Night Of The Stormrider

SKU: CM7727-2
Label:
Century Media
Category:
Power Metal
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New remixed and remastered edition featuring new artwork.

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  • Luxembourg is not exactly a hotbed for prog rock bands but they have at least one in TNNE.  The band was originally known as No Name but went through an upheaval in their lineup.  No named The No Name Experience, the band still features original keyboardiste Alex Rukavina and vocalist Patrick Kiefer.  These guys revel in the neo-prog sound.  If you are a Pendragon or IQ fan you will eat this stuff up!
    $15.00
  • "If you think back to bands such as SixTh then this genre of ultra tech/ djent has been around for some time, however, with bands such as TesseracT, Periphery and Meshuggah perhaps bringing it more to the public eye and out of the groove Metal shadows, it can be no real surprise that more and more bands are coming forward with their own take on what, at the end of the day can be a very difficult style of music to get right.Nothing wrong with that I hear you say, and providing it’s done well, I quite agree.Monuments début album “Gnosis” nails it in a number of ways, yes, we have the jarring riffs that really set this genre apart from most others but we also have that increasingly rare commodity called melody. You can sometimes be technical for technicalities sake but Monuments deliver an album that strikes a near perfect balance between an overriding ambition to push the boundaries even further, and maintaining a level of accessibility for the listener.Tracks such as “Doxa” for example really encapsulate the bands sound in a nutshell, “Blue Sky Thinking”, with its beautiful mix of aggressive and clean vocal, and my personal album highlight “97% Static”, which lends a fantastic, dreamy, atmospheric feel to the ear.Lyrically, the album is quite political in it’s content, with the overall message of think for yourself and not to follow other peoples train of thought, which in a way could easily describe the band themselves.A début release this may be but it has been many years in the concept forming and song writing to get to this stage.Guitarist, John Browne has assembled a fine group of musicians together to realise his dream, non more so than Matt Rose on vocals who has an unnerving gift of moving from the hard edge sound and then to meander seamlessly across the spectrum to deliver some really uplifting melodies.Top of the tree they may not be just yet but on the showing of this highly impressive work, it must surely only be a matter of time." - Planet Mosh
    $12.00
  • "For composer and keyboard player Carl Westholm humanity's future is bleak, and ends in death. The apocalypse is at hand, and Westholm's Jupiter Society tells its inevitable and fateful story in the third effort From Endangered to Extinction. Again Westholm is helped by members of several Scandi bands including Carptree, Krux, Candlemass, Soilwork, Opeth, and Evergrey.Needless to say, with the bleak concept, this is a dark and despairing album, from lyrics to music, with Westholm's ominous synth layers establishing the foundation. Lyrically, the story revolves more around the invaders and destroyers of the earth, led by the Queen of Armageddon, possibly aided by some satanic element, mentioned in the song Invasion, rather than the people of earth.The latter, the people of earth, get some reference in the last three songs, but with little hope. The song Fight back is crushed in the vice of No Survivors and Defeat. It's not good day on Planet Earth. And this is where Westholm's song composition comes to the fore. The music intentionally propels the frustration, devastation, and defeat of humanity in both tone and power. In other words, this dark and bleak story gets played out in a proper musical context and, therefore, makes From Endangered to Extinction creative and engaging. But considering the subject matter, again, entertaining may become a highly contested moot point. Recommended." - Dangerdog.comThird album in the futuristic prog metal series from Carl Westholm.  You may know him from his involvement from Carptree, Krux, and Candlemass.  Westholm always puts together an interesting cast of musicians for these projects.  This time he draws from bands like Krux, Carptree, Candlemass, Soilwork, and Evergrey.  Most notable are the great Mats Leven (as one of a few lead vocalists) and Leif Edling of Candlemass.  Intense apocalyptic stuff with a cyber metal angle to it.  Highly recommended. 
