Pandora's Piñata

“Diablo Swing Orchestra could be Tim Burton’s dream band” – Outburn

“Diablo Swing Orchestra are a Swedish band straight out of a Tom Waits nightmare. They sound exactly like their name suggests, making dirty, raucous swing, updated with some punky power chords, but the operatic Swedish vocals and nearly death-metal growls separate the band from the swing revivalists of the late ’90s. Definitely not the kind of band one would expect coming out of a Scandinavian country. But hell, there’s no rule that says creepers and fuzzy dice don’t go well with Viking helmets.” – Lost At E Minor

The music of Sweden’s Diablo Swing Orchestra is unlike any other group on the planet. Their music is an eclectic mash up of metal, opera, swing jazz, tango, and spaghetti western soundtrack. DSO is fronted by the glass shattering voice of Annelouice Wolgers, a metal queen at night but an actual opera singer by day.

The band’s third album, Pandora’s Pinata, finds the band expanded into an 8 piece lineup with the permanent addition of two horn players. The new album is a smörgåsbord of different levels of musical insanity building on the foundation laid down on their previous album, Sing Along Songs For The Damned And Delerious.

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  • Termo Records reissue program of the White Willow catalog continues.  This remastered edition features new artwork and liner notes as well as 4 previously unreleased bonus tracks.Seven songs of melancholy and mysticism... White Willow's music embraces gothic, folk and classical elements within a progressive rock framework. The second release from Norway's White Willow carries on in the tradition of their debut Ignis Fatuus. Joining founders Jacob Holm-Lupo and Jan Tariq Rahman are new members Frode Lia, Sylvia Erichsen and Anglagard's Mattias Olsson. Also returning is engineer Jo Wang who's audiophile approach to recording has once again created a sonic masterpiece. Ex Tenebris features a dynamic mix - from moody quiet instrospection to heavy symphonic pyrotechnics. Perhaps more personal and focused than Ignis Fatuus, yet the album offers a more mature sound. Clearly one of the finest progressive rock bands currently recording.
    $16.00
  • "From the moment the jagged riffing of "Prayer" begins to pour out of the speakers, one thing is quite clear: Disturbed has learned to cut the fat. Their first record was a massively heavy affair, but at times the music was mired in somewhat needless passages. But on Believe, Disturbed takes the sort of jump that their heroes in Soundgarden and Pantera made after their respective breakthrough records. No longer depending on the choppy tempos and percussion-based riffing of the past, guitarist Dan Donegan has made great strides in expanding their sound to include more varied guitar work all around. Take the title track, which moves from a brutal chug to a sweeping chorus that suddenly stops in its tracks and turns into a winding riff that recalls the work of vintage James Hetfield. It's great stuff, the kind of audible theatrics that makes good heavy metal so visceral and potent. Draiman makes an appreciated and notable effort to stretch his vocal boundaries as well, and his performance is one of the most improved of the band. His clear wail is a more emotive vessel this time, while his gravel-throated bark still adds the trademark harsh element to the sound. All of this adds up to a deeply melodic, at times even beautiful treatment of the genre; the kind of record that makes a metalhead proud to be a metalhead. Highlights include the epic and slightly tragic "Remember," Draiman's savage yammering on "Liberate," the dynamic flip-flopping between razor-sharp aggression and spiritual contemplation on "Rise," and the understated power ballad "Darkness." Certain songs do sound a bit too much like other bands for their own good, but this is out of hero worship more than a lack of originality and doesn't affect anything significantly. In the end, Believe is a satisfying slab of aggression from front to back, filled with enough muscle and brains to render the minor faults irrelevant. Where many of the bands that came out at the same time have proved to be one-album wonders, Believe is proof positive that Disturbed is a force of metal that's here to stay." - Allmusic Guide
    $6.00
  • ""Return to Desolation" is the third album from Canadian band Moonlyght. The album features 9 tracks of progressive dark metal with folk elements, melody, symphonics & lots of atmosphere. Clocking in at 71 minutes this is Moonlyght's grandiose masterpiece! There is literally something for every metal fan on this album. For fans of Barren Earth, Ensiferum, Ne Obliviscaris, Amorphis & Wintersun!"
