Recycled

SKU: CLP9179
Label:
Cleopatra
Category:
Progressive Rock
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New edition taken from the original tapes comes with a real suprise bonus. In addition to the regular version of the album the CD contains a previously never heard before mix done by Geoff Emerick. It is actually the original mix but the band/label decided to add more keys, choirs and effects. As much as I love Remember The Future, this is THE Nektar album for me. Not sure if it's Larry Fast's synth work but something about Recycled makes it the most solid of their albums. One of my all time favs...

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  • "Easily the “odd-duck” of the major Cardiacs records, the most controversial, and probably the hardest to get into at first. Some fans actually think this is an outright failure. Tim Smith has been quoted calling it his favorite record! The album’s fumbled release is part of the it’s weird reputation – it was the first full-length by the new stripped down line-up (already grounds for fear in the hearts of fans), and it was set for release on Rough Trade. But the label tanked and the album sat in the vaults for years until Smith’s label eventually released it with a different master. When I first heard it, I wasn’t sure what to make of it. The sound is definitely way different from “On The Land..” (though if you’ve heard “Sing To God” first it won’t be a huge surprise). The production is odd and harsh and obviously put together in the late 80s/early 90s. The songs are often really violent and complex, with a lot less breathing room than even before. But like all this band’s work, the compositions started to reveal themselves, and now I have very few bad things to say about any of these tunes. Is this my favorite Cardiacs record? No. But it’s cram-packed with amazing tracks and ideas. The opening track is a Cardiacs staple – the majestic anthem “Home of Fadeless Splendour.” Done entirely as a large-group-chant, it sort of sounds like a German political rally song, albeit one with Smith’s patented melodic style. It’s a genius tune. Next is the crazy and head-dizzying “She’s Hiding Behind The Shed,” one of my favorites. There seems to be a more trashy sound to some of these songs – the energy and thrust taking precedence over melody and intricacy (that’s particularly true on “Shed” as well as the pedal-to-the-metal “Anything I Can’t Eat”). “Goodbye Grace” is another trashy poppy standout. There’s another side to the record as well – a psychedelic 60s pop vibe represented by “Day Is Gone,” the absolutely beautiful ballad “Helen And Heaven,” and the incredible indescribable haunting closer “Snakes-A-Sleeping.” That last track has the best psych-out ending I’ve ever heard on a record – just hilarious and terrifying!!! I’ve come to appreciate every track here, though it definitely took some repeat listens and a push through the unappealing production  (“Core” has a fantastic vocal melody, “For Good And All” and “Bodysbad” are both insane and magical Smith-ian wonders). Not the best place the start, but a wonderful one to end up at!" - Madnest
    $18.00
  • This new EP is a stop gap until the new full length release from the German symphonic metal band but its an interesting one.  Xandria present 3 new studio tracks, re-recordings of two vintage Xandria tunes, and covers of tracks by Sonata Arctica and Meatloaf (!)."Three brand new songs will be featured on the EP: "Voyage Of The Fallen", "Unembraced" and "In Remembrance". In addition, XANDRIA has re-recorded two all-time favorites of the band's fans, "Ravenheart" (originally recorded for the album "Ravenheart" in 2004) and "Now & Forever" ("India", 2005). Cover versions of SONATA ARCTICA's "Don't Say A Word" and Meat Loaf's "I Would Do Anything For Love (But I Won't Do That)" will also be included on the effort.Regarding the decision to cover "I Would Do Anything For Love (But I Won't Do That)", XANDRIA said: "During the photo shoot for the 'Sacrificium' record, we were digging through our music libraries to find something appropriate for getting us in the right mood. At some point we got stuck with an artist every one of us had a crush on someone with and a story to tell about back then from our teenager days in the earlier '90s. We straight away started joking about doing a XANDRIA version of this particular song, but really forgot about it until the discussion of doing some remake for an EP came up again. With the biggest respect we started this operation of transforming one of our all-time faves, a real classic, into a XANDRIA hymn. Well, we think we quite did an 'okay' job and on July the 31st, it's your turn to decide whether you've got a favorite song or not.""
