Permanent Waves ($5 Special)

SKU: 314534630
Label:
Mercury
Category:
Progressive Rock
Add to wishlist 

A great album perhaps beaten to death by radio airplay of "Spirit Of The Radio" and "Freewill".  Remastered edition.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Limited edition of 1000 CDs, from mastertapes. The Ghost was a short lived UK psychedelic folk band led by ex-Velvet Fogg guitarist Paul Eastment. The band featured singer Shirley Kent who later on developed a career as a folk and jazz singer. The music is mostly prominent for the Farfisa organ of Terry Guy lending a psychedelic vibe. Housed in a digipak and new artwork.
    $13.00
  • First time on LP!  Gulaab is a German guitarist with connections to Peter Frohmader.  He's a bit of an enigmatic figure spending a number of years in Nepal.  Ritt Durch Den Hades was originally released on cassette back in 1979 and has built up a cult following over the years.Gulaab plays a variety of acoustic string instruments and percussion(he makes an emphatic point that there are no synthesizers involved).  The music has an obvious dark, mystical krautrock/folk vibe.  If you are a fan of Deuter and Popol Vuh you are going to burst a vein over this.  Had this been released on vinyl in 1973 you'd be paying $1000 for it.  Late night hookah music.  Highly recommended."Ultra-rare lost psychedelic Kraut-Folk from 1979. Taken from the original mastertapes! Gulaab means “rose” in Nepalese language. Gulaab is a German virtuoso on the acoustic guitar who has served three years as an after dinner musician in a luxury restaurant in Nepal to play for an amazing number of well known personalities of the 20th century during the early 70s. A strongly influential experience that shaped his musical expression big time but also let him become an open minded spirit. “Ritt durch den Hades” is the result of his experimentation with sounds, atmospheres and a multitude of styles in traditional music from Latin to Eastern Asian elements. It was first released in 1979, vanishing into obscurity soon after, waiting to be rediscovered by a more open minded generation of music lovers now. Traditionalists be forewarned : This mystic grail of 70s “kraut folk” stands far out from the average folk and singer / songwriter stuff combining guitar harmonies of the highest order with a cosmic drone that backs up the hypnotizing picking and trippy swirls of sounds. This album is in fact more like a musical journey than just a piece of music taking you from secret sacrificial altars in the Andes to the ceremonial places of the ancient Himalayan population with a short stopover for a little “joint venture” in the musical space centers of highly flown out German originators like ASH RA TEMPEL / Manuel Göttsching, POPUL VUH / Florian Fricke, WITTHÜSSER & WESTRUPP, BRÖSELMASCHINE, DOM or DEUTER. Now take a ride through Hades with GULAAB!"
    $29.00
  • "It only seems like a couple of weeks since Caravan announced in August 2013 that they were to record a new album that would be financed by money pledged by fans, and yet here it is already!What should have been a joyous time for the band and fans alike was sadly marred by the death of long-time drummer Richard Coughlan on December , however it is fitting that the digital download of the album was released to fans who had pledged on December 20, the day of Richard’s funeral!Musically this has classic Caravan stamped all over it. It is not, however, a hark back to the halcyon days of the 70′s and In the Land of Grey and Pink or For Girls Who Grow Plump in the Night, there are not anywhere near as many long instrumental sections in there for a start and the longest song I’ll Be There For You clocks in at a mere 6:14. What we do have here is a stripped down, and updated 2013 version of everything that Caravan fans look for. The classic songwriting is there, as is the excellent musicianship and whimsical lyrics, and let’s face it, with that instantly recognisable, trademark voice, Pye Hastings could re-record Never Mind The Bollocks and it would probably still sound like Caravan.All This Could Be Yours is a belter of an opener, and despite what I said above, this is one track that would not have been out of place on Grey and Pink or Girls Who Grow Plump! With an excellent, albeit short, viola solo from Geoffrey Richardson, and a great hook in the chorus, it skips along merrily in classic Caravan style.One of the ways of financing the album was to get people to pledge extra to go to the studio and get involved in the recording, I don’t want to pour cold water on anything but sadly I think this is where the band have shot themselves ever so slightly in the foot. Despite being a great song, I’m On My Way, has some awful, flat backing vocals in the chorus which almost ruin the song. The same applies to This Is What We Are where a slightly naff chorus comes close to ruining what is otherwise a very strong song, being slightly heavier than we are used to