Notes From The Past

SKU: IOMCD097
Label:
Inside Out Music
Category:
Progressive Rock
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Wonderful new reunion album from Hans Lundin and Roine Stolt that recaptures the flavor of their first 3 albums from the mid-70s. If you first instinct is to ask yourself what the difference is between this release and a Flower Kings disc you should know that all the material was written by Hans Lundin. Roine is the guitarist but it's pretty much Lundin's show here. Drums are handled by Morgan Agren (ex-Zappa) and Jonas Reingold of Flower Kings plays all basses. This is pure Kaipa in execution - loads of Mellotron, organ and analog synth sounds. 79 minutes of prime epic prog.

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  • Limited edition double LP set recorded at the 2013 edition of the Roadburn Festival in Netherlands.  Five long extended jams that will take you to the outermost regions of the solar system (maybe beyond!).  The improvised session revolves around twin guitars, bass and drums with occasional keyboard (Mellotron!).  The set comes with a bonus CD of the recording so even if you are analogue challenged you have a chance to hear this lethal set.  
    $34.00
  • "A more ruminative effort than Sanguine Hum’s well-regarded 2010 debut, The Weight of the World is post-prog in both the most “post” and the most “prog” sense of the words.Recorded at Evolution studios in Oxford, The Weight of the World finds Joff Winks, Matt Baber, Brad Waissman and Andrew Booker absorbing, and then brilliantly modifying, some of the best of what’s come before, imbuing The Weight of the World with the impressive gravitas of very familiar antecedent influences.For instance, dreamscape reminiscences associated with Radiohead (“System For Solution”) find a home here. There are whispers of Steven Wilson (“From The Ground Up”), too. You’ll recall the wonders of Gentle Giant (“Phosfor”), and the mesmerizing sound collages of Boards of Canada (“Day of Release”), as well. Yet, on free-form, ambient-meets-jazz-meets-math rock moments like “In Code,” Sanguine Hum never sounds like anything so much as itself.That holds true even when the band swerves into the murkier waters of epic songcraft, though — like much of this project — the title track takes shape slowly, or at least more slowly than Diving Bell. As it does, however, there is a lot to recommend about The Weight of the World — so much that reveals itself, so much that rewards repeated listenings.Even as its most complex, Sanguine Hum retains an approachability that steers these proceedings well away from any polyester-era excesses. In other words, The Weight of the World remains all proggy, but also all post-y — in the very smartest of ways." - Something Else! Reviews
    $15.00
  • My sentimental favorite. This blends elements of Banco, Quella Veccia Locanda, and Opus Avantra.  Two epic length compositions.Housed in a gorgeous "gimmix" mini-lp sleeve.
    $34.00
  • Exit one guitarist - enter one female singer resulting in a new avant garde direction. While the first album had a quiet classical side this is far more experimental. One can hear an influence from minimalist composers creeping in."Three years passed before Pierrot Lunaire recorded and released the follow-up to their debut album. They returned as a totally refurbished act, with guitarist Caporaletti out and mezzo-soprano extraordinaire Jacqueline Darby in. "Gudrun" is an album that drifts apart from the realms of bucolic melodic prog with a slight dissonant twist; now, the repertoire is design to defy structure and convention, in order to create a sonic journey led by the volatile ruling hands of surprise, radical experimentation, and free form. The link between all tracks is marked by the clicking of a photographic camera, as if each number of the repertoire was some kind of scenario immortalized by the machine and turned into a permanent reminder. If Pierrot Lunaire's previous album was some a catalogue of reflections about the inner world, now Stalteri, Chiocchio and Darby turn their eyes and look at the world in its splendorous chaos and multicolored facets. The 11-minute long title track kicks off the album with a great deal of synth layers and sequenced ornaments, over which Darby's singing, piano lines, stormy guitar leads, and some other occasional stuff lays its print in a daring amalgam. If you can mentally picture a mixture of Klaus Schulze, drumless RIO and Brecht's operettas, then you may have an idea about what I'm trying to describe here (perhaps not too successfully). In sharp contrast, now comes a subtle piano nocturne titled 'Dietro il Silenzio', which sounds quite Satie-inspired to me: a really beautiful piece where the silent voids are as important as the actual piano sounds. The following number is a two part chanting displayed upon disturbing guitar and synth soundscapes: in the middle, a piano and conga drums revisit Darby's line with an air of simplicity that seems to portray some sort of high-spirited joy. 