Remedy Lane

SKU: INO0501312
Label:
Inside Out
Category:
Metal/Hard Rock
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Yet another triumph from one of the most innovative forces in progressive music today. Another conceptual work that offers up elements of past works like "Entropia" and "Perfect Element". Crushingly heavy at times but always melodic. Enough time changes to knock any prog fan on their ass.

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  • I Califfi made a killer prog rock album in 1972 called "Fiore Di Metallo".  Unfortunately this isn't it.  This is a 2CD collection of their earlier beat/psych sound from the last 60s.  If you like that sound there is a lot of material to dive into here.  Put your nehru jacket on and be happy.
    $4.00
  • Perhaps a bit of a rehash (or a further extension) of Leftoverture, it sold like mad back in 1977. Has the played-to-death-even-hear-it-in-elevators hit "Dust In The Wind". This remastered set also has two unreleased bonus tracks.
    $5.00
  • "Founded in 2011 by music composer an lyricist Luca Gagnoni with the intent of creating epic, powerful music with a peaceful message, Astral Domine have signed a deal with Bakerteam Records for the release of their debut album ‘Arcanum Gloriae’. Produced by the band itself, with mixing and mastering duties held by Andrea De Paoli (Labyrinth, Vision Divine) at Multimedia Sound Studio, ‘Arcanum Gloriae’ features special guest appearances by renowned singers Fabio Lione (Rhapsody Of Fire, Vision Divine, Hollow Haze) in the song ‘Where Heroes Die’ and Giuseppe “Ciape” Cialone (Rosae Crucis) on the song ‘Falsi Dei’. Inspired by fantasy themes and landscapes, Astral Domine’s music is perfectly depicted by the ‘evocative album artwork, which recalls the epic scenery of the Game Of Thrones series.After the epic-intro, comes the first big moment of the album; "Holy Knights" is an impressive epic and powerful metal song that combines the melody with the heaviness in such a unique way. The acoustic mellower parts give to the song the extra flavor and make this song an ecstatic moment. With "Moonlight" the band delivers a really heart-full tune filled with some amazing guitar lines. Brilliant stuff! "Where Heroes Die" is yet another highlight from this debut release. The appearance of Fabio Leone in this one takes the whole track into a higher dimension! "I'm The King" recalls some Malmsteen's earlier works while in "My Lord" the theatrical-movie elements along with melancholic vibe are making this tune a true highlight!All in all, this is an extremely interesting release all the way. This is not the ordinary epic power metal band; ASTRAL DOMINE delivers a solid record with a 'clever' way that finally achieve to fascinate the listener from start to finish! " - Heavy Paradise
    $12.00
  • One of the great prog albums of the 70s finally given an official reissue although for the time being it appears that its vinyl only.Kvartetten Som Sprängde recorded one album for the short lived Gump label (only 4 releases on the label I believe).  What a killer.  The band was an instrumental trio consisting of Rune Carlsson on drums and percussion, Fred Hellman on C-3 organ and piano, and Finn Sjöberg on guitar and flute.Kattvals features massive phat swirling organ sounds, lethal guitar leads, and a killer groove.  Musically the band is equally rooted in prog, jazz rock, hard rock, and even latin rock.  The band is often comparted to Santana and to some degree that is true.  Hellman's organ work brings to mind Greg Rolie.  He is the perfect foil for Sjöberg's fluid soloing.  The music has a bit of a loose jamming feel to it without flying off the handle.Quite simply one of the best.  BUY OR DIE!
    $32.00
  • Remastered edition with bonus tracks."Relieved from the pressures of having to record a hit single, Gary Moore cuts loose on some blues standards as well as some newer material. Moore plays better than ever, spitting out an endless stream of fiery licks that are both technically impressive and soulful. It's no wonder Still Got the Blues was his biggest hit." - Allmusic Guide
    $9.00
  • Remastered edition now featuring three live bonus tracks taken from the 1983 tour!! "Performance" is a bit maligned for some reason. The tunes are a bit more concise but it still captures the essence of the band. Recommended for sure.Please note this disc incorporates EMI copy control technology which seems to allow you to do whatever it is you would normally do with a CD but you can't rip it. Bummer.
    $13.00
  • Modern British progressive rock cut from similar cloth to Radiohead and Muse.
