Remedy Lane

SKU: INO0501312
Label:
Inside Out
Category:
Metal/Hard Rock
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Yet another triumph from one of the most innovative forces in progressive music today. Another conceptual work that offers up elements of past works like "Entropia" and "Perfect Element". Crushingly heavy at times but always melodic. Enough time changes to knock any prog fan on their ass.

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  • "Elora, is a progressive rock band from Marseille, France, that sings their songs in their native language. However, the powerful feelings and emotions are never lost in translation. The band is made up of: Damien Dahan and Anastasia Soeiro Moussali, on vocals; Lionel Giacobbe, on guitar; Jean-Vince Filipini, on bass; Patrice Cannone, on keyboards; and Julian Beaumont, on drums.The band name was inspired by Jean-Vince Filipini's daughter's name back in 2004. They have been playing venues in Marseille, ever since. They self-released a four track EP, back in 2010. But, 2013, looks to be their best year; with recent invites to the Prog Sud and Crescendo in France, Prog66 Meeting in Belgium, and the Progressive Promotion Festival in Germany.Anyone listening to this CD will immediately understand what the buzz is all about. This is brilliant modern prog, with some hints back to the Neo period. The pairing of Dahan and Moussali's vocals, often singing in duet, is an immediate bonus from the opening. Dahan does most of the lead singing, with Moussali, providing soft aesthetics.However, Anastasia Moussali gets her own lead track, "Ici Encore"; yes, "Here Again", and she fills it with emotion and feeling. Moussali and Dahan's vocals are difficult to find comparisons, providing another great advantage to their sound. "Control" is another of Moussali's best showcases on the album. She lifts her voice to soprano levels at times.The musicianship on this album is excellent. Giacobbe's lead guitar is always inspired, especially on "Ici Encore". Filipini's bass is solid throughout the album providing that deep sound balance with all the sparkling keys from Cannone. "Elle" is another great showcase for the bass talents of Filipini.Beaumont's drums get a good work out on the two part mini – epic "Espere". Moussali's vocals also shine well on both tracks of the set.  Cannone's keyboards, effects and piano fill every extra space in the soundscape here with magnificent sounds.The album's title and closing track, "Crash" is an over eight minute epic showcasing the talents of the entire band, especially Giacobbe's lead guitar work, Filipini's bass, and Beaumont's drums.This is an excellent new addition to modern progressive rock. Climb on board the ever crowding bandwagon while you can. After all…who doesn't want to hear French sung with such emotion and feeling, set to soft and interesting progressive harmonies?"  - Sea Of Tranquility
    $13.00
  • German import digibook comes with 3 exclusive bonus tracks. "All eyes are on Gus G., especially from the casual mainstream heavy music follower who probably just discovered this axe-slinger’s skill set taking over for Zakk Wylde as Ozzy Osbourne’s guitar man. Those of us stalwart metal maniacs know Gus from his work in Mystic Prophecy, Nightrage, and Dream Evil through the years, but Firewind has always been his main original productive act, releasing five power metal albums prior to Days of Defiance. Does this latest album deserve wider adulation and popularity? I would safely say that following the 35-second acoustic opening to “The Ark of Lies”, Gus comes out of the gates with a fireball riff attack and vocalist Apollo Papathanasio delivers the complementary blues based melodic metal pipes you expect much like the old Dio/Blackmore or Coverdale/Sykes days. As a band, Firewind prefer to keep the emphasis on catchy verse/chorus oriented material, leaving most of the shake and bake instrumental flexing for the solos or brief interludes like the keyboard galaxy event “The Departure” or the 5-minute plus sans vocals “SKG” where keyboardist/guitarist Bob Katsionis puts on a speed finger play clinic of the neo-classical kind. Those who love faster numbers that showcase drum work fueled by hurricane arm/leg movement, a firm keyboard underpinning and the back and forth chemistry that classic singers and guitarists feed off of should delight in the Rainbow-like “Heading For the Dawn” and “When All Is Said.” Contrasting that material you can count on a few tracks with definite commercial potential- such as the Riot-meets-Maiden dynamic within “Chariot” or the quieter power ballad “Broken” where Apollo’s bluesy charm shines. Days of Defiance contains the desired balance between the average Firewind follower’s expectations and the five piece’s insistence to challenge themselves in terms of technique and songwriting ability. If pushed correctly, Gus G and Firewind could get used to a hefty touring cycle and bigger sales as this clearly is their most accomplished album to date. - Matt Coe/blistering.com
    $17.00
  • "CRYSTAL VIPER are Poland s most promising Heavy Metal act. The band from Katowice has earned a fabulous reputation in the Metal underground with their previous releases and have recently played the Keep It True, Swordbrothers and many others major festivals. Singer Marta Gabriel is the centre point of the band, and implies a nice and charismatic appearance with a powerful Metal voice. Heavily influenced by the 80´s Metal of Judas Priest, Iron Maiden, early Manowar and the like, Crystal Viper draw immediate comparisons to the legendary WARLOCK (with Doro Pesch on vocals) but hold their own with their unique stylings. Crimen Excepta is their highly anticipated fourth album and features guest appearances by David Bower of Hell and Piotr Wiwczarek of Vader." Comes with 2 bonus tracks.