    $9.00
  • "This fifth album for the underground Norwegian Prog / Power Metal kings starts with a short Flamenco guitar and compass handclap pattern intro named “Esperanto”, luckily DIVIDED MULTITUDE will quickly manage to change everything soon with a real Metal riff and a double kick onslaught, they set the power to maximum heaviness mixed with sheer elegance, indeed since then the remaining 10 tracks on the album are pretty sharp with furious drums and almost Thrashy rhythmic guitars but moderated with ultra-catchy vocals in the real Scandinavian method. I like to think of them about as an heaviest version of CIRCUS MAXIMUS (“What I See”), applicant of a few hyper challenging Melodic motifs with a stunning Schizophrenic vocal rendition, indeed Mr. Sindre Antonsen alternates brilliantly between "testo-tenroic" multi layered singing like Jekyll & Hyde, in the great PRETTY MAIDS & Ronnie Atkins tradition with a two-faced styled that switch from velvet to sandpaper in the same sentence.Of course all the players are ultra-competent, Christer Harøy (PS: his other band with his brother Rayner called TEODOR TUFF is also warmly recommended by yours truly) is a solid guitar player but stay quite discrete leaving much room to another essential strong element in their sound: the fantastic yet subtle Eskild Kløften, who provides some fine effective performance in multipl(a)ying synthetic ambient waves & Progressive Rock keyboards.In this genre the songwriting should be uselessly complicated, well it’s not exactly the case with “Feed On Your Misery”, but don’t get me wrong please, there is plenty of weird or cerebral moments as some strange structures mixed with passionate and luxurious arrangements quite rich in complexity with an average over six minutes in length without never sounding hermetic or rigid.The smartest cuts like the title track “Feed On Your Misery”, the delicious “Crimson Sunset” or the dark “Vicious By Heart” are also pretty much influenced by early QUEENSRYCHE or CRIMSON GLORY with some modernized vocals taken from the inherent omnipresent obvious reference while speaking about Prog Metal singer, the soulful, the one, the only: Sir Russell Allen (SYMPHONY X / ADRENALINE MOB) himself (“Scars”).Finally, the best comparison could have been PAGAN’S MIND meets ANUBIS GATE meets CONCEPTION. I already said it, I will say it again: “Feed On Your Misery” by DIVIDED MULTITUDE, that’s Scandinavian Melodic Prog at its Best." - Metal Temple
    $14.00
  • "It's a bit surprising that Pantera waited until 1997 to release a live album, considering how brutal and powerful the band had been in concert. At an average Pantera show, it would not be unusual to see security evicting overzealous fans, and club bathrooms filled with bloody wads of paper towels from mosh pit injuries. Official Live 101 Proof captures the group in its natural, violent element, combining abrupt, barbed riffs with pulse-pounding beats and furious vocals. The record spans Pantera's career, from the classic guitar lick of "Cowboys from Hell" to the fuzzbomb fury of "Suicide Note Pt. 2" (from album The Great Southern Trendkill). As an encore, the band offers album buyers two new studio tracks, the bluesy bonecrusher "Where You Come From" and the grinding piledriver "I Can't Hide." As the fortress of alternative rock continues to crumble, Pantera stomp vindictively through the rubble, their metallic legacy intact."--Jon Wiederhorn
    $6.00
  • Fifth album from this young Dutch trio.  The band seems to be rising in popularity in Europe and Australia.  The band recorded this album in Georgia with producer Mark Neill (Black Keys).  The overall sound is intact - Hammond organ still is the focus - but there is a bluesy Southern vibe injected that reminds a bit to The Black Crowes.
    $24.00
  • "Remastered from the original tapes are Godzilla; Goin' Through the Motions; I Love the Night , and the rest of this 1977 fave. PLUS you'll hear unissued versions of Be My Baby; Please Hold; Night Flyer , and more!"
    $7.00
  • Second album from the Finnish offshoot of Burning Point. Ghost Machinery are now fronted by Taage Laiho who was formerly with Altaria. The music veers more towards traditional speedy Helloween-ish power metal but the band throws some curve balls at you. The tune "Blood From Stone" has lots of hooks and the keys give it an 80s pop-metal vibe. Another cool thing about the album - they actually do a cover of a Blackfoot tune - "Send Me An Angel". I bet Ricky Medlocke is ready to cash those royalty checks!