    $12.00
  • Sixth and easily best album from this long running UK based prog band. The core band is Andy Poole and Greg Spawton. The new vocalist is ex-Gifthorse member David Longdon who interestingly enough was one of the finalist as Phil Collins replacement in Genesis (Ray Wilson got the gig). He sounds remarkably like Collins. Lots of interesting hired guns on this disc: Nick D'Virgilio (Spocks Beard), Dave Gregory (XTC), Francis Dunnery (It Bites, Robert Plant), Jem Godfrey (Frost*). The album was mixed by Rob Aubrey who has worked with IQ, Transatlantic and Asia. If you dig Phil Collins era Genesis this album is going to send you into fits of ecstasy. This couldn't be characterized as anything but British progressive rock - they've got the sound nailed down pat. Grandiose neoprog with an obvious nod to Genesis and a real maturity about it. This is the good stuff. Highly recommended.
    $12.00
  • "Elora, is a progressive rock band from Marseille, France, that sings their songs in their native language. However, the powerful feelings and emotions are never lost in translation. The band is made up of: Damien Dahan and Anastasia Soeiro Moussali, on vocals; Lionel Giacobbe, on guitar; Jean-Vince Filipini, on bass; Patrice Cannone, on keyboards; and Julian Beaumont, on drums.The band name was inspired by Jean-Vince Filipini's daughter's name back in 2004. They have been playing venues in Marseille, ever since. They self-released a four track EP, back in 2010. But, 2013, looks to be their best year; with recent invites to the Prog Sud and Crescendo in France, Prog66 Meeting in Belgium, and the Progressive Promotion Festival in Germany.Anyone listening to this CD will immediately understand what the buzz is all about. This is brilliant modern prog, with some hints back to the Neo period. The pairing of Dahan and Moussali's vocals, often singing in duet, is an immediate bonus from the opening. Dahan does most of the lead singing, with Moussali, providing soft aesthetics.However, Anastasia Moussali gets her own lead track, "Ici Encore"; yes, "Here Again", and she fills it with emotion and feeling. Moussali and Dahan's vocals are difficult to find comparisons, providing another great advantage to their sound. "Control" is another of Moussali's best showcases on the album. She lifts her voice to soprano levels at times.The musicianship on this album is excellent. Giacobbe's lead guitar is always inspired, especially on "Ici Encore". Filipini's bass is solid throughout the album providing that deep sound balance with all the sparkling keys from Cannone. "Elle" is another great showcase for the bass talents of Filipini.Beaumont's drums get a good work out on the two part mini – epic "Espere". Moussali's vocals also shine well on both tracks of the set.  Cannone's keyboards, effects and piano fill every extra space in the soundscape here with magnificent sounds.The album's title and closing track, "Crash" is an over eight minute epic showcasing the talents of the entire band, especially Giacobbe's lead guitar work, Filipini's bass, and Beaumont's drums.This is an excellent new addition to modern progressive rock. Climb on board the ever crowding bandwagon while you can. After all…who doesn't want to hear French sung with such emotion and feeling, set to soft and interesting progressive harmonies?"  - Sea Of Tranquility
    $13.00
  • Mayan is the other band of Epica founder Mark Jansen.  As you can expect by now from Jansen, he doesn't do anything on a small scale.  Like Epica, Mayan is an epic sounding band.  The raison d'etre of Mayan is melodic death metal.  The band features Lauren Macri providing soprano vocals, Henning Basse on clean male vocals, and Jansen handles the death growls.  There is actually a pretty good balance between clean/death vocals.  As expected, lots of great guests - Floor Jansen appears on a couple of tracks, and Stream Of Passion's Marcel Bovio sings on three.  Dimitris Katsoulis contributes violin.  Mayan has coalesced into a band, as opposed to the debut which really was more of a project.  Symmetry guitarist Frank Schiphorst provides the shred, and ex-Delain bassist Rob Vander Loo is on board as well.  After Forever's Joost van den Broek co-produced the album and you get that larger than life sound that this music craves.   Oddly enough the album actually starts off with the bonus track...its a good one!  Highly recommended.
    $5.00
  • A future classic of progressive metal. Totally unique sound of extreme complexity and power. This Swedish band draws from different sources like Faith No More and Dream Theater but put a totally original spin on it.
