and chief songwriter Chuck Schuldiner debates both sides of the argument (“Creating a life only to destroy” v. “Abortion when it is needed”) before concluding pro-choice (“The one who is with child, it’s their choice to make”).This is thinking-man’s metal, and 1989’s Spiritual Healing, which is being reissued by Relapse Records, is Death’s most lyrically dominated album — a conceptual piece about the physically and mentally crippled. It’s as though Schuldiner based his words off medical journals, police reports, and Oliver Sacks novels: “Defensive Personalities” observes bi-polar schizophrenia; “Spiritual Healing” is about a pseudo-religious murderer; and “Low Life” rails against amoral bottom-dwellers who cheat to get by.Feeding off anger and neuroses, Death plays minimalist heavy metal at high speeds and with brutal strength. The thin production (accentuated by the reissue’s improved mastering) is purposefully bleak; it’s a platform for skull-pounding power chords, growled vocals, and tales of the intrinsically hopeless. It’s hard to enjoy this music; it’s so abrasive that it can only be felt and experienced. But in this way, it’s affecting. You will react to it.The three-disc deluxe edition includes outtakes and an audience-recorded live show. Neither is practical, but they do serve academic purposes, depicting how these songs came to be and what they sounded like live. Although the band’s earlier albums are lauded as the origins of death metal, Spiritual Healing saw Schuldiner’s intellectualism blossom into unadulterated aggression. Relapse gives it the comprehensive reissue that it deserves." - Consequence Of Sound
    $15.00
  • For many this is where progressive metal started. In fact for many Dream Theater fans this is still their best effort. Regardless if you have any interest in the genre and don't own it...you should.
    $12.00
  • "Brilliant release confirming the 90's kings of Prog! "Flower Power" is a 2 CD set of epic proportions. CD1 basically runs as 1 long track which contains some of The FLOWER KINGS' most diverse and powerful pieces ever recorded! Epic track,"Garden Of Dreams" runs 59Mins in length and builds in emotion and intensity until the most beautiful, symphonic climax in unleashed upon the listener. The final 10 mins of the track contains in my opinion the FLOWER KINGS's highest moment ever recorded. This long track moves so cleverly in atmospheres, moods and emotions that the listener will not be tired throughout at all (a real trick to pull off for such a long track!). "Flower Power" contains the classic FLOWER KINGS lineup (Bodin, Stolt, Salazar...) who sound even better than ever!. There is no question about Roine's guitar talents and "Flower Power" gives him loads of room to play his guts-out which he does with that unmistakeable Stolt - emotion. CD2 builds nicely off the 1st CD in many ways and compliments the overall theme. "Flower Power" contains lots of real FLOWER KINGS classic progressive rock moments which will please all prog heads out there in prog land. Recommended with the highest regard!" - ProgArchives
    $12.00