    $14.00
  • "Balansia is the third release from the instrumental prog outfit from Finland called Hidria Spacefolk. Their music, I discovered, is a more clearer description of what could be truly termed "acid rock" in my mind. Mikko Happos' guitar work explodes like a shooting star that rides, reaches, and discovers an endless night. Janne Lounatvuori accentuates the ride with pulsing, hypnotic synths, electric & acoustic piano, and organ, especially on the songs "Astroban" and "Pajas." The six tunes, which total just over 50 minutes, channel fluidly from the hot (as in molten core) rhythms of Sami Wirkkala's intricate guitar weaves, Kimmo Dammerts' steady bass, and Teemu Kilponen's pounding drums. Hidria Spacefolk is a proper name for this band, as the use of trumpet, cello, slide, vibraphone, and marimba help make the journey complete, adding folk instruments to their sonic approach for a unique sound. The band soars, roars, and rambles through the outer limits of galaxies not yet discovered. Highly recommended!" - Sea Of Tranquility
    $13.00
  • "As we’ve been chronicling all year long, 2013 has been a great year for Norwegian progressive metal with some excellent progressive power metal from Illusion Suite, Tellus Requiem and Pellek, the new album by the long-running prog metal band Divided Multitude, the fantastic new album by Leprous and the exciting debut by Withem (you can read our review here).  Now, into that great mix the young band Vicinity has just released their debut full -length album, Awakening and it easily stands with the best of what their countrymen have produced this year. The band works in a decidedly melodic and dramatic fashion anchored around the wonderful voice of Alexander Lykke, the multi-faceted guitars of Kim-Marius Olsen and the powerful drumming of Frode Lillevold.  Interestingly there are no keyboards on the album (except for a few background sounds for effects) which wasn’t readily apparent to me at first because the songs are so well written and the vocal melodies are so strong. Olsen multi-tracks soft and harder textures to really give the album a rich sound.  The album has a great full sound and was mastered by the prolific Jens Bogren.Awakening is an hour long album but only has six songs.  Three are in the 11-14 minute range and the other three are between 5-6 minutes. The longer songs are not really more complex, but just feel necessary to the structure of each song which is really a testament to the band’s composition style -- the band will do a long song if warranted but works well in both long and short song formats.  The album begins with Mass Delusion which starts as a high-energy rocker but has a great instrumental mid-section that propels the song to its energetic conclusion. Opportunities Lost is the longest song on the album at over 14 minutes and is a deceptively simple song that consistently builds tension throughout the piece, alternates between short instrumental interludes, both soft and hard, and has a great vocal melody that ends in a wonderfully dramatic finale. Again, it’s fairly simple in structure but is so well written that I couldn’t believe it was as long as it was.  I was reminded of what great neo-progressive bands like IQ often do so well -- take a great idea and vary and expand on it to great emotional conclusions.  Across The River is a shorter, five minute song and is mostly a ballad that builds in intensity throughout to a powerful finale.   Walk All The Way is an 11-minute song that’s easily my favorite on the album as its got some of the most beautiful vocals on Awakening, has the heaviest section on the album right in the middle (complete with some harsher vocals for contrast and intensity) before building to a wonderfully majestic finale.  Olsen also really shines here as well with some great emotional soloing.  The Time For Change is next and it’s yet another amazing power ballad that shows, yet again how well this band can create drama and excitement.  The album ends with the 11 minute album title song that has a fairly heavy opening section but ends with a stunningly beautiful epic finish.  Honestly there’s not a weak moment on this album and if dramatic and emotionally affective progressive metal is your cup of tea, this album will hit you hard.Awakening is a really, really solid album that has so much going for it. It’s got a great, joyously youthful spirit and is decidedly focused on the emotional content instead of trying to wow the listener with technicality.   Vicinity is primarily a band of great melodic songwriters and they have the perfect vocalist in Lykke to carry out their vision of exciting  progressive music and if they continue on this path could really make some waves in this great genre." - Prog Metal Zone