    $12.00
  • Gatefold black vinyl edition features one bonus track as well as a CD of the album.Riverside's latest takes a bit of a swerve from their traditional sound.  Parts of the album bears the imprint of Mariusz Duda's solo work - its more laid back, more refined.  Other aspects of the album carry on with the sound that Riverside has developed over recent albums - chunky organ, trippy keyboard soloing and interstellar guitarwork.  This one is a grower.  At first listen it might not hit you but the more you scrape away at it the more you realize its dug deeper under your skin."For the past decade or so, Polish progressive rock/metal quartet Riverside set itself apart from their stylstiic brethren by offering distinguishing tones, mesmerizing atmospheres, and most importantly, remarkable songwriting. Sure, the band also infuses much of its music with the intricacy genre enthusiasts expect, but their melancholic, yet beautiful and earnest melodies and lyrics (credited mostly to singer/songwriter/bassist Mariusz Duda) have always come first. Perhaps nowhere in its discography is this more apparent than on their newest opus, Love, Fear and the Time Machine.Although it features a few complex arrangements, the record is by far Riverside’s most straightforward and accessible collection to date, showcasing a proclivity for upfront compositions like never before. While this may disappoint fans who adore the group’s more tangential, frantic instrumentation, rest assured that the album’s stunning emotionality and breathtaking arrangements more than make up for it. Without a doubt, Love, Fear and the Time Machine features some of the most gorgeous, tragic, and ultimately inspiring pieces Riverside have ever recorded, making it another exceptional entry in an invaluable catalog.According to Duda, the effort is a return to the softer, more ambient nature of Riverside’s debut, 2004’s Out of Myself. In fact, the foursome intentionally composed it “to combine the ‘70s and the ‘80s…[the songs] have never been so concise and to the point before.” Because of this new approach, the disc actually evokes Duda’s other project, Lunatic Soul, in subtle but substantial ways at times. Like almost all of Riverside’s previous works, Love, Fear and the Time Machine is also a conceptual record; specifically, it “talk[s] about transformation. About making an important, perhaps life-changing decision everyone has to make at some point in their lives…on the one hand, we’re excited by the change…[but] on the other, we fear the unknown.” Ultimately, the lesson to be learned from it is that “if we sometimes get lost in life, it is to go through something and be found again on the other side, to be reborn as someone better and more valuable.”Fittingly, then, the sequence starts with “Lost (Why Should I Be Frightened by a Hat?)”, which is arguably its best track. Duda begins by reciting a philosophical recollection over a delicate ether of keyboards and bass and guitar notes. Afterward, he launches into a catchy and charming chorus: “Come follow me / We’ll go down / Where the river flows / One day / Just you and I will find a bridge / To another land”. Duda layers his voices too, making it even more gripping, and in-between his passages, guitarist Piotr Grudziński issues his signature soaring accompaniment as the composition evolves. Drummer Piotr Kozieradzki keeps things steady throughout, while keyboardist Michał Łapaj gets the spotlight during the final seconds. Ultimately, “Lost” exemplifies the magnificent succinctness that makes Love, Fear and the Time Machine distinctive in the Riverside canon.Later on, “#Addicted” truly feels like a progressive rock take on the Cure in several ways, such as its dominant bass lines, starry guitar lines, and wistful singing which finds Duda channeling a silky falsetto he’s never really attempted before. There’s also a brief acoustic guitar arpeggio at the end that’s very enjoyable. Lyrically, it serves as a commentary on how social media can transform people into egocentric users who base their self-worth on their digital populiarty. In this way, both its lyrics and music find Riverside stretching slightly beyond its comfort zone, but the result is undeniably, well, addictive.“Caterpillar and the Barbed Wire” feels more traditional, with Duda’s sorrowful confessions and counterpoints perfectly complemented by sharp guitar riffs, aching solos, enveloping percussion, and a moving layer of synthesized splendor. Honestly, it’s like a heartbreaking and somewhat more colorful missing track from Shine of New Generation Slaves, whereas “Saturate Me” contains the sleek yet eccentric tones and virtuosic yet blunt balance that made up the best moments on Rapid Eye Movement. Of course, its sad ponderings, such as “Am I Invisible? / Or alive? / I don’t want to feel like I’m no one anymore”, are archetypal Riverside sentiments, and the interlocking musical patterns (especially near the end) are equally touching.The most commercial segment on Love, Fear and the Time Machine is surely “Discard Your Fear”; however, despite that typically negative connotation, the song’s approachability doesn’t get in the way of its worth. Rather, it’s uplifting message and relatively simple and familiar construction could earn Riverside an entirely new camp of fans. It’s actually quite cathartic, as is the dreamy and tasteful “Toward the Blue Horizon”, which begins and ends as a luscious ode (with lovely piano chords) while transforming into a progressive metal workout in the middle.Both of the record’s final two pieces—“Time Travellers” and “Found (The Unexpected Flaw of Searching)”—are wonderful. The former is