Of Queues Of Cures

SKU: ECLEC2130
Label:
Esoteric Recordings
Category:
Canterbury
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New 24 bit remaster of the 2nd masterpiece from the Canterbury ensemble. New lineup features John Greaves on bass and the usual assortment of guests including Georgie Born on cello. "Dreams Wide Awake" features one of the most savage assaults on an organ you will ever hear. Dave Stewart's solo is so intense you won't believe your ears. A brilliant album from beginning to end. Essential.

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  • Flaming Row is a studio based project coordinated by multi-instrumentalist Martin Schnella of the band Steel Protector. In addition to Steel Protector bandmate Kiri Geile, Schnella has enlisted a number of high profile guests. Shadow Gallery's Gary Wehrkamp and Brendt Allman are prominent as well as Circa's Billy Sherwood and Spock's Beard's Jimmy Keegan. All together there are over 30 musicians on the album.Elinoire is a conceptual rock opera with various vocalists playing out the parts of the characters. The music runs the gamut from old school symphonic rock (love the Mellotron, flute and organ) to progressive metal. Not too dissimilar to Arjen Lucassen's projects as the different styles hit you from all angles. Highly recommended. 
    $15.00
  • US edition with one exclusive bonus track."Epica's mythical, orchestral mix of classical music, majestic choirs, gothic metal and traditional heavy metal could easily be the soundtrack to an epic fantasy. As if their engaging music weren't enough, the dynamic and operatic voice of the ravishingly beautiful Simone Simons leaves everyone breathless and enchanted. Requiem for the Indifferent, their sixth studio album, showcases the versatile songwriting talents of guitarist Mark Jansen. Nine years after their debut onto the global metal stage, Epica sound intensive and unique once again. Tackling the timely concept of the importance of human connection at this time of global crisis, Epica have woven an intricate and beautiful tapestry of hard truths."
    $13.00
  • New 24 bit remastered edition of the creative collaboration between French avant garde composer Pierre Henry and Spooky Tooth. Co-written by Henry and the band's keyboardist Gary Wright its a far cry from Dreamweaver. Comes with new liner notes and rare photos.
    $10.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented as a double digi-pack format in a slipcase with a booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The DVD-A features:- a 5.1 DTS Mix and High Resolution Stereo mixes.- DVD-A players can, additionally, access a 5.1 Lossless audio mix (24bit 96khz).- the new album mix in high resolution stereo- the original album mix in a hi-res flat transfer from the original stereo master tape source.- alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixCD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)DVD-A (Region 0, NTSC):- Album mixed in 5.1 Surround from original multi-track sources.- New Album mix in High Resolution Stereo- Original Album mix (flat transfer) in High Resolution Stereo- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixNTSC Region 0 hybrid DVD-A, compatible with all DVD players & DVD-rom drives.DVD-A - Full Track Listing :New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971) 
    $21.00
  • Michael Romeo doesn't work quickly.  The man takes his time and a new Symphony X album is ready when its been honed to perfection.  Underworld is the first new album in four years.  To get to the point its ridiculously great.  Up through V, the band were the modern agents of neoclassical/symphonic metal.  With The Odyssey the band took a left turn with Russell Allen's vocals being more agressive and a pervasive overall crunchiness, heaviness to the sound.  Perhaps a bit less symphonic sounding.  With Underworld fans of the "old style" will smile once again.  The band has found a way to balance both sides of their sound.  Its heavy but extremely melodic.  Russell's vocals are spot on and Mr. Romeo's solos have an organic flow that will sweep you through the tune.  Its a beautiful marriage of styles - not too much of either direction that the band has exhibited in the past.  Toss in a theme built around Dante's Inferno and you've totally sucked me back in to the fold.  BUY OR DIE!"A lot has happened with New Jersey-based progressive metal band SYMPHONY X since the Iconoclast album was released four years ago. Singer ‘Sir’ Russell Allen recorded and toured behind several releases with ADRENALINE MOB, toured with TRANS-SIBERIAN ORCHESTRA and recorded the album The Great Divide with ALLEN-LANDE. Bassist Mike Lepond toured with HELSTAR and released his excellent solo album under the name SILENT ASSASSINS. Keyboardist Michael Pinnella released a solo album and guitarist Michael Romeo made guest appearances on some albums. Drummer Jason Rullo battled and successfully recovered from heart failure in 2013.Four years later, SYMPHONY X delivers another fantastic album, the band sounding just as powerful as Iconoclast, and amazingly never missing a beat. Titled Underworld, it is sort of a concept album, loosely based on Dante’s epic poem Inferno. Dante’s Inferno is not a totally original topic in the metal world; ICED EARTH featured an epic song based on it on their 1995 album Burnt Offerings and SEPULTURA wrote a concept album based