Remedy Lane

SKU: INO0501312
Label:
Inside Out
Category:
Metal/Hard Rock
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Yet another triumph from one of the most innovative forces in progressive music today. Another conceptual work that offers up elements of past works like "Entropia" and "Perfect Element". Crushingly heavy at times but always melodic. Enough time changes to knock any prog fan on their ass.

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  • Solo project put together by Children of Bodom keyboardist Janne Warmen. Mostly instrumental (with two notable exceptions) in nature - the overall sound is quite reminiscent of Vitalij Kuprij's albums - blistering neoclassical keyboard excusions with plenty of guitar interplay. There are two tracks with vocals - one features Kimberly Goss of Singery and the other one has Timo Koltipelto of Stratovarius out front.
    $6.00
  • Latest entrants in the German power metal gods sweepstakes features the wonderful Andy Franck (Ivanhoe, Symphorce) on vocals. Mixed by Sascha Paeth so you know it's gonna sound just right.
    $12.00
  • "The amazing musicians from Uzbekistan are back with “Sodom and Gomorrah,” a concept CD that features the acclaimed original FROMUZ line-up of Vitaly Popeloff (guitars), Albert Khalmurzaev (keyboards, guitars, vocals, harmonica), Vladimir Badirov (drums), and Andrey Mara-Novik (bass), plus Evgeniy Popelov (keyboards, vocals).“Sodom & Gomorrah” was originally composed by multi-instrumentalist Albert Khalmurzaev as the soundtrack for a theatrical musical production of the same name at the Youth Theatre of Uzbekistan. Reinterpreting the Biblical tale of “Sodom and Gomorrah” as a conceptual foundation, it tells the story of our modern world, ravaged by global addictions and vice that can only be remedied through a change from within the very heart of the human condition.This concept is conveyed through the well-established passion and incendiary musicianship that has become the hallmark of FROMUZ.  This is modern progressive rock at its very finest.FROMUZ originally performed “Sodom and Gomorrah” live over the course of three years, starting in 2004, actively working with the Youth Theater in Tashkent, Uzbekistan, as well as performances at prestigious theater festivals in St. Petersburg, Russia, the International Chekhov Festival (Moscow, Russia), and more.  The band recorded the soundtrack during this time-frame, but it wasn’t until 2012 that the decision was made to return to those tracks, editing, mixing, and mastering them for an official release."
    $12.00
  • "Signing on with Deep Purple/Black Sabbath producer Martin Birch, Blue Öyster Cult made more of a guitar-heavy hard rock album in Cultosaurus Erectus after flirting with pop ever since the success of Agents of Fortune. (They also promoted this album by going out on a co-headlining tour with Sabbath.) Gone are the female backup singers, the pop hooks, the songs based on keyboard structures, and they are replaced by lots of guitar solos and a beefed-up rhythm section. But the band still were not generating strong enough material to compete with their concert repertoire, so they found themselves in the bind of being a strong touring act unable to translate that success into record sales." - All Music Guide
    $5.00
  • Third Ion is a Canadian quartet who's music is squarely in the prog metal domain with a bit of a tech edge.  Oh yeah - I should mention that they have a bizarre obsession with video games.  With a background of playing in Into Eternity and The Devin Townsend Band you know straight away these guys have chops from hell.  This is one of those albums that can leave you off kilter as its constantly shifting directions but it has a melodic base to work from.  Vocals are totally clean and quite good - maybe a bit of a Maynard influence crops up here and there.  Keys are mainly used for texture but its important as a bed for the sick fretwork.  The insertion of "chiptune" sounds add an oddball factor - luckily they don't over do it.  So far 2015 has been a solid year for prog metal.  I expect Third Ion's debut to sit highly on top 10 lists at years end.  