an exquisite acoustic ballad about past possibilities and the unforeseen future. Its winding melodies and spaciousness are the standout features, as the rest of the band lets Duda’s voice lead the way, resulting in a simple but commanding experience. In contrast, the latter is more elaborate, impactful, and conclusive, with a strong sense of closure and acceptance, as the speaker realizes the importance of his or her experiences, uncertainties, and decisions. The music builds with great pacing, adding more beautiful layers as the chorus (“It’s a lovely life / You have gone so far / Don’t give it up / Oh, it’s a lovely life / Gotta go with what you think is right”) repeats with sleek harmonies. By the end, listeners are left in awe, reevaluating their own sense of purpose and optimism.Love, Fear and the Time Machine is likely the most polarizing record Riverside has made, as it could be considered both the band’s strongest and weakest full-length effort. Fans hoping for virtuosic jams and unexpected sounds won’t really find them here, while fans looking for more of Riverside’s token elegant instrumentation, affective melodies, and poetic, rich singing will be satisfied beyond measure. Either way, Love, Fear and the Time Machine definitely finds its creators reaching for new, if marginally different, heights, which is commendable in and of itself. Roughly ten years on, Riverside remains as special as ever, and Love, Fear and the Time Machine is, in several ways, its truest work of art." - Pop Matters
    $22.00
  • Third album from this fine Italian band.  Empyrios is led by DGM guitarist Simone Mularoni. In the past the band would seamlessly blend prog and industrial metal.  This time the music veers much more towards the heavier end of the spectrum.  There are some remnants of prog left but really they are going more for a sound akin to Nevermore and Mnemic.  Vocalist Silvio Mancini jumps back and forth between clean and harsh vocals enough to keep things interesting.  Crushing stuff.
    $14.00
  • "Let’s welcome a new and extremely promising progressive rock act from Israel whose songs stand for a successful balancing act between traditional elements and the future of the genre. The band is called Ephrat, has found renowned supporters in Steven Wilson (Porcupine Tree), who mixed their debut album No One´s Words, and guest vocalists Daniel Gildenlöw (Pain Of Salvation) and Petronella Nettermalm (Paatos), and delivers a colourful mix of European influences and the atmospheric tone sequences of the Middle East - the benchmark data of a new group could hardly be more promising.Mastermind, guitarist, flutist, keyboardist and sole composer of the quartet is Omer Ephrat, who describes his creative visions as follows: “It’s sophisticated progressive music that’s driven by a rock’n’roll feel. But I really think that my music sometimes slips from those definitions and creates a new entity. The main influences range from the progressive rock groups of the Seventies, such as Yes, Rush, Pink Floyd, Deep Purple and King Crimson to newer metal bands like Metallica, Megadeth, Porcupine Tree, Dream Theater and many more.” In addition, there are cross-references to the band’s native country. “The Mediterranean and ethnic characters that this country holds are alive and well in my music, whether I like it or not,” says Omer Ephrat. “I think the contrast of a European country mixed with an ethnic one – that’s the way I see Israel – is exactly what’s happening on this album. It’s not a bad thing, it’s one of the things that make the music original and special.” Alongside Omer Ephrat, the band consists of Gili Rosenberg, vocalist Lior Seker and drummer Tomer Z, whom experts of the genre know from his collaboration with Blackfield. Then there are two high-carat guests who add additional specks of colour to this diverse album. The most renowned of them is Daniel Gildenlöw, boss and chief visionary of Swedish elite prog rock act, Pain Of Salvation, who recorded the lead vocals of the almost 10-minute ‘The Sum Of Damage Done’. “Before the first note was composed for this album, I knew I wanted Daniel to be on it,” Omer Ephrat confesses. “Apart from being a very talented musician and gifted vocalist, I think that he’s something very unique in the progressive genre and to me symbolizes the endless possibilities of the progressive genre to evolve. It was great working with him, and I think he adds a new aspect to the album. He did a great job writing the lyrics for his song, and of course recording the vocals.”By no means less impressive is Petronella Nettermalm’s melancholy voice on ‘Haze’, which lends an interesting Björk/Portisheadesque flair to the track: “This match was initially suggested by Steven Wilson, who suggested that I should listen to her band Paatos and consider adding her to the project. So I did, and it was love at first listen. She has a unique voice and feel that I just had to have on this album. After hearing her voice, I wrote ‘Haze’ in less than five minutes, inspired by the collaboration that could be. Our collaboration was so successful that Petronella added her voice to a second song, ‘Real’, along with the main vocalist, Lior Seker.”The cherry on this cake consisting of haunting tracks is the warm, transparent mix courtesy of Steven Wilson, whom Omer Ephrat contacted for the first time by e-mail two years ago. “Not long after, he got back to me and was very excited about what he had heard, wanting to meet me in Tel-Aviv. Steven offered to mix and master the album. His mix makes the album what it is. He understands music and knows how to handle it to get it where it belongs.”"
    $14.00