    $15.00
  • "The second installment of our 20th Anniversary celebration, "Off the Floor 02" continues with more live-in-the-studio performances of staples from our live sets. Taken from the same sessions as "Off the Floor (01)," the track list draws from each of our five studio albums and includes a healthy dose of improvisation, a bit of re-imagining and even a little new music in the form of a bass & drums interlude.We won't repeat the "Brief History of Tiles" from the OtF (01) liner notes, but will take a moment to revisit the basic 'off the floor' concept. After much discussion about our "platinum" milestone (unfortunely not for sales!), we decided to do a live album using the somewhat non-traditional approach of recording live in the studio. This is actually what the phrase 'off the floor' means in recording lingo: to record a song as a complete performance without adding more parts (overdubs) later. We recruited a few friends to be our audience – for inspiration and to keep us on our toes.Having the controlled environment of a private 'soundstage' allowed us to focus on the music. We didn't have to haul a bunch of equipment into a club and deal with recording technicalities, show promotion and other business distractions. Although we were in a studio, "OtF 02" is still "live" – complete with the occasional less-than-perfect note and other minor imperfection. We did, however, take advantage of the relaxed setting and usually played each song twice, picking the best version for the CD. Occasionally we didn't need a second take, but a couple of times we needed a third take ("Patterns" oddly enough!).To offer a little something different, "OtF (01)" had a couple special guests plus an expanded arrangement of 'The Wading Pool.' For "Off the Floor 02" we dug into our archives and dusted off a few tunes from our appearance at the 2005 Rites of Spring Festival (ROSfest). We had recorded our entire 2-hour set, but filed the hard drive away with little thought it would see the light of day. Technical problems had dogged us the moment we hit the stage and left us feeling unsatisfied with our performance. Sampler and keyboard sounds would mysteriously reset and the bass amp would cut in and out. Figuring out why these intermittant problems were happening was made even more challenging by Jeff's state of exhaustion; even though it was a good kind of exhaustion caused by the birth of his daughter just four days before the show. Since the problems were on his side of the stage he had to play detective and keep up with the songs! Eventually, the issue was discovered and duct tape strategically applied to a loose electrical wall outlet – which worked just fine unless someone happened to use the side-stage walkway.Although tempted by the 12-minute "venting" version of "Capture the Flag," we didn't want to repeat any songs already included on either Off the Floor disc. Fortunately, "Facing Failure," "Ballad of the Sacred Cows," "Paintings" and "Window Dressing" were in all-around good shape. We only needed to drop in a couple missing samples and a keyboard part. By including selections from ROSfest as part of the Off the Floor project we get to acknowledge Pat Deleon, our drummer from 1997 to 2005, and present a complete live history of Tiles." - Chris Herin/TilesDisc One: Off the Floor 021. Patterns (4.38)2. Hide & Seek (8.09)3. Taking Control (5.14)4. Remember To Forget (5.00)5. Analysis Paralysis (5.18)6. Cactus Valley (7.01)7. Sacred & Mundane (6.30)8. Dancing Dogs (5.45)9. Safe Procedures (7.31)10. Another's Hand (6.26)Mark Evans: Drums & PercussionChris Herin: Electric Guitar, Keyboards, Backing VocalsPaul Rarick: Lead VocalsJeff Whittle: Bass Guitar, Keyboards, Backing VocalsDisc Two: Live at the 2005 Rites of Spring Festival1. Intro/Facing Failure (6.48)2. Ballad Of The Sacred Cows (7.24)3. Paintings (5.04)4. Window Dressing (17.03)Paul Rarick: Lead VocalsChris Herin: Electric & Acoustic Guitar, Keyboards, Backing VocalsJeff Whittle: Bass Guitar, Keyboards, Backing VocalsPat DeLeon: Drums, PercussionBonus Videos (from the Off the Floor sessions):1. Landscrape (4.27)2. Remember To Forget (5.00)
    $15.00
  • The North American Freak Kitchen catalog reissue program continues.  Freak Kitchen is Mattias Eklundh (guitar.vocals), Christer Ortefors (bass) and Bjorn Fryklund (drums). The band describes their album as "A corny little heavy-pop-rock-Latin-world-jazz-avant-garde-metal-blues-record straight from hell!". "Organic" is the band’s sixth album.  It features a guest appearance by Guns N Roses guitarist Ron “Bumblefoot” Thal.  Pure guitar driven insanity with tongue firmly planted in cheek.  