Mirrors

SKU: CK 36009
Label:
Columbia
Category:
Hard Rock
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"Blue Öyster Cult tried a new producer on Mirrors, replacing longtime mentor Sandy Pearlman with Tom Werman, a CBS staffer who had worked with Cheap Trick and Ted Nugent. The result is an album that tries to straddle pop and hard rock just as those acts did, emphasizing choral vocals (plus female backup) and a sharp, trebly sound. But this approach appeared to displease longtime metal-oriented fans without attracting new ones: "In Thee" became a minor singles-chart entry, but the album broke BÖC's string of five gold or platinum albums in a row. The real reason simply may have been that the songs weren't distinctive enough. Much of this is generic hard rock that could have been made by any one of a dozen '70s arena bands." - All Music Guide

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  • "This 1970 release "climbed" to #17 with the classics Mississippi Queen and Theme from an Imaginary Western . Also includes an unreleased live version of the Woodstock ode For Yasgur's Farm !"
    $8.00
  • "Failing to make any waves with their first album, this Norwegian group got themselves together and started to make this monster of an album. Unfortunately, due to reasons beyond my knowing, the band was dropped by their label and soon disbanded. This album was never finished, but was released as a free download on the internet for all to enjoy. Confusing to this fact is the production value of the album. It doesn't sound raw at all... really, it sounds like the band put tons of polish on the album... quite confusing for an album that would never hit shelves. More evidence to support the fact that this album is unfinished is the fact that the album doesn't even sport any cover art. Not that that takes away from the album at all. In fact, the only time that it shows that the album is unfinished is that the final song when... well, I'll let that be a surprise.It's a real shame that this band never really got the feet under it to go anywhere, because the music here is fantastic!As previous reviewers have stated, it's likely better to ignore the tech/extreme label on the band here. The music here really sounds like X-over or even heavy prog. Any fans of those genres will likely be blown away by this album. Strong bass lines (always a selling point for me) and some wonderful organ parts (reminiscent of classic Deep Purple) are what highlight this album so much along with some excellent melodies and hooks that demand repeated listening.Opening with the quirky STARCHASER this album never lets down. The keys and guitars kick in right away as do the killer bass lines. Rapidly changing pace the song makes its way with some truly excellent moments. The floating keys in the background give the song an airy feel among all that pounding rhythm section until the song finally comes to an end. To quote the song Enjoy the ride!. DESERT MACHINE continues with the strong bass lines and drives across this heavy song with a bang. ACCORDION WOMAN is the song that brings forth the most notable Deep Purple influences, its notable riff and organ making for a nice combination as the catchy chorus blends in for a very notable track. Getting heavier and more into the guitar work is TERMINAL, similar to its predecessor in terms of organ/guitar work, this song is actually probably the simplest song out the of the mix so far. Still good none the less, and a good song to rock out to. A slow bridge/chorus also make for an interesting mixture.Then we get to the really good stuff.BLOOD IS BLOOD is the biggest standout on the album. Being the longest track this song also manages to capture everything already mentioned about the album that's great. Half of the song being an instrumental overture, the band really gets to strut their stuff here. The killer bass lines are back with a vengeance and so are the keys. The guitar drifts a bit more towards the background here but still provides a nice section. Really picking up around the 2 minute mark everything just keeps getting faster and better until everything simply dies off and the vocals bring out the song with some much more subdued work from the other members. Fantastico!Coming into the second half of the album the band still manages to keep interest.Starting off the mix is the quick instrumental WE WILL CRIMSON YOU. A clearly Fripp inspired song that's quite good (if not quite Crimson caliber), and the guitar actually coming to the foreground to take the helm from the keys and bass for a bit, even if they still are there. Almost bordering on Black Sabbath (mixed with the KC) sounding, this song is a nice change in pace. U is a quirky track that's yet another change in pace. Heavy and clunky, this track shows off the more metal side of the band. UNDEAD is a fairly lo-key track that feels necessary to start to tail off the album with. Good but not great, this song actually feels like a bit of filler. However, all is forgiven with the