Notes From The Past

SKU: IOMCD097
Label:
Inside Out Music
Category:
Progressive Rock
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Wonderful new reunion album from Hans Lundin and Roine Stolt that recaptures the flavor of their first 3 albums from the mid-70s. If you first instinct is to ask yourself what the difference is between this release and a Flower Kings disc you should know that all the material was written by Hans Lundin. Roine is the guitarist but it's pretty much Lundin's show here. Drums are handled by Morgan Agren (ex-Zappa) and Jonas Reingold of Flower Kings plays all basses. This is pure Kaipa in execution - loads of Mellotron, organ and analog synth sounds. 79 minutes of prime epic prog.

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  • Excellent remaster of one of the greatest mellotron albums of all time! Not even sure where to begin as this album is loaded with masterpiece after masterpiece. Comes with an unreleased track as a bonus cut.
    $17.00
  • Early German prog band that shared a somewhat similar sound to their Bacillus labelmates Nektar. In fact Taff Freeman guests on Mellotron. If you like the first couple of Nektar albums you would totally dig this one.
    $16.00
  • Remastered edition with 2 bonus tracks."Easily one of the most important heavy metal albums ever released, Stained Class marks the peak of Judas Priest's influence, setting the sonic template for the New Wave of British Heavy Metal more than any other single recording. This is the point where Priest put it all together, embracing their identity as the heaviest band on the planet and taking the genre to new heights of power, speed, musicality, and malevolence. Not until Painkiller would the band again be this single-minded in its focus on pure heavy metal. Their blues-rock roots have been virtually obliterated; largely gone, too, are the softer textures and gothic ballads of albums past. The lone exception is the morbid masterpiece "Beyond the Realms of Death," on which the band finally finds a way to integrate the depressive balladry of songs like "Epitaph" and "Last Rose of Summer" into their metal side. Starting out with quiet, mournful verses, the song's chorus is ripped open by a blazing guitar riff as Rob Halford shrieks about leaving the world behind, a dramatic climax that sounds like a definite blueprint for Metallica's "Fade to Black." Yet it wasn't this song that inspired the ridiculous 1989-1990 court case involving the suicide pact of two Nevada teenagers; that honor goes to the Spooky Tooth cover "Better by You, Better Than Me" (penned by none other than the "Dream Weaver" himself, Gary Wright), on which the band allegedly embedded the subliminal backwards-recorded message "Do it." Astounding implausibility aside (as the band pointed out, why encourage the suicides of fans who spend money?), it isn't hard to see why Stained Class might invite such hysterical projections. On balance, it's the darkest lyrical work of the band's career, thematically obsessed with death, violence, and conquest. That's not to say it's always approving. Sure, there are battle cries like "White Heat, Red Hot," horrific nightmares like "Saints in Hell," and elements of the fantastic in the alien monsters of "Invader" and stone classic opener "Exciter." But the band stays philosophical just as often as not. The twisting, turning title track adopts the biblical view of man as a hopeless, fallen creature preyed upon by his baser instincts; "Savage" foreshadows Iron Maiden's "Run to the Hills" in depicting violent colonizers as the real savages; and closer "Heroes End" laments the many legends born from untimely deaths. So in the end, what really cements the celebrated morbidity of Stained Class is the sinister atmosphere created by the music itself. Never before had heavy metal sounded so viciously aggressive, and never before had that been combined with such impeccable chops. Seemingly at will, Tipton and Downing spit out brilliant riffs that cut with knife-like precision, usually several per song. This