Prison Of Desire (2CD)

SKU: TM-068
Label:
Transmission
Category:
Gothic Metal
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New 24 bit remastered 2 cd edition of the debut from After Forever. This comes with a 28 page booklet, tons of non-album and unreleased demos, rarities, and session tracks.

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  • I could easily make this write up short and simple: Bad ass old school progressive rock served up by a bunch of Canadian virtuosos. Instead I'll elaborate a bit more. Druckfarben is a quintet based out of Toronto. They are fronted by Phil Naro who some of you may remember from his days with Billy Sheehan in Talas. With this prog rock venture he does his Jon Anderson best to fit in and he does perfectly (no hints of metal on this disc). Naro is the best known of the band but everyone playing on it obviously have a love for 70s prog rock and they have the chops to nail it down. This debut is an amalgam of all the good stuff - ELP, Yes, Kansas, Rush, and Gentle Giant all rolled into one. If you like your prog the way it used to be you have to hear this disc. Highly recommended.
    $12.00
  • Debut album from this Czech technical death metal band very much influenced by Cynic. As is typical of the genre its a mix of clean and death/thrash vocals. Real tight playing. Not a lot of fresh meat in this genre - this one is quite welcome."Czech Mindwork is one of those rare bands who seek to channel the later career of Death, and in many ways this debut album mirrors that style of philosphic attunement. I was also reminded in spots of bands such as Spiral Architect, Watchtower and Psychotic Waltz through the band's rather circular, acrobatic riffing tendencies. The title is an apt one, as I found myself further along the record's playtime I became more engrossed in the compositions, which are genuinely riff-tastic, moreso than Death albums like Human or Individual Though Patterns.The band is characterized by their melodic, infectious hooks, busy bass playing and adventurous leads. The vocals can take a little getting used to, they have a filthy thrash tone to them which sounds a little crisp and unpolished in the mix (a little like older Voivod or Deceased), but you'll be paying so much attention to their riffs you will hardly notice. The band is not afraid to traverse a wide distance within a single track, for example "Parasite" is all over the place, part cerebral nightmare and part precision jam session. Other tracks are a little more reigned in, like "Inner Consciousness" and the melodic "Twisted Priorities". You will find very few bands that walk this path in recent years, and Mindwork has a great deal untapped promise even beyond what you hear on this debut. It's all in the name." - From The Dust Returned" blog.
    $13.00
  • As you all know by now, the tracks on Made In Japan were culled from three nights of performances of the Japanese 1972 tour.  This is a new 2CD version of the album.  Disc one features a 2014 remaster of the original mix.  Disc two features the encores from all three nights - remastered from the original analogue stereo masters.
    $20.00
  • This is another one of those classic Renaissance radio broadcasts that tape traders have circulated for years.  It gets an "official" release courtesy of Purple Pyramid.  It was recorded on the Turn Of The Cards tour at the Academy Of Music in NYC on May 17, 1974.  If you are fan and you don't have a cassette squirrelled away somewhere you need to own it.
    $17.00
  • "ALLEN/LANDE (or ALLEN-LANDE) is a Melodic Hard Rock/Heavy Metal super group / band project formed in 2005 by guitarist Magnus Karlsson (PRIMAL FEAR, STARBREAKER) with two highly acclaimed metal vocalists - vocalist Russell Allen (SYMPHONY X) and former MASTERPLAN vocalist Jørn Lande. The band released such albums: "The Battle" (2005), "The Revenge" (2007), "The Showdown" (2010) and "The Great Divide" on 17th October 2014.Opening track “Come Dream With Me” takes listeners on the journey through the Melodic Rock & Metal world where you can find stronger melodic guitars with wonderful vocals, clear rhythmic section, catchy chorus with an impressive guitar solo which makes goose-flesh, and little PRIMAL FEAR echoes. Powerful drums and mega energetic guitar riffs in “Down from the Mountain” are truly kick-ass with amazing vocals in climate of BLACK SABBATH, AXEL RUDI PELL and memorable refrain in high style. All tracks have similar sounds to GAMMA RAY and TIMO TOLKKI songs. The energetic atmosphere of “Dream About Tomorrow” is caused by heavier riffs, SCORPIONS echoes, great solo, and keys in Power Metal style.My favourite song on the album is “Lady of Winter”, which has everything that is the best in Hard Rock and Metal music – so gentle piano opening, then heavy riffs, clear drums, fabulous memorable high chorus, and perfect worked guitars full of melody. Stunning track with rockin sounds, mid-tempo, perfect bass, slower climate, and totally in the style of JORN. Stronger riffs with gentle keys and massive JORN vocals in pathetic melodic refrain in track “Solid Ground” is perfect, also with a massive and brilliant guitar solo!The band proves that they are on high-class level in powerful “In the Hands of Time” where keys and melodic guitars have STRATOVARIUS echoes. The energetic “Reaching for the Stars” with gentle keys in the background with memorable refrain and massive sounding “Hymn to the Fallen” with mixing Heavy Metal sounds together