Relayer (CD/Blu-ray)

SKU: GYRBD50096
Label:
Panegyric
Category:
Progressive Rock
Add to wishlist 

Of all the Yes albums that needed a remix this is the one that needed it the most!

"Relayer (1974) is the third in a series of remixed and expanded Yes albums.

Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been remixed into stereo and 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.

The blu-ray also contains the original album mix in high-resolution, a complete alternate album running order drawn from demos and studio run-throughs. Additional exclusive Blu-Ray features include extra demo/studio run-throughs, full album instrumental mixes, a full album needle-drop of an original UK A1/B1 vinyl pressing, single edits, live tracks, and needle-drops of the banded tracks from the original US vinyl promo album.

Restored artwork approved by Roger Dean, the release of which coincides with the 40th anniversary of the album’s original late 1974 appearance."

Product Review

timhallbooks3
Sat, 2015-02-07 04:52
Rate: 
0
Of the three remixed Yes blu-rays, this was probably my least favorite in its original form. It's also the album that has benefited the most from Steve Wilson's remarkable work. The clarity of these new editions goes far beyond what I had become accustomed to with generic "remasters"--a remix is a completely different process, far more labor-intensive, using the original multitrack tapes. The results are spectacular. I bought a 5.1 surround system specifically to listen to the CTTE remix, and now I'm eyeing $500 Oppo players to match the beauty of these recordings. By the time I'm done these discs will have cost me a thousand dollars, LOL, but I'm not complaining. Also, I've bought all three Yes blu-ray remixes from Laser's Edge and the price and service is great. Highly recommended.
You must login or register to post reviews.

