Regeneration

SKU: NMR85142
Label:
Nightmare Records
Category:
Metal/Hard Rock
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Excellent futuristic conceptual work framing this band's progressive metal sound. Ascension Theorty consists of keyboardist Tim Becker and vocalist/guitarist Leon Ozug, Both were members of the now defunct Aztec Jade. This is a further refinement on that band's sound - with much improved. Ozug has always been a top shelf singer in need of greater exposure. Becker's keyboards and programming lend an epic quality to the production. My only reservation is about the lack of an actual drummer. With that fully disclosed I easily recommend this album.

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  • Well Steve is done resucitating the Genesis catalogue and back to concentrating on fresh solo material.  The new album Wolflight is a bit of a loose concept album and I find it to be one of his strongest releases in years.  The album is filled with lots of guests (including Chris Squire) contributing exotic instruments to the mix adding an old world sound.  Steve's trademark sound is locked into place so if you are looking for the wailing guitar, liquid runs and acoustic delicacy you won't be disappointed.  His vocals has never been my favorite part of a Steve Hackett album but either I've mellowed in age or his voice has - not sure which.  Regardless it fits the music just fine.  Classic Hackett and nothing less.  BUY OR DIE!Please note this is the US edition that arrives in a digipak.  Its a 2 disc set.  Disc 1 is the standard CD.  Disc 2 is actually a Blu-ray.  Tontent includes hi-res stereo and 5.1 mix of the album, 2 bonus tracks not on the standard CD (in hi-res no less!), and extensive interview footage with Steve Hackett.
    $14.00
  • Withem is an up and coming Norwegian progressive metal band, inspired by the likes of Symphony X, Pagan’s Mind, Dream Theater and Circus Maximus.The band started to take shape in 2011 when Øyvind Voldmo Larsen (guitars) and Ketil Ronold (keyboards) met the gifted drummer Frank Nordeng Røe. Soon they were joined by the vocal talents of Ole Aleksander Wagenius and bass duties were taken care of by the special guest Andreas Blomqvist from Seventh Wonder.Withem’s debut offers varied sonic landscapes for the listener to explore, ranging from guilty-pleasure choruses permeated with memorable vocal hooks, to symphonic epic themes.  The unique vocal range of Ole Aleksander Wagenius gives the band a distinctive touch to tackle the overcrowded progressive metal scene.The passion and dedication put into the album is emphasized by the countless hours spent in studio perfecting each individual performance and making sure that the end result is a world class blend of progressive, symphonic and power metal.The Point Of You was mastered by Markus Teske (Vanden Plas, Saga, Spock's Beard)
    $13.00
  • "The Prog Rock supergroup whose debut became the surprise hit of 2012 returns with a brand new album featuring an even more impressive lineup of stellar musicians and artists lending their talents to this incredible project!Features performances by mindblowing musicians Steve Stevens, Rick Wakeman, Steve Morse, Peter Banks (in his final appearance) as well as Captain Kirk himself William Shatner, PLUS members of Yes, Dream Theater, Nektar Asia, Gong and more!Deluxe digipak packaging!Performed by:Rick Wakeman Steve Stevens Chris Squire Peter Banks Steve Morse Larry Fast Alan Parsons Sonja Kristina Jordan Rudess Steve Hillage John Wesley Nik Turner Geoff Downes Roye Albrighton Gary Green Tony Kaye William Shatner Colin Moulding Mel Collins John Wetton Derek Sherinian Billy Sherwood Fee Waybill Patrick Moraz Jim Cuomo "
    $15.00
  • This is the second edition (limited to 500 copies) with different artwork than the first."Norway's Tusmørke (Norwegian for twilight) go straight to the heart of the psychedelic matter on their full-length debut album "Underjordisk Tusmørke" (Subterranean Twilight). Culling influences from such prog-psych luminaries as Gong and Caravan, krautrock giants like Can and Amon Düul 2, pagan folksters like The Incredible String Band as well as a healthy dose of Nordic folk music, Tusmørke present a dark cauldron of magical, musical potions.The band's history can be traced back to the mid-nineties and the budding, Scandinavian scene of new progressive bands. Back then, the Momrak twins who are the beating heart of Tusmørke called their band Les Fleurs de Mal. The band featured future Wobbler vocalist Andreas Prestmo, and shared the stage with other up-and-coming bands like White Willow. Via intricate pathways, this evolved into Tusmørke, whose music is darker, more intense and dare we say primeval, than the more delicate Les Fleurs de Mal.This album will conjure up images of pagan rites, witches dancing in the firelight serenading the new moon, eldritch wizards conjuring dark spirits… And it's no gimmick: This band lives and breathes the same air that flows through the magical lands their music describes.The album has been expertly recorded and produced by that master of retro productions, Lars Fredrik Frøislie (Wobbler, White Willow, In Lingua Mortua), and sounds so authentically analogue that you can practically smell the antique equipment that has been used for its making. Lars contributes mellotron, chamberlin, spinet, Hammond organ and a host of esoteric instruments on the album."