'Gallia' is a Darby-penned number, mostly a showcase for her well crafted dissonant operatic stuff, while her fellow men once again indulge themselves in a background of random dissonances on electric guitar and synthesizer. 'Giovane Madre' is the most symphonic (or should I say the least anti-symphonic) number. It basically consists of a recurring attractive motif on organ and synth, solidly founded on a 6/8 pattern laid by Chiocchio's bass and guest drummer Massimo Buzzi; somewhere in the middle, a gentle, joyful Renaissance-like motif enters abruptly, creating a weird tension that directly defies its own delicate beauty. Simultaneously, you can hear Darby whispering or laughing in some places. Many times I've found myself listening to this particular track three or four times in a row only to take pleasure in the challenging effect that the structure of this track causes in me as a listener. The weirdness never ends. 'Sonde in Profonditá' starts with the sound of an old radio speech, accompanied by a tenuous, evocative organ theme, with sitar, synth and acoustic guitar providing some additional colours until it all disappears under crashing waves. 'Morellia' begins with a Baroque-inspired piano solo, alternating with a Renaissance-like zither melodic line: then comes Darby, together with the piano, string synth, bass and drums (once again, guest Buzzi makes an appearance), delivering the most moving passage in the album. This same structure is reiterated, until a Cabaret-piano motif accompanies Darby's dramatic laughter. This piece is inscrutable, yet it manages to move the listener's heart in a way that they can't fully understand. Finally, 'Mein Armer Italiener' closes down the album with a successive combination of parody military march, psychedelic rock, pastoral stuff, slogan chanting - all comprised in an ambience of radical dadaist humour that may somehow remind us of Zappa's most theatrical pieces. An excellent but not recommendable prog recording due to its massively cryptic nature: anyway, "Gudrun" deserves to be regarded as a classic of the most experimental side of 70s progressive rock." - ProgArchives
    $15.00
  • Let me preface my observations of the CTTE remix by saying that I don’t put these classic albums on a pedestal.  If they can be sonically improved while remaining faithful to the original mix and maintaining musicality and the emotional content then I’m all for it.  In general I liked what Steven Wilson did with the King Crimson catalog.  I was particularly impressed by his reconstruction and resurrection of Lizard.  When I heard he was tackling the Yes catalog I was hopeful because if there was ever a band that could use some sonic wizardry its Yes.  Eddy Offord was never able to bring the magic to their mixes that he was able to give to ELP.So how did Steven Wilson do with CTTE?  I can only use one word to describe the new mix: “transformative”.  CTTE was an album cobbled together from various bits and pieces.  Its widely acknowledged to be the band’s best album (its certainly my opinion) but in terms of sonics it fell victim to the “too many cooks” syndrome.  The original mix was a bit of a mess.  Its all changed now.The one thing that is immediately apparent is the foundation provided by Chris Squire’s bass.  It reaches the pits of hell and if Mr. Wilson is going to take this approach with TFTO and Relayer he’s got my vote.  In general there is a veil of schmutz that has been wiped away.  All the instruments have more clarity and focus in the soundstage.  “I Get Up I Get Down” was chilling.  I found the soundstage consistently extended beyond the boundaries of my speakers.  The mix is warm, involving and there is a balance among the instruments that I found lacking in the original mix - primarily because of Squire’s bass being given a shot of adrenaline.  Jaw dropping stuff.  The bonus track of “America” had exceptional, dare I say audiophile sound.So the obvious question is - what sounds better - this mix or the SACD?  I dunno.  I can’t find my bloody SACD to compare…but here is my memory of the SACD.  When I got it I played it through.  It didn’t overwhelm me or disappoint me.  My thought was “its fine...it is what it is - this is the best it will ever sound in the digital domain”.  I was wrong.  BUY OR DIE!  FORMAT: 1 x CD/1 x Blu-RayCD:1  Close to the Edge2  And You And I3  Siberian KhatruBonus Tracks:4  America5  Close to the EdgeBlu-Ray:Presented in DTS-HD Master Audio– Album mixed in 5.1 Surround– New Album mix– Original Album  mix (flat transfer)– New Album mix (instrumental version)– America original, new & instrumental stereo mixes & 5.1 Surround + further audio extras some exclusive to Blu-Ray edition• Close to the Edge is the first in a series of remixed & expanded Yes Classics• The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Yes.