Essential for fans of Frank Zappa, Bumblefoot, and Steve Vai."If there was such a thing as indie metal, Freak Kitchen would define the genre perfectly. This metal band hails from Sweden and was formed back in 1992. Their outstanding musicianship and authentic musical style makes this power trio a real treat for those of us lucky enough to find their music. The bands’ distaste for big corporate labels has not prevented them from getting their music out, just not on a scale one would expect them to be considering the high level of quality music that they put out. So, as they state on one of their songs: “I’m so alternative, I am so independent, this is the way to live the independent way of life.” I guess one could say the guys walk the talk!Frontman Mathias IA Eklundh is considered a premier guitar player, having himself released several instrumental solo albums, Freak Guitar (1999) and Freak Guitar - The Road Less Traveled (2004). Also of some importance I guess is the fact that I’ve read in several live performance reviews that Eklundh will often play his guitar using foreign objects, some of which are described as vibrating dildos! Oh yeah, and he can really sing too! Eklundh is also the founder of Mattiasology, of which Steve Vai (peace prophet) and Paul Gilbert (space prophet) are listed as members of the Grand Church of Freakiness.Organic is Freak Kitchen sixth studio album, which was released in different parts of the world on April 27, 2005, just don’t expect to find it in North America yet. When you hear them for the first time, and believe me - you will eventually hear them - it’s really like nothing you’ve heard before. It’s like mixing a heavy metal guitar sound with alternative rock and adding mild progressive elements and a clearly indie rock vibe. It’s going to turn your head as it did mine. If you’re into metal you’re going to wonder “what the hell is this” and if you’re into indie rock, you’re going to wonder the exact same thing? It’s a blending of styles that requires time to soak up. But after you get over the initial impact of it all, it grows on you very quickly and I mean that in an exponentially freaky kind of way.The album opens with the single “Speak When Spoken Too,” which also features the eccentric Bumblefoot (Ron Thal - another Mattiasology prophet) on back up vocals and guitar. The Pantera style guitar riffs will have you questioning the bands musical style and the evident alternative rock vibe will probably remind you of System of a Down. There's a whole lot of humour spread out throughout the album as well.The band plays hook laden guitar driven songs full of interesting arrangements and cool little guitar antics and solos. The crystal clear production, the occasional blast beats, the crazy guitar sounds, the humorous lyrics about everyday life (infidelity, racism, the role of parenting) and the radio-friendliness of it all makes this a very memorable listening experience." - Sputnik Music
    $14.00
  • Double live CD recorded on the Scarsick tour in Amsterdam. Essentially the soundtrack to the just released DVD, it features a great cross-selection of material from this bands rich history.
    $12.00
  • Recorded out in Los Angeles. Not one of their better albums.
    $10.00
  • This was the fourth studio album for the band and their last with EMI Harvest as it was considered to be somewhat of a flop. I'm not sure why as it sounds pretty damn good to me! Lots of Mellotron goodness. Remastered edition comes with 10 bonus tracks!
    $13.00
  • Second full length album - this one produced by Steve Albini has a more angular feel. The music is a little more towards the dissonant side and veers a bit away from the Crimson vibe that was on No Interference.
    $9.00
  • "This story began in 1973 when Museo Rosenbach recorded their magnificent debut album Zarathustra that still is one of the boldest and most beautiful work in Classic Italian Prog and in contemporary music in general. And now nearly forty years later this new Italian band Il Tempio delle Clessidre (name taken from one song on the Zarathustra suite) performs the Zarathustra album in its entirety and most importantly and luckily, they perform it with respect to the original feel with original (obviously true analog sound I guess) and don´t try to change it to today´s "standards" in any way, with exception of some jamming that features nice Moog soloing from the great Elisa Montaldo on Superuomo. She´s also a great vocalist and is another lead voice on the Zarathustra, with Stefano "Lupo" Califi the original voice in Museo Rosenbach. And yet the sound is their very own, it´s just a bit different in colour. Actually their performance of Zarathustra is so mature in everything that I couldn´t have had believed to expect. If an inexperienced listener doesn´t know Museo Rosenbach ever existed he/she would be completely fooled by Elisa & boys as playing their very own music, they are that good. Bravo ! What a nice surprise. The band gives the very best and Zarathustra revisited is a superb performance and does honor and does justice to legendary band Museo Rosenbach.Il Tempio delle Clessidre is an incredible debut album and for me is like a continuation to the Zarathustra epic, in a way. It represents the softer, female side of the subject, of course thanks to Elisa´s compositions and performance. Don´t get me wrong, it is far from mellow or dull passages. On the contrary, it contains some very heavy moments, like all great music does. The music of both Rosenbach and Clessidre have the power, grandeur and, most importantly emotion as the best Italian (prog) music