means that there's a lot to take in on Stained Class, but if there's nothing here as immediate as the band's later hits, there's also a tremendous amount that reveals itself only with repeated listens. While the album's overall complexity is unrivalled in the band's catalog, the songs still pack an enormous visceral impact; the tempos have often been jacked up to punk-level speed, and unlike albums past, there's no respite from the all-out adrenaline rush. Heavy metal had always dealt in extremes -- both sonically and emotionally -- but here was a fresh, vital new way to go about it. It's impossible to overstate the impact that Stained Class had on virtually all of the heavy metal that followed it, from the NWOBHM through thrash and speed metal onward, and it remains Judas Priest's greatest achievement." - All Music Guide
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  • A deluxe 2CD edition of the classic No-Man album – now remastered and on Kscope with bonus disc, featuring mini album, b-sides and rarities including four previously unreleased tracks. No Man is Tim Bowness and Steven Wilson (Porcupine Tree).Since releasing their first single in 1990, No-Man has produced a unique body of work that has developed from the band's proto trip-hop/ambient origins into something beyond easy categorisation.After receiving ecstatic press reviews, indie top 20 hits and high profile contracts (with One Little Indian and Sony) in the early 1990s, the band has continued to evolve and has developed a loyal Worldwide cult following.Redefining itself with a constantly changing musical palette, No-Man has most recently released material through celebrated post- progressive label Kscope, who have now released a deluxe edition of one of the band’s most sought-after albums.Wild Opera, No-Man's third album, originally released in 1996, is regarded as the most inventive and unpredictable album in the band's catalogue.Rapidly shifting from distorted grooves to sinister, jazz-inflected trip-hop and from choked rock riffs to more traditional ballad fare,Wild Opera represented a thrilling departure for the band and has since become seen as a classic one-of-a-kind statement of uncompromising creative intent.Long out of print, the original CD is now a highly- collectable rarity, with copies changing hands for over £100 on Ebay.Kscope’s remastered 2CD reissue additionally includes all of the Dry Cleaning Ray mini-album, alongside b-sides and exclusive rarities from the era, including four previously unreleased tracks.The digi-book package features an essay from Richard Smith, the director of Mixtaped, the recent documentary about the band, and new artwork from long-time No-Man collaborator, Carl Glover.CD1 - WILD OPERA1 RADIANT CITY2 PRETTY GENIUS3 INFANT PHENOMENON4 SINISTER JAZZ5 HOUSEWIVES HOOKED ON HEROIN6 LIBERTINE LIBRETTO7 TASTE MY DREAM8 DRY CLEANING RAY9 SHEEPLOOP10 MY RIVAL TREVOR11 TIME TRAVEL IN TEXAS12 MY REVENGE ON SEATTLECD2 - DRY CLEANING RAY1 DRY CLEANING RAY (REMIX EDIT)2 SWEETSIDE SILVER NIGHT3 JACK THE SAX4 DIET MOTHERS5 URBAN DISCO6 PUNISHED FOR BEING BORN7 KIGHTLINGER8 EVELYN (THE SONG OF SLURS)9 SICKNOTEBONUS TRACKS10 HIT THE CEILING11 WHERE I'M CALLING FROM12 HOUSEWIVES HOOKED ON HEROIN (ALTERNATE VERSION)13 MY RIVAL TREVOR (ALTERNATE VERSION)14 TIME TRAVEL IN TEXAS (RADIO SESSION)15 PRETTY GENIUS (RADIO SESSION) 
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  • Not sure what needs to be said about this album - I get weepy eyed just thinking about the first time I heard it. One of the greatest progressive rock albums of all time - residing in my all time top 10. The best album Pink Floyd never made. Extraordinary, expansive space rock journeys that will transport you to another place and time. This long awaited remaster comes with two non-lp bonus cuts: "Child Migration" and "Let The Sun Rise In My Brain". Essential listening!!!Please note this disc incorporates EMI copy control technology which seems to allow you to do whatever it is you would normally do with a CD but you can't rip it. Bummer.
