Neverworld's End

SKU: NPR417
Label:
Napalm Records
Category:
Gothic Metal
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Xandria are back with a new singer and don't miss a beat. Replacing Lisa Middelhauve is Manuela Kraller, formerly with Haggard. The band doesn't deviate from their tried and true formula. This is epic symphonic gothic metal similar to Visions Of Atlantis, older Within Temptation, Edenbridge and countless others in the genre. Having said that they do this style of music about as well as it can be done. Napalm Records has pretty much cornered the market on this sound and I'm sure Xandria is sitting at the top of their roster.

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    $16.00
  • Third album from this Hungarian band finds them with a reconstituted lineup including a new vocalist in Matyas Harszti. Everwood are an interesting band. They aren't as technical as Perfect Symmetry or as crunch driven as Nemesis (or Age of Nemesis if you will). They mix elements of progressive metal with symphonic rock. One constant on their three albums is that there is a strong emphasis on melody with Eastern European themes sneaking in now and then. By the way , Haraszti acquits himself quite well in case you were concerned. He solidly conveys emotions in a way that reminds of Daniel Gildenlow.
    $3.00
  • This Japanese edition comes with two bonus tracks: "Lonely" and "Sweet Enclosure".
    $15.00
  • "German heavy metal marauders Scorpions recorded seven studio records before breaking in to the U.S. market in 1982 with Blackout. The album became the group's first platinum disc in the U.S., and the dynamic single "No One Like You" became a staple of album rock radio. While the Scorpions had created powerful anthems and epic rockers in the past, Blackout mixed the ingredients just right. The title track was an endorphin rush of fast-riffing guitars and electrified, high-pitched vocals that culminated with the sound of shattering glass. "Can't Live Without You" was a powerful melange of flash, firepower, and pure melody, and the slow, surging "China White" sounded like a psychedelic interpretation of Led Zeppelin's "Kashmir." After years of ignored visas, Scorpions had finally arrived in America."  -- Jon Wiederhorn
    $5.00
  • Airbag is a new young prog band from Norway. Their music has a dreamy quality that will have you floating in the clouds. If you are fan of Riverside's lighter moments you will spooge over this. Definite references to Radiohead and Porcupine Tree will spring to mind as you listen. The music never explodes - it takes the slow fire approach creating constant tension. Lots of beautiful melodies wafting through your skull from the first listen. The disc comes with a really cool die cut sleeve and booklet (check out the jpeg). Highly recommended. These guys could potentially break big.
    $15.00
  • New remastered edition of the expanded version of Art & Illusion. Previously available on Cyclops but out of print for some time. There is also a bonus disc with 12 live tracks taken from various gigs in 1984.
    $18.00
  • "'You've got some new Momentum...you better keep on going,' Neal Morse declares in the exciting title track of his new album. After an amazing 2011 that included the release and subsequent world tour of 'Testimony 2', and the release of the five disc set of 'Testimony 2 Live in L.A.', what could Neal possibly do to follow that? 'That's about where I was in January of 2012; waiting and wondering what was next. Then, Mike (Portnoy) had an open window at the end of January, so I booked him and Randy (George) to come to Nashville to record. But I had no album! Fortunately, an explosion of creativity happened that far exceeded our expectations...'Featuring guitar work of six string legend Paul Gilbert, and of course, the stellar drumming of long time partner Mike Portnoy, 'Momentum' is a musical thrill ride that will leave you breathless! Everything you'd ever want in a Neal Morse album is here; going prog elements, hooky pop choruses, intricate vocal weaving, blistering musicianship and beautiful melodies are all present and accounted for. Highlights: 'Thoughts Pt 5', the perfect sequel to the earlier Spock's Beard classics, 'Weathering Sky', rock/pop brilliance and 'World Without End', clocking in at 33:51, this is the ultimate prog epic from the man who practically invented the term.Also featured on the album is Neal's newest find, Brazilian guitarist Adson Sodre and other members of Neal's new live band. With its surprising directness, depth and pure prog exhilaration, 'Momentum' is quite possibly the ultimate Neal Morse album."
