Push & Profit

SKU: 128764-01
Label:
Strung Out
Category:
Progressive Rock
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The band's first album has a bit of a commercial veneer but there is foreshadowing of the great music to come with their next full-on prog release.

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  • "Culled from concerts in Chile, Brazil and Argentina in 1993 and 1997, ELP Live in South America is an essential collection to the catalog of this progressive rock supergroup. Features versions of their hits from their forty five year career including Lucky Man, From The Beginning, Hoedown, Knife Edge and Pictures at an Exhibition. Four CDS of great listening.""Label Manticore Records say: “Featuring extended workouts of their best-known tunes, this value-priced collection comes in a wallet pack.“The specific concerts are Estadio Chile in Santiago, April 1, 1993; Obras Stadium, Buenos Aires, Argentina on April 5, 1993; and Metropolitan Theater, Rio de Janeiro, Brazil on August 16, 1997.”"
    $35.00
  • "Cricklewood Green provides the best example of Ten Years After's recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy rockers, with "Working on the Road" propelled by a guitar and organ riff that holds the listener's attention through the use of tape manipulation as the song develops. "50,000 Miles Beneath My Brain" and "Love Like a Man" are classics of TYA's jam genre, with lyrically meaningless verses setting up extended guitar workouts that build in intensity, rhythmically and sonically. The latter was an FM-radio staple in the early '70s. "Year 3000 Blues" is a country romp sprinkled with Lee's silly sci-fi lyrics, while "Me and My Baby" concisely showcases the band's jazz licks better than any other TYA studio track, and features a tasty piano solo by Chick Churchill. It has a feel similar to the extended pieces on side one of the live album Undead. "Circles" is a hippie-ish acoustic guitar piece, while "As the Sun Still Burns Away" closes the album by building on another classic guitar-organ riff and more sci-fi sound effects." - All Music Guide
    $5.00
  • With almost forty minutes of new material, AGUSA delivers a wide array of seamlessly-executed, organic rock on the aptly titled Agusa 2. The band’s tranquil output blends tripped-out psychedelic and progressive rock structures are inspired by more folk than occult influences, instilling visions of nature, the cosmos, and dreamlike passages, meandering into realms of a possibly supernatural or parallel existence. While not a fully instrumental recording, backing vocal mantras only seep in through purposeful cracks in the construction of these immense movements, adding an even more spacious feeling to the overall flow of the album.AGUSA was formed in the springtime of 2013, when Tobias Petterson and Mikael Ödesjö, former members of Kama Loka, recruited Dag Strömqvist and Jonas Berge for their early ‘70s progressive rock project. In the Summer, the outfit ventured out to the countryside where Dag lived, to a place called Agusa — virtually only a loose gathering of homes deep in the forest. Within these secluded surroundings, and the most amazingly sunny, warm Summer day, the new collective had an extensive, extremely inspired jam session which somewhat solidified the direction of their sound, so of course, the name AGUSA was simply perfect for the outfit.In the Autumn of 2014, the band went into the studio to record their first album, Högtid, which was released on vinyl and digital media in early 2014. After a handful of gigs during the Winter, Dag decided to leave AGUSA to travel around India, and following a number of auditions, Tim Wallander, also a member of blues trio Magic Jove, joined the band. In the beginning of 2015, the refreshed lineup went into Studio Möllan once again to record their sophomore full-length, this time having asked a close friend of theirs, Jenny Puertas, to play flute on the recording. The match was so perfect that the band instantly invited her into the band on a full-time basis, expanding their lineup once again. They began performing with this new arrangement weeks later, and have not looked back.CD mastering is courtesy of Bob Katz, done to his usual audiophile standards.