    $19.00
  • Knight Area has undergone a serious lineup change over the past year.  Lead guitar is now handled by Mark Bogert who you may remember from the late, great one-shot Penny's Twisted Flavor.  Bass and Moong Taurus pedals are the domain of the legendary Peter Vink.  Peter is of course well known as a key member of Q65, Finch, and more recently Arjen Lucassen's Ayreon and Star One projects.  These are two virtuoso musicians and they have been given full reign to flex their muscles in the band.The band decided to self-release this CD-EP as a teaser.  With this infusion of extremely gifted musicians you will now hear a turbo-charged version of Knight Area.  The sound is intact - no worries.  This is pure "sympho" that Knight Area does best.  The five tracks consist of three new ones as well as reinterpretations of two classic Knight Area tunes.New album released by Laser's Edge in 2014!
    $12.00
  • "Two years ago, a virtually unknown Russian band released a debut with chamber classical orchestration, gorgeous multi-layered vocals, and the occasional modern rock touch. Very few initially noticed it, but eventually by word of mouth, it became an unexpected favorite 2012 album in progressive rock, despite the scarcity of progressive rock elements. Listeners there mainly rated on songwriting and enjoyment.Now, we have a second iamthemorning album, expanding on the elements from the first album. A confident, mature album that will likely bring rave reviews all over the place given the band is not as obscure as in 2012.The music is once again heavily influenced by classical music. Vocals and piano continue creating the foundation of the music, with orchestral instrument, drums, and modern rock sounds adding layers whenever needed. Even the modern rock sounds are used in a very classical, 'iamthemorning' way.The added complexity of the music was a risk. After all, the debut's instantly rewarding melodies and its safe, if brilliant, songwriting approach made it very difficult for many listener to honestly hate such an album. Now, we're dealing with complexity levels more to the tune of classical music and progressive rock. This is now easily categorized as progressive rock, with less direct melodies, knotty musical ideas, occasionally long songs, more in-depth instrumentation and lyricism. The risk is that I enjoyed the first listen less than the first listen of the debut. However, I cannot decide which album I prefer now. I feel like this one has a few minor flaws based on the risk-taking approach, compared to the near-perfection pop of the debut. However, there are even more 'WOW!' moments here in my opinion, some of the very best musical passages I perceive to come across.Flaws? I seem to only gripe about the slow development of their last full song, the samples in 'Howler' and the beginning of 'K.O.S' with a repetitive, awkward drum beat and one-chord guitar riff. Luckily, the latter two songs are overall highly interesting and dynamic songs otherwise, which is why I said the flaws are not severe as they involve a small fraction of two songs.Strengths? It's hard to name them all. The intermissions remain impressive. The first one has such a captivating atmosphere, I can't imagine anyone being hard-pressed to say 'nah' and stop playing the album. The fourth intermission (titled XII) almost reaches song-like status in length, starting with classical violin and continuing with mesmerizing piano. The last intermission is almost transcendental in a spiritual sense.And then you have the songs and they are so, so good. All those subtle melodies and exciting instrumentation in 'Howler', the beautiful 'To Human Misery' with a very captivating main melody yet also with a lot of subtle instrumentation. I should try not to overuse the phrase 'subtle complexity', but I think that word really describes this album. Subtle complexity is what makes this album work so well: you latch on into some obvious melodies on first listen, but then all those little details won't make you lose interest. Every instrument plays melodies, sometimes simultaneously.'Romance' and '5/4' sound a bit like more intricate version of Tori Amos music. They are whimsical, enchanting yet quite complex in instrumentation. Those little details like the muted violin melodies and brief 'shredding' electric guitar that somehow sounds mellow. The '5/4' song is mostly in 6/4 actually, but when it shifts to a 5/4 meter playing a carnival-like atmosphere, it's pure genius, even if it sounds like a horrible idea at first listen. It's an odd choice for a single. I thought it would be 'The Simple Story' which is more instantly recognizable with its melodies and the great piano line near the end. 