next (and final) track. NOTHING NEW is an unfortunately accurate and slightly foreboding title (it's their last song, so nothing new after this!). The song, however, is marvelous! slower than it's brothers yet still wonderful ear candy, this song is another one of those songs that epitomizes what the band does best. More great bass lines and keys coupled with some more to the front guitar work and blissful melodies makes one want this song to last forever. Coming to the end with some Wakeman like boards and a guitar that really picks up the song...the song... the song..!!! ... cuts off. It just ends. Likely meant to be the album's epic and never finished the song really just leaves you wanting more, which is both good and bad. Good because that's how an album should always end (with you wanting more) but bad because they're never going to follow up on this album and their debut will likely be tough to find. Oh well.Wonderful music from a terribly misfated band that is recommended to all. (As mentioned before) Fans of heavy prog and X-over should give this album a shot, because it's a wonderfully hidden gem. Anyone who wants to check them out can search them up on the internet and download the album for free (and legally, too). 4 stars, it's not a masterpiece... but it sure is a great listen." - ProgArchives
    $15.00
  • Remastered with 3 bonus tracks."Electric Light Orchestra continued on their winning Top 40 ways with the release of Discovery. Now pared down to the basic four-piece unit, Jeff Lynne continued to dominate the band and they still got their hits (this time around it was the smash "Don't Bring Me Down"). Elsewhere on the disc there was, of note, "Last Train to London" and "Confusion." Though Discovery charted well, it was becoming obvious that ELO were starting to run themselves out of useful Beatles hooks with which to fuel their hit-making machine." - Allmusic
    $5.00
  • Second album from this interesting Danish band incorporating elements of thrash, death and even melodic metal in an usual way. Curiously enough this was created as a binaural recording and should be listened to with headphones. Recommended to fans of Meshuggah and Soilwork.
    $10.00
  • To commemorate their 10th anniversary, Riverside has recorded a new 3 song “mini-album”. This 33 minute work consists of three long tracks that segue into one cohesive whole. Stylistically it’s a return to the spacier melancholy sound of their debut “Out Of Myself”. Memories In My Head is a musical rollercoaster ride of deep emotional power. This new release also marks the band's return to the Laser’s Edge, the label that they began their incredible journey with. Recommended to fans of Porcupine Tree, Pink Floyd, and Anathema.
    $10.00
  • "I’ve only just got hold of this one, but it’s jumped to the top of my review list on the basis of being awesome. Being off ill at the start of the week, I had a significant pile of demos and promos to download at the weekend and I was ploughing through them. I always give a couple of tracks off each album a very quick listen just so I know what genre they are.Being a puerile child at heart, I obviously picked “Fuck You” out from the tracklist on Nightglow’s latest release and was immediately blown away. It’s a heavy song, full of groove and rhythm with harsh yet understandable lyrics.OK, so a lucky choice. Let’s pick… erm… “Scream”. That sound good. And it is. As was “On My Knees”, “Psychotropic” and every other song on Orpheus. What started as a quick check of the mp3s turned into two full listens to the album.Nightglow have been kicking around since 1998, but didn’t become Nightglow until 2003. Up until 2013 they were primarily a live band playing their own music, covers of songs by classic acts (Maiden, Priest and the like) and also enjoyed a stint as the official Italian Manowar tribute act!Metal credentials well and truly approved, the band finally released their first album, We Rise, in 2013. Obviously by now the band had a wealth of their own material so it only took another 18 months or so before the follow-up, Orpheus, was announced.This is a great album. Totally unpretentious, balls-out heavy metal. It doesn’t seem to take itself too seriously, remembering that metal is about having fun and being loud! Oh, and doing the stock power ballad (“Stay With Me”)." -  The Moshville Times
    $13.00
  • "Oceans of Mountain fans discovered them by witnessing one of their roaring rock shows, and this one's a doozy, captured in Osaka in '73. Pappalardi/West/Mann/Schwartzberg set fire to staples like Mississsippi Queen; Theme from an Imaginary Western , and Never in My Life plus an epic (nearly 32-minute) Nantucket Sleighride . Raging guitar solos all around!"
    $5.00
  • Autographed 4 song EP is a calling card for the upcoming full length release from this new band put together by Dave Kerzner (Sound Of Contact) and Heather Findlay (Mostly Autumn).  The music has more of a classic rock feel but Kerzner injects plenty of vintage keyboard sounds. 