    $15.00
  • "here have been many waves of thrash metal in the course of the past three decades. The whole scene started in the early ‘80s with the Big Four—Metallica, Megadeth, Slayer, Anthrax—and the numerous American and German thrash bands that followed them. In the late ‘80s and early ‘90s, as thrash started to fade, the second wave began, with less-prominent American thrash bands and German bands attempting to keep the scene alive while the Big Four stagnated or lost relevance. In the late ‘90s, a new wave of thrash bands from Europe, led by the Haunted and Darkane, took on the mantle of thrash revivalists, helping to bring the scene back.Now, in the last five years, a whole new group of young American thrash bands have attempted to bring back the old-school thrash style of the ‘80s with their fast, technical play and raw production. Bonded by Blood is one of the bands in this fourth wave of thrash, and its debut Feed the Beast showed a lot of promise. The band’s sophomore effort, Exiled to Earth, upholds the high standard Bonded by Blood set for itself and even sees the group surpass it in some ways.Exiled to Earth is unique in that it’s a concept album, which is incredibly rare to see in thrash. The album tells the story of an alien race known as the Crong, who come to Earth intent on conquest. A group of warriors must fight back against the Crong to regain control of the planet and save the human race. Almost none of the veteran thrash bands ever attempted to create a concept album, so seeing one of the young bands do that shows a lot of maturity and inventiveness. The concept only exists in the lyrics, so it doesn’t distract from the music in any way. However, it also makes the lyrics even more interesting to read and memorize, for those who enjoy doing such things.Musically, Exiled to Earth is a throwback to the glory days of thrash in the early ‘80s with just enough young energy added to make it sound fresh. This will make the album a big hit among both diehard thrash veterans and newcomers to the genre. Guitarists Alex Lee and Juan Juarez channel the best parts of Slayer from Reign in Blood and Seasons in the Abyss, from the lightning-fast solos to the impossibly tight riffing. Vocalist Jose Barrales is a dead ringer for Bobby “Blitz” Ellsworth of Overkill, using the same high-pitched, urgent delivery of the veteran. Drummer Carlos Regalado and bassist Jerry Garcia keep the rhythm section together from start to finish, reminding listeners simultaneously of Ton Hunting from Exodus and David Ellefson of Megadeth.In short, Bonded by Blood has created a titanic record that raises the bar for all of its contemporaries. The other young thrash bands have held their own up until this point, but Bonded by Blood is now the first one to step out and make a statement. Exiled to Earth shows all doubters that this band is the real deal, capable of playing with the veterans as well as its peers. Expect to hear more great things from Bonded by Blood in the future." - Pop Matters
    $5.00
  • Sixth and easily best album from this long running UK based prog band. The core band is Andy Poole and Greg Spawton. The new vocalist is ex-Gifthorse member David Longdon who interestingly enough was one of the finalist as Phil Collins replacement in Genesis (Ray Wilson got the gig). He sounds remarkably like Collins. Lots of interesting hired guns on this disc: Nick D'Virgilio (Spocks Beard), Dave Gregory (XTC), Francis Dunnery (It Bites, Robert Plant), Jem Godfrey (Frost*). The album was mixed by Rob Aubrey who has worked with IQ, Transatlantic and Asia. If you dig Phil Collins era Genesis this album is going to send you into fits of ecstasy. This couldn't be characterized as anything but British progressive rock - they've got the sound nailed down pat. Grandiose neoprog with an obvious nod to Genesis and a real maturity about it. This is the good stuff. Highly recommended.