Highly recommended."Where to begin? Introducing the band Third Ion or my blatant skepticism about them? Actually both converge. Third Ion is a progressive metal band consisting of former members of Devin Townsend Project and Into Eternity. Their common interests revolve around prog, science, video games, which informs their music. So much so that lyrically the songs consider physics and metaphysics and, musically, the title track is written in 13/8 time signature. Moreover, all the songs will be released in 8-bit as an homage to early video games.And that's where my skepticism reared it's ugly head. Cripes. Chiptunes meets metal. Nintendo and Super Mario and their sparkle and glitter music invading my ear drums. And MIDI too. I hate that shit. And then to think of the players' former band background. No, not death vocals, too.But. Behold. My fears were unnecessary. 13/8Bit is some pretty classy and inventive melodic progressive metal, and there's no death metal vocals. Yeah, in the title track they do some of that Nintendo wonkery, but it's a rather cool and entertaining song, even playful. The songs are large on massive, but not deathly technical, riffs, inherent melody and harmony, and sufficient intrigue in arrangements. Then they're spiced by Justin Bender's spry and fierce guitar solos. Even bass player Mike Young gets to do so as within the second half of Particle Displacement Mechanism or Capitol Spill, by example. You'll also find Young's keyboards in the mix, notably within Time Lapse Beta, varying between simple piano to ethereal synths. Underneath, yet also nearly ubiquitous, are Aaron Edgar's drums, providing beat and rhythm, but also offering some flurries of poly-rhythms. Things do get slightly weird with the only instrumental, Van Halien. It sounds like chiptune, metal, and jazz fusion but, in the end, it's strangely convincing, even appealing. So my skepticism and fears were largely unfounded. Third Ion's 13/8Bit is creative and intriguing progressive metal, defintely worth your time and consideration. Recommended." - Dangerdog.com
    $10.00
  • 150 minute NTSC DVD from these German power metal icons. Featured performances include Wacken 2001 and from their Black Sun tour in 2002. There are video clips, stuff from Wacken 1999 as well as "bootleg" footage from various tours going back to 1998. The set includes a bonus CD called "Official Live Bootleg - Live In Wacken".
    $18.00
  • "As of late, at least with their previous album, and the current Pariah's Child, Finland's Sonata Arctica has been throwing their faithful some musical curve balls. Putting them in the category of traditional Scandi power metal is no longer fitting, although they do play the same and often.No, their sound is much more diverse, enterprising, these days. A good example is the song Half A Marathon Man. It's opening strokes of guitar, keyboards, then drums could lead to most any sound. But it delivers this huge rock grooved melodic metal monster, with hooks galore, from vocals to lyrics to riffs. Then there's the power metal romp of X Marks the Spot, disguised as a rock tune, and wrapped in the motif a religious revival. It's familiar, but strange; clever and a whole lot of fun. Also of note is What Did You Do In the War, Daddy which merges the feel of classic heavy metal anthem with the bluster of power metal in places.Yet something more familiar comes with the longest number, Larger Than Life, which sounds like old school Sonata Arctica, where they draw upon their symphonic progressive power metal roots. Perhaps still more straight forward Sonata Arctica is the first half of the album. Notably The Wolves Die Young or Take One Breath are classic Scandi melodic power metal tunes, straying little from the foundation from which the band was built. Yet, fans should know that it is no less interesting than the aforementioned more crafty pieces. Once more I think Pariah's Child represents Sonata Arctica as a band being carefully faithful to their roots, yet always moving forward in their creativity. Easily recommended." - Dangerdog.com
    $14.00