    $13.00
  • Paper Charms' is a newly remastered 3 disc set gathering together all of PFM’s BBC Radio and TV appearances in a 2CD and DVD set, including two radio concerts for BBC Radio in 1975 and 1976 (at the BBC’s Paris Theatre in London) and their apperance on the classic BBC 2 TV series ‘The Old Grey Whistle Test’.DISC ONE - CDBBC RADIO ONE "IN CONCERT”21ST MAY 19751.    CELEBRATION2.    FOUR HOLES IN THE GROUND3.    DOVE…QUANDO4.    MR. NINE ‘TILL FIVE5.    ALTA LOMA FIVE ‘TILL NINEINCLUDING P.F.M.’S ARRANGEMENT OF ROSSINI’S WILLIAM TELL OVERTURE6.    LA CARROZZA DI HANSDISC TWO- CDBBC RADIO ONE "IN CONCERT”15TH APRIL 19761.    PAPER CHARMS2.    OUT OF THE ROUNDABOUT3.    FOUR HOLES IN THE GROUND4.    DOVE…QUANDO5.    ALTA LOMA 5 ‘TILL 96.    CHOCOLATE KINGS7.    ALTA LOMA FIVE ‘TILL NINE (REPRISE) INCLUDING P.F.M.’S ARRANGEMENT OF ROSSINI’S8.    WILLIAM TELL OVERTUREDISC THREE – DVD (NTSC – REGION 0)1.    FOUR HOLES IN THE GROUNDTHE OLD GREY WHISTLE TESTBROADCAST ON THE 22ND OCTOBER 19742.    CELEBRATION3.    MR. NINE ‘TILL FIVETHE OLD GREY WHISTLE TESTBROADCAST ON THE 23RD MAY 19754.    CHOCOLATE KINGSTHE OLD GREY WHISTLE TESTBROADCAST ON THE 13TH APRIL 1976
    $30.00
  • The Custodian is a new British post-progressive rock band formed by Richard Thomson, vocalist for cinematic death metal band Xerath.  Unlike Xerath, The Custodian is an outlet for the more melodic, rock oriented writing from Thomson.While there are moments in the album that harken back to old school bands like Genesis and Yes, the music of The Custodian is contemporary in sound.  Necessary Wasted Time is an album full of dynamics - light and dark shadings balancing acoustic vs electric, heavy vs pastoral.  While atmospherics and tension are a strong component of the album, the band demonstrates their adept musicianship offering up long instrumental passages to complement the emotion filled vocals.  When needed the band unleashes some complex electric runs.The Custodian's debut should deeply resonate with fans of Steven Wilson, Riverside, Pineapple Thief, and Anathema.Necessary Wasted Time was mixed by noted engineer Jacob Hansen and give the full audiophile mastering treatment from Bob Katz. 
    $14.00
  • "Polish vocalist discovered by the very productive keyboardist Clive Nolan (Pendragon, Shadowland), Agnieszka Świta entered the world of neo-prog by going on board the rock opera project Caamora. She has a particular delicate and pleading voice – sometimes with a more than welcome “tremolo” –    blending the passion of operatic singers and the aversion of punk vocalists (think Nina Hagen).The music on ‘Sleepless’ is without compromises, a melodic progressive rock with fiery guitars, explosive drums and orchestral keyboards. From the sweet “Borderland” to the pounding “Code Of Humans” through the reflective “Disclosure”, the band navigates on various emotional seas, without ever losing sight of the listener’s pleasure and attention.Agnieszka delivered with ‘Sleepless’ an album where you can sense all the musicians’ inspiration and experience for a majestic work of art. The involvement of her pal of Caamora, Clive Nolan, shows a great mutual respect towards each other, and it was only justice made to her to lend a hand in this very first album, that, as you understood, is highly reommended, whatever your musical tastes." - Prog-SphereLine-up:* Agnieszka Świta (Caamora, Clive Nolan) – vocals* Clive Nolan (Pendragon, Arena, Caamora) – keyboards, orchestrations, backing vocals* Steve Harris (Ark, Paul Menel Band) – guitars* Andy Faulkner (Jump, Twelfth Night) – bass* Dave Mackintosh (Dragon Force) – drums
    $16.00
  • Second album from this Sieges Even offshoot/rebranding. Touchstones is a bit heavier than the debut as Markus Steffens struts his stuff again. Mid-80s Yes is an obvious influence on the band's direction. On some of the material vocalist Arno Menses sounds like a dead ringer for Jon Anderson. The music sits on the fence between the prog rock and metal realms. If you like the post-reformation Sieges Even albums you'll find much to sink your teeth into. Further - if you found the first Subsignal a bit on the light side you'll find this one has a bit more heft and frankly its better for it. Highly recommended.