with rockin style.Also I like very much the ballad titled track “The Great Divide” with beautiful strong voices of singers, calmer guitars, keyboards, and passionate guitar work and chorus in high style with choir in amazing slower tempo – what a wonderful sound! Another ballad “Bittersweet” has a slower rate, clear drums, piano, and brilliant singing together with climatic stronger high riffs. Sounds total perfect!ALLEN/LANDE, again, proved that they are Kings of Rock and Metal. They connect different kinds of sounds – Hard Rock, Heavy Metal with doses of melody. The band creates music with passion. Every track is a masterpiece and in each sound the experience of musicians is hear able. ALLEN/LANDE is simply a fantastic band, and their fresh CD “The Great Divide” is more than highly recommended to every lover of Melodic strong sound!" - Metal Temple
    $16.00
  • "Early 2012 the Welsh progressive rock band Karnataka embarked on a fifteen- date tour across the UK. Under the name New Light Tour 2012, the band reached as many areas of the country as possible; in particular those towns and villages they missed on previous tours. The band performed at some of the most unique and beautiful venues in the country, from traditional theatres and art centres to a stunning fourteenth century converted barn. Yet they couldn't perform in all places and therefore many fans − especially those from abroad − couldn't see how the new line-up managed to perform the band's back catalogue. So New Light Live In Concert, Karnataka's latest double album and DVD has been recorded for those people who missed them live on stage. However, it's by all means a great souvenir for people who attended their live shows as well. On this almost two-hour live album, DVD and Blu-ray you can witness and listen to an entire live performance.The live performance has been recorded at the start of their New Light Tour at the Met Theatre in Bury, England on February 23, 2012. This tour marked the first live show for a line-up featuring the new lead singer Hayley Griffiths. For those who aren't familiar with the band's third female singer an introduction is in place. She's a classically trained soprano who has achieved global recognition and critical acclaim for her role in the international phenomenon Riverdance and Michael Flatley's  Lord Of The Dance. She has sung for the emperor of Japan in Tokyo, at the Kremlin Palace in Moscow and for an audience of 20,000 people in Taipei Arena. Moreover, in 2010 her debut album Silver Screen won the Best Classical Crossover Artist Award. Her second album Celtic Rose was released in 2011; it's her first complete Celtic album composed of traditional and contemporary Irish and Scottish songs.Other new members in the band are the Turkish keyboard player Cagri Tozluoglu from Istanbul and the talented multi-instrumentalist Colin Mold, who was the driving force behind the folk rock band Kara. During the tour Mold played additional lead, rhythm and acoustic guitars, violin and he did some backing vocals. The fourth new member is drummer Matt McDonough. Last but not least Karnataka's new line-up still consist of founding member Ian Jones on bass and bass pedals and Enrico Pinna on guitars and backing vocals. The latter made his debut on the band's latest studio album The Gathering Light (2010, see review).When you watch and listen to New Light Live In Concert you'll soon notice that the performed songs differ from the original album versions. This is mainly due to the fact that Hayley Griffith's vocals strongly differ from Karnataka's prior singers Rachel Jones (pre-1998-2004) and Lisa Fury (2008-2010). Her soprano voice provides the music a rather new sound that I like a lot. In my opinion a live album shouldn't be a copy of a studio album. I think it should sound differently and this is something in which Karnataka succeeded very well. However, not only the vocals differ from the original versions. Take for example The Calling, an instrumental piece from their latest studio album. It featured the Uillean pipes played by guest musician Troy Donockley. Since he wasn't available during the New Light Tour, the electric violin replaced the pipes. This worked perfectly and made the song still very enjoyable. The addition of several new violin parts on the older songs suited these songs quite well.Also the addition of twin guitar parts throughout the concert is a real treat to the ears. The combination of Enrico Pinna and Colin Mold playing both the same guitar parts makes the music sound very melodic. However, it's mostly Pinna who steals the show with his great electric guitar playing. His talent for playing excellent solos can be especially heard on the superb piece Forsaken. The band must have known that  Hayley's voice couldn't always shine during the songs from their back catalogue. Therefore she got a special solo spot. This way she got the chance to show all of her vocal talents on tracks that aren't original Karnataka songs. So they also included two Hayley Griffith's tracks on this album that demonstrate her vocal talents. Lagan Love from her Celtic Rose album was performed brilliantly. She sings it wholeheartedly and only accompanied by some beautiful string synthesizer parts. It's followed by Our Love from her Silver Screen album. This time her voice sounds rather operatically. It fits in perfectly to Karnataka's new arrangement which includes fine playing on the violin as well. Besides Griffith's skills as an