• CD features a completely new stereo album mix by Steven Wilson• CD also features a new mix of America• CD also features an early mix/assembly of Close to the Edge• Blu-Ray features 5.1 DTS-HD Master Audio Surround (24bit/96khz) mixed from the original multi-channel recordings.• Blu-Ray features the new stereo album mix in DTS-HD Master Audio (24bit/96khz).• Blu-Ray also features the original album mix & America in a DTS-HD Master Audio flat transfers from the original master tape source. (24bit/192khz)• Blu-Ray exclusively features instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).• Blu-Ray also exclusively features a needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.• Numerous audio extras appear in high-resolution stereo including single edits & studio run throughs of album tracks• Original artwork by Roger Dean who has also overseen the artwork for this new edition• Presented as a mini vinyl replica gatefold card sleeve with booklet containing new sleeve notes, rare photos & archive material.“Close to the Edge” is the first in a series of expanded Yes editions including 5.1 Surround mixes, new stereo mixes & High-Resolution stereo mixes of the original music along with a wealth of extra material. Acclaimed musician/producer Steven Wilson has produced the new mixes with the approval of the band, while Roger Dean reprises his role as art director/designer of the newly issued edition, making this the definitive edition of the album.When Yes entered the studio with Eddie Offord to record the band’s fifth studio album in mid-1972, their second with this line-up, the band was on something of a roll. “Fragile”, the band’s previous album, had taken Yes to a new level of international popularity with Top Ten chart placement on both sides of the Atlantic & yielding a hit single in the USA with ‘Roundabout’. The band was now established in the major music markets to an extent that was, perhaps, unexpected given the complexity of the music Yes performed. But with that popularity came a confidence that the expansive material of the two previous albums could be taken a stage further with the new recording. Rather than consolidating, Yes chose to innovate.Recorded during lengthy sessions at London’s Advision Studios, “Close to the Edge” is that rarity in recorded music, the sound of a band & its individual members writing, playing and recording at the peak of their collective abilities. The album was issued in Autumn 1972 reaching chart highs & platinum sales status of  4 in the UK, 3 in the USA & 1 in Holland, though such statistics only hint at the worldwide popularity of the album over a period of more than four decades. The three pieces of music, the title track which spanned the entire first side of the vinyl album with ‘And You And I’ & ‘Siberian Khatru’ on side two, have remained concert favourites since release, with the 2013 Yes line-up currently in the middle of a world tour stretching into the middle of next year that sees the album performed in its entirety.The album remains the favourite among many of the band’s legion of fans, a defining recording both for the band & for the progressive rock movement. It is also one of the most successful British rock albums ever released.Since this release of “Close to the Edge” was confirmed, the various websites dedicated to Yes, Progressive rock & high-resolution audio have been very active with discussions among fans keen to hear the new mixes & the existing material in its purest audio presentation. 
    $21.00
  • Third album from this fine Polish prog band finds them stepping up their game even further. Believe is led by former Collage/Satellite guitarist Mirek Gil. Those bands had a decidedly symphonic sound, but with Believe a more modern sound is achieved, moving the band more in the direction of bands like Riverside. One of the key elements of the band is the use of violin and flute, adding a classical dimension and a nice counterpoint to Gil's Gilmour-esque guitar lines. Oh yeah - there is a new vocalist in place. His name is Karol Wróblewski and he's great. His expressiveness reminds me a bit of Mariusz Duda. This is the limited edition digipak that comes with one bonus track. How limited? I don't know but experience with Metal Mind tells me that eventually it will be gone....
    $15.00
  • FINALLY AVAILABLE IN NTSC REGION O! Limited edition set includes the End Of An Era DVD along with the audio on a 2 CD set. Also has a Nightwish media player. This is Tarja's final gig with the band. Incredible quality. A must own.
    $22.00
  • Al DiMeola's solo debut from 1976, was released right around the time of RTF's Romantic Warrior. Stellar lineup includes the other three members of Return To Forever, Mingo Lewis, Steve Gadd, Anthony Jackson, Barry Miles, Jaco Pastorius, and Alphonse Mouzon.