always is so very special of. Clessidre is a bold evidence that RPI is very alive and kicking, so to speak. Because music is foremost and most importantly emotion, in the positive sense and that´s the essence of all .Oh yes, the second part of the show features they own songs from the superb eponymous first album. Elisa Montaldo is the main composer and I just can´t stop admiring her enthusiasm for classic Italian prog that is so clear in her compositions. She is the most important female instrumentalist and writer in Prog of today. There are many good prog bands in modern Italian scene but Clessidre is very hard to surpass, both musically and as a performing unit. They are unique in modern Italian rock and in Prog Rock in general, they create a universe of their very own. There are not so many bands lead by a woman, particularly in Prog and especially in Italian scene, aren´t there. With the vocalist of Museo Rosenbach, Stefano "Lupo" Califi and the lovely lady Elisa this is a magical line-up.Needles to say there´s no single dull moment. This is a fine document of a very special band in modern prog, namely the "Lupo" Califi era Clessidre. Alongside the Italian Prog Exhibition (4 DVD set from 2010) this the very best DVD release in modern prog rock music so far, obviously a very hard job for any band to make better, particularly musically. Il Tempio delle Clessidre nicely represents the New Generation of Italian Prog and reigns supreme.Another nice surprise, their very first live show, in Genova they hometown in 2009 with very good sound & picture quality is in the second disc.Italian is the perfect language for symphonic progressive music, it just suits beautifully. And it´s so great to see the veteran proghead enjoying performing with his young companions who respect and prefer the origins of progressive rock, the symphonic way. They seem to understand that it´s only the music who is the true protagonist. This is a perfect union of the old & the new. This is triumphant for new Italian Prog and music itself. This all is so wonderful and extraordinary beautiful. Thank you so much, Elisa & boys." - ProgArchives
    $26.00
  • "For his first solo release since 2009s House of Insanity, Trans Siberian Orchestra/Savatage guitarist/vocalist/songwriter Chris Caffery has enlisted the help of virtuoso drummer Brian Tichy (Whitesnake, Billy Idol, Ozzy Osbourne) and keyboard player/composer Lonnie Park to create Your Heaven is Real, a 13 song collection of blistering heavy metal that not only continues to display his stellar guitar chops but also his continued confident & improving vocal ability and strong songwriting skills. Your Heaven Is Real was recorded, mixed and produced by Caffery at Face The Music Studios in New York with additional recording done by Lonnie Park at Ultimate Sound in Groton, NY and Brian Tichy's Big Timers Studio in Canyon Country, CA. Instantly memorable and catchy, Your Heaven is Real is immediately more appealing and accessible than its predecessor, filled with some of his heaviest as well as most commercial sounding material to date.The opening title track, a tale of a very true frightening situation experienced by the guitarist, kicks in with sledgehammer riffs and snarling vocals, a true headbanger's delight and easily one of the must hear songs on the album. "Arm And a Leg" is another dark, menacing slice of heavy metal, complete with Caffery's venomous 'Jon Oliva-meets-Alice Cooper-meets-Sebastian Bach' vocal delivery, which is then followed up by the instantly catchy, hook laden metal anthem "Just Fine", one of the most upbeat, fun songs he's ever recorded, complete with a killer chorus and great guitar solo. Things take a turn for the poignant & melancholy on the Savatage sounding "Why", a fabulous song with a great lyrical message and emotional vocals (some of Chris' best ever) to go along with many guitar and keyboard textures. Without a doubt it's another highlight of Your Heaven is Real, and pushes past the 7-minute length as the one of the albums two epics. "Damned If You Do, Dead If You Don't" is an upbeat schizoid heavy metal gem, complete with complex riffs and some futuristic, almost prog-rock styled synths, while the blazing instrumental "Hot Wheelz" (dedicated to a special someone perhaps?) is chock full of manic drumming from Tichy and plenty of Caffery's blazing guitar licks. "I Never Knew" is more of an atmospheric rocker thick with keyboards and layers of lush guitar work, providing the framework for Caffery to inject some heartfelt, hook laden vocal passages. It's a nice change of pace, and I'd love to hear more in this style from him.The back end of the CD is equally as strong, kicking off with the energetic riff monger "Sick and Tired", and continuing on with the mid paced, grinding "Death By Design", a doom laden piece that will instantly appeal to fans of vintage Savatage as well as Black Sabbath. After the brief but lovely guitar instrumental "2-26-15", Caffery unleashes "Too Soon To Be Too Late", a rampaging, addicting example of metal guitar firepower packed with catchy vocal hooks and irresistible melodies. This is one