    $14.00
  • Fourth album from this Norwegian band is a near perfect blend of power and progressive metal. Each successive album has been better than the previous one - this one tops 'em all. Killer vox, crunch that is off the charts, blasts of synth and stellar production is the best way to sum of this monster. This is the 2 CD limited edition. It comes with 6 bonus tracks, mpeg video, wallpaper and other stuff. Grab it while it's available at a great price.
    $11.00
  • We are late to stock this great disc but now we can offer it at a reasonable price. Dark Suns is a German progressive metal band with a dark side. They skirt the same territory as Green Carnation and Opeth but at the same time there is a strong progressive element that will immediately remind you of Pain Of Salvation. Strong, clean vocals are steeped in drama, heightening the atmospheric, almost spacey, quality of the compositions. If we had stocked this in time this would have been one of our album of the year candidates for 2004 (yeah it's been some time since this was released). If it slipped by your radar make sure you grab it. Highest recommendation.
    $11.00
  • Remastered with 3 bonus tracks."Electric Light Orchestra continued on their winning Top 40 ways with the release of Discovery. Now pared down to the basic four-piece unit, Jeff Lynne continued to dominate the band and they still got their hits (this time around it was the smash "Don't Bring Me Down"). Elsewhere on the disc there was, of note, "Last Train to London" and "Confusion." Though Discovery charted well, it was becoming obvious that ELO were starting to run themselves out of useful Beatles hooks with which to fuel their hit-making machine." - Allmusic
    $5.00
  • "The first Mahavishnu Orchestra's original very slim catalog was padded out somewhat by this live album (recorded in New York's Central Park) on which the five jazz/rock virtuosos can be heard stretching out at greater length than in the studio. There are only three selections on the disc, all of which were to have been on the group's then-unissued third album -- two of them, guitarist John McLaughlin's "Trilogy: Sunlit Path/La Merede la Mer" and keyboardist Jan Hammer's "Sister Andrea," are proportioned roughly as they were in their studio renditions, while the third, McLaughlin's "Dream," is stretched to nearly double its 11-minute studio length. Each develops organically through a number of sections, and there are fewer lockstep unison passages than on the earlier recordings. McLaughlin is as flashy and noisy as ever on double-necked electric guitar, and Hammer and violinist Jerry Goodman are a match for him in the speed department, with drummer Billy Cobham displaying a compelling, raw power and dexterity to his work as well, especially on the CD edition, which also gives bassist Rich Laird a showcase for his slightly subtler work. Yet for all of the superb playing, one really doesn't hear much music on this album; electricity and competitive empathy are clearly not enough, particularly on the 21-minute "Dream," which left a lot of fans feeling let down at the end of its side-two-filling run on the LP. In the decades since this album was released, the studio versions of these three pieces, along with other tracks being worked up for their third album, have appeared as The Lost Trident Sessions -- dating from May and June of 1973 -- thus giving fans a means of comparing this repertory to what the band had worked out (or not worked out) in the studio; and Between Nothingness and Eternity has come up a bit in estimation as a result, benefiting as it does from the spontaneity and energy of a live performance, though even that can only carry this work so far -- beyond the personality conflicts that broke up the band, they seem to have been approaching, though not quite reaching, a musical dead end as well." - Allmusic
    $5.00
  • "Charismatic duo Se Delan is the newest act to be signed to Kscope, a revered label known for its “post-progressive sounds” and incredible line-up, which includes genre stars like Anathema, Gazpacho, Amplifier, Steven Wilson, and The Pineapple Thief. Considering its peers, then, it's surprising to note how laidback and relatively simple the music on the group’s debut LP, The Fall, is. Rather than aim for lengthy songs, virtuosic arrangements, and grandiose ideas, the pair constructs warm yet solemn atmospheres and subtle yet alluring melodies.It’s an enticing and moody introduction to a band that definitely earns its place amongst so many dazzling siblings.Comprised of multi-instrumentalist Justin Greaves (Crippled Black Phoenix) and Swedish vocalist Belinda Kordic (whose wispy voice is both seductive and haunting), the record is an interesting blend of folk, shoegaze, rock, and pop, like a wonderful blend of Alcest, Of Monsters and Men, and Lady & Bird. As you might’ve guessed, Greaves crafted the music while Kordic wrote the melodies. Although it’s arguably a bit too cyclical in arrangement and melody, The Fall is a chilling and beautiful examination of life." - Rebel Noise 
    $16.00
  • "Marbles was originally released on the band's own Racket Records label and attracted a lot of attention when it was released as the album had been funded by donations from fans who had pre-ordered the album before they started recording in return for having their name printed within the album artwork (over 18,000 names). This new 2CD Madfish edition of the album is packed in a deluxe 36 page digibook re-worked by original designer Carl Glover. The book features unseen pictures not used in the original artwork. The tracks on the second disc have previously only been available through the band's own website."