    $7.00
  • Second album from this Sieges Even offshoot/rebranding. Touchstones is a bit heavier than the debut as Markus Steffens struts his stuff again. Mid-80s Yes is an obvious influence on the band's direction. On some of the material vocalist Arno Menses sounds like a dead ringer for Jon Anderson. The music sits on the fence between the prog rock and metal realms. If you like the post-reformation Sieges Even albums you'll find much to sink your teeth into. Further - if you found the first Subsignal a bit on the light side you'll find this one has a bit more heft and frankly its better for it. Highly recommended.
    $19.00
  • Second studio album from what may be the ultimate chops band.  Guthrie Govan (guitars), Bryan Beller (bass), and Marco Minnemann (drums) turn it up an notch further.  Everything is set to 11 on this one. Lots of notes flying around and different styles as well - on "Louisville Stomp: I'm hearing some cool country style pickin' from Guthrie Govan that is welcome and unexpected.  He sounds like the second coming of Danny Gatton.  Other tracks are a non-stop shredfest - that's what the Aristocrats are all about.  Highly recommended.
    $15.00
  • Limited edition digipak."It is impossible to talk about experimental or avant-garde metal without mentioning this truly groundbreaking act: Meshuggah mix ultra-complicated rhythmic patterns with massive riffs and aggressive growls, combining Death Metal, Grindcore, Mathcore, Thrash and Progressive Metal to create their unique style. 'One of the ten most important hard and heavy bands', that's how the prestigious Rolling Stone Magazine describes Swedish sonic extremists Meshuggah."
    $14.00
  • "Founding members of the original "Rock In Opposition" [R.I.O.] movement and the inventors of "chamber rock", Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizable. Clivages is their first studio album in over five years, but much more importantly, it is their first studio release since 1986's Heatwave to feature the energy and sound of a working, rehearsing, live ensemble performing in the studio! It features the current line-up of the group who have been playing concerts and working together for quite some time now: Michel Berkmans (bassoon, English horn, oboe), Kurt Budé (clarinet, bass clarinet, alto sax), Pierre Chevalier (keyboards), Daniel Denis (drums, sampler), Dimitri Evers (bass), Martin Lauwers (violin) and guest Andy Kirk (guitar and percussion). Univers Zero are rightly famous for finding the perfect balance between classical and rock influences and drawing on musicians from both worlds. In terms of this, Clivages is possibly their best-balanced release , featuring a couple of small chamber works for the trio of strings, reeds and double reeds of the group. The rock side has not been ignored in any way, however and in addition to contributions from band members Denis, Budé and Berckmans, Clivages features Andy Kirk's 12' piece "Warrior", which harkens back to the sound of the band circa Heatwave!"
    $15.00
  • Steven Wilson's second solo album features a variety of interesting prog luminaries including Steve Hackett, Robert Fripp, Tony Levin, Trey Gunn, Theo Travis, and Jordan Rudess. Proggier than his first solo album and frankly recent Porcupine Tree. Lots of Mellotron bliss on this one. Exemplary production wraps up the total package.
    $16.00
  • A Liquid Landscape from The Netherlands is a bit of a departure for The Laser's Edge. Their slice of post-progressive music has a contemporary edge that finds them sitting alongside bands like Dredg, Anathema, and Porcupine Tree. The band has been a live act for several years and shared the stage with bands like Karnivool (AUS), Anathema (UK),Thrice (US) and Riverside (Poland).During the past year the band also was a finalist at the prestigious annual Dutch Grand Prize contest and on top of that they had 3 sold out Noorderzon gigs, featuring a stunning visual show.With all the material they had written, the band reached out to Forrester Savell (Karnivool, Helmet). Forrester liked the material a lot and he agreed on mixing the album and doing some production work as well.‘Nightingale Express’ is a concept album. This inspired moviemaker Lex Vesseur to make a short movie with music from the album. He also made the artwork and the visuals for the live show. So both the music and the film return in an interactive rock show with a live VJ.Washed up, tired and staggering across a beach in the early hours of the morning. Somewhere in the twilight between desperation and surrender, there is still a glimmer of hope. That sense that everything will be alright, no matter what the odds are. This is what A Liquid Landscape sounds like. 
    $8.00