    $19.00
  • Latest from this fine French band. Nemo is led by guitarist JP Louveton who is also the lead singer. Barbares features all long tracks including the 26 minute title piece. The music of Nemo is quite dynamic. Louveton is a fine player with has a bit of John Petrucci in him. His instrumental foil is keyboardist Guillaume Fontaine who takes a more symphonic approach to his playing. While there is more than enough flash he tends to emphasize textures over blazing fast solo runs. For some reason Louveton has a reluctance to sing in English. If could get over this the band might be able to expand their following on a much broader level. Highly recommended.
    $12.00
  • Official (?) release of a live performance that has been circulating among tape traders for decades.  This was a live in the studio performance recorded for the BBC in 1973 in front of an invited audience.  Its a classic gig that features Wishbone Ash's Andy Powell on Ashes Are Burning along with Al Stewart.
    $14.00
  • Third album from this superb Dutch band.  Laser's Edge has a long standing relationship with the band, having released their debut, Hallway Of Dreams, in North America.Take equal parts Loreena McKennitt, Kate Bush, and Within Temptation and you've got the basic sound of Kingfisher Sky.  The band was formed by ex-Within Temptation drummer Ivar de Graaf and is fronted by his wife Judith Rijnveld.  Judith is an incredible vocalist - her voice will transfix you.  The lineup features two guitarists, cello, keys, bass, and drums.  Everyone in the band is first class but you will always be drawn back to Judith.  The music takes on a mystical, ethereal quality in places.  It never really crosses over into the metal realm but the guitars can get crunchy in a nice way.  One notable guest on this album is Kristeffor Gildenlow who handles all the bass parts.  Highly recommended.
    $15.00
  • This is confusing and perhaps some Italian customer can provide an explanation.  Some years ago New Trolls splintered (well more than once actually) and lawsuits ensued.  Over the years various members of the band have reunited in different lineups presenting their iteration of New Trolls.  Surprisingly most of these releases are actually pretty good.  At the present I believe there are (or were) 4 different versions of New Trolls and the lawsuits continue to fly.  This is a release by four of the members: Gianni Belleno, Giorgio D'Adamo, Vittorio De Scalzi, and Nico Di Paolo. They are recording under the name La Leggenda New Trolls.  This is a continuation of the Concerto Grosso series and as such the music was composed by Luis Bacalov.  The band is augmented by Orchestra del Teatro Carlo Felice of Genova.  Its an immaculate recording and stays faithful to the sound of the first two albums with the exception that half of the vocals are presented in English.The kicker (as I understand it) is that this is actually a posthumous release.  De Scalzi and Di Paolo lost a lawsuit which prohibits them from using the New Trolls name.  If I've gotten the story wrong I'd love to be set straight.  I find it all very odd but at the same time they all seem to turn out quality albums.
    $18.00
  • The White Ladies was the third album from Trace (now billed as Rick van der Linden and Trace).  Its a conceptual work that is often criticized for the use of narration and vocals, which truth be told can be a bit annoying after awhile.  Overall the playing is top notch with plenty of van der Linden's trademark keyboard pyrotechnics.  This new edition comes with 13 previously unreleased demo tracks.
    $16.00
  • 2CD live recording from the Paradise Theater in Boston.  Recorded on April 15, 1988.  If you don't know 3 was the one shot band that featured Keith Emerson, Carl Palmer, and Robert Berry.  Besides sporting mullets the band ran through a set list that relied heavily on their album as well as a little ELP, a little Emerson solo material, and even The Nice.  It seemed like a good idea at the time...
    $17.00
  • Woodpecker is the debut release from singularly named Swedish vocalist AnnaMy (her spelling not mine).  Its a gorgeous album.  This is beautifully recorded gentle, melodic psychedelic folk.  Plenty of electricity here - most notably on electric guitar courtesy of Reine Fiske.  Undercurrents of flute and organ spice up the mix but the focus is on AnnaMy's stunning voice.  The overall sound pays homage to the greats of the 70s.  Think in terms of Trees, Mellow Candle, Caedmon, and Vashti Bunyan.  This one is a real grower.  Highly recommended.
    $16.00