    $13.00
  • "This was the first U.S.-released CD-5 from Kate Bush, assembled from parts of three prior U.K. CD single releases (the additional tracks can also be found on This Woman's Work). It includes the album mix of "The Sensual World," as well as an instrumental version (she's avoided the extended remixes and rethinks this time), which, the video and other work considered, comes off as a wonderful pagan ditty, despite the rather flat and slightly muddy mixing job. In addition, there's also "Be Kind to My Mistakes" from the Nicholas Roeg-directed Castaway (an otherwise dull and disappointing film, despite Oliver Reed and the lead actress spending most of her onscreen time in a state of undress), "Ken" (from the mini-movie G.L.C., released only in the U.K.; she also contributed the incidental score), and "I'm Still Waiting," which, with "Be Kind to My Mistakes," graced the CD-5 release of the U.K. remix of "This Woman's Work." "Be Kind to My Mistakes" and "I'm Still Waiting" are good examples of a Kate Bush song -- full tilt percussion, almost jazzy vocal arrangements that sometimes seem unconnected to the rhythm, and other times seem part of it; "I'm Still Waiting," unfortunately, also has a little of Bush's tendency to shriek histrionically for emphasis. "Ken" is an outright crowd-pleasing stomp of a piece, not so much arranged as bashed together -- basically a theme for one of the major characters of G.L.C., and performed with unabashed enjoyment with drums, bass, voice, and Fairlight strings. The only real negative here is that Columbia chose to leave out two other tracks released in the U.K.: "The Confrontation" and "One Last Look Around the House Before We Go...," both on the U.K. 12" version of "Love & Anger."" - All Music Guide
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  • "Since the early days of Sonic Pulsar, Portugal's Hugo Flores's output has been prolific and impressive - and Factory Of Dreams is his latest project.Designed to counterpoint the complexity of his Project Creation music, Factory Of Dreams is - by comparison - more straightforward and approachable, less creative and experimental, and it's song-oriented instead of a sweeping concept piece.Poles should find a wide audience as it slots neatly into the genre originally created by The Gathering, and since enriched by luminaries such as Within Temptation, Nightwish, Edenbridge, Lacuna Coil, After Forever, and Epica - et al. It is goth metal, though the 'metal' label is used lightly, fronted by the rich soprano of Sweden's Jessica Lehto. But unlike its genre-mates, Factory Of Dreams isn't a band - it's a 2-person project, an Internet collaboration, with vocals and many arrangements provided by Jessica while multi-instrumentalist Flores provides the rest. Consequently, there's a fair amount of variety from track to track, though the dynamics and the energy - and the synth percussion - are consistent, and some might accuse each song of sounding somewhat similar to the next.Although it isn't a concept piece in the sense of the complicated Project Creation story, Flores remains close to his sci-fi story roots with this one. The theme here revolves around a place on some distant planet comprising two lands called Poles, separated by a river, divided by good and evil - or "positiveness and negativeness". This world is ruled by a "Generator Of Illusions", hence the Factory of Dreams title. It gets more complex, and hints tenuously at modern society's inclination to ingest what we're told as the absolute truth. That may sound somewhat over the top, but the theme does add a layer of sophistication to the record."Electric Boom" is a guitar-led piece, and showcases Flores's virtuosity on his primary instrument - rich guitar work underscored by a fat fretless bass, and only a few brief lines sung by Jessica. "Air Powerplant" is a standout - one of the simpler tracks, yet the tempo changes from elegant piano work to a huge metallic wall of sound, and with Jessica slipping in and out of an operatic style, it has an appeal of its own. "The Piano In The Sea" is another soft ballad, with piano and electronica floating above that soothing songstress. Closing track "Crossing The Bridge To The Positive Pole" ends rather abruptly, leading you to check your CD player - because surely there ought to be another song?If you're a fan of the progressive goth format of a semi-operatic soprano contrasting dark atmospherics and power-chord driven bass-heavy hard-rock, Factory Of Dreams is not Poles apart from others in the genre - but it's a pleasing listen, and has a lot going for it." - Sea Of Tranquility
    $3.00
  • "Not just a lazy remix of Traces, so different it sounds like a completely different album. Some truly astounding reworkings on here, each one a very distinct, yet worthy, departure from the original. In particular, check out the Red Earth version of Threads, shivers all down my spine!!! This will definitely be on my personal playlist for a long time. The original version was one of my favourite releases of this year, now the Falling to Pieces EP has meant a superb end to what has been a sterling year for great Prog releases. So, don't hesitate about waiting for a new Nine Stones Close album, it's already here and just waiting for you to fall in love with it!!!" - ProgArchives
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  • Salvaged from the vaults of RCA Italy is this legendary prog album from Morgan Fisher and Co. Anyone who is a fan of British progressive rock must own this keyboard intensive masterpiece. New remastered edition gets the Mark Powell/Esoteric love. Essential.