    $15.00
  • "Trans-Siberian Orchestra's second album, Christmas Attic, may not be as focused or serious as Christmas Eve, but it is just as enjoyable and maybe even more consistent, thanks to Paul O'Neill's increasingly impressive compositions and an improved musicality." - Allmusic Guide
    $6.00
  • Second full length album from this quirky San Francisco based band led by the supremely talented vocalist Moorea Dickason and bassist Tarik Ragab.  This is an extremely tough band to pin down.  My understanding is they blew away the audience at their Rosfest performance.To paint a description with a very, very broad stroke I would compare them to District 97.  Moetar's music draws more from the pop side (think The Beatles) while District 97 moves in heavier circles.  Both bands feature very angular music.The tunes on the album tend to be a bit on the shorter side of the spectrum but if you listen carefully there is a lot of intricate playing going on.  I'm hearing a bit less of the Zappa influence this time around but there are undercurrents that burble up to the surface ie "Raze The Maze".  All in all excellent, oddball progressive minded music.  Highly recommended."Describing MoeTar is no easy feat. In fact, the task is as challenging as the band’s music itself. A simplistic and accurate statementcould be “MoeTar sounds like the Beatles + Frank Zappa + XTC on Acid”. You could also try to peg MoeTar to a list of genres, but who the hell knows what a prog-pop-fusion-avant fusion band sounds like anyway?MoeTar’s two main protagonists, lead singer Moorea Dickason and bassist/songwriter/lyricist Tarik Ragab, along with a versatile crew of musicians, including guitarist Matthew Charles Heulitt, drummer David Flores and keyboardist Matt Lebofsky, and keyboardist Jonathan Herrera create catchy, yet complex, music that attempts to make sense of our confusing world. The fact is, MoeTar’s music defies categorization and, therein, lies the band’s special appeal. Tricky rhythms and technical pyrotechnics are not in themselves anything special. On Entropy of the Century, MoeTar expands ist palette even further. The band understands the power of pop to deliver a message that sticks, but unlike most pop, uses the full breadth of the musical language to convey that message. Entropy of the Century captures an important new band coming into ist own, harnessing the disparate powers of ist extraordinary musicians for a common purpose. Don’t bother trying to define the band. Just listen."
    $14.00
  • With almost forty minutes of new material, AGUSA delivers a wide array of seamlessly-executed, organic rock on the aptly titled Agusa 2. The band’s tranquil output blends tripped-out psychedelic and progressive rock structures are inspired by more folk than occult influences, instilling visions of nature, the cosmos, and dreamlike passages, meandering into realms of a possibly supernatural or parallel existence. While not a fully instrumental recording, backing vocal mantras only seep in through purposeful cracks in the construction of these immense movements, adding an even more spacious feeling to the overall flow of the album.AGUSA was formed in the springtime of 2013, when Tobias Petterson and Mikael Ödesjö, former members of Kama Loka, recruited Dag Strömqvist and Jonas Berge for their early ‘70s progressive rock project. In the Summer, the outfit ventured out to the countryside where Dag lived, to a place called Agusa — virtually only a loose gathering of homes deep in the forest. Within these secluded surroundings, and the most amazingly sunny, warm Summer day, the new collective had an extensive, extremely inspired jam session which somewhat solidified the direction of their sound, so of course, the name AGUSA was simply perfect for the outfit.In the Autumn of 2014, the band went into the studio to record their first album, Högtid, which was released on vinyl and digital media in early 2014. After a handful of gigs during the Winter, Dag decided to leave AGUSA to travel around India, and following a number of auditions, Tim Wallander, also a member of blues trio Magic Jove, joined the band. In the beginning of 2015, the refreshed lineup went into Studio Möllan once again to record their sophomore full-length, this time having asked a close friend of theirs, Jenny Puertas, to play flute on the recording. The match was so perfect that the band instantly invited her into the band on a full-time basis, expanding their lineup once again. They began performing with this new arrangement weeks later, and have not looked back.CD mastering is courtesy of Bob Katz, done to his usual audiophile standards.
    $13.00
  • Current UK pressing of this rather obscure one...
    $14.00