    $16.00
  • "Chapter 1, the debut album from Level 10 is the first collaboration between vocal powerhouse Russell Allen (Symphony X, Adrenaline Mob) and bassist/producer/writer Mat Sinner (Primal Fear, Voodoo Circle) Frontiers President, Serafino Perugino initiated the duo to team up for the creation of a new Metal project which could melt the more contemporary sound of Adrenaline Mob with the more traditional European Power Metal melody and aggression.Sinner enlisted his Primal Fear/Voodoo Circle bandmates Randy Black (on drums) and Alex Beyrodt (on guitar) and Roland Grapow (ex Helloween, MasterPlan, Serious Black) and Alessandro Del Vecchio (Hardline, Voodoo Circle) to complete the lineup on lead guitar and keyboards respectively. On the songwriting side – besides the band members – the album features the songwriting talents of Magnus Karlsson, Carsten Schulz, Ralf Scheepers, Johann Fiegl, Sander Gommans and Amanda Somerville.For those fans of Russell Allen who were expecting Symphony X, you will be slightly disappointed, aside from Allen’s trademark pipes, there is not much here resemble Symphony X’s brand of neo-classical prog metal. By the same token, those fans of Allen who fear the agro-vocals and Godsmack-esque brand of “modern heavy rock”, can breathe easy, as the music on Chapter One leans closer to Euro power metal than mainstream hard rock.The album opener, Cry No More kicks off with a vengeance, with a guitar riff that would sound at home on one of Voodoo Circle albums. Allen’s vocals are powerful during the verses and soar on the multi-harmony chorus. Del Vecchio adds a 70’s moog synth sound on the keys and Black pounds the drums mercilessly. There is a crunchy, heavy groove on the mid-tempo Soul of the Warrior, featuring stellar vocal work on the chorus and a catchy as hell chorus. The tempo picks up with an 80’s sounding rocker with a driving beat, heavy chugging guitar rhythms, and Allen sounding aggressive while still maintaining his trademark melodic voice. The chorus features another killer multi-harmony vocal and Beyrodt and Grapow get to flex their muscles during the harmony guitar solo.The album takes a more AOR tone on the heavy rock anthem One Way Street, which has a 70’s Bad Company meets Motley Crue’s Dr. Feelgood feel to it. Randy Black’s percussion skills are on center stage, showing why Black is one of the most versatile drummers in power metal today. The albums first single titled Blasphemy has the symphonic bombast of European power metal and Allen’s voice is at it’s most evil sounding during the vocals and shows off his upper register during the chorus.Last Man On Earth is another hard rock song with a great hook and sing-a-long chorus, which does get a little repetitive after a few listens but I guess that’s what why they call it a hook! Scream And Shout is another old school power mental anthem straight out of the 80’s with it’s, for lack of a better word, *shout* a-long chorus. The guitar harmonies and shredding solo section blend in perfectly and Black’s double bass drumming drives the song once again.Allen flexes his vocal muscles on the mid-tempo rock of Into The Wilderness, using his upper register as only he can. The song itself isn’t as memorable as some of the other material on the album save for the chorus, which has some fine harmony vocal work. The requisite piano power ballad All Is Gone is a fitting showcase for Russell Allen’s amazing vocal prowess, even though the song itself sounds like a combination of Symphony X’s When All Hope Is Lost and something off of one of the Allen/Lande albums, which is not surprising since Magnus Karlsson is one of the credited songwriters here.The crushing riff of Demonized brings the heavy power metal with Russell at his most sinister sounding. For those fans wanting to hear something heavy, this one is for you. Chugging guitar rhythms, aggressive vocals, pounding drums, and shredding solos, this one has it all, a headbangers delight! The groove-heavy Soul Is Enternal has a mid-tempo fist pumping rhythm with Allen using a more soulful vocal approach during the verses and letting loose during the chorus.The album closer Forevermore is a power metal classic filled with melody, a HUGE multi-vocal harmony chorus and superb vocals from Allen and guest Ralf Scheepers vocals are quite noticeable in the mix. This song is probably the closest to the sound of Primal Fear and tied with Cry No More for my favorite song on the album. In an age where so-called supergroups are becoming more prevalent, Level 10’s debut album finds itself in the upper echelon, even if its destiny is to be a one off studio project, only time will tell." - Lady Obscure
    $14.00
  • Devin Townsend continues to be a true cutting edge progressive artist. Synchestra straddles the prog rock world as well as that of his agressive metal band Strapping Young Lad. The music stops and turns on a dime going from quiet acoustic interludes to a firestorm of shred, acidic vocals and blast beat rhythms. Long time buddy Steve Vai appears, contributing a solo on one track. This one is a challenging listen which is what progressive music is supposed to be about.
    $13.00
  • Digibook edition at a reduced price comes with a 24 page booklet."At the dawn of each new year, there’s already usually a batch of albums I am looking forward to. 2011 opened up with the great promise of music to come, and the new Ulver album was up there on my list of albums that were making me excited. Stealing my heart with their opus ‘Shadows Of The Sun’ from a few years ago, I checked out the new album from this band at the earliest discretion once it was made available for listening. Although I will be the first to say that the album is slow to grow on a listener, Ulver has made a great album with ‘War Of The Roses,’ although at times it may be a little too mellow and drawn out for its own good.With ‘February MMX’, Ulver begins their latest work off on a surprisingly upbeat note, an atmospheric rocker that introduces ‘War Of The Roses’ on a somewhat misleading note. Although the song here is far from my favourite offering on ‘Roses’, it is without a doubt the most energetic, and gets the listener expecting something a little more active from these guys, only to scurry back down an ambient path with the second track ‘Norwegian Gothic’ and onwards. Luckily however, the first two tracks here make up the weakest material ‘War Of The Roses’ has to offer; it only gets better from there.The first piece of real interest here is ‘Providence’; a cunning melange of styles, ranging from the classical cellos to delta blues ad-libbing. Following that is another highlight- and my personal favourite- ‘September IV’, which feels as if it loosens up on the ambient nature with some more conventional songwriting, this time in a melodic post-rock style. Throughout all of this are the deep, distinctive vocals of Garm, who is certainly a great vocal presence, but doesn’t feel as if he has such strong melodies to guide his voice, instead feeling almost as if Garm’s voice is simply there for it’s looming resonance and little else. That being said, the strength of ‘War Of The Roses’ is in its grand instrumentation and clever electronic arrangements.The track that might be of most excitement to people is the fifteen minute ‘Stone Angels’, backing the rest of the album and eating up a third of the disc time. While some might expect a complex suite from Ulver here, ‘Stone Angels’ is instead a fairly minimalistic ambient hymn, with the poetic ramblings of a surrealist narrator speaking overtop. It may not sound like much, but the way Ulver does it is really majestic, making it feel like much less in length than the time spent listening. Eerie effects, pleasantly melancholic tones underneath and an ethereal vibe makes ‘Stone Angels’ a perfect piece of music to chill to. The one thing here that does get in the way are the pieces of narration themselves, which generally add little to the music besides something to raise an eyebrow to. Many will certainly find ‘Stone Angels’ to be a disappointing snore, but if you take it for what it is, you may be pleasantly surprised.I must say though, I did not care for ‘War Of The Roses’ at all when I first listened to it. I found it both too diverse and too boring to get much into, and the vocals felt misplaced, if anything. But there’s no denying after a couple of listens onwards that ‘Roses’ has alot more musically going for it than many ambient albums of its time.Although the album is far from being perfect or Ulver’s best, it’s certainly an album that grows with each listen; after all, hasn’t the music of Ulver always been one to play hard-to-get?" - prog-sphere.com
    $13.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • "Here's an unusual progressive-rock project. Spearheaded by drummer Fran├žois Bernatchez, Qwaarn isn't just the name of a band with members rotating in and out as needed; it's also the main character in the sci-fi-meets-real-world story spanning Aberrations and its predecessor, 2004's The Word of Qwaarn. While some of the Canadian band's influences from that debut album remain on Aberrations (including Genesis and Yes), the new disc is being billed as a "pop-gressive" record by its label, Unicorn Digital, with echoes of The Beatles, Pink Floyd, David Bowie, Led Zeppelin, Tears for Fears and The Cure. Didier Berthuit often sings with a heavy accent, and his lengthy carnival-esque soliloquy on "The High Muckity-Mucks" grates after only a few seconds (even though it's meant to be satirical). Guitarists Antoine Bernatchez and Martin Bleau, however, evoke David Gilmour on tracks like "Privilege" and "Dream in Am," and their warm, acoustic material also helps set Aberrations apart from some of the other artists on Unicorn's roster. While the Middle-Eastern flavor of the murky alt-rocker "Mr. Lotto" unveils another side of Qwaarn, the epic "Did You Say Salmon?" proves this collective is first and foremost a progressive-rock band. A bit of an odd progressive-rock band, but a progressive-rock band nonetheless." - sea of tranquility.com
    $15.00
  • Their first real prog effort. Killer keyboard excursions in an ELP vein.
    $12.00
  • "Features guest appearance by Gentle Giant guitarist Gary Green on “Words and Miracles” (Electric Guitar, Guitar solos and backing vocals) and “Crush of Night” (Guitar solo) IZZ’s new studio album, Crush of Night serves as Part 2 of a 3-part series of thematic albums that began with The Darkened Room (TDR) in 2009.Crush of Night is a worthy successor to the well-received TDR and continues the exploration of one’s journey of self-knowledge, doubt and ultimately the search for meaning. IZZ brings their characteristic sense of melody to the fore on this album while at the same time fusing high reaching emotion with the driving impact that IZZ fans have come to identify with the band. From the opening vocal melody of You’ve Got a Time to the guitar-driven Words and Miracles featuring the distinctive guitar sound of Gary Green, to the stirring emotion of Half the Way culminating with the impressive 26 minute suite that shares ist name with the album title, Crush of Night delivers on all fronts by creating a sound and passion that belong to IZZ alone."
    $12.00