Product Review

timhallbooks3
Sat, 2015-02-07 04:52
Rate: 
0
Of the three remixed Yes blu-rays, this was probably my least favorite in its original form. It's also the album that has benefited the most from Steve Wilson's remarkable work. The clarity of these new editions goes far beyond what I had become accustomed to with generic "remasters"--a remix is a completely different process, far more labor-intensive, using the original multitrack tapes. The results are spectacular. I bought a 5.1 surround system specifically to listen to the CTTE remix, and now I'm eyeing $500 Oppo players to match the beauty of these recordings. By the time I'm done these discs will have cost me a thousand dollars, LOL, but I'm not complaining. Also, I've bought all three Yes blu-ray remixes from Laser's Edge and the price and service is great. Highly recommended.
You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Aranis, year 2014: a Belgian band that brings something definitely off the beaten tracks! The second installment in their "Made in Belgium" series (aka MIB 2) is now on the road...and it's more captivating than a thriller! In it, a subtle blend of rejuvenated classical influences mix with (aming other things and with no specific order) a touch of drumless/ clarinetless Balkanic Klezmer- punk, a glimpse of 100% Brussels- deserts tango and a few improvised moments that manage to never really sound like "jazz"...No easy label comes to mind when it comes to describe Aranis' sound...and so its should be! A pretty unpredictable sextet...Classical? Jazz? Folk? Rock?...Well, a little bit of all this...That's what you'll taste in the Aranis pizza! So, why wouldn't you treat your ears and get a slice of it? With real chunks of Peter Vermeersch (FES), Koen Van Roy (Cro Magnon), Walter Hus (Maximalist!), Ananta Roosens (La sieste du dromadaire), Aurélie Dorzée (Aurélia) and many others..."Second release in the series from this exciting Belgian chamber rock sextet.  This is more chamber than rock but it has a great kinetic energy that melds different styles - classicial, rock, klezmer, zeuhl - always keeping the listener on his toes.  Never abrasive - always mesmerizing.  Highly recommended.  ARANIS - SKIP 21 from Robbe Maes on Vimeo.
    $15.00
  • Neal Morse sez:" Another 5 Disc Live extravaganza fro Progressive Supergroup Transatlantic? Unbelievable! Sometimes when you are on tour you have the best gigs when the cameras aren't rolling. Such was the case with the Transatlantic Whird Tour one fateful night in Manchester, England. It was the last concert of a long tour and as live sound engineer (and acclaimed producer) Rich Mouser said, as we came off stage, 'Man, you guys really nailed it tonight!' So, this is the complete audio from Manchester, spread over 3 CD's, as well as a beautifully shot 2 DVD compilation from the famed, sold out concert in Tilburg, The Netherlands. Also included are great and hilarous excerpts from other gigs, featuring Mike Portnoy stage diving in Cologne, packaged in a gorgeous 5 Disc Digi-Pak. This is one othe fans are going to love!!!"
    $33.00
  • One of the most important progressive rock albums ever recorded. New 2007 Nick Davis remix. 
    $12.00
  • This is the new 40th anniversary edition.  The CD features the expanded set and given a new mix courtesy of Robert Fripp, Tony Arnold, and David Singleton.  The DVD-A features a hi-rez (24/96) stereo mix and hi-rez (24/48) versions of the 2005 mix as well as the 30th anniversary remaster.  You also get a 24/96 vinyl transfer.  I think Robert has definitely beaten this one to death.  Once you have this version there isn't anything left.
    $21.00
  • New solo album from the former Uriah Heep keyboardist features a who's who of AOR and hard rock. Guest vocalists include Jorn Lande, Glenn Hughes, John Lawton, and Eve Gallagher. It's a autobiographical story based on Hensley's exploits on the road in the 70s. Comes in an elaborate digipak.
    $10.00
  • Previously unreleased live recording from Gigi Venegoni's excellent fusion ensemble.
    $17.00
  • Finally back in print!"What a great album this is. The debut of Finnish band Hoyry-Kone. I prefer this one to the slightly more popular Huono Parturi. These guys sing in Finnish, and all the song titles are in Finnish, so apologies for not being able to put umlauts over almost every vowel. This album reminds me of Mr. Bungle, although the music here doesn't jump all over the place like it has a short attention span, like Bungle."Orn" starts almost funky with operatic vocals. Then some Crimson style guitar interplay before backwards effects. Later a more mellow section. Then some strong bass before it goes back to the funky opera part. "Hamaran Joutomaa" begins with Crimson like interlocking guitars. Later a nice melody on some instrument...a synth I guess. Singing starts. Later on goes into a different section thats more harder before some more Crimson style interlocking guitars. "Pannuhuoneesta" sounds like Bungle of the time. Very techno sounding."Luottamus" is a loungy jazz type of song. Nice melodic playing on violin and oboe. Good singing. Gets more orchestral with some acoustic guitar. "Kaivoonkatsoja" is an instrumental with metal riffing and symphonic violins. "Kosto" starts with acoustic upright bass, oboe, cello and vocals. Later almost slap style electric bass playing and drums. Gets more rocking with guitar near the end. Then just electric bass and cello."Hata" is another instrumental. Generally rocking, it changes throughout the song. I like the sound of the bass at the end. "Myrskynmusiikkia" starts out more rocking then goes into a part with vocals and tremolo guitar. Later bass, drums and violin. After some weird vocals. Goes back to vocals and tremolo guitar. Then full band again. "Hyonteiset" has a jazzy rhythm and acoustic guitar with vocals and violin/cello. The song ends and after a moment of silence some cacophony with tape speed altering.This is great progressive rock from 1995. Although this is technically avant-prog, it's not very dissonant or atonal at all. Highly recommended." - ProgArchives
    $20.00