    $13.00
  • Numbered limited edition hybrid SACD of this late 80s Rush title.  The key here is in the mastering.  Kevin Gray is at the controls and he does a consistently great job.  I would expect this to be the definitive digital edition.
    $27.00
  • "After successfully establishing themselves as one of America's best commercial progressive rock bands of the late '70s with albums like The Grand Illusion and Pieces of Eight, Chicago's Styx had taken a dubious step towards pop overkill with singer Dennis DeYoung's ballad "Babe." The centerpiece of 1979's uneven Cornerstone album, the number one single sowed the seeds of disaster for the group by pitching DeYoung's increasingly mainstream ambitions against the group's more conservative songwriters, Tommy Shaw and James "JY" Young. Hence, what had once been a healthy competitive spirit within the band quickly deteriorated into bitter co-existence during the sessions for 1980's Paradise Theater -- and all-out warfare by the time of 1983's infamous Kilroy Was Here. For the time being, however, Paradise Theater seemed to represent the best of both worlds, since its loose concept about the roaring '20s heyday and eventual decline of an imaginary theater (used as a metaphor for the American experience in general, etc., etc.) seemed to satisfy both of the band's camps with its return to complex hard rock (purists Shaw and JY) while sparing no amount of pomp and grandeur (DeYoung). The stage is set by the first track, "A.D. 1928," which features a lonely DeYoung on piano and vocals introducing the album's recurring musical theme before launching into "Rockin' the Paradise" -- a total team effort of wonderfully stripped down hard rock. From this point forward, DeYoung's compositions ("Nothing Ever Goes as Planned," "The Best of Times") continue to stick close to the overall storyline, while Shaw's ("Too Much Time on My Hands," "She Cares") try to resist thematic restrictions as best they can. Among these, "The Best of Times" -- with its deliberate, marching rhythm -- remains one of the more improbable Top Ten hits of the decade (somehow it just works), while "Too Much Time on My Hands" figures among Shaw's finest singles ever. As for JY, the band's third songwriter (and resident peacekeeper) is only slightly more cooperative with the Paradise Theater concept. His edgier compositions include the desolate tale of drug addiction, "Snowblind," and the rollicking opus "Half-Penny, Two-Penny," which infuses a graphic depiction of inner city decadence with a final, small glimmer of hope and redemption. The song also leads straight into the album's beautiful saxophone-led epilogue, "A.D. 1958," which once again reveals MC DeYoung alone at his piano. A resounding success, Paradise Theater would become Styx's greatest commercial triumph; and in retrospect, it remains one of the best examples of the convergence between progressive rock and AOR which typified the sound of the era's top groups (Journey, Kansas, etc.). For Styx, its success would spell both their temporary saving grace and ultimate doom, as the creative forces which had already been tearing at the band's core finally reached unbearable levels three years later. It is no wonder that when the band reunited after over a decade of bad blood, all the music released post-1980 was left on the cutting room floor -- further proof that Paradise Theater was truly the best of times." - Allmusic Guide
    $8.00