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  • This is without question the most "prog" album The End has released on their label. Unexpect are a unique 7 piece ensemble from Quebec. It's somewhat hard to dissect this avant metal band but the closet comparison I can come up with is Sleepytime Gorilla Museum. Musicianship is insane - be it guitar, violin, keys, drums, or 9-string bass. The vocals are a predominantly clean mix of dual male/female harmonizing. It can be a cacophonous mix of shifting meters and then gorgeous melodies - all with the space of 30 seconds. A real grower of an album that really grabs your attention. Highly recommended.
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  • "‘Les Fleurs du Mal’ is a conceptual album by Swedish band THERION that features only French lyrics and consists of cover versions of old French pop songs from 60-70s. THERION celebrates by "a special art project", headlining by the material, its 25 anniversary. It was also said that the album is available only during the tour and from THERION online store; it is sponsored by the only founding member, Christofer Johnsson. But you can buy it i.e. on Amazon as well. I am not going to go at length comparing THERION old and new and trying to rationalise things. The reason is simple, as this album was actually the first that caught my full attention. I start from the cover: it's full of topless females. Obviously, Charles Baudelaire's legacy is quite reminiscent there. The cover is made of a quite rich artwork of Saturno Butto, themed mainly erotic and varying from matte painting to charcoal sketches.Most of the songs here are quite short, yet powerful. Why these songs? I have at hand some lengthy explanations from the press kit, but in fact it boils to one single thing: the overall direction of French songs that are dark and telling some quite grim stories. Yet we all aware of a largely poetic language and melodic music background of French culture. Christofer has a great, fluent knowledge of musical styles and approaches, so he claims influences from King Diamond, Candlemass to folk music and ABBA. The album is beating with energy, in carries you along with its set of 15 songs performed mainly by the lead opera singer, soprano Lori Lewis.Of course I was curious about how exactly the original songs were altered. It's too much of effort to get past all these tracks, so I picked few favourites. ‘Mon amour, mon ami’ by Marie Laforet is a playful pop song, performed originally in circus-like up-tempo, but THERION specialists worked closely in order bring about the "inner darkness", toned down tempo and timbre and added traditionally "darker" music instruments such as organ - so song became indeed heavier and more minor, yet more powerful and strong. ‘Polichinelle’, performed with a cute teenage girl's voice by France Gall, is initially a pretty love ballad that relates to a Commedia dell 'arte character (note that comedian masks are worn by the naked ladies on the album booklet. (Thumbs up for the throughout conceptual work!) THERION ended up with an operetta rendering of the song, making of it somewhat of an opera house hymn, this type of sound you would expect from contemporary French musicals. Despite being one of the most experimental pieces on the album, it would be, probably, one of the most noticeable tracks.Finally, Victoire Scott's ‘Une fleur dans le coeur’ - Christofer did not like very much a feature you can hear in original, the honky-tonk (tuned-off) piano that he only describes as "dreadful". Instead, THERION interpretation is deeply lyrical, with plenty of acoustic guitar and strong soprano of Lori multiplied by the riffs you might expect from Jann Tiersen, metal additions and whole lot of different styles changing one to another. One drawback that I see is that the vocal style often remains of the same across album, so if you listen to 15 songs in a row, you might be tired a bit with the similar style. Yet the band paid enough attention to insert pleasant breaks by quest vocalists. The album sounds sound, fresh, and original and there is additional fun to compare originals to the covers." - Reflections Of Darkness
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  • Third album from this Spanish power metal band. Solid if you cling to that overblown Rhapsody meets Symphony X style.
    $9.00
  • Second album from this California based prog metal band with ties to Redemption. The Tragedy Of Innocence is a far more mature and developed release than their debut. It's a conceptual work dealing with a very heavy subject - Valerie Quirarte (wife of drummer Chris) and her experience with child abuse. The music is a reflection of the story - its darker and more intense. All in all Prymary are a progmetal band. You can expect some serious complex arrangements and stand out playing. Kudos to the band for tackling a difficult subject and also jumping up to the next level musically. Recommended.
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