on it with 2006’s Dante XXI, while SYMPHONY X themselves included references to it on their 1997 album The Divine Wings Of Tragedy. Several other metal bands have also been influenced by the poem.SYMPHONY X do not follow the tale word for word, but use it more as an inspiration. Michael Romeo is quoted as saying that the album has a theme of “going to hell and back for something or someone you care about.” He also said that this album is more about “the song” instead of the album as a whole, allowing it to flow better from song to song. This doesn’t mean every song is an attempt at a single. Romeo’s intent when writing songs for Underworld was for people to be able to take in the whole album in one listening. (The total album length is just over an hour, compared to Iconoclast’s two discs that were around 83 minutes).To be honest, the last two SYMPHONY X albums, 2007’s Paradise Lost and 2011’s Iconoclast were my favorite albums released by the band so far. I refer to them as the “angry” SYMPHONY X, mainly due to Russell Allen’s vocal delivery and the aggressive music on those particular albums. So, I waited to see if we would get a third album in this same vein from SYMPHONY X. The songs on Underworld seem to alternate between prog and aggression, but for the most part, the album is not as “angry” as Iconoclast. The album strikes a perfect balance between prog and power. Some songs are aggressive without being “angry”. There are definitely more classic SYMPHONY X elements here than on recent releases.The album is much more accessible than previous albums. The songs overall are shorter (most clocking in at around the 5-6 minute mark), and more to the point than on previous albums. For example, “Kiss Of Fire” is one of the best tracks I’ve ever heard by SYMPHONY X. It immediately became a favorite of mine on this album, with the verse, “Bring down the hammer, with serious anger – It’s me against the world!” section and the chorus becoming some of my favorite moments. This song probably represents the album to me more than any other, but the album is filled with classics, such as opener “Nevermore”, a ferocious track that is aggressive in the verses, while the chorus is more melody-driven. The title track follows, with many twists, turns and speed sections. “Without You” is a standout track. With its guarded delivery by Allen and acoustic guitar flowing in the background, it is probably the mellowest moment on Underworld, but that’s not a bad thing. The chorus is the focus of the track, with Allen performing some of his best work. The song probably has the most potential as a single. Another solid track, “Charon”, named for the ferry boatman of the underworld, follows. This track has a middle-eastern flavor to it.The longest track on the album (9:24 in length) follows, the excellent “To Hell And Back”. This song has so many great parts, it’s hard to pick a particular favorite, possibly Allen’s soaring vocal on the chorus or the “on and on and on / no quarter asked, no quarter given” section. “In My Darkest Hour” follows and is another favorite of mine, featuring speed riffing parts, mixed with a melodic chorus. Allen really shines on this song. “Run With The Devil” is even more up-tempo and another one of the more accessible songs due to the chorus. “Swan Song” finds keyboardist Pinnella taking the bulk of the spotlight with his piano flourishes. The album closes with the excellent “Legend”. Allen’s aggressive pre-chorus vocals and melodic chorus vocals make this an instant classic.I believe the playing on Underworld is at another level for the band. Lepond’s bass work is spectacular throughout and Jason Rullo makes a real statement with his drum performance. Fantastic work from keyboardist Michael Pinnella and of course guitarist Michael Romeo’s amazing riffs and solos are worth the price alone. But you get more, don’t you? You get one of the best singers in metal, Sir Russell Allen, making yet another classic album even better with his voice.The album’s exquisite cover artwork (once again by illustrator Warren Flanagan) features the return of the SYMPHONY X masks, around which are eight symbols that represent the circles of hell: limbo, lust, gluttony, greed, anger, heresy, violence, and fraud. The symbol for treachery, the ninth circle, is underneath the masks, and hopefully will be revealed in full inside the album packaging.Underworld is a great album, which grew on me the more I listened to it. SYMPHONY X are masters of American prog metal, and have been for quite some time. Underworld further cements that reputation, and will undoubtedly please fans of all eras of the band." - KNAC.com 
    $14.00
  • In early 2014, Premiata Forneria Marconi (PFM) performed a series of concerts in Japan - doing complete run throughs of their classic albums.  This live recording captures their performance of L'Isola Di Niente (which some of you may know in its bastardized form as The World Became The World).  To the best of my knowledge some of these tunes have never been performed live before.  So who's left in PFM after all these years?  Franz Di Ciocco is still the drummer and he also handles vocals.  Patrick Djivas is a monster bassist.  Franco Mussida handles guitars.  The trio are augmented by Lucio Fabbri on violin (he has ducked in and out of the band over the years), Alessandro Scaglione on keyboards, and a second drummer in Roberto Gualdi. 