from Caravan including an infectious piano motif and an excellent, soaring guitar solo towards the end.The slower Dead Man Walking is the perfect pacer, leading into the very emotive Farewell My Old Friend. As an ode to the passing of a close friend, this song is made all the more poignant following the death of Richard Coughlan and brings a lump to the throat!In typical Caravan style, no-one is allowed to get too maudlin, as the next two songs Pain in the Arse with the vitriolic closing line ‘I don’t care if you sue me now, you are insane’, and Trust Me I Am A Doctor put the collective tongues firmly back in the cheek. Doctor takes an irreverent stab at a GP, who I’m quite sure, given the amount of names dropped in the song is a real person and should have no difficulty in identifying himself! But it is all done in good fun and I’m sure no umbrage will be taken!The album finishes on a mellow note with the wistful I’ll Be There For You and the title song Paradise Filter which kicks off  really slow and  melancholy with a late night jazz feel, before breaking out into a middle section that is very reminiscent of the instrumental break in The Dog, The Dog, He’s At It Again!Overall this is an excellent return for a band that has been absent from the recording studio for too long (it is ten years since the release of The Unauthorised Breakfast Item in 2003). Not that they have been resting on their laurels as they have still been playing live gigs, but it is nice to know that they can still cut it and write well crafted, catchy and extremely listenable songs.It also proves that the pledging route is a very viable way of financing studio time and album releases, sadly, however, I doubt very much that would work for new bands as you would have to have a name for yourself in order to create the initial interest. Maybe extensive gigging and as the old saying goes ‘paying your dues’ would help. Now there’s an idea (take note potential XFactor and The Voice contestants)!" - jonb52
    $20.00
  • Fronted by the fiery-tressed Charlotte Wessels, Delain is the brainchild of ex-Within Temptation keyboardist, Martijn Westerholt. Originally conceived by Westerholt as an all-star studio project, the success of the debut album Lucidity tipped his hand and Delain evolved into a full blown band. The immediate impact of their debut “Lucidity”, put Delain on tour. An instant live hit, the band’s popularity continued to grow with the release of their 2nd album “April Rain”. The band found themselves on tour through out Europe, USA, Mexico, and Brazil. Highlights of the tour included festival performances at Wacken Open Air, Sonisphere, Lowlands, ProgPower USA, and Hellfest. As the band’s popularity grew they evolved from a support act for Kamelot and Epica into full fledged headliners across Europe.“We Are The Others” is the band’s third album. It was produced by the team of Jacob Hellner (Rammstein, Apocalyptica), Fredrik Thomander and Anders Wikstrom (Scorpions, Backyard Babies). At first glance some song titles on “We Are The Others” may sound mysterious and conspiratorial, but there is a very serious background: The lyrics to the title-track were inspired by the hate-crime against a British girl named Sophie Lancaster in 2007. She and her boyfriend were beaten comatose by a gang of youths, because of their goth looks. Sophie died from her injuries. This tragedy sent shock waves throughout the world. Delain’s response to this tragic case is expressed through the song We Are The Others.The band met Fear Factory’s Burton C. Bell at Wacken Open Air. As a result he guests on the track “Where Is The Blood”. The Sensory special digipak edition features four bonus tracks. The steampunk influenced cover art was created by noted pop surrealist Glenn Arthur.
    $14.00
  • Great debut from this new Italian quintet.  Pure retro prog that channels the spirit of early 70s British prog.  The band's sound is dominated by organ and heavily spiced up with guitar and flute leads.  Hugh Banton or Tony Banks' roadie must have helped set up Paolo Tognazzi's organ because it seems like its ripped right out of 1971.  Vocals are in English and while Andrea Calzoni's accent creeps in now and then he aquits himself quite well - he's got a bit of an Ian Anderson thing going on.  Nice long instrumental breaks with keys playing off the flute and guitar.  Definitely a VDGG - Osanna - PFM - Orme vibe, but keep in mind the early versions of these bands.  1971 vs 1975.  This is the good stuff.  The REALLY good stuff.The LP version comes with a gorgeous gimmix die cut gatefold cover.  I've been in this crazy business for almost 25 years (2013 is year 25).  The Italian labels always come up with the best and most innovative packaging.  They seem to cherish the way things used to be done - when album artwork was more than just something to hold the disc.  They treat the cover like a piece of artwork and ultimately the collector is rewarded with pride of ownership.
