Mirrors

SKU: CK 36009
Label:
Columbia
Category:
Hard Rock
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"Blue Öyster Cult tried a new producer on Mirrors, replacing longtime mentor Sandy Pearlman with Tom Werman, a CBS staffer who had worked with Cheap Trick and Ted Nugent. The result is an album that tries to straddle pop and hard rock just as those acts did, emphasizing choral vocals (plus female backup) and a sharp, trebly sound. But this approach appeared to displease longtime metal-oriented fans without attracting new ones: "In Thee" became a minor singles-chart entry, but the album broke BÖC's string of five gold or platinum albums in a row. The real reason simply may have been that the songs weren't distinctive enough. Much of this is generic hard rock that could have been made by any one of a dozen '70s arena bands." - All Music Guide

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    $27.00
  • Deluxe digibook edition comes with a bonus CD featuring an instrumental mix of the album."After an absence of three years, and several personal trials and tribulations, Austria's Edenbridge arrives with their eighth studio album, The Bonding. Edenbridge has never done anything half way or half-heartedly, sideways or otherwise. So what could the band do to turn the knobs to 11 for their grand symphonic power metal?How about recording with a full orchestra to make those symphonic parts sound even more grand than simple synthesizer twiddling? Through the support of fans and sponsors, Edenbridge was able the Klangvereinigung Orchestra of Vienna to push the band's already impressive symphonic sonics to the stratosphere and beyond.Is this to say that this substantial addition makes The Bonding great, even more spectacular than previous Edenbridge outings? Well ... yeah. There are oodles of melodic symphonic metal bands, many with female lead vocalists, producing their large bombastic sound. Putting the orchestra into the symphonic seems like a no-brainer. Edenbridge gets it right. The orchestra, the symphonic parts of the arrangements, are exactly that, a part of each arrangement. They neither lead nor smother any song, but they certainly add authenticity to Edenbridge's chosen style. The opener Mystic River is a perfect example of this balance.And you still get nice keyboards, big riffs and even bigger solos, and Sabine Edelsbacher’s voice, which sounds better than ever. She's smooth, controlled, clear, and simply powerful. Listening to her on Alight A New Tomorrow, The Invisible Force, or Death Is Not The End, by example, are impressive as they are inspiring.Perhaps we've hit the highlights of The Bonding. All these elements find their culmination, apex as it were, in the title cut which closes the album. It's better than 15 minutes of symphonic melodic power metal bliss. It also features Ms. Edelsbacher in duet with Erik Martensson (WET, Eclipse). Holy shiite! What an awesome combination. The song also displays that aforementioned balanced, more than nuanced, of the orchestra for the symphonic parts with entire arrangement. Principal composer Lanvall desires major kudos for this musical score. The Bonding is grand, engaging, and entertaining, more than a little epic, melodic symphonic power metal from a terrific band. Is it their best album yet? Could be. Strongly recommended." - Danger Dog
    $17.00
  • German import digibook comes with 3 exclusive bonus tracks. "All eyes are on Gus G., especially from the casual mainstream heavy music follower who probably just discovered this axe-slinger’s skill set taking over for Zakk Wylde as Ozzy Osbourne’s guitar man. Those of us stalwart metal maniacs know Gus from his work in Mystic Prophecy, Nightrage, and Dream Evil through the years, but Firewind has always been his main original productive act, releasing five power metal albums prior to Days of Defiance. Does this latest album deserve wider adulation and popularity? I would safely say that following the 35-second acoustic opening to “The Ark of Lies”, Gus comes out of the gates with a fireball riff attack and vocalist Apollo Papathanasio delivers the complementary blues based melodic metal pipes you expect much like the old Dio/Blackmore or Coverdale/Sykes days. As a band, Firewind prefer to keep the emphasis on catchy verse/chorus oriented material, leaving most of the shake and bake instrumental flexing for the solos or brief interludes like the keyboard galaxy event “The Departure” or the 5-minute plus sans vocals “SKG” where keyboardist/guitarist Bob Katsionis puts on a speed finger play clinic of the neo-classical kind. Those