  • "“Oblivion” is the early episode of a conceptual saga set to be released in a trilogy format by this Multinational band called EXXILES, the man behind all that is the former REIGN OF THE ARCHITECT’s drummer Mauricio Bustamante (EVANGELIUM) from Mexico, he started working on his new production right after his departure from R.O.T.A. with a new goal in mind : Created a new entity under a variable geometry size, working as a band with a core of fellow Mexicain players, like guitar player Sergio Aguilar (AGORA), on Bass the talented Simon Rojas , Noel Martinez on keyboards or axeman Antonio Rivera (from the Death Metal band SOLITUDE) and a bunch of illustrious guests coming from every corner of the Prog Metal Universe, in order to form a community around a musical project with a strong focus on the human relationship notion.Of course the renowned musicians around Mauricio are coming from different area of the world and some are quite popular, as their original bands are among the most respected in the whole genre : namely SYMPHONY X / SAVATAGE / T.S.O./ REVOLUTION RENAISSANCE or CIRCUS MAXIMUS but also more underground but quite highly regarded such as COMMUNIC /AGORA or STREAM OF PASSION and to complete the team, some less known musicians yet hyper talented from the fertile Scandinavian ground, with members from LOST IN THOUGHTS/SPIRAL ARCHITECTS…Indeed, Øyvind Hægeland is brilliantly taking the Lead Vocal role on the odd timing driven pace of “Hopelessness”…Generous in circonvolutions and complex to the max!Musically very rich, it’s not easy to understand it at the first encounter, but I immediately discerned some obvious qualities, notably in the vocal department… Indeed the performances by Zak Stevens (CIRCLE II CIRCLE/ ex SAVATAGE) in the opening cut “A Better Legacy ” is convincing in his traditional majestic mode, but most of all the sonic enlightement comes from the great vocals provided by the Brazilian citizen Gus Monsanto (SYMBOLICA/ex ADAGIO /ex REVOLUTION RENAISSANCE / HUMAN FORTRESS) which are uppar with the most exigeant taste or in total coherence with the excessive perfectionism of some HM bloggers!This album will expand its qualities later, in a precise and clever way little by little, a long process to fully enjoy it in its fullness, the tagged identity is based around a Dark classy sound with some Melodic method and some intricate harmonic arrangements, more dramatic in the ambiances than it seems, while the smartness and the complex shape of their creative ways are updated by an evolutive style in a thick schema of Heaviness, and this intrepid proof of their capacity to created some unexpected ideas in a fresh theory and a regenerated light!Another great surprise is the Wilmer Waarbroek (already known from AYREON) vocal input at the end of the album in the duet of song “Awakening Part I (Dark Renaissance)”& “The Messenger”, ultra rewarding numbers, those songs along with Marcela Bovio in the Spanish song “Llorona” is another persuasive addition and a good alternative to the superb cast of vocalist!However, the superb singer Gus Monsanto is quite omnipresent while singing on 50% of the songs, this man is holding a serious set of pipes, giving a demonstration of his great polyvalency and contrast (“Page of the Night”), each track is well arranged, the succession of different pace is salvatory sharing some subtle progressive moments with some more Heavy spark in a very dense manners (the fantastic pair “Dictator of Trust”/”Anthem Of Lies”), some epic bombastic instrumental parts like in the unvocalized track “Entropy”,  a few piece of Prog Symphonic Metal with weird structure and some experimental orchestral sounds to create an impressive outcome, very well written with some incredible talented writing and utmost playing skills in every area, notably in the soloing sector, thanks to the guest appearances of some terrific players such as Mats Haugen (CIRCUS MAXIMUS) or David Grey (LOST IN THOUGHT) is the icing on the cake, the ultimate uplifting details to complete the whole .After the overflowing of essential releases in this genre, the ambitious EXXILES “Oblivion” first chapter is another good advice for the Smart-Metal-music avid fanatics and a tip for those who already missed PANTOMMIND ,,Searching For Eternity” or SOUL SECRET ,,4”…This time I hope my reminder will not fall into oblivion." - Metal Temple
    $12.00
  • Remastered edition with bonus tracks."Relieved from the pressures of having to record a hit single, Gary Moore cuts loose on some blues standards as well as some newer material. Moore plays better than ever, spitting out an endless stream of fiery licks that are both technically impressive and soulful. It's no wonder Still Got the Blues was his biggest hit." - Allmusic Guide
    $9.00
  • Current UK pressing of this rather obscure one...