'Crowded Corridors' is possibly their most accomplished composition to date and also their longest by far at nearly 9 minutes. It begins relatively subdued with their typical instrumentation and vocalizations, if more haunting than usual. Something else going for it is the more 'epic', dramatic moments that work incredibly well. It'd be interesting if they revisit this approach to songwriting in later albums. A particular highlight, besides the obvious piano solo in the latter half, is a slow melody at minute 3 being revisited at the very end at a faster pace.By the way, most of these songs deviate from a typical song structure to help make it more impactful and dynamic. The song 'Gerda' starts very soft and delicate but later sounds very empowering and grand: it's yet another great song. 'Os Lunatum' starts as an outstanding piano + vocal duet, both at their very best, especially during the song's main hook. Guitars later become dominant on the song's instrumental section. The song concludes with a full band sound, the progression from the very beginning being very natural.'K O S' may be marginally a less enjoyable song here because of that first minute which sounds repetitive and lacks what I like about the band. The rest is an interesting experiment as they veer towards a progressive rock / alternative rock sound without fully losing their trademark vocals, pianos, and subtle way to adding melodic layers. I love the way it ends, reprising the intro in such a way that almost redeems it. The 'Reprise of Light no Light' is another lesser favorite, developing in a slow fashion that sometimes tests my patience. I do love that it, along with the last intermission, ends with peaceful, abstract noise.In the end, they have accomplished a very difficult feat, given the high standard the set themselves with their debut. This second album is very intelligent music as well as very deep, emotional music. It touches me. In the end, despite the occasional flaw, it's a masterpiece and I anticipate it being consistently among my favorite pieces of music regardless of genre alongside their debut." - ProgArchives
    $15.00
  • "Voivod is timeless. That doesn’t mean that the Quebec progressive thrash metal band is frozen in stasis. Rather, it’s a testament to their uncompromising insistence on ever-changing, experimental futurism, with every album existing outside of contemporary style in some alternate universe where guitar pickups are wormholes and drumbeats ripple gravity wells." - Montreal Gazette 
    $10.00
  • Important Italian composer finally getting attention. This was actually the only Italian Cosmic Couriers album - it was never released outside of Italy.The music is a bit minimalist in a Glass/Reich-ian way but not quite as repititous. Cacciapaglia plays a variety of keyboards (moog, piano, harpsichord, vcs3, organ, etc), guitar, and vibes. Other musicians contribute voice, horns, strings, winds, piano, and drums. It is a rather mesmerizing spacey affair but not at all like Tangerine Dream or Klaus Schulze.This set comes with a bonus CD featuring "15 bonus tracks recorded between 1972 & 1974". 
    $13.00
  • "A 5-track mini-album ‘little brother’ to the splendid Not The Weapon But The Hand, Arc Light features 4 new tracks and a new version of Intergalactic featuring Aziz Ibrahim (Stone Roses, Ian Brown) on guitar.Not The Weapon But The Hand was the 2012 debut album from the cult hero collaborative. It featured appearances from Danny Thompson on double bass, Chris Maitland (ex Porcupine Tree) on drums and Dave Gregory (XTC) on guitar, bass and string arrangementSteve Hogarth is best known as the frontman of Marillion, the progressive rock legends that he joined in 1989, following spells in The Europeans and How We Live. In addition to the 12 albums Marillion have released in this time he has also recorded and toured as a solo artist, under the name ‘h’.In recent years Richard Barbieri has been a core member of Porcupine Tree playing keyboards on all the band’s albums since 1993 as well as releasing two solo albums, Things Buried and Stranger Inside. Prior to this, it was in the new-wave pioneers Japan that he originally came to prominence, helping to create the ground-breaking synthesiser sound that defined the band and influenced the likes of The Human League, Duran Duran, Gary Numan, Talk Talk and a whole raft of artists to follow."