    $12.00
  • New budget priced remixed and remastered edition of the 2nd album from the French Canadian band. Their debut album Food For Thought Substitute is a wonderful eclectic blend of lite progmetal and progressive rock. On the new album all of the metal influences are gone. This is guitar driven melodic progressive rock with a nice degree of complexity. The singer still sounds like Jon Bon Jovi!! If you really liked the first album I think you'll find plenty to appreciate here but if you like a harder edged sound you may want to stay clear.
    $10.00
  • Third album from this fine Italian band.  Empyrios is led by DGM guitarist Simone Mularoni. In the past the band would seamlessly blend prog and industrial metal.  This time the music veers much more towards the heavier end of the spectrum.  There are some remnants of prog left but really they are going more for a sound akin to Nevermore and Mnemic.  Vocalist Silvio Mancini jumps back and forth between clean and harsh vocals enough to keep things interesting.  Crushing stuff.
    $14.00
  • "The Aristocrats by any measure the hottest new band in instrumental rock/fusion today rewrote their own rules for their third studio album, Tres Caballeros. After two fairly raw trio albums, guitarist Guthrie Govan (Steven Wilson, Asia/GPS), bassist Bryan Beller (Joe Satriani, Dethklok) and drummer Marco Minnemann (Steven Wilson, Joe Satriani) set up camp at legendary Sunset Sound studios in Hollywood, CA, where Led Zeppelin, The Rolling Stones and Van Halen all recorded landmark albums. The result: Nine new compositions of greater sonic depth and breadth than ever before, with unique textures and lush layering augmenting the band s preternatural ability to improvise at the highest levels possible. But it s all still tempered with a steadfast refusal to take themselves too seriously, and The Aristocrats are still having more fun than a fusion band has any right to have. We ve learned a lot since we started this band four years, three studio albums, two live DVDs and about a billion notes ago! and I think our latest offering reflects this in all kinds of ways, says guitarist Guthrie Govan. The decision to road-test our new material in front of a live audience before commencing the recording process; the choice to record in a studio which had some thoroughly inspiring rock'n'roll "mojo"; our sudden urge to become more bold and experimental with overdubs rather than feeling any pressure to record exclusively in a strict trio format... all of this has had some kind of positive effect on the way the new record came out. Plus, I think the material on this album is some of the most interesting stuff we ve ever written for each other, so... here s hoping our noble listeners will like the finished product as much as we do! Deluxe Edition Bonus DVD Features 30min documentary w/exclusive individual interviews, studio & live footage Bonus audio (outtakes/demos) & group interview"
    $19.00
  • "It all begins at the end of one man’s life. He hangs on the noose, lit by a single spotlight as a viscous clot of blood gradually oozes from his mouth. Misshapen, deformed and attired in archaic garments he dangles, suspended in death, as dark ambient shamans Ulver are hidden below him on a blacked-out stage.A piano plays a fragile lament while rumbling effects and growling samples ebb and flow. And a song that is one man’s coda becomes redefined as a sunrise is projected upon the screen behind the band, and Kristoffer Rygg steps up to the microphone to begin “EOS”. Thus begins Ulver: The Norwegian National Opera, the mesmerizing and stunning beautiful live DVD release from Norway’s masters of avant-garde and enigmatic electronica.Ulver of course know a few things about redefining expectations. At one stage they were a celebrated black metal band, but in the late ’90s they dispensed with the traditional accoutrements of black metal and morphed into an entirely different beast. Traces of their metal past remain fixed in their DNA, especially in their desolate iciness and forever-questioning aesthetic, but for many years now the band has been releasing acclaimed works that blend progressive electronica and glacial neo-classical treatments with shimmering, hypnotic rock.Aside from one show in 1993, Ulver had always been a studio-based outfit. But in 2009 the band was lured onto the stage for Norway’s Festival of Literature, which in turn led to them play a series of sold-out shows in some of Europe’s most renowned venues throughout 2010. Ulver: The Norwegian National Opera was recorded in Oslo at the end of that touring cycle, not long before the band went into the studio to record 2011’s highly rated Wars of the Roses album. Captured by 6 HD cameras, the show features guest appearances by electronics guru Christian Fennesz and performance artist Ian Johnstone (who plays the aforementioned role of the late Mr. Ark