amazing singer she also proves to be a real entertainer who can keep the audience focussed during a concert. To mention any highlights is rather difficult, because in my opinion the entire concert is just one highlight.Both the CD and the DVD versions benefit from a tremendous production and capture the details of the vocal performances as well as the arrangements without one musician over-powering the other. Also the camera work has been done well capturing the musicians at close range and from a distance showing the whole band in action. They perform material from The Storm (2000), Delicate Flame Of Desire (2003) and The Gathering Light in the best possible way and in 5.1 surround. In addition to the concert they included interviews with all musicians. They were asked about their background and musical influences and about the future and the past of the band. Finally a tour photo gallery can be enjoyed. New Light Live In Concert is a real must to listen to and to watch. Especially people who like bands as Iona, Mostly Autumn and Clannad are advised to check out this great new live release of Karnataka! " - Background Magazine
    $18.00
  • "Released on 16/11/09. CD1 – Thunder Steel. This 1988 album takes everything that was metal at the time and is a classic combining thrashing guitars and pounding percussion indicative of the underground thrash movement of the time. It has more riffs than Anthrax and undertones of the hair metal that was riding the charts at that time. It is a classic and has everything that makes metal great! CD2 – The Privilege Of Power. This 1990 album saw the band augment their state-of-the-art heavy metal sound with horns, courtesy of the Brecker Brothers and Tower Of Power. It also features guest vocals by Joe Lynn turner (rainbow). The album employs 10 complex tracks that work as a single unit."
    $16.00
  • New album featuring Mike Mangini replacing the thought-to-be-irreplaceable Mike Portnoy on drums. No changes in direction - still the prog metal leaders that other bands follow. This is the special edition that comes with a bonus DVD featuring the 60 minute documentary encapsulating the band's hunt for a new drummer - with videos of the try-out sessions.
    $18.00
  • Smoking hot live album recorded on the Electric Rendezvous tour. Jan Hammer and Philippe Saisse on keyboards? It's ill...
    $11.00
  • At War With Self - sounds more like a psychological diagnosis than a band! This new group is an instrumental power prog trio leaping onto the progressive scene. The project is the brainchild of guitarist / multi-instrumentalist Glenn Snelwar. Torn Between Dimensions, the band's debut recording, features Snelwar on guitar, mandolin, and keyboards; Michael Manring on fretless bass and e-bow; and Fates Warning's Mark Zonder on drums and percussion. Zonders solidly tasty drumming firmly anchors the trio along with the melodically propulsive bass work of Manring, all wonderfully adorned by Snelwars fierce playing. The band serves up intense, emotional pieces in a wide variety of musical styles. Snelwars intention is to open doors to listeners who may be unfamiliar with progressive rock, classical guitar or metal. At War With Self have an equal passion for such diverse types of music as progressive and metal bands like King Crimson, Voivod and Pink Floyd; classical composers such as Bartok and Villa Lobos; as well as bluegrass and jazz. Torn Between Dimensions takes these influences and combines them into something undeniably progressive and strikingly original. The end result is a dense wall of sound, with different textures and feels within each number, one song flowing seamlessly into the next.Guitarist Glenn Snelwar is perhaps best known for his contributions to Gordian Knots eponymous debut, a project led by Chapman Stick player Sean Malone that featured guest performances by Trey Gunn (King Crimson), Sean Reinert (Cynic) & John Myung (Dream Theater). Snelwar helped co-write three of the songs for Gordian Knot, as well as contributing guitar work. Since his involvement with Gordian Knot, Snelwar has been incorporating mandolin, keyboard and string section programming into a foundation of classical, steel string and electric guitar arrangements to great effect. Michael Manring is a world-renowned, Grammy-nominated bassist who has appeared on over 100 studio projects, including recording and performing with Michael Hedges and Attention Deficit Disorder (with former Primus drummer Tim "Herb" Alexander). Michaels fretless bass parts play a vital role on Torn Between Dimensions, melodic but never overwhelming. For over 15 years, Mark Zonder occupied the drum stool for progressive metal legends Fates Warning. As Zonders fans would expect, he continues to push new boundaries on Torn Between Dimensions. Marks playing on the disc covers a lot of territory - from double bass drumming and odd time signatures, to jazz and Middle Eastern flavors. Snelwar describes Torn Between Dimensions as a concept album, but not in the strict sense of the word. I wanted to create a collection of songs where each would stand on its own, but exist as part of a greater whole. I strived to create something that would impact the listener, and incorporate many stylistic influences. Torn Between Dimensions is a tour de force of powerful, fluid prog rock that should appeal to progheads and rock fanatics alike! Torn Between Dimensions is housed in a digipak and features stunning artwork from noted surrealist Travis Smith.