    $12.00
  • "Showtime, Storytime" contains NIGHTWISH's entire August 3 performance at the Wacken Open Air festival in Wacken, Germany. The show, which was played in the front of 85,000 screaming metalheads, was directed by Ville Lipiäinen, filmed with seventeen cameras and has a total running time of 85 minutes. The second disc consists of a 120-minute tour documentary, "Please Learn The Setlist In 48 Hours", also directed by Ville Lipiäinen, with no shortage of drama or overall madness. Also, there is a 16-minute NIGHTWISH Table Hockey Tournament, filmed on tour. In addition, there are two music clips: "I Want My Tears Back" (live at Hartwall Arena in Helsinki, Finland) and "Ghost Love Score" (live in Buenos Aires).The Wacken Open Air appearance was the first of the three final shows of NIGHTWISH's "Imaginaerum World Tour", which saw the band and their Dutch singer Floor Jansen (REVAMP, ex-AFTER FOREVER) playing 104 concerts in 34 different countries, with a total audience of over 1.5 million fans around the globe.Commented NIGHTWISH mastermind and keyboardist Tuomas Holopainen: "Our darling flying Dutchwoman, Floor Jansen, has been nothing but incredible during her time in NIGHTWISH on this tour, so this is a perfect opportunity to immortalize the current vibe of the band on film!"NIGHTWISH's setlist for the Wacken Open Air performance was as follows:01. Dark Chest Of Wonders02. Wish I Had An Angel03. She Is My Sin04. Ghost River05. Ever Dream06. Storytime07. I Want My Tears Back08. Nemo09. Last Of The Wilds10. Bless The Child11. Romanticide12. Amaranth13. Ghost Love Score14. Song Of Myself15. Last Ride Of The Day16. Outro (Imaginaerum)
    $33.00
  • Album number 14 from the premier American symphonic rock band.  Steve Babb and Fred Shendel mix up the deck a bit with different cast of characters but the core sound remains intact.  If you are unfamiliar with Glass Hammer what you need to know is that Steve and Fred have assimilated the best elements of 70s US and Euro prog and melded it into something fresh.  Vocalist Jon Davison sounds so much like Jon Anderson that he was actually poached by Yes!  This is lush symphonic rock with killer keys.  Think in terms of Yes, Kansas, ELP, and Gentle Giant and toss 'em in a blender.  That's the Glass Hammer sound.  Lots of interesting guests this time around.  Old GH alumni Walter Moore and Michelle Young make and appearance.  Higher profile guests include Randy Jackson (Zebra - not American Idol!), David Ragsdale (Kansas), and Rob Reed (Magenta).  Another triumph from the good old southern boys of prog.  Highly recommended.
    $12.00
  • Its been some time since Michael Harris' Thought Chamber project made its debut.  The band consists of Michael Harris (guitars), Ted Leonard (vocals), Bill Jenkins (keys), Jeff Plant (bass), and Mike Haid (drums).  Ted Leonard and Bill Jenkins will be familiar to you from their membership in Enchant (Ted is also fronting Spock's Beard now).Psykerion is a sci-fi cybermetal concept album.  Harris plays with a lot of restraint compared to some of his solo albums.  In fact I would classify it as tasteful.  Leonard is one of the best vocalists in prog and he doesn't disappoint.  Lots of solos flying around on guitar and keys but it maintains a melodic integrity through out.  Hopefully we don't have to wait another 7 years for the follow up.  Highly recommended.
    $12.00
  • Second album with the new singer, Paul Menel...for my taste the magic is gone and the music is more commercial...apparently for others he was actually their best singer.
    $14.00
  • Official 180 gram vinyl reprint. First album from this German band originally released in 1972. While the band's output showed a progressive decline as they went on, their first three albums were pretty good - with this one being the heads and shoulders best. The music revolves around the organ of Frieder Schmidt and phased guitar of Willie Wagner. While not the most complex music, the band settles into a nice groove with wicked soloing through out. There is even some 'tron lurking. Think Birth Control meets Deep Purple. I eat this stuff up - love it!FOREIGN CUSTOMERS PLEASE NOTE THAT WE WILL HAVE TO ADJUST YOUR SHIPPING CHARGES TO MORE ACCURATELY REFLECT OUR COSTS.
    $30.00