    $19.00
  • Title says it all. Reworking of classic Genesis tracks this time helped out by a who's who of prog: J. Wetton, B. Bruford, T. Levin, C. Thompson, I. McDonald, N. Magnus, and the list goes on and on. If that isn't enough Steve sticks the Royal Philharmonic on here also. The nice folks at Snapper Music say this is digitally remastered, has "informative liner notes", and a full colour booklet. Essential for anyone who drools at the thought of John Wetton singing "Watcher Of The Skies"...
    $14.00
  • You can hear the evolution of the band as the traditional Magma sounds start to emerge but at it's core it's still not quite there yet. The Coltrane influence is a bit more prominent as is the Teutonic overtones (read --> Wagner). Overall I just think of it as a smoking jazz rock disc!
    $16.00
  • Kingfisher Sky is a new Dutch ensemble put together by former Within Temptation drummer Ivar De Graaf along with classically trained vocalist Judith Rijnveld. Ivar left Within Temptation to pursue other musical interests. His collaboration with Judith produced a brilliant debut that encompasses progressive rock, gothic metal and mystical Celtic themes. At times the music bears some similarities to the more mainstream direction that Within Temptation went with their latest release, but the music has more of a prog rock feel. There is a heaviness that permeates the album due to the background of the rhythm section (bassist Eric Hoogendoorn was in Orphanage) but despite the crunch of the guitars it never quite crosses over into metal. Judith's vocals are simply amazing - she sings with incredible control and range - somewhere between Sharon Den Adel and Christina Booth. This is not hyper-complex prog. It relies on moods created by the vocals and writing. The moodiness of the ballads evokes Kate Bush, Tori Amos, Peter Gabriel which the more agressive tunes suggest Porcupine Tree, Within Temptation and even Pink Floyd. For my particular taste this is a different kind of album that pushes the right buttons. If it was a bit heavier we'd probably be referring to it as a metal album but it's not (I do love that crunch though). The band's label is trying hard to not ride the Within Temptation connection too heavily, hoping that the band's music will stand on its own - it does and then some. Having said that it's impossible to deny the musical connection. Highest recommendation! Kingfisher Sky on Myspace
    $6.00
  • "With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures." - All Music Guide
    $5.00
  • After many years of unauthorized bootlegs and promises for a legit release its finally here.  A Night On Bald Mountain is considered by many to be one of the finest examples of progressive rock from a US band.  You can debate all you want as to what is the best - let's all agree that A Night On Bald Mountain is in the upper echelon of prog.  The New Jersey based band released this classically influenced album in 1975.  Produced by ex-King Crimson keyboardist Ian McDonald, the album had a very European feel.  Elements of all the English giants can be found here - ELP, King Crimson, and Genesis.  Lots of keyboard pyrotechnics and more than enough wicked guitar and flute to satisfy everyone's taste.This long awaited reissue features mastering by Larry "Synergy" Fast and incldues two previously unreleased bonus tracks - a cover of King Crimson's "Pictures Of A City" as well as "Robot Salesman".  Housed in a nicely embossed digipak cover.  BUY OR DIE!
    $14.00
  • Recorded during the band's live performance residency in Tokyo, this is a complete rendition of the first album, Storia Di Un Minuto."To celebrate the 40 years anniversary of "L'isola di niente", PFM have recorded an incredible series of live albums, where they play the original first 5 LPs tracklist in its entirety for the first time ever. This energetic new version it is called "Un minuto" features the first historic LP "Storia di un minuto" with all its fantastic tracks including, for the first time, "Grazie davvero", never played live before.Released in CD papersleeve, "Un minuto" is part of a series which includes the first PFM's five albums reproduced live, to be collected in an elegant box called "Il suono del tempo"."