    $5.00
  • Live performance recorded at Progfest in Los Angeles. Mix of material from Hybris and Epilog.
    $15.00
  • Brazilian edition of the band's fourth album comes with 5 bonus tracks.
    $12.00
  • Limited edition comes with a bonus live DVD filmed in Melbourne, Australia."Karnivool, from day one, have made sure they are the kind of band who could do anything. From both a fan and industry perspective, the group has made it clear that anything should be expected and they will do whatever they want.While their second album, 'Sound Awake' didn't really spread its musical wings as much as the band claimed it would, their third record 'Asymmetry' certainly has. Those who may have jumped ship at the idea of more dragged out progressive rock will rejoice at the roller coaster ride the band offers on full-length number three.The bass heavy drum chaos that is opening track 'Nachash' is a tweak on the Karnivool sound, as if they were to remake 'Themata' today, with a refined, heavier sound that is simply bigger. This follows with a record stand-out, 'A.M. War', which is a little more math-rock musically, with the vocals opting to be less adventurous.That all changes on 'The Refusal', which is one of the heavier songs on the album, kicking off with gritty screamed vocals and thick guitar riffs. There is still a very atmospheric feel about the entire record much like on the previous release, songs like the seven minute 'Aeons' or the experimental title track, take their time and offer plenty of space within themselves for effected vocals or driving bass lines to shine through.The second half of the record changes things up again. It is mellower, more pop orientated and even at times reminiscent of front man Ian Kenny's other project Birds Of Tokyo. The latter half also lends itself to a little more experimentation, with the drum mess that is 'Amusia' and the creepy guitar number 'Float'.The band manage to channel bands like Tool and Porcupine Tree all in one for the huge closer 'Alpha', another highlight, thanks to its thematic changes, moving from a gentle piano laced opening to heavy riffs and chant style vocals.Karnivool sound like the band they want to be on 'Asymmetry,' a band that will keep you guessing for the entirety of a record and can move in any which way they like, while still making some form of sense." - Kill Your STereo
    $18.00
  • "Marillion seems to be appealing to a commercially-oriented buying demographic with this album. There are parts of this record you'll love, and there are parts ... you might not. The band's work in the Hogarth era is marked by its variability - or some might say inconsistency. Although there have been some dud CDs, arguably including Radiation, Anoraknophobia and marillion.com, each of those records had some excellent songs. Similarly, the great albums had songs that were less than stellar. So it's generally safer to think of Marillion's work in terms of the songs rather than the CDs. Having said that, though - Somewhere Else probably fits somewhere between Marbles and marillion.com stylistically, and it's closer to .com in terms of quality.Somewhere Else doesn't share all of Marbles's progressive elements, its subtleties, or its general appeal. This music is a bit more linear, and it's very vocals-oriented. Steve Hogarth's singing is as emotion-laden as ever, switching effortlessly in and out of falsetto, and very expressive - in the style of "The Invisible Man" or "Angelina" from Marbles, or Radiohead's classic "Creep". But you might wish that he would stop singing for just a few minutes and let some instrumentals shine through. Steve Rothery's legendary guitar work is heard in only a few places, and Mark Kelly provides some very appealing piano lines, but there aren't any instrumentals to into which you can really sink your teeth."Most Toys" is a hard-hitting rocker with very simplistic lyrics that won't have much appeal to Marillion's traditional fanbase, although it might win them some commercial radio time. "Last Century for Man" also has simplistic lyrics with little subtlety, and a catchy melody that stays with you for days. There are no epics here, with 10 songs in just 52 minutes, and the title track (the longest at 8 minutes) is the standout piece with a meandering structure, gently appealing delivery and an almost minimalist approach to the instrumentals. Some might call it sleepy - but it definitely goes into the list of Marillion's better songs. Other highlights are the opening track "The Other Half", and "Thank You, Whoever You Are" - a fairly straightforward piece that features some nice but all-too-brief moments from Rothery's guitar.If Marillion is chasing after radio time, or if they're wooing the Coldplay / Radiohead / Pineapple Thief audience, this song-oriented record will probably get them there. But it will do so at the cost of a significant portion of their progressive rock fanbase." - Sea of Tranqulity
    $13.00