    $14.00
  • New digipak edition of the rarest Italian prog album its certainly also one of the strangest... "This is one weird album indeed. Even more weird when you consider some of the musicians involved. For example you got keyboardist Charles Tiring. He was not your typical twenty-something like you usually expect in prog rock bands. At the time this album came out, he was said to be 68 years old (not likely alive these days) and married to an 18 year old, which meant that didn't exactly endear himself to the rest of the band (he left after this album and they became Antonius REX). The rest of the musicians included Anthony Bartoccetti on guitar, bass and vocals, Doris Norton (known as Fiamma Dello Spirito on this album) on vocals, violin, and flute, and someone named Franz Parthenzy conducting the medium. What's also weirder was they were exploring the occult, performing under séances. While other prog rock bands simply used keyboards like the Hammond organ, Charles Tiring went totally hog wild on the pipe organ, although he used the occasional Moog for sound effects, and harpsichord and piano on occasions. There are times that it's really difficult to call this prog rock, because it's not rock, and pipe organ is sometimes the only instrument used. The album opens up with "U.F.D.E.M." which is often regarded as the album's high point. Here you get pipe organ and harpsichord, with Doris Norton singing in Italian, sounding a bit like an Italian Anna Meek (of CATAPILLA fame). "Praesentia Domini" is largely pipe organ, but near the end comes some chanting in Latin, obviously a séance. "Jacula Valzer" is a nice, pleasant jazzy piece with that atmosphere of a bad early '70s horror film. This one features some nice flute and piano. "Long Black Magic Night" is another worth mentioning. Violin and flute dominates, and Doris Norton chants in English, and comes to demonstrate just how lousy her English is. This song even more just screams "bad horror film". Listening to this, you can just imagine the cobwebs, vampires, and a pipe organ. The last piece, "In Old Castle" is the most pointless piece, as it's all pipe organ and nothing else. "Tardo Pede In Magiam Versus" is a truly like or hate it album. Some just call this a bunch of Satanic nonsense, others call it spooky and Gothic. I can be certain GOBLIN had heard their share of JACULA and Antonius REX in their lifetime, especially since GOBLIN was best known for scoring gory Dario Argento horror flicks (luckily GOBLIN went for a more conventional prog/fusion direction, with normal instrumentations, even though they sometimes used pipe organ). The original LP of "Tardo..." isn't easy to come buy, but Mellow Records reissued it on CD, if you can find a copy for cheap, get it, for a curiosity, but I bet you that you'll probably be waiting for Halloween to play this. Weird album indeed that might scare a few people away." - Progarchives.com
    $16.00
  • "CRYSTAL VIPER are Poland s most promising Heavy Metal act. The band from Katowice has earned a fabulous reputation in the Metal underground with their previous releases and have recently played the Keep It True, Swordbrothers and many others major festivals. Singer Marta Gabriel is the centre point of the band, and implies a nice and charismatic appearance with a powerful Metal voice. Heavily influenced by the 80´s Metal of Judas Priest, Iron Maiden, early Manowar and the like, Crystal Viper draw immediate comparisons to the legendary WARLOCK (with Doro Pesch on vocals) but hold their own with their unique stylings. Crimen Excepta is their highly anticipated fourth album and features guest appearances by David Bower of Hell and Piotr Wiwczarek of Vader." Comes with 2 bonus tracks.
    $15.00
  • Remastered with 3 bonus tracks."Electric Light Orchestra continued on their winning Top 40 ways with the release of Discovery. Now pared down to the basic four-piece unit, Jeff Lynne continued to dominate the band and they still got their hits (this time around it was the smash "Don't Bring Me Down"). Elsewhere on the disc there was, of note, "Last Train to London" and "Confusion." Though Discovery charted well, it was becoming obvious that ELO were starting to run themselves out of useful Beatles hooks with which to fuel their hit-making machine." - Allmusic
    $5.00
  • Well Steve is done resucitating the Genesis catalogue and back to concentrating on fresh solo material.  The new album Wolflight is a bit of a loose concept album and I find it to be one of his strongest releases in years.  The album is filled with lots of guests (including Chris Squire) contributing exotic instruments to the mix adding an old world sound.  Steve's trademark sound is locked into place so if you are looking for the wailing guitar, liquid runs and acoustic delicacy you won't be disappointed.  His vocals has never been my favorite part of a Steve Hackett album but either I've mellowed in age or his voice has - not sure which.  Regardless it fits the music just fine.  Classic Hackett and nothing less.  BUY OR DIE!
    $12.00