    $13.00
  • "Founding members of the original "Rock In Opposition" [R.I.O.] movement and the inventors of "chamber rock", Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizable. Clivages is their first studio album in over five years, but much more importantly, it is their first studio release since 1986's Heatwave to feature the energy and sound of a working, rehearsing, live ensemble performing in the studio! It features the current line-up of the group who have been playing concerts and working together for quite some time now: Michel Berkmans (bassoon, English horn, oboe), Kurt Budé (clarinet, bass clarinet, alto sax), Pierre Chevalier (keyboards), Daniel Denis (drums, sampler), Dimitri Evers (bass), Martin Lauwers (violin) and guest Andy Kirk (guitar and percussion). Univers Zero are rightly famous for finding the perfect balance between classical and rock influences and drawing on musicians from both worlds. In terms of this, Clivages is possibly their best-balanced release , featuring a couple of small chamber works for the trio of strings, reeds and double reeds of the group. The rock side has not been ignored in any way, however and in addition to contributions from band members Denis, Budé and Berckmans, Clivages features Andy Kirk's 12' piece "Warrior", which harkens back to the sound of the band circa Heatwave!"
    $15.00
  • There is no denying that Nemo's JP Louveton is one hell of a guitarist. His staunch commitment to having French lyrics with Nemo's music has stiffled the band's exposure within much of the progressive rock community. Wolfspring is a new project he has put together - but with English vocals. The music isn't particularly symphonic like Nemo. Instead he goes for a contemporary guitar driven sound that rocks hard. Nemo keyboardist Guillaume Fontaine is also a member of the band but he definitely takes a supporting role. Louveton's guitar takes center spotlight through out.
    $3.00
  • "A more ruminative effort than Sanguine Hum’s well-regarded 2010 debut, The Weight of the World is post-prog in both the most “post” and the most “prog” sense of the words.Recorded at Evolution studios in Oxford, The Weight of the World finds Joff Winks, Matt Baber, Brad Waissman and Andrew Booker absorbing, and then brilliantly modifying, some of the best of what’s come before, imbuing The Weight of the World with the impressive gravitas of very familiar antecedent influences.For instance, dreamscape reminiscences associated with Radiohead (“System For Solution”) find a home here. There are whispers of Steven Wilson (“From The Ground Up”), too. You’ll recall the wonders of Gentle Giant (“Phosfor”), and the mesmerizing sound collages of Boards of Canada (“Day of Release”), as well. Yet, on free-form, ambient-meets-jazz-meets-math rock moments like “In Code,” Sanguine Hum never sounds like anything so much as itself.That holds true even when the band swerves into the murkier waters of epic songcraft, though — like much of this project — the title track takes shape slowly, or at least more slowly than Diving Bell. As it does, however, there is a lot to recommend about The Weight of the World — so much that reveals itself, so much that rewards repeated listenings.Even as its most complex, Sanguine Hum retains an approachability that steers these proceedings well away from any polyester-era excesses. In other words, The Weight of the World remains all proggy, but also all post-y — in the very smartest of ways." - Something Else! Reviews
    $15.00
  • One of the greatest progressive rock albums of all time available again. Self-released in 1992, this Swedish ensemble shook the prog rock universe with a dose of musical adrenaline. Steeped in the sounds of 70s progressive rock, Anglagard created an amazing pastiche that was heavily (and obviously) influenced by King Crimson, Genesis, Yes, Schicke Fuhrs Frohling, and Camel. The album makes all the right moves and is a cornerstone of any prog collection. The instrumentation consists of dual guitars, bass, drums, flute, and awesome keyboards. This isn't just one stop shopping at Mellotrons-R-Us. Tomas Jonson also plays two Hammonds, synths, church organ, and more. The interplay between the guitarists and flautist is phenomenal as well. It's like Fripp jamming with Andy Latimer somewhere deep in the Swedish forest! Hybris consists of 4 long tracks - 1 instrumental and 3 with minimal vocals. The band doesn't seem to want to keep this in print continuously so availability comes and goes over the years. This is a new edition in a digipak and features a bonus track. Don't complain when this one is gone - no one can predict when or if it will disappear again. BUY OR DIE!
    $22.00
  • Second album from this Sieges Even offshoot/rebranding. Touchstones is a bit heavier than the debut as Markus Steffens struts his stuff again. Mid-80s Yes is an obvious influence on the band's direction. On some of the material vocalist Arno Menses sounds like a dead ringer for Jon Anderson. The music sits on the fence between the prog rock and metal realms. If you like the post-reformation Sieges Even albums you'll find much to sink your teeth into. Further - if you found the first Subsignal a bit on the light side you'll find this one has a bit more heft and frankly its better for it. Highly recommended.
    $19.00
  • Live DVD filmed in Tampere, Finland on November 19, 2011.  This was part of the farewell tour for drummer Jorg Michael.  Comes with a 30 minute documentary covering the band's history and interviews with band members.
    $15.00