    $19.00
  • Limited edition import 2CD set with 7 bonus tracks!"When you made the impact that Bigelf did in 2010 with their fourth album ‘Cheat The Gallows’ and the subsequent tour, it’s inevitable that people expected the highly rated band from Los Angeles to hit hard in 2011. But instead we got an astonishing silence. However, all that is about to change with the arrival of ‘Into The Maelstrom’, a new album of melodic prog-doom that eccentric frontman Damon Fox believes will take Bigelf to new heights. “I have been reflecting on the band and pondering what it would take to get us to the next level, I believe we have accomplished this task on the new record.The last three years for Fox have been confusing and difficult, to say the least, as he found the band he’d worked so hard to establish suddenly dissipated. “I’d call our break a spontaneous hiatus. I did genuinely feel that we’d go into 2011 with an album out early in the year, and then we’d build on what we had achieved up until that point. Instead, we came to a standstill. The momentum had vanished, and it halted the band. So, I was forced into an introspective state of hypersleep and had to contemplate my future. I love the other guys in the band as brothers, and I am extremely grateful for they contributed to help get Bigelf this far. I was heartbroken when that line-up came to an end but change nonetheless was upon the band.“Forging ahead, I didn’t feel that I could get it done on my own”, Fox admits. Thankfully, he found a kindred spirit in famed drum god Mike Portnoy, with whom he’d bonded with in 2010 when Bigelf toured with Dream Theater. “We hung out a lot back then, and got very close. Mike and I discussed how similar our situations were with our respective bands going through our ‘Let It Be’ phases. This was around the time when Mike had his dramatic press-laden departure from Dream Theater. I knew Mike loved Bigelf, and he told me not to give up on it and to keep the band going. His encouragement really helped me to carry on through dark times.”"Getting the songs fully realized was something of a laborious experience", Fox explains. “In the past while I had written most of the material, I always had a incredibly gifted band to bounce ideas off of and we would often jam out to fully realize the song . But this time, I had to write, arrange and envision everything on my own. Once I got the selection of songs together, I sent the demos to Portnoy (who had agreed to play on the album). Mike is the busiest man in Prog, so the next time he was in LA, we laid down the drums at Linda Perry's studio, Kung-Fu Gardens where we did ‘Gallows’. I also wrote a song with her for the new album. The rest of the sessions and instrumentation were recorded at my home studio ITM.“I feel this album is going to prove to a lot of MP haters that Portnoy can really lay down a groove and has a serious vibe as a drummer. It’s not just about his chops and his pyrotechnic style, for which he’s known for, especially with Dream Theater. The feel and emotion in his playing on this record is really unique and it’s unlike anything else he’s done before in my opinion” Lovable lefty bassist Duffy Snowhill, who’s been with the band since 2000, is bringing his thundering Viking bass tones to the recording of ‘Into The Maelstrom’. Luis Maldonado is also climbing aboard the Elf vessel for his first trek. “Luis is a close friend who I’ve known for many years. He has his own band, Into The Presence, and works with a lot of established artists as well. Luis is a phenomenal guitarist, he delivered some really blistering leads on the new album. I'm supplied all of the rhythm guitar tracks and managed to squeeze in a few leads as well too. People usually associate me with keyboards – and there are copious amount on the album, to be certain – but originally Bigelf was founded around my guitar riffs, and it was really rewarding to be able to play guitar again from a nucleus standpoint.”‘Into The Maelstrom’ was produced by Fox (who also handles all the vocals), and believes this album proves that Bigelf are now exploring alien musical landscapes. “There’s a fresh aura and energy on there that’s completely different to our previous releases, but it also sounds like Bigelf. I view this album as being very psychedelic cinematic. It has a ‘Mad Max’ post-apocalyptic feel – a futuristic world that’s rather dirty and desolate filled with chaos and despair. The bludgeoning Sabbath guitars and “Karn-Evil” keys are still there, but the modern setting is what makes the record have a creative edge.While ‘Into The Maelstrom’ isn’t a concept album as such, Fox does reveal that there is a theme that links much of his lyricism. “It’s about traveling through time into one’s past and into the future, to experience and examine your pain and fears, in order to move forward in life. A lot of my baggage from the my travels provides the cathartic inspiration. Deep, personal feelings like the tragic death of my best friend and former Bigelf guitarist A.H.M. Butler-Jones. And my fears of mankind eventually destroying itself a la, ‘Planet Of The Apes’. I suppose the opening song, ‘Incredible Time Machine’, sums it all up.”Fox is clearly inspired and reinvigorated by the new focus Bigelf have made here. For him it’s not just about how the album sounds, but also the process involved in getting there. “Making the record has been a certain kind of journey. A few years ago I had to completely let go of Bigelf, which was painful but it came back with force and vision. As such, the music began to shape from a different perspective and I have been able to see an alternative way of accomplishing my goals. To me, ‘Into The Maelstrom’ is a genesis, a bridge between the band and a larger audience. Strap yourselves in ladies and gentlemen, you're in for a wild ride.”"
    $15.00
  • Hiromi Uehara is the petite Japanese pianest that has been shaking up the jazz world for a number of years. With each passing album she has added more electric instrumentation and the music has taken on some fusion overtones. Time Control is a new project that moves her even further into fusion realms. While she mainly concentrates on acoustic piano she does play some synths. Her rhythm section is electric bassist Tony Grey with Martin Valihora on drums. The real star is noted electric guitarist David "Fuze" Fiuczynski. Fuze is probably most known for his use of fretless guitar (which appears here extensively) as well as fretted guitar. Hiromi gives him plenty of space to work his magic. There is lots of energy on this disc and the interplay between Hiromi and Fuze is dizzying - as they trade solos back and forth as well as play in unison. The juxtaposition between Fuze's distorted guitar versus Hiromi's fluid and clean acoustic piano is startling but it works...particularly when you hear them blazing away. Hopefully this is not a one off project and we'll hear more from this lineup. Highly recommended.
    $12.00