    $29.00
  • Second full length studio album from this British band finds them with new vocalist Ashe O'Hara replacing the great Dan Tompkins.  This shouldn't be inferred that O'Hara is any less a vocalist than Tompkins - he's excellent as well.While the core djent sound is there the band has moved a bit more into a prog rock direction.  In general its less metal and more rock.  O'Hara's vocals don't go in the screamo direction that a lot of djent bands prefer.  The instrumental parts are still stupifyingly crazy but crazy in a King Crimson meets Tool way.  I'm not sure what the djent metal community will think of this shift in course but I like this new direction.  The old was good - to my ears this is better.  Highly recommended.
    $9.00
  • "Aja was cool, relaxed, and controlled; it sounded deceptively easy. Its follow-up, Gaucho, while sonically similar, is its polar opposite: a precise and studied record, where all of the seams show. Gaucho essentially replicates the smooth jazz-pop of Aja, but with none of that record's dark, seductive romance or elegant aura. Instead, it's meticulous and exacting; each performance has been rehearsed so many times that it no longer has any emotional resonance. Furthermore, Walter Becker and Donald Fagen's songs are generally labored, only occasionally reaching their past heights, like on the suave "Babylon Sisters," "Time Out of Mind," and "Hey Nineteen." Still, those three songs are barely enough to make the remainder of the album's glossy, meandering fusion worthwhile." - All Music Guide
    $5.00
  • "This album's a musical and emotional rollercoaster, but most of our albums are,' Mike Portnoy says of Black Clouds & Silver Linings, Dream Theater's tenth studio album and second Roadrunner release. Black Clouds & Silver Linings marks another milestone on Dream Theater's iconoclastic musical journey,which began two and a half decades ago and now encompasses a hugely impressive body of music that's established the durable progressive metal outfit as a one-of-a-kind creative force with a fiercely devoted international fan base. The new album - produced by band members Mike Portnoy and John Petrucci, who also serve as the group's main lyricists - offers a vibrant manifestation of the world-class musicianship, vivid lyrical scenarios and ambitious, multi-leveledcompositions that have established Dream Theater as a uniquely compelling creative force."
    $9.00
  • "Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the "Boogie Woogie Waltz" and proceeding through a variety of Latin-grounded hip-shakers. It is a record of discovery for Zawinul, who augments his Rhodes electric piano with a funky wah-wah pedal, unveils the ARP synthesizer as a melodic instrument and sound-effects device, and often coasts along on one chord. The once fiery Wayne Shorter has been tamed, for he now contributes mostly sustained ethereal tunes on soprano sax, his tone sometimes doubled for a pleasing octave effect. The wane of freewheeling ensemble interplay is more than offset by the big increase in rhythmic push; bassist Miroslav Vitous, drummer Eric Gravatt, and percussionist Dom Um Romao are now cogs in one of jazz's great swinging machines." - All Music Guide
    $7.00
  • At War With Self - sounds more like a psychological diagnosis than a band! This new group is an instrumental power prog trio leaping onto the progressive scene. The project is the brainchild of guitarist / multi-instrumentalist Glenn Snelwar. Torn Between Dimensions, the band's debut recording, features Snelwar on guitar, mandolin, and keyboards; Michael Manring on fretless bass and e-bow; and Fates Warning's Mark Zonder on drums and percussion. Zonders solidly tasty drumming firmly anchors the trio along with the melodically propulsive bass work of Manring, all wonderfully adorned by Snelwars fierce playing. The band serves up intense, emotional pieces in a wide variety of musical styles. Snelwars intention is to open doors to listeners who may be unfamiliar with progressive rock, classical guitar or metal. At War With Self have an equal passion for such diverse types of music as progressive and metal bands like King Crimson, Voivod and Pink Floyd; classical composers such as Bartok and Villa Lobos; as well as bluegrass and jazz. Torn Between Dimensions takes these influences and combines them into something undeniably progressive and strikingly original. The end result is a dense wall of sound, with different textures and feels within each number, one song flowing seamlessly into the next.Guitarist Glenn Snelwar is perhaps best known for his contributions to Gordian Knots eponymous debut, a project led by Chapman Stick player Sean Malone that featured guest performances by