  • Two CD pressing. 2013 live release from the Canadian Prog Rock band. Spin It Again - Live in Munich captures the final night of the Saga's wildly successful 2012 tour in Germany. Saga's historical singer Michael Sadler surprised everybody by rejoining the band back just a few days before the recording of their most recent album 20/20. That studio effort charted in the German top 10 and the band sold out nearly 20 concerts in Germany and brought its music in cities and countries where they had never been before. Spin it Again, recorded and filmed in Munich, historically a second home for the Canadian prog rockers, features recent songs and all the Saga classics. Two hours of prog and melodic hard rock at its best.Disc 11.Anywhere You Wanna Go2.Mouse In A Maze3.Careful Where You Step4.The Perfectionist5.You're Not Alone6.Spin It Again7.Corkentellis8.The Flyer9.Fish Beat10. Six Feet UnderDisc 211.The Cross12.Time's Up13.Scratching The Surface14.Tired World (Chapter 6)15.Humble Stance16.On the Loose17.Wind Him Up18.Framed19.Don't Be Late (Chapter 2)
    $14.00
  • Remastered with 2 bonus tracks."Over the course of their first three late-'70s albums, Foreigner had firmly established themselves (along with Journey and Styx) as one of the top AOR bands of the era. But the band was still looking for that grand slam of a record that would push them to the very top of the heap. Released in 1981, 4 would be that album. In producer Robert John "Mutt" Lange -- fresh off his massive success with AC/DC's Back in Black -- guitarist and all-around mastermind Mick Jones found both the catalyst to achieve this and his perfect musical soulmate. Lange's legendary obsessive attention to detail and Jones' highly disciplined guitar heroics (which he never allowed to get in the way of a great song) resulted in a collaboration of unprecedented, sparkling efficiency where not a single note is wasted. "Nightlife" is only the first in a series ("Woman in Black," "Don't Let Go," the '50s-tinged "Luanne") of energetic, nearly flawless melodic rockers, and with "Juke Box Hero," the band somehow managed to create both a mainstream hit single and a highly unique-sounding track, alternating heavy metal guitar riffing, chorused vocals, and one of the ultimate "wanna be a rock star" lyrics. As for the mandatory power ballad, the band also reached unparalleled heights with "Waiting for a Girl Like You." One of the decade's most successful cross-genre tearjerkers, it has since become a staple of soft rock radio and completely eclipsed the album's other very lovely ballad, "Girl on the Moon," in the process. And last but not least, the surprisingly funky "Urgent" proved to be one of the band's most memorable and uncharacteristic smash hits, thanks to Junior Walker's signature saxophone solo. Through it all, vocalist Lou Gramm does his part, delivering a dazzling performance that confirmed his status as one of the finest voices of his generation. Three years later, Foreigner would achieve even greater success on a pop level with the uneven Agent Provocateur, but by then Jones and Gramm were locked in an escalating war of egos that would soon lead to the band's demise. All things considered, 4 remains Foreigner's career peak." - All Music Guide
    $5.00
  • Domestic release. One of two new albums released by Edguy's Tobias Sammet under the Avantasia moniker. Similar to what Arjen Lucassen does with his Ayreon projecdts, Sammet brings together some of the best vocalists and musicians from the metal world to create an over the top symphonic power metal concept album. Featured vocalists include Russell Allen (Symphony X), Jorn Lande (Masterplan), Michael Kiske (Helloween), Tim Owens , Klaus Meine (Scorpions), Andre Matos, Bob Catley and others. Featured performers include Bruce Kulick and Eric Singer (Kiss), Oliver Hartmann, Alex Holzwarth. Curiously, the second volume is called Angel Of Babylon and is not yet scheduled for a US release. We hope to have the import in stock soon.
    $13.00