of those songs that if it existed in 1987 would have been a huge hit with teenage hard rock & heavy metal fans. The second of Your Heaven is Real's lengthy songs is "Over and Over", an emotional ballad that slowly builds to a powerful climax, again showcasing Caffery's confident vocals and featuring a sizzling guitar solo. This leads to the gorgeous "Come Home", a short keyboard/guitar/vocal piece that takes the album out on a tranquil note, again displaying the huge amount of variety that Caffery has included on this fine new release.I've been saying for years that Chris Caffery has yet to top his best solo release, which was his first in Faces, but I think, now a decade later, he's finally done it with Your Heaven is Real. Well rounded and showing off much of what makes Chris Caffery 'click', Your Heaven is Real permeates with positive energy, power, and majesty, obviously a very personal album for the artist but ultimately his most revealing. Well done." - Sea Of Tranquility
    $15.00
  • New solo album from Arjen Lucassen demonstrates a lighter hand than the Ayreon and Star One projects. This has a more overtly prog rock feel - quite melodic and at times spacey. Lots of similarities to Pink Floyd circa "The Wall" in places."The story of "Lost In The New Real" follows Mr. L, a 21st-Century man who was cryopreserved at the moment of clinical death from a terminal disease. The album begins as Mr. L is being revived at a point in the distant future, when technology has advanced enough to cure his disease. Mr L finds himself in a world that has drastically changed — to the point that the line between what's real and what's not is no longer clear.Mr. L's appointed psychological advisor (played by legendary screen actor Rutger Hauer) is tasked with helping him emotionally adapt to this strange new world. The songs on CD1 follow the main character Mr. L's emotional journey as he is confronted with both serious and comical aspects of the "New Real", and desperately tries to decide if he can find a meaningful place within it.CD2 is a mix of songs that are part of the concept but didn't fit on CD1, and cover songs that are (more or less) related to the concept. "
    $16.00
  • "Il Segno del Comando began life in Genoa in 1995 as a studio project with the aim of reproducing the sound and the atmospheres of bands from the seventies such as Goblin, Il Balletto di Bronzo or Jacula. In 1996 an eponymous album was released on the independent label Black Widow Records, inspired by the novel of the same name by Italian writer Giuseppe D'Agata. In 2001 the band released e second album, Der Golem, inspired by a novel by Austrian writer Gustav Meyrink. In 2013, after a long hiatus and with a renewed line up featuring founder member and main composer Diego Banchero (bass, keyboards, Theremin) along with Giorgio Cesare Neri (guitars), Maethelyiah (lead and backing vocals), Fernando Cherchi (drums, percussions), Maurizio Pustianaz (keyboards, piano, organ), Roberto Lucanato (guitars) and Davide Bruzzi (giutars), the band released another concept album inspired by a novel by Gustav Meyrink, Il volto verde (The Green Face). Many prestigious guests contributed to enrich the sound, among others Claudio Simonetti from Goblin, Gianni Leone from Il Balletto di Bronzo, Martin Grice from Delirium, Vinz Aquarian from Il Ballo delle Castagne or Sophya Baccini. The result is excellent and the music and lyrics perfectly fit the concept although I fear that is almost impossible to completely appreciate this complex work without having read the book that inspired it.The Green Face was written in 1916 and is set in a surreal Amsterdam post World War I. It is is pervaded by a strong sense of mysticism and spirituality... "I want to see a fresh, unknown world, I want a new sense of wonder such as must strike an infant if he were to become a grown man overnight... I want to be a full-stop rather than eternally a comma in the punctuation of time... ".The opener "Echi dall'ignoto" (Echoes from the Unknown) is a short instrumental, provided by the guest Federico Pedichini a.k.a. Freddy Delirio from Death SS, that sets the atmosphere. It leads to the nervous, hypnotic "La bottega delle meraviglie" (The Hall of Riddles) that describes a visit to a very strange shop where the borders between reality and dream are blurred. Here the protagonist of the novel, Fortunatus Hauberrisser meets for the first time the strange, haunting character with the green face portrayed in the beautiful art work by Danilo Capua... "It was smooth, with a black strip of cloth tied over its forehead, and yet it was deeply furrowed, like the sea, that can have waves but not wrinkle on its surface. The eyes were like chasms and yet they were the eyes of a human being and not empty sockets. The skin was a greenish olive colour and looked as if it were made of bronze, such as the races of ancient times may have had of whom it is said they were like dark-green gold..."The dark, Gothic "Chidher il Verde" (Chidher the Green) focuses on the peculiar character with the green face, vaguely based upon the legendary figure of The Wandering Jew. He's been on earth ever since the moon has been circling the heavens and is the one who can show you the way leading to a hidden spirituality... "Prophecy or circularity, claustrophobia, psychic undertow / You are just one step from the gallows / It's the turn of madness to rule over men...".The following "Trenodia delle dolci parole" (Threnody of the sweet words) features the beautiful vocals of the guest Sophya Baccini and draws a strong sense of loss and impending tragedy. It leads to the short, disquieting instrumental "Il rituale" (The ritual) and to the esoteric, threatening "La congrega delle Zee Dyk" (The Zee Dyk club) where the spectral vocals of another guest, David Krieg, contribute to draw a mystical delirium where the dangerous ritual of a cathartic, spiritual rebirth is consumed with deathly consequences."Il manoscritto" (The manuscript) is another track full of dark mysticism and visionary strength. There are some strong classical influences that could recall the Carmina Burana by Carl Orff and a constant flowing of raw energy waves. The protagonist discovers an ancient manuscript that helps him to go through some esoteric experiences... "The weapons of Death are: dream, daze and sleep / From one awakening to another, I live to find a new beginning...".The excellent instrumental "L'evocazione di Eva" (Eva's evocation) features the guests Claudio Simonetti (organ, Moog and Mellotron) and Martin Grice (flute sax). Along with the following "Retrospettiva di un amore" (Retrospective of a love) it depicts a love where spirituality prevails upon materialism. A strange magic binds the protagonist and his sweetheart, the strange prophecy of a perfect love that is stronger than Death..."Usibepu" was inspired by the character of the powerful necromancer and shaman of the same name, a violent and merciless Zulu warrior who wanted to possess Eva, the protagonist's fiancée... "Serving under the banner of greediness / I attend to the resurrection / I think again of the caste determination that prevented me from having you / Making even mockery of my magic...".The dazzling instrumental "L'apocalisse" (The Apocalypse) features the guest Gianni Leone (keyboards, organ, vocals) and describes with sudden vortexes of notes a storm so violent to conjure up the imagine of the end of the world. It leads to the final curtain of "Epilogo" (Epilogue), featuring narrative vocals and an obscure omen... "The walls of Jericho have crumbled / He's back from the Kingdom of Dead...".On the whole, an excellent, challenging work but beware! It takes many spins to be completely appreciated and, of course, you have to read the book!" - ProgArchives
    $16.00
  • "After what has been a rather public and unseemly split from Nightwish (déjà vu anyone...?), onetime Alyson Avenue front-lady Anette Olzon returns with her first solo album, Shine. For anyone expecting something akin to the Nightwish bombast and bluster, it is an album set to surprise, possibly shock and ultimately disappoint. However, for those willing to simply take this album at face value, the surprise will be of an altogether different variety; a classy mix of Pop hooks, grandiose arrangements, intimacy and a sprinkling of the eccentricity which marked Kate Bush out, creating a quite beautiful, confident record that really does indeed shine very brightly indeed. What Shine also allows Olzon to do, is to illustrate a voice that soars, whispers, commands and seduces, revealing far greater facets and variety than her previous musical situation could ever have allowed. Put simply, like the music here, or not, there's absolutely no denying that Anette Olzon is mightily impressive.Thankfully, it is also extremely easy to give in to the music's charms, Olzon surrounding herself with a crack team (Stefan Orn, Johan Glossner, Johan Kronlund) of songwriters, producers and mixer-masterers, to craft a set of songs that are reasonably simple, memorable and thoroughly captivating. The likes of "Lies" hits like a shimmering Evanescence, "Invincible" is a string and voice (and plaintive guitar as the song builds) masterclass of stark melancholia, "Moving Away" a Scandi-folk tinged piece of adult Pop which works tremendously well. Add to that opener, "Like A Show", which fuses strings to slow electro-beats and a fragile vocal; "Falling", which I could imagine a stripped back Scorpions attempting, and the wonderful, soaring, is it Pop, is it Rock of the album's title track and not only do each and every one of the songs hit their mark, but they do so with enough eclecticism to stand up to repeat listens. And I haven't even mentioned the Kate Bush "Army Dreamers" clone "Floating", which while landing possibly too close to this particular Bush, is still a highlight. Factor in the commercial nous of Abba in places, and Shine really becomes a rare beast. An intelligent, yet utterly accessible and singalongable Pop come Rock album.Some may have thought that Anette Olzon's departure from Nightwish signalled the beginning of the end of her career in the limelight. On the strength of Shine, it is only just the beginning." - Sea of Tranquility
    $8.00