Trey Gunn (King Crimson), Sean Reinert (Cynic) & John Myung (Dream Theater). Snelwar helped co-write three of the songs for Gordian Knot, as well as contributing guitar work. Since his involvement with Gordian Knot, Snelwar has been incorporating mandolin, keyboard and string section programming into a foundation of classical, steel string and electric guitar arrangements to great effect. Michael Manring is a world-renowned, Grammy-nominated bassist who has appeared on over 100 studio projects, including recording and performing with Michael Hedges and Attention Deficit Disorder (with former Primus drummer Tim "Herb" Alexander). Michaels fretless bass parts play a vital role on Torn Between Dimensions, melodic but never overwhelming. For over 15 years, Mark Zonder occupied the drum stool for progressive metal legends Fates Warning. As Zonders fans would expect, he continues to push new boundaries on Torn Between Dimensions. Marks playing on the disc covers a lot of territory - from double bass drumming and odd time signatures, to jazz and Middle Eastern flavors. Snelwar describes Torn Between Dimensions as a concept album, but not in the strict sense of the word. I wanted to create a collection of songs where each would stand on its own, but exist as part of a greater whole. I strived to create something that would impact the listener, and incorporate many stylistic influences. Torn Between Dimensions is a tour de force of powerful, fluid prog rock that should appeal to progheads and rock fanatics alike! Torn Between Dimensions is housed in a digipak and features stunning artwork from noted surrealist Travis Smith.
    $5.00
  • Third album from this fine Polish prog band finds them stepping up their game even further. Believe is led by former Collage/Satellite guitarist Mirek Gil. Those bands had a decidedly symphonic sound, but with Believe a more modern sound is achieved, moving the band more in the direction of bands like Riverside. One of the key elements of the band is the use of violin and flute, adding a classical dimension and a nice counterpoint to Gil's Gilmour-esque guitar lines. Oh yeah - there is a new vocalist in place. His name is Karol Wróblewski and he's great. His expressiveness reminds me a bit of Mariusz Duda. This is the limited edition digipak that comes with one bonus track. How limited? I don't know but experience with Metal Mind tells me that eventually it will be gone....
    $15.00
  • "IRON MASK stand out from many other artists of the neo-classical metal genre because they manage to combine high musical ambitions with a certain kind of accessibility and lots of variety. With 'Fifth Son of Winterdoom', Dushan Petrossi and his band manage the musical claim to be very catchy, so fans of Firewind, Dio, Iron Maiden, Yngwie Malmsteen and Rainbow will all have their joy in this extraordinary album."
    $15.00
  • Stunning remastered edition of the classic Beck album from 1969 featuring Rod Stewart, Ron Wood, Nicky Hopkins and Tony Newman. This version features four unreleased bonus tracks as well as an extensive interview with Jeff Beck. This is an EMI release and has their dopey Copy Control protection which is more of a nuisance than an actual deterrent.
    $11.00
  • "The album is produced by Brett Kull (Echolyn) and Fractal Mirror, mixed by Brett Kull and mastered by Larry Fast (Peter Gabriel/Synergy). The album contains 11 new songs featuring beautiful background vocals and guitars by Brett Kull and guest appearances by Larry Fast, Don Fast, Jacque Varsalona and the Stephanus Choir from Amsterdam. We feel that Garden of Ghosts is a major leap forward for us.A Brief History:The origins of Fractal Mirror can be traced back to the mid-eighties when three friends from Amsterdam started to make music together influenced by bands from the famous 4AD label and artists like David Sylvian and Japan. At the same time a new wave of progressive rock was expanding ist listening audience with bands like IQ, Pendragon, Twelfth Night, Marillion and Pallas but especially the virtually unknown Canadian band Terraced Garden having an influence on their writing. Ed and Leo continued making music together into the 21st century, focusing on the Alternative or Progressive audience. They met their drummer and lyricist via the Big Big Train site and met the challenge of transatlantic recording and communications with the release of Strange Attractors to very positive reviews. Their music is song based and there are no long instrumental passages or difficult time signatures. The music has a dark, raw edge yet they often uses the Mellotron. In March 2014 Fractal Mirror signed with Third Contact, a record label owned by Larry Fast (Synergy/Peter Gabriel)."
    $13.00