  • A great archival score from this relatively new label out of Poland that is concentrating on Eastern European jazz and rock.  Previously unreleased live recording from 1975."SBB haven proven that there could be a world-class band in Poland. Sent on tour to Sweden in May 1975 to open for the second-rate British act Jack the Lad, SBB quickly stole the show and brought the house down. Contracted for the Roskilde Festival in 1978 as the first group from Poland ever. In their native country they were capable of playing as many as four concerts a day at one venue, and still all the tickets were sold out. They were big. Thanks to the previously unreleased live recording from 1975 we can prove it once again.The memorable performance at the „Jazz nad Odrą” festival in March 1975 was one of the very first to feature the band’s completely new setlist used (with a few alterations) during the next twelve months. The musicians performed the tracks from their second (not yet released) and third (not yet recorded) album, including the biggest hit up to date, „Z których krwi krew moja”. All the songs were merged in one long suite, incrusted with fierce and powerful improvisations. In 1976 the band began to expand the variety of instruments used and, as a result, never returned to the progressive (and aggressive!) formula so typical of 1975. Thanks to the Wrocław recording, however, we are lucky to experience once again the energy that radiated from the three extraordinary musicians.The material has been remastered from the original tapes in pristine quality."
    $15.00
  • Second album from this US psychedelic band features Dug Pinnick on bass and vocals.  If you like space rock/psych jams along the lines of Ozric Tentacles, Quantum Fantay, and Gong you need to these guys.  Wicked stuff.
    $16.00
  • Pro-shot DVD filmed on the Passion tour at Wyspianski Theatre in Poland from April 2011.  Comes with some bonus video footage - Nick Barrett interview and other stuff.
    $20.00
  • I Califfi made a killer prog rock album in 1972 called "Fiore Di Metallo".  Unfortunately this isn't it.  This is a 2CD collection of their earlier beat/psych sound from the last 60s.  If you like that sound there is a lot of material to dive into here.  Put your nehru jacket on and be happy.
    $4.00
  • "Hi Fiction Science comprises former members of Suncoil Sect and Fuzz Against Junk. Guitarist James McKeown is also known for his solo work released by Fruits de Mer and Reverb Worship. Following their self-titled debut album on own label Negative Drive and a 7" on Fruits de Mer, Hi Fiction Science have signed to Cherry Red offshoot Esoteric Antenna. Curious Yellow, their first release on this label, is a truly amazing synthesis of late 60s/early 70s-style electric folk, psychedelia, and electronica. Think Trees, Liege and Lief era Fairport, Pentangle, or any number of bands on the Erewhon History of UK Underground Folk-Rock compilation albums, combined with vintage electronica and ambient music; as bizarre as that description may sound, it really is a winning formula. Elsewhere they introduce elements of angular art-rock and intense psychedelic guitar work (Vapour), wordless vocal and electronic soundscaping (Komorebi), and in Curious Yellow they set a medievalesque song to mesmerisingly repetitive psychedelic instrumentation. This is a really exceptional album from a band I will definitely be looking out for more from in future." - Bliss/Aquamarine
    $17.00
  • "This album is the living proof that in my opinion progressive music will always survive. Even if the big fire seems to be reduced to a little flame, there is always something that will fan the fire now and then. Take for instance Big Big Train. In April 2002 I received a promo copy of“Bard” that was announced as the definitive studio album of Big Big Train. And I wrote the following conclusion in my review of “Bard”:I don't hope this is their last album. But if it is indeed the case than this “Bard” is a worthy last effort. It is just a good album with melodic, mellow prog. And I fell in love with the combination of tasteful mellotron sounds with acoustic guitar. This is not a spectacular album but it is relaxed, sounds great and has beautiful melodic moments and nice vocals.And now, two years later, this “Gathering speed” fell in my mail-box. I will not beat about the bush; this is the best CD I have heard of Big Big Train. A concept-album full of fresh and melodic symphonic/progressive rock. The album is mixed by Rob Aubrey and Andy Poole. The mastering is also by Rob Aubrey. IQ fans will recognize this name because he is also the sound engineer of IQ." - ProgVisions
    $12.00
  • "Released to massive European acclaim, Machine Head's full-length debut, Burn My Eyes, successfully bridges the gap between second-generation Bay Area thrash (Testament, Death Angel, etc.) and the modern-day Pantera school of hard knocks. Produced by underground stalwart Colin Richardson, Burn My Eyes is a bone-shattering exercise in brutality that gives Pantera's classic, Vulgar Display of Power, a good run for its money. A veteran of the Bay Area thrash scene, guitarist/vocalist Robb Flynn emerges as Machine Head's anchor. As guitar player of the riff-heavy yet vocally challenged band Vio-Lence, Flynn had already distinguished himself as a riff-making machine on tracks like "Serial Killer" and "Kill on Command." Interestingly, with the release of Burn My Eyes, every effort was made to cover up Flynn's involvement with his ex-bandmates. Looking back at it, it's easy to understand why. Because of the quick word of mouth in the underground metal community, comparisons to his ex-bandmates would have limited the impact of the record, possibly thwarting its merits. If Vio-Lence held promise, Machine Head was a different proposition all together. Anthems like "Davidian" are monstrous slabs of metal that, by far, eclipse anything Flynn had previously done. Nevertheless, Burn My Eyes is a classic debut and one that helped launch a huge European groundswell for the band that would result in a tour as Slayer's support act. A few months later, the Head would return and headline the very same venues in which they'd opened for Slayer." - Allmusic Guide
    $6.00