Todd, and look out for his inscrutable resurrection to end the show on an enigmatic note).The DVD features material from throughout Ulver’s electronic and experimental years, with tracks from the Perdition City, Svidd Neger, Blood Inside and Shadows of the Sun albums, and the Silence Teaches You How to Sing and A Quick Fix of Melancholy EPs. It’s best to think of the DVD in terms of an all-encompassing experience. Breaking the show down into constituent parts defeats its purpose entirely. I could obviously explain to you how the band’s performances of “For the Love of God”, “Funebre” or “Let the Children Go” play out in regard to the overall set, but there’s a clue on the DVD menu to remind you that plucking fragments from the show is inadvisable—there’s no ‘play all’ choice here, just one word: witness. That, more than any of the words I’m about to type, sums the DVD up perfectly.Spectacular visual accompaniments are projected on a mammoth screen behind the band. Ulver’s set is built atop waves of oscillating and juxtaposing currents, and as the rhythmic pulse shifts the imagery evolves. Varying images of mankind’s atrocities, nature’s majesty and preternatural mystery mimic the cadence of the show perfectly. The vast array of metaphoric, allegorical or representative imagery bolsters or offers a stark counterpoint to the tracks, and as the show progresses it becomes impossible to separate the visual from the musical.That’s not to suggest that taken in isolation the music is somehow lacking, it’s not, and a CD release of the soundtrack alone would be incredible. The vintage synths, creeping effects, droning guitar, dulcet vocals, piano and percussion that Ulver wield all fuse into a singularly mesmeric force. The set-list has obviously been assembled with a cinematic vision (perhaps operatic is more apt), and the music alone sets you on a path where the idea of stepping off is unfeasible. For 90-plus minutes the band unhurriedly manipulates and tweaks their sound. With many songs bleeding into one another, Ulver constructs a show that takes you on a skillfully paced, sweeping and euphonious voyage—where the pitch and sway, the crescendos and hypnotic undercurrents, guide you through a raft of emotive states.I had high expectations for Ulver: The Norwegian National Opera and I was not, for one second, anything less than enthralled. Expertly edited by Erlend Gjertsen, and mixed by the band at their own Crystal Canyon Studios in Oslo, the entire package is pristinely rendered, and is a sumptuous feast for the eyes and the ears. Ulver have always been a prime example of the transformative beauty of artists dedicated to producing work that is innovative and imaginative. And galvanized and inspired by celestial, terrestrial and otherworldly endeavors, Ulver: The Norwegian National Opera is a firm reminder of the transfixing (and yes, even transcendental) power of authentically progressive music. I couldn’t recommend it highly enough." - Hellbound.ca
    $15.00
  • 150 minute NTSC DVD from these German power metal icons. Featured performances include Wacken 2001 and from their Black Sun tour in 2002. There are video clips, stuff from Wacken 1999 as well as "bootleg" footage from various tours going back to 1998. The set includes a bonus CD called "Official Live Bootleg - Live In Wacken".
    $18.00
  • 2nd album from this Dream Theater influenced band from Italy. To me this sounded like good Six Degrees type stuff...others have said otherwise.Scored some cheap copies - these shouldn't last long.
    $8.00
  • Innovative Danish band who's style of metal is tough to pinpoint. The music has technicality to it and is definitely progressive but there are other elements at play...thrash and industrial as well. It's sort of a cross between Meshuggah and Fear Factory. The vocals are a predominantly coarse but there is no deep growling going on.
    $10.00
  • Current UK pressing of this rather obscure one...
    $14.00
  • Magenta's latest finds them returning to an overtly progressive rock sound and the music is all the better for it.  The Twenty Seven Club is a concept album based around famous rock stars that died at the age of 27 (Janis Joplin, Jim Morrison, Jimi Hedrix, Kurt Cobain, ao).  The core lineup is Rob Reed, Christina Booth, and Chris Fry.  For this album the band is rounded out by guest drummer Andy Edwards of IQ.  Reed's keyboard work is back in the fore and Fry's Howe-isms on guitar always bring a polish to the music (and grin on the face).  Christina Booth's voice is a real gift and she shines as always.  Overall the music makes some overt references to Yes and Genesis so you get that old school flavor that the band hasn't offered in many years.  The album arrives in a special edition with a bonus DVD.  You get the complete album in a 5.1 mix, documentary footage and a promo video for one of the tunes.  Highly recommended.
    $18.00