who love faster numbers that showcase drum work fueled by hurricane arm/leg movement, a firm keyboard underpinning and the back and forth chemistry that classic singers and guitarists feed off of should delight in the Rainbow-like “Heading For the Dawn” and “When All Is Said.” Contrasting that material you can count on a few tracks with definite commercial potential- such as the Riot-meets-Maiden dynamic within “Chariot” or the quieter power ballad “Broken” where Apollo’s bluesy charm shines. Days of Defiance contains the desired balance between the average Firewind follower’s expectations and the five piece’s insistence to challenge themselves in terms of technique and songwriting ability. If pushed correctly, Gus G and Firewind could get used to a hefty touring cycle and bigger sales as this clearly is their most accomplished album to date. - Matt Coe/blistering.com
    $17.00
  • Debut album from this Czech technical death metal band very much influenced by Cynic. As is typical of the genre its a mix of clean and death/thrash vocals. Real tight playing. Not a lot of fresh meat in this genre - this one is quite welcome."Czech Mindwork is one of those rare bands who seek to channel the later career of Death, and in many ways this debut album mirrors that style of philosphic attunement. I was also reminded in spots of bands such as Spiral Architect, Watchtower and Psychotic Waltz through the band's rather circular, acrobatic riffing tendencies. The title is an apt one, as I found myself further along the record's playtime I became more engrossed in the compositions, which are genuinely riff-tastic, moreso than Death albums like Human or Individual Though Patterns.The band is characterized by their melodic, infectious hooks, busy bass playing and adventurous leads. The vocals can take a little getting used to, they have a filthy thrash tone to them which sounds a little crisp and unpolished in the mix (a little like older Voivod or Deceased), but you'll be paying so much attention to their riffs you will hardly notice. The band is not afraid to traverse a wide distance within a single track, for example "Parasite" is all over the place, part cerebral nightmare and part precision jam session. Other tracks are a little more reigned in, like "Inner Consciousness" and the melodic "Twisted Priorities". You will find very few bands that walk this path in recent years, and Mindwork has a great deal untapped promise even beyond what you hear on this debut. It's all in the name." - From The Dust Returned" blog.
    $13.00
  • Japanese mini-LP sleeve at a bargain price. K2 24 bit remastered to boot. This 1982 release is really a pop album - buy this for the collection only.
    $13.00
  • Full length debut from this excellent UK based djent metal band. Led by the clean/scream vocals of Dan Tompkins, Tesseract effortlessly balances melody with technicality. Similar in nature to Periphery but with MUCH better vocals. This special edition comes with a bonus DVD that features them performing Concealing Fate live in the studio as well as band interviews, road footage, and more. Highly recommended.
    $16.00
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    $18.00
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    $10.00
  • New 25th anniversary edition of the doom pioneers first album. Candlemass is the brainchild of Swedish bassist Leif Edling. He took the Black Sabbath sound of slow doom laden metal and took it to the next level. This is the band's first album and does not feature Messiah Marcolin on vocals. This digibook edition comes with a bonus CD featuring track by track commentary from band founder Leif Edling.
    $15.00
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    $13.00
  • "Stomu Yamashta is a master percussionist who studied Jazz drumming at Berklee School of Jazz. In the 1970's he recorded a string of innovative albums for Island records fusing his percussion talents with jazz, electronic and classical music. 'Freedom Is Frightening' features a fine band, including Soft Machine bass guitarist Hugh Hopper and guitarist Gary Boyle. It was a fine achievement which propelled Yamashta to a wider audience which would eventually lead to his acclaimed Go albums featuring collaborators Steve Winwood, Michael Shrieve, Klaus Schulze. Never before released on CD, this Esoteric reissue has been re-mastered from the original master tapes and fully restores the original vinyl artwork and continues Esoteric's series of